Autograph Letters

1p., 12mo. Good, on lightly-aged paper, with minor traces of mounting on the blank reverse. The letter reads: 'I shall be happy to execute your orders, and shall be obliged if you kindly forward me the blocks and Copy, with your directions upon what style you wish these drawings to be done: to my address as above.'

Catherine maintained frequent and regular correspondence throughout her life with family, friends and others, including famous contemporaries and she also collected autograph letters. She also travelled widely. A selection of her correspondence and other personal writings was published by her cousin Catherine Hutton Beale, in 1891, in Reminiscences of a Gentlewoman of the Last Century and this publication includes extracts from the diary and letters which form part of this collection. Statement in her hand [NOT signed].

Four pages, 16mo, bifolium, in narrow frame of stiffer paper, good condition.

See his entry in the Oxford DNB. Rectangle of paper, evidently cut from a letter for an autograph hunter. Reads: ‘Yours truly / Tom Hood’. See image.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Signed ‘W Harrison Ainsworth’. Signed ‘W Harrison Ainsworth’ and reads: ‘Dear Mrs Barlow / My Daughters return on the 30th. May[.] I therefore hope to have the pleasure of seeing you and Mr. Barlow at Dinner at a quarter after 9 o’clock on Saturday, 30th?’ See image.

See his entry in the Oxford DNB. The present item is not in the best of condition: it is aged and creased (including dog-eared corner on which the signature ‘Camden’ is written), with contemporary repair to two long tears by the laying down on the blank reverse of strips from a contemporary manuscript. Docketed on the otherwise blank second leaf: ‘25th July 1824 / Marquis Camden’.

A good well-written correspondence, painting a good picture of the day-to-day life of an English expatriate in the occupied city. Letters are signed ‘Malcolm’ and (once) ‘Mac’. Young names himself in valedictions as Celia’s brother. He does not sign with his surname, which can however be deduced from the combination of postscripts signed ‘M H Y’; and Celia being named in the endorsement to one letter as ‘C. G. Young’. He is is presumably ‘Malcolm H. Young, agent’, who features in the Tsingtao / Hong Kong List for 1941.

Total 5pp., 8vo, some chipping but texts clear and complete, signed variously, P, Percy Muir, Percy, PCM. (1939) Your letter cheered me up no end. It was just like being in the office & listening to you laying down the law in your usual style. | We hardly know there's a war on down here, except for black-outs & an unusual number of children in the village. We even manage to sell a few books from time to time - about one a week so far - made 3/- profit on a sale this morning. Well, I hope to live to see you commander in chief.

Four pages, 12mo, bifolium, fold marks, good condition. He is sending the three Reports of the Dante Society in reponse to Toynbee's request. In the last Report you will find a list of such publications on Dante or his works as have been made in America, which I truct may be useful to you. The 'Concordance' of which I sent you the specimen pages is advancing well, and will, if we can get it published, be a great boon to the most constant students of the D.C. | You have indertaken a great task [word crossed out] , and one of slow accomplishment.

Meyerbeer is said to have been the most frequently performed opera composer during the nineteenth century. He encouraged and supported the young Wagner, who turned on him viciously later in life. Lady Molesworth (née Andalusia Carstairs, d.1888) had herself been a professional singer. She was the widow of Sir William Molesworth (1810-55), founder of the London Review and owner, under the editorship of John Stuart Mill, of the Westminster Review.

The entry for Slatin in the Oxford DNB gives a good outline of the life of this adventurer. The present item forms half of a 4to leaf, torn down the middle vertically, no doubt in order to provide an autograph. In good condition, lightly aged. Written lengthwise on the reverse, in a large bold hand, is the valediction: ‘Hoping that you are fit & well / Yours ever / R Slatin’.

[Upton] Two pages, 8vo, bifolium, good condition; [Corsa] One page on verso of Upton's first page. See images. [Upton] Italian rights of 'Herod' [underlined] Mr Lane has just sailed for New York but has instructed me to answer a letter received from Signor Bonaspetti raising certain questions as to the contract for the production of Mr. Stephen Phillips' 'Herod' in Italy. It seems better to write to you since you have so far carried on the negotiations. The questions are these [...] There follows two points (see images) with the letter concluding: To this Mr.

Two sides of card with printed heading as above, 13 x 10cm, sl. crumpled but text clear and complete. Many hearty thanks for your kind letter of Dec. 20th and for all your kind wishes. May God bless you and all yours during the New Year and for all the years to come and for all Eternity. I am so overwhelmed with work annd so full of cold I have not been able to answer half my letters. Rome is no place of peace and rest for me. I shall have to get back to Africa as soon as I can. Give my love and my blessing to all the tender Olive shoots. How I wish I could see them.

2pp, 12mo. In fair condition, lightly aged, fold marks. Twenty-nine lines of text in Kipling's neat and close hand. Text: Many thanks for your letter & enclosed slip. As you say, your competition is the First step in the right way: next comes the unknown range for the disappearing man. I am afraid you will find [masses?] of opposition from the 'crack' shots &c to whom the solemn ritual of [?] paint-box and all the rest of it has all the dignity of a 'sport'. Also the meagre scores will not 'look well in the papers'.

See his entry in the Oxford DNB. 1p, 12mo. In very good condition. Folded twice. Clear and neat signature beneath slightly-smudged text. Written on the verge of his removal from the House of Commons to the House of Lords. Reads ‘[Admiral Buser?] to Gallery of H of C / Tuesday May 8th. 1866 / E B Lytton’. See image.

For Powys and his two literary brothers see the Oxford DNB. On 11 x 9 cm piece of wove paper. The paper is discoloured with heavy spotting aroudnd the signature. Clearly a response to a request for an autograph, neatly written and centred on the paper, the only writing is the signature: ‘Theodore Frances Powys’. See image.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged with patch of light sunning. Folded once. The recipient is not named. Reads: ‘Dear Madam / Forgive me for my delay in answering your letter. I have been laid up for a week or two with influenza & my correspondence has suffered in consequence. / And please believe that your words have given us sincere pleasure & that I am / Yours very faithfully / A. T. Quiller-Couch’. The hyphen in the signature is almost imperceptible. See image.

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.

On 11.5 x 7.5 cm calling card. In good condition, lightly aged. The calling card is printed in copperplate font, with the name ‘Mrs. Neville Chamberlain.’ centred, and the address ‘10, Downing Street, / S.W.1.’ at bottom left. Two lines of the inscription are written above the name and the rest beneath. Reads: ‘Thank you so [sic] & Major Cripps so much for those more lovely carnations which I appreciated so much. / Anne Chamberlain’. See image.

See his entry in the Oxford DNB. An 11.5 x 7 cm piece of paper, cut from the front of an envelope. In fair condition, laid down on a piece of grey paper cut from an album. Faint franking postmark in red ink. Laid out in Palmerston’s neat and stylish hand in the customary way, and reading: ‘London February Twenty 1826 / Peter Legh Esqr. Junr / Haydock Lodge / Warrington’, with the signature ‘Palmerston’ at bottom left. See image.

See his entry in the Oxford DNB. The postcard, with stamp printed on it, has the typed address: ‘The Rev. A. H. Sayers, / Orchard Close, / Monmouth’. Aged and worn, with a dog-eared corner and minor rust spotting from a paperclip. Stylised signature. Reads: ‘Many thanks for your offer to send a car to meet me at Severn Tunnel Junction, on November 20th. I will look out for it. / Yours / L Housman’. From the Sayers papers, with other material indicating that Housman was giving a talk for the Union. See image.

See his long entry in the Oxford DNB, which sums up his achievements as ‘very substantial’ and ‘a source of enduring inspiration to others’. 1p, 16mo. On bifolium with thin mourning border. In good condition, folded twice. Written in his characteristically-inky hand, and signed ‘Shaftesbury’. Reads: ‘Dear Mr Rowley / I did not forget your request. I trust that, by the blessing of God, your [fears?] are [removed?]. / Yours tr[ul]y / Shaftesbury’. Seee image.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

An almost miraculously legible example of Parr’s normally atrocious hand. (His entry in the Oxford DNB states that ‘Parr was flogged only once at Harrow, for bad handwriting, and to no effect. His writing remained atrocious all his life, so much so that on an occasion when he wrote to ask for 'two lobsters' his friend read the words as “two eggs”.’) On one side of blank card. In envelope with indistinguishable seal in red wax, addressed by Parr to ‘Keeling Greenway Esqr / Mayor of Warwick’.

Underlined signature on 9 x 1.5 cm piece of wove paper, apparently cut from letter. In good condition. Reads ‘Joan Sutherland.’ Reverse blank. See image

The present autographs were taken within a few years of the quartet’s formation in 1931. Accompanying the item is an 11 x 9 cm newspaper cutting of a photograph of the youthful members of ‘THE FAMOUS GRILLER QUARTET - often heard over the wireless - which created a very favourable impression last night at the first concert for the season of the Aberdeen Chamber Music Club.’ The autographs are on one side of a 16 x 11 cm leaf with rounded edges, extracted from an autograph album. The signatures are one above the other, with Sidney Griller’s large and bold.

See her entry in the Oxford DNB. Clearly written in response to a request for an autograph. On 11.5 x 5.5 piece of wove paper, cut from an album. In good condition. Reads: ‘Yours very truly / Ada Ellen Bayly / “Edna Lyall.” ’.

On 17.5 x 11.5 cm leaf of pink paper, with rounded edges, removed from autograph album. In good condition, lightly aged. Written in a large, expansive hand, diagonally and upwards. Reads: ‘With all / good wishes / Oda Slobodskaya’. See image.

On 9 x 13.5 cm newspaper cutting of photographic portrait of Jarred. In good condition, lightly aged. Reads: ‘Mary Jarred / 1935.’ The photograph shows Jarred posing in a black dress and pearls, with left hand arranging her white fur coat to tastefully emphasize her bust. See image.

See the entries for Warner and Macqueen-Pope in the Oxford DNB. Such was the popularity of Warner’s portrayal of George Dixon, that the Queen told him it had become part of ‘the British way of life’, and he was carried to his grave by six real officers from Paddington Green Police Station. LETTER: 1p, 4to. Folded twice. In good condition, lightly aged. Signature ‘Jack.’ and salutation to ‘My dear Popie’ in Warner’s hand; the rest typed. Letterhead with his name. He is sending ‘the long promised photos’, delayed because he ‘had to get some new prints of the “pipe” one.