BRITISH

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed, sl. turned at edge, and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b. With: H.D.C. Pepler, Aspidistras and Parlers. St.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE. Letters to Shaw from Colin Banks: Three Autograph Letters Signed (one 4to, 2 pp; two on compliments slips, 12mo, 1 p), two Typed Letters Signed (both 4to, 1 p), and three Autograph Note Signed (one 12mo, 1 p, also on a compliments slip; two on press releases).

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed, sl. turned at edge, and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b. With: H.D.C. Pepler, Aspidistras and Parlers. St.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE. Letters to Shaw from Colin Banks: Three Autograph Letters Signed (one 4to, 2 pp; two on compliments slips, 12mo, 1 p), two Typed Letters Signed (both 4to, 1 p), and three Autograph Note Signed (one 12mo, 1 p, also on a compliments slip; two on press releases).

2pp., 12mo, bifolium, fold mark, good condition. Text: Forgive my not answering your note sooner. I should be delighted to help you to the appointment you speak, & fel sure you would make an excellent magistrate, but the competition for these places is enormous, & I fear that actual experience is criminla practice is looked upon as essential. I think it best to tell you candidly where the difficulty lies, but if in any way I have the opportunity of serving you it shall not be lost [...].

Banners, paper, 50 x 10cm, fold marks, good condition. Perhaps intended to put in one's window unlike the brazen Marples Must Go that decorated a bridge on the MI in living memory, objecting to his policies (including the Beeching Railway butchery). Harold Macmillan had reached his sell-by date also. to be succeeded by Harold Wilson and the white heat of technology. Apparently unrecorded (by Google at least). See Image.

Part of letter, 9 x 5cm, formerly tipped on something by survivng stamp hinge, both side stained but text mainly legible. Recto: [soon?] as possible - he has been very ill - staying for three months at [Ben ??]: - but as his illness came on with indigestion I have persuaded him to take the; Verso: [?] and regards to [?] Hepburn - believe me | Yours very truly | DMMulock:- Image on request.

Panoramic Photograph entitled Egyptian Army Sports at Abbassia Cairo - April 1906, 28.5 x 15.7cms, partly laid down on somewhat grubby album leaf, 28 x 25cms. See Image for details.

One page, 4to, fold marks, good condition. Thank you very much indeed for your extremely kind appreciation, and for the drawing which you enclosed. I am doing exactly as you tell me and send the cards back herewith.

Two pages, fol., bifolium (partly separated), aged, closed tears, text apparently complete. The text comprises columns headed as follows: Names; Subsisted From/To; [Days?]; Amount; Remarks. Example: [Serjeants] John Johnston; 15 Oct.1790/21 Jan.1791. Forty Five soldiers were invalids delivered to the Town Mayor of Portsmouth.

See the entries for Ellis and the recipient?s brother Charles James Smith in the Oxford DNB. 2pp, 4to. In good condition, lightly aged, with negligible traces of mount on reverse. Folded for postage. In Ellis?s disciplined and attractive hand. Addressed to ?William James Smith Esqr / &c &c &c? and signed ?Henry Ellis.? He begins by apologising for the delayed response, then writes: ?Pray accept my kind and sincere Thanks for the two beautiful and splendid Numbers of the ?Historical and Literary Curiosities?: I only wish that your poor brother had lived himself to have sent them to me.? (C. J.

See his entry in the Oxford DNB, with that of the engraver Charles John Smith FSA (1803-1838), the brother of the recipient. 1p, 12mo. In good condition, lightly aged and worn, on first leaf of bifolium, the second leaf carrying a thin strip of tape from the mount. Folded twice. Addressed to ?Wm. James Smith Esqr:? and signed ?Combermere.? (the addressed and signature being somewhat smudged and merged).

See his entry in the Oxford DNB. The recipient (‘Broadley Pasha’), who does not have the entry he deserves in the same work, had been involved in homosexual scandals in India, in 1872, and in England (‘The Cleveland Street Affair’), in 1889. LETTER: 3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of tape from mount adhering to the blank reverse of the second leaf. Folded once. Addressed to ‘A. M.

See his entry in the Oxford DNB (from which the scandalous Broadley is unaccountably absent). 2pp, 12mo. On bifolium of grey paper. Tears to the second leaf (not affecting signature) have been unobtrusively repaired with archival tape, and its blank reverse carries a thin remnant of the mount. One postage fold. Addressed to ‘My Dear Broadley’ and signed ‘Ernest Hart’.

See his entry in the Oxford DNB, and the entry for ‘scientist’ in the OED. Whewell first used the word in 1834 in the Quarterly Review, stating that ‘some ingenious gentleman proposed that, by analogy with artist, they might form scientist, and added that there could be no scruple in making free with this termination when we have such words as sciolist, economist, and atheist’. It is probable that the ‘ingenious gentleman’ is Whewell himself. 2pp, 12mo. On first leaf of a bifolium. In good condition, lightly aged, with the blank second leaf slightly damaged by removal from mount.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In good condition, lightly aged and worn. Folded twice for postage. In autograph: ‘Dear Philip Dossé [sic]’ and ‘Yours sincerely / Richard Acland’. He begins by thanking Dosse for his ‘most generous letter’ with regard to his autobiography ‘Four Years Hard Labour’, and for the offer of a free advertisement in ‘Books and Bookmen’, continuing: ‘But how sad.

See the entries for Cathcart and Dundas in the Oxford DNB. 1p, folio. In fair condition, on aged paper, with wear along one edge, and repair with archival tape along folds. Addressed ‘To / The Paymasters General of His Majesty’s Forces, or the Paymasters General for the time being -’. Signed ‘G Hotham Lt Genl. / D. Dundas Lt Gl.

From the Henry Williamson papers. The present text does not feature in Williamson’s 1941 memoir of Lawrence ‘Genius of Friendship’, and appears to be unpublished. (According to Williamson’s entry in the Oxford DNB, the publication in 1927 of ‘Tarka the Otter’ ‘attracted the attention of T. E. Lawrence, whose letter of praise started a correspondence and friendship between the two.

Felix Mendelssohn was his godfather. See the entry on his father Ignaz Moscheles (1794-1870) in the Oxford DNB. Moscheles discusses his acquaintance with Kate Terry and her husband Arthur Lewis in his 1896 reminiscences ‘In Bohemia with Du Maurier’. 1p, 12mo. On first leaf of bifolium. In good condition, lightly aged and creased, with part of mount adhering to the blank second leaf. Addressed to ‘Dear Mrs Lewis’ and signed ‘Felix Moscheles’. He asks her to ‘let the bearer have the necklace you spoke of the other day’, as he ‘can just use it this morning’.

See his entry in the Oxford DNB. A 17.5 x 9.5 cm rectangle of grey paper, torn from the conclusion of a letter, evidently in response to a request for an autograph. In good condition, lightly aged, with central vertical fold. Reads: ‘[…] part or else the picture will be gone. / Yours sincerely / F Brangwyn’. The ‘F’ of the signature is more lightly inked than the rest. See Image.

See Kennington’s entry in the Oxford DNB. All six items in good condition, lightly aged. Previously pinned together, with Kennington’s letters folded for postage, and all three are 1p, 8vo, and signed ‘Eric Kennington’. ONE: Kennington ALS, 11 June 1956. Having conferred with Ackroyd’s clerk ‘Mr. Osborne’, he explains that he cannot give his attention to the portrait until September.

See her entry, and those of Robey and her husband, in the Oxford DNB. 2pp, 4to. In good condition, lightly aged. With two folds. Addressed to ‘Geo Robey. Esq. C.B.E.’ and signed ‘Margaret Lloyd George.’ She gives details of a concert she is having at Downing Street the following month, ‘in aid of the Electrical Industries Association’, and has been asked by its committee to ‘invite your kindly assistance’.

See the entries for Mrs Maurice’s sister Octavia Hill and their mother Caroline Southwood Hill in the Oxford DNB. Book: viii + 77 + [1]. 12mo. Errata slip between pp.56 and 57. In original green cloth, gilt. Good copy, lightly aged and worn, in original green cloth binding gilt. Bookplate of Queen’s College, London, on front paste-down, stamped ‘WITHDRAWN’. Presentation inscription on recto of front free endpaper: ‘Queens College Library / Presented by Mrs C. S. Maurice / 1931’.

See her entry in the Oxford DNB. 1p, landscape 12mo. In fair condition, lightly aged, with curling to inner edge. Central vertical fold. She thanks her for writing about ‘Broome Stages’, and is glad she enjoyed it. ‘You are quite right, it is a pleasure and an encouragement to hear that a book makes friends.’ She concludes, ‘Yes, I suppose the name did come from the Church: it gave me the idea, but it was pure chance, there is no association.’

See his entry, and those of his father and brother, in the Oxford DNB. On rectangle of paper, roughly 8.5 x 3.5 cm. In good condition, lightly aged, with the 'Powell' of the signature slightly smudged, and traces of glue from mount on reverse. Reads '[...] and Love [...] / Yours truly / George Baden-Powell'.

See Mosley’s entry in the Oxford DNB. Hamm’s papers are in the University of Birmingham. The recipient Philip Dosse (1925-1980) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players.ONE: Typed Letter Signed from ‘Jeffrey Hamm’ to ‘Mr. Dossé’ (Dosse did not employ an accent). 2pp, 12mo. In good condition, lightly aged and folded once. Begins: ‘Sir Oswald dictated this review over the telephone today on to my recording machine.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, torn along the inner edge on removal from mount. Addressed to ‘Chas. Fowler Esqr:’ (a vice-president of the Artists’ General Benevolent Institution) and signed ‘Rob. Smirke.’ Reads: ‘Dear Sir / May I request you will have the goodness to add the amount of the enclosed cheque for me to the collection recently made for the Artists Genl. Benevolent Institution.’

See his entry, and that of George Doo, engraver, in the Oxford DNB. The four items are in good condition, lightly aged and worn The items of 1832 and 1838 are in the third person; those of 1837 and 1839 are signed, 'D. Wilkie' and 'David Wilkie' respectively. The 1832 letter, accepting a dinner invitation from 'Dr and Mrs Baillie', is 1p, 16mo; the other three items are each 1p, 12mo. In 1838 he writes to 'Capt Seymour' to ask for 'the present address of Sir William Knighton'.

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged, with small and slightly rusted staple holes to one corner. Folded once. Addressed to ‘My dear [Gern?] King / A. G. B. I’ (i.e. the Artists’ General Benevolent Institution) and signed ‘Aston Webb / Presd. A G B I -’. He is writing at the request of ‘the Council’, ‘to express to you on their behalf & my own our sincere regret at your resignation from our Council’.