CHARLES

James Samuel Walter de Soysa (b.1880) was one of the children of the vastly wealthy Ceylonese tea planter and philanthropist Charles Henry de Soysa (1836-1890) of Moratuwa and Alfred House, Colombo. An Anglican, he was educated at Cambridge, and was a bencher of the Inner Temple. In 1904 he married Maria Micada Piedra Albo, of a distinguished Spanish family. They lived in London in Kensington, and in Ceylon, where he had his own plantations.

See his entry, and that of the Vining family, in the Oxford DNB, as well as well as his sister Emma?s memoir. 3pp, 12mo, with the last page written lengthwise. Bifolium. Text clear and entire, but in fair condition only, on aged and worn paper, with strip of tape from mount adhering to blank reverse of second leaf, and short closed tears at foot of both leaves and tape repair. Folded once. Written in feverish style: one word is underlined seven times. Addressed to ?My dear Vining? and signed ?Watts Phillips?.

Jerrold, Manby and Rennie all have entries in the Oxford DNB. 2pp, 12mo. On bifolium of grey paper. In good condition, lightly aged, with trace of tape from mount adhering to blank reverse of second leaf. Folded twice. Jerrold has tipped in a newspaper cutting of a letter by him to the editor of the Daily News at the head of the first page, proposing ?A STATUE TO SIR JOHN RENNIE?.

See the three men?s entries in the Oxford DNB. 3pp, 12mo. Bifolium. In fair condition, on aged and worn paper, with tape from mount adhering to reverse of second leaf, which is docketted by Manby. Signed ?J Emerson Tennent?. Folded once. He explains that a friend of his, ?who is much interested about the Suez Canal, is going to Egypt next week?, and that he has that day promised, if he can, ?to obtain for him, a copy of an Address which you once gave me, (but which I have put away so carefully that I cannot find it now) delivered by J. M.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with strip of tape from mount adhering to blank second leaf. Folded once. Begins: ?Messrs Reeves & Turner, / Gentlemen, / When I went to America, I left funds with my agent to pay your account, and several other little matters. I am sorry he neglected my instructions.? He is enclosing a cheque for ?3 1s d, for which he asks a receipt.

Scarce. The only complete runs of the magazine located on COPAC are at the British Library and (possibly) Oxford, with Cambridge and St Andrews holding copies from between 1932 and 1935. Bound in two volumes of grey buckram, with titles in gilt on spine and front board. Internally in good condition, lightly aged; in lightly-worn binding.

Five black and white prints, all laid down on mount and in glass frame. Later prints (1940s) rather than the early silver gelatin ones. Each with manuscript caption at foot of mount, and Negative Number written in manuscript on reverse of frame. Each print in excellent condition. All five behind glass in worn plain black frames. From within the papers of Charles Chilton, the creator and producer of the influential BBC Radio series 'Journey into Space' (1953-1958), which numbered among its admirers Stephen Hawking and Colin Pillinger.

See the entries in the Oxford DNB for his brothers Robert Barnabas Brough and the subject of this letter Lionel Brough, as well as that of C. L. Kenney. 1p, 12mo. On first leaf of bifolium. In good condition, lightly aged, with slight discoloration in one margin from the wax seal, and evidence of mount on blank second leaf. Folded for postage. Addressed to ?Chas Kenney Esq / &c &c? and signed ?William Brough?.

Thomas was for upwards of twenty-five years the theatrical critic of the London papers Daily News and the Graphic. See his entry in the Oxford DNB. 1p, 12mo. On first leaf of bifolium. In fair condition, lightly aged and worn, with evidence of mount adhering to the blank second leaf. Folded for postage. Addressed to ?Will Williams Esq? and signed ?Moy Thomas?. He would have answered Williams?s note sooner, but he has been ?on the Continent for a few days?.

See the entries for Ellis and the recipient?s brother Charles James Smith in the Oxford DNB. 2pp, 4to. In good condition, lightly aged, with negligible traces of mount on reverse. Folded for postage. In Ellis?s disciplined and attractive hand. Addressed to ?William James Smith Esqr / &c &c &c? and signed ?Henry Ellis.? He begins by apologising for the delayed response, then writes: ?Pray accept my kind and sincere Thanks for the two beautiful and splendid Numbers of the ?Historical and Literary Curiosities?: I only wish that your poor brother had lived himself to have sent them to me.? (C. J.

See his entry, and Manby?s, in the Oxford DNB. 1p, 12mo. In good condition, on first leaf of bifolium, with the blank second leaf carrying traces of tape from the mount. Neatly folded for postage. Addressed to ?My dear Manby? and signed ?Jno. B Buckstone?. In addition to his work as an engineer Manby was for many years involved in the management of the Adelphi and Haymarket theatres.

The recipient is not named, but the item is from Manby's papers. See his entry, and Hudson's, in the Oxford DNB. 1p, 12mo. On bifolium. In good condition, lightly aged, with slightly-discoloured indentation of the royal crest, and thin strip of tape from mount adhering to the blank reverse of the second leaf. The recto of that leaf is docketted 'July 26 1846 / Geo Hudson Esq / York'. Folded for postage. Reads: 'Sir / being unable to give my attention to the Society of which you solicite [sic] my name I beg to [?] becoming a Provisional Director / I am / Your obt. St. / Geo Hudson'.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890 (the year of this item with its reference to 'going away'). A 9 x 5 cm piece of paper, cut from the end of a letter, and laid down on a 13 x 7.5 cm piece, which has been neatly annotated by Broadley: 'Signature of Edmund Yates 1890'. In good condition, lightly aged, with one postage fold. Reads, with good firm stylized signature: '[...] of going away?

See his entry, and those of his brother and Kenney, in the Oxford DNB. 2pp, 12mo. Bifolium. Twenty-two lines of text, addressed to ?C. L. Kenney Esq? and signed ?Aug: Mayhew?. In good condition, lightly aged, with thin strip of glue from mount adhering to blank reverse of second leaf. Begins: ?Dear Charlie/ Of course, we have to act under legal guidance.

See his entry, with those of his brother and of Manby, in the Oxford DNB. 2pp, 16mo. On the first leaf of a bifolium. In good condition, lightly aged, with strip of tape from mount adhering to the blank second leaf. Good signature with attractive flourish: ?Chas Landseer?. Begins: ?My dear Manby / I don?t know what Knight means by saying C. L is rich, but I do know that if I had a ticket for the private view left, I would have given it to Mrs. Manby with the greatest pleasure.? He is sure there is ?something wrong in the political economy of the R.

See his entry in the Oxford DNB. 1p, 12mo. Signed ‘W Dilke’. Embossed armorial letterhead of a falcon. The recipient is not named. In good condition, lightly aged, neatly inserted in trimmed windowpane mount. Twice folded for postage. Thirteen lines of text in his distinctive close backwards-leaning hand. The hand is not entirely straightforward, and what follows is a tentative reading.

An interesting letter from one great of the nineteenth-century stage to another. See the entries on Macready, Webster and Forster in the Oxford DNB. Curtis is a noted Federalist historian. 4pp, 16mo. Bifolium with mourning border. (His eldest daughter Nina had died at the age of twenty on 24 February 1850.) In good condition, lightly aged, with traces of tape from mount adhering to the second leaf. Two postage folds. Forty lines of text, addressed to ‘Benj. Webster Esq.’ and signed ‘W. C.

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

See his entry and Manby’s in the Oxford DNB. 4pp, 12mo. On bifolium with mourning border. In good condition, lightly aged, folded, with thin strip of tape from mount adhering to reverse of second leaf. Addressed to ‘My dear Manby’ and signed ‘Alfred Paget’. He begins by saying that there seems to be nothing ‘here about’ to prevent him from going with Manby ‘to Barnaby [presumably Nathaniel Barnaby, Assistant-Constructor of H.M.

See his entry and Manby’s in the Oxford DNB. 4pp, 12mo. On bifolium with mourning border. In good condition, lightly aged, folded, with thin strip of tape from mount adhering to reverse of second leaf. Addressed to ‘My dear Manby’ and signed ‘Alfred Paget’. He begins by saying that there seems to be nothing ‘here about’ to prevent him from going with Manby ‘to Barnaby [presumably Nathaniel Barnaby, Assistant-Constructor of H.M.

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

1p, 12mo. On thin paper. In good condition, lightly aged, in trimmed and spotted windowpane mount. Good bold signature ‘Fanny Brough.’ Addressed to ‘Revd. J. C. [Westly?]’. She has ‘much pleasure’ in sending him ‘the autograph’, and will do her best to get him ‘a few others which may be interesting to send out to you’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry, and that of his son, in the Oxford DNB. The topic of this letter is referred to in the second volume of Dickens's edition of the son's life, 1879. 3pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering at edge of blank second leaf and two folds for postage. Addressed to ‘Dear Harley’ and signed ‘C Mathews.’ He begins by thanking him for his ‘kind enquiries’, and (with regard to his son the actor Charles James Mathews) writes that ‘Our dear good Charles thank God! is recovered, and writes in excellent spirits from Florence.

See his entry in the Oxford DNB, as well as that of Manby who had, as the letter indicates, strong French connections. In addition to his work as Secretary to the Institution of Civil Engineers, Manby was also the business manager of the Adelphi Theatre in London. 3pp, 12mo. Bifolium. Letter of thirty-eight lines on the first three pages, with address and four postmarks (two French and two English) on reverse of second leaf: ‘C. Manby Esq. / Institution Civil Engineers / 25 Great George St. / Westminster / London / Angleterre’.

See his entry, and that of his father Charles and wife Madame Vestris, in the Oxford DNB. 3pp, 8vo. Bifolium with mourning border. In fair condition, on lightly aged paper, with slight damage at head of second leaf, the blank reverse of which carries traces of glue from mount. Folded once. Madame Vestris had died two and a half months before the writing of this letter, which evinces a surprising intimacy. Begins: ‘My dear Mrs Williams / Here’s a pretty business! Was there ever such disappointment.

See his entry, and those of his father, wife and Kenney, in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium, the blank second leaf of which carries a thin strip of tape from the mount. In good condition, lightly aged. Folded twice. Good bold signature ‘C. Kean’. Begins: ‘My dear Kenney / Would you like a P[rivate]. Box or stalls next Friday, being the opening night of our season - I should like you to give a kind of notice of my past season and of my intended retirement from management next July, to which I shall refer in the parting words I purpose delivering according to the custom’.

See his entry in the Oxford DNB, which states that he had two children - Charles Horace Kenney and the actress Rosa Kenney - by his marriage to Miss Rosa Stewart at the Paris embassy in 1859. 4pp, 12mo. In good condition, lightly aged. On bifolium, with thin strip of tape from mount adhering to the reverse of the second leaf. Folded once. Sixty-six lines of text, addressed to ‘Dearest Wife’ and signed ‘Your affectionate husband / C. L.

See his entry in the Oxford DNB. Slip of grey paper, 11 x 4 cm, cut from letter. In good condition, lightly aged, with central vertical fold and spotting on reverse (a few dots of which show through) from glue. Bold signature ‘Sydney Buxton’. Text on reverse: ‘[…] paper you thought [?] […] / or if too late for […]’.

See the entries for Mrs Maurice’s sister Octavia Hill and their mother Caroline Southwood Hill in the Oxford DNB. Book: viii + 77 + [1]. 12mo. Errata slip between pp.56 and 57. In original green cloth, gilt. Good copy, lightly aged and worn, in original green cloth binding gilt. Bookplate of Queen’s College, London, on front paste-down, stamped ‘WITHDRAWN’. Presentation inscription on recto of front free endpaper: ‘Queens College Library / Presented by Mrs C. S. Maurice / 1931’.