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Bifolium (21.5 x 14.5 cm): 4 pp. Good, on lightly-aged good-quality laid paper. Lightly folded. First page headed with a 5 cm square illustration of the front of Essex House. Begins: 'The Guild of Handicraft announce the forthcoming issue of the sixth book from the Essex House Press: | The Poems of Shakespeare and lyrics from his plays, in the orthography of the earliest editions. Edited by F. S. Ellis, with a frontispiece by Reginald Savage, and a new alphabet of bloomers designed by C. R. Ashbee.' Physical description and price follow.

12mo: 50 pp. Stapled. In original green printed wraps. Engraving of both sides of the 'Pontefract Siege Shilling' on title, with 38 engravings of both the obverses and reverses of coins in text. Printed on light-blue paper. Internally tight and clean, with rusty staples, foxing to edges and wear and chipping to the faded and spotted wraps. Blank back wrap loose and repaired. Scarce: no copy in the British Library or on COPAC, although there is a copy among the Fitzwilliam coin catalogues. Another Verity catalogue, from the 1870s, is in the V & A Library.

12mo, [ii] + 28 pp. In original pink printed wraps. Card frontispiece in three panels, folding out to 18.5 x 37.5 cm., carrying facsimiles of 48 numbered coins in collotype. Text clear and complete. Fair, on lightly-aged paper, with minor damp staining at foot, in chipped and faded wraps. 893 lots, beginning with 'Monnaies Grecques et Gauloises', and ending with 'Jetons' and 'M?dailles'. Excessively scarce: no copy on COPAC, and the only copy on WorldCat in the Institut National d'Histoire de l'Art, Collections Jacques Doucet, Paris.

Jardine, dubbed by the press 'the Poor Man's Pastor', travelled to France to perform the ceremony. As a result, his vestry committee resigned and he resigned his living, emigrating to the United States. The cuttings are laid down on 19pp of a Victorian folio volume, in superior brown calf binding, tooled in gilt, with marbled endpapers, and 'HARMONY OF THE GOSPELS' stamped on the spine. As the title on the spine indicates, the volume contains the manuscript of a harmony of the gospels, covering 127pp, with the text written around columns of printed text cut from a printed bible.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE. Letters to Shaw from Colin Banks: Three Autograph Letters Signed (one 4to, 2 pp; two on compliments slips, 12mo, 1 p), two Typed Letters Signed (both 4to, 1 p), and three Autograph Note Signed (one 12mo, 1 p, also on a compliments slip; two on press releases).

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE. Letters to Shaw from Colin Banks: Three Autograph Letters Signed (one 4to, 2 pp; two on compliments slips, 12mo, 1 p), two Typed Letters Signed (both 4to, 1 p), and three Autograph Note Signed (one 12mo, 1 p, also on a compliments slip; two on press releases).

See the two men?s entries in the Oxford DNB. 2pp, 12mo. Bifolium. Aged and a little worn, with short closed tear at head of the first leaf repaired with tape, and the second leaf having a discoloration at one edge from tape used in mount. Signed ?W. T. Moncrieff?. Casting interesting light on the production of melodramas in the ?Surrey-side? theatres.

See Image.One page, 4to, staining, sl. crumpled, closed tears, but text complete and clear. Dear Sir [Doctor Hooker in bottom corner] I regret exceedingly that hitherto it has not been in my power to offer my services in the way of showing your friend our Manufactures; I have been taken up with two or three meetings every day. On Monday next or any subsequent day which may be convenient for you and your friend.I will bemost happy to accompany you[...]. At the foot of the page is written [James Cleland] Author of Annals of Glasgow - a Statistical Account of the City of Glasgow &c. Notes: a.

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

2pp, 12mo. The five signatures in pencil on a single Festival letterhead. In good condition, slightly discoloured, with two unobtrusive dabs of glue from mount at head of reverse. The three signatures on the recto are headed by Noni’s large bold one: ‘Alda Noni / Edinburgh 1953’. Beneath this is that of ‘[Raul Herrman?] / (beardless) / Aug. 28, ’53’. At the foot is an indecipherable Easter European signature, with small pencil illustration: ‘[Woftniltuntz?]’. On the reverse: ‘Malcolm Sargent’ above ‘Michael Hordern’. Image on request.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

See his entry in the Oxford DNB. The recipient Philip Dosse (Summerson spells it ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. The five items are in good condition, lightly aged. The three letters signed ‘John Summerson’. ONE: ALS, 3 October 1973. 1p, 12mo. Two previous letters from Dosse were sent while Summerson was in Canada. ‘The book on Fischer von Erlach I will review with pleasure. I’m not sure that I want to do the Raj book as well – anyway, not in the same review.

Emerson’s novels have undergone a re-evaluation in recent years. The first six were republished by Quartet Books as ‘Rediscovered Classics’ in 2017, and in 2021 by Quadrant Books. ‘Books and Bookmen’ was one of a stable of seven London arts magazines owned by Philip Dosse (1925-1980) of Hansom Books. Emerson, who was the editor of the magazine at the time of Dosse’s suicide, has published an account of her time there: ‘Death of a Bookman’, Standpoint, October 2018.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In good condition, lightly aged and worn. Folded twice for postage. In autograph: ‘Dear Philip Dossé [sic]’ and ‘Yours sincerely / Richard Acland’. He begins by thanking Dosse for his ‘most generous letter’ with regard to his autobiography ‘Four Years Hard Labour’, and for the offer of a free advertisement in ‘Books and Bookmen’, continuing: ‘But how sad.

See his entry in the Oxford DNB. The recipient Philip Dosse (Hoggart addresses him as Dosse) was the proprietor of Hansom Books, which operated a stable of seven London arts magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In fair condition, slightly aged, worn and creased. Folded twice. Signed ‘Richard Hoggart’ (‘Assistant Director-General (Social Sciences, Human Sciences and Culture)’. He presumes that the letter with the copies of ‘Books and Bookmen’ was delayed by the French customs.

The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and ‘Plays and Players’. 2pp, small 4to. Addressed to ‘Dear Philip Dossé’ [sic] and signed ‘Richard Ingrams’. He is enclosing ‘a rather rude review of the Clive James book for the June B & B’, and sends renewed apologies for missing the May issue. He will ‘do Thurber next’ and reminds Dosse that he still has ‘the biography of Thurber which you sent me many moons ago’: ‘Would it be too late to embrace that as well?’ He thanks him for ‘continuing to print the P.

See his entry in the Oxford DNB. Slip of paper, roughly 18 x 2.5 cm, cut from form. Somewhat discoloured by the glue with which it is laid down on irregularly-cut backing card. Good firm signature ‘James Copland’, followed by the lithographed word ‘Professor.’ in gothic script, which is followed by ‘pro temp.’ in Copland’s autograph. See Image.

See the entries for his mother and father in the Oxford DNB. The recipient Philip Dosse (Guinness spells it ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and ‘Plays and Players’. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large signature, underlined. Reads: ‘Thankyou! [sic] I should be glad to review “Lost Demesnes” and “Classic Irish Houses” by Craig (see the enclosed) if it is sent to you.’

The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. Like Jullian, he would commit suicide. See ‘Death of a Bookman’ by Sally Emerson, Standpoint magazine, October 2018. The card is in good condition, lightly aged, while the four letters are in fair condition, with wear and creasing, one (Item Four) with a few small holes to the leaf caused by a paper clip. None of the items is dated. ONE: ACS. On both sides of a plain card with printed letterhead and no illustration.

‘Mr Flotsam and Mr Jetsam’ are regarded as precursors of Flanders and Swan. The present item is on a 14 x 13 cm leaf torn from an album. The high-acidity paper is discoloured, otherwise in good condition, with no chipping or wear. Entirely blank on both sides apart from the autograph ‘Flotsam’, with diagonal flourish, beneath a highly stylized and simplified portrait of flotsam seated at his piano. A nice and unusual item. See Image

See his entry in the Oxford DNB. Dosse was the proprietor of Hansom Books, publishers of ‘Books and Bookmen’ and six other arts magazines. 1 p, 8vo. In good condition, folded for postage. Addressed to ‘Mr. Dossé’ (Dosse did not spell his name with an accent) and signed ‘Louis Blom-Cooper’ (the hyphen, if hyphen it is, consisting of a tiny dot). He is flattered by the request that he ‘contribute occasionally to Books & Bookmen’, and ‘in principle’ he is ‘very willing to review appropriate books’, having written ‘one or two reviews way back in the 1950s’.

See Mosley’s entry in the Oxford DNB. Hamm’s papers are in the University of Birmingham. The recipient Philip Dosse (1925-1980) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players.ONE: Typed Letter Signed from ‘Jeffrey Hamm’ to ‘Mr. Dossé’ (Dosse did not employ an accent). 2pp, 12mo. In good condition, lightly aged and folded once. Begins: ‘Sir Oswald dictated this review over the telephone today on to my recording machine.

An interesting item, linking the editors of two prominent literary magazines. See his entry in the Oxford DNB, which states, without giving a date, that ‘Chaotic working conditions led to desperation: Grindea sold the title to Frank Cass and retreated to Hove hoping to write his memoirs, but quickly decided he didn't want to and “in agonies of self-flagellation begged Cass to sell back the magazine”’. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players.

See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. 1p, 12mo. In good condition, lightly aged. She thanks him for his note, adding 'Would this do?', and stating 'I will write my piece definitely by March 15th.' Signed 'Nora Beloff / NORA BELOFF'.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged, with small and slightly rusted staple holes to one corner. Folded once. Addressed to ‘My dear [Gern?] King / A. G. B. I’ (i.e. the Artists’ General Benevolent Institution) and signed ‘Aston Webb / Presd. A G B I -’. He is writing at the request of ‘the Council’, ‘to express to you on their behalf & my own our sincere regret at your resignation from our Council’.

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

See his entry in the Oxford DNB. See his entry in the Oxford DNB. Sneyd-Kinnersley is the headmaster who is alleged to have subjected a naked seven-year-old Winston Churchill to repeated beatings. 3pp, 12mo. With mourning border. Letterhead (no doubt designed by Waterhouse himself) in characteristic style. On grey paper. In good condition, lightly aged. Folded once for postage. Good expansive signature ‘A Waterhouse’, and the letter written in a stylish hand. Addressed to ‘The Rev: H. W Sneyd Kinnersley’.

The Peace with Ireland Council was founded in November 1920 by Lord Henry Cavendish Bentinck, following a meeting at the House of Commons by a group concerned at the deteriorating situation in Ireland following the introduction of the Black and Tans, and spurred on by the treatment of former MP Annan Bryce and his wife Violet. Among those involved were the historian Basil Williams, who acted as treasurer, and the suffragette Margaret Buckmaster (daughter of Lord Buckmaster) who served as honorary secretary. From the Sylvia and Robert Lynd papers.