FARCE

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

See his entry in the Oxford DNB. On 9.5 x 11.5 cm leaf of blue paper, with rounded outer corners, torn from an autograph album. In good condition, lightly aged, with spotting on reverse. Reads: ‘Best Wishes / Tom Walls.’ Good bold writing, with stylistic flourish linking the cross-stroke of the T in ‘Tom’ with the S of ‘wishes’, and two small vertical strokes at the centre of the underlining of the signature. See image

Toole’s entry in the Oxford DNB describes how ‘Toole was desolate, and his health broke’, after the Tooles’ twenty-two year-old daughter Florence died from typhoid fever on in November 1888, contracted a week before when visiting her parents who were performing at Cork. Her mother, Toole’s wife Susan, died three and a half months later, in February 1889. Both letter and card are in good condition. They are enclosed in a grubby envelop, with stamp and postmarks, addressed to ‘David Cunningham Esq / Belmont / Antrim / Ireland’. Letter and envelope have thick mourning border. ONE: ALS.

The two letters in fair condition, lightly aged and worn. Both with contemporary annotation at head of first page. ONE: From 13 North Crescent, and signed 'John M Morton'. 2pp, 12mo. Addressed, with a second signature, to 'J. P. Harley Esq'. Begins: 'Tho' not quite finished, you will see enough of the drift of the piece, to enable you to say whether you fancy it or not. I have written it out without amendments, which are rarely made, if you approve - I began Dainty (you remember the name?) for Mr. [Humby?], but broke down'.

68pp., 4to. In fair condition on lightly aged and worn watermarked laid paper. Sewn into brown paper wraps with 'The Unfortunate Youth. | T. R. H.' on cover. The title on the title-page is retitled in pencil 'The Unfortunate Boy! or Always in for it.' Possibly in Webster's hand, but with what may be the initials of the transcriber following the 'FINIS' on the final page. The text of the play is on the rectos, with occasional writing on versos. Emendations in ink and pencil, including additional dialogue.

Collier was the author of a number of melodramas and farces in the period between the Boer War and the Great War, including one written in conjunction with F. H. Dudley, but little is to be discovered about him, with no mention of these three titles. All three items in fair condition, on aged paper, in aged and worn bindings. ONE: '"In the Hands of the Mormons" Or "The Mormon Peril" A Drama in FOUR acts written by Hal Collier'. [1] + 45pp., 4to. Stitched into grey paper wraps. With pencil emendations throughout, including extensive deletions.

1p., 12mo. On aged and ruckled paper, with pinholes to one corner. He is 'in the thick of this "Week in the Country" business'. 'When I come to town I'll come & see you about your proposition of the series for the Grand Magazine, but I'm a rotten short story writer, you know.'

Edward Stirling (Boase), dramatist and theatre manager, mainly discussing the dramatisation and prospective performance of Hewlett's Peter Priggins - as a farce. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.