Jack

See the entries for Angus Wilson and Christina Foyle in the Oxford DNB. ‘Dolly’ is clearly the ‘Mrs. A. G. Dowdeswell’ who was secretary of the Johnson Society of London in the 70s and 80s (arranging luncheons) and named as a member of the Johnson Society at least as late as 1992. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018.

See her entry in the Oxford DNB. 2pp, landscape 12mo. In good condition, lightly aged. Folded once for postage. Signed ‘Marie Belloc Lowndes’ and addressed to ‘My dear Mrs Doubleday’. Begins: ‘This is only a line of very very grateful thanks for our delightful stay with you and the Great Effendi!’ They ‘enjoyed every minute’ of their visit, and she wants the recipient to have their ‘London address and telephone no. so that we may meet at once when next you are in England!’ She will write if she has ‘any authentic news as to Lord Grays book’.

The present autographs were taken within a few years of the quartet’s formation in 1931. Accompanying the item is an 11 x 9 cm newspaper cutting of a photograph of the youthful members of ‘THE FAMOUS GRILLER QUARTET - often heard over the wireless - which created a very favourable impression last night at the first concert for the season of the Aberdeen Chamber Music Club.’ The autographs are on one side of a 16 x 11 cm leaf with rounded edges, extracted from an autograph album. The signatures are one above the other, with Sidney Griller’s large and bold.

See the entries for Warner and Macqueen-Pope in the Oxford DNB. Such was the popularity of Warner’s portrayal of George Dixon, that the Queen told him it had become part of ‘the British way of life’, and he was carried to his grave by six real officers from Paddington Green Police Station. LETTER: 1p, 4to. Folded twice. In good condition, lightly aged. Signature ‘Jack.’ and salutation to ‘My dear Popie’ in Warner’s hand; the rest typed. Letterhead with his name. He is sending ‘the long promised photos’, delayed because he ‘had to get some new prints of the “pipe” one.

See his entry in the Oxford DNB. The two items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of both of the prints. Both colour prints. ONE: 23 x 16 cm photograph, in Landscape. Slightly creased at corners. A relaxed Rosenthal, in plaid shirt, jeans and trainers, seated on the steps of a farm outhouse, with five students and Warboyes grouped around him. On the reverse: ‘Jack Rosenthal / with his students / Sally Worboyes’.

Ten items relating to Percy Nash’s unsuccessful attempt to turn Goldsmith’s ‘She Stoops to Conquer’ into a musical, casting light on English theatre production practices in the immediate postwar period. Despite interest from the theatre impressario Jack Gladwyn, the project stalls. Percy Nash (1868-1958), who made around 70 films between 1912 and 1927, was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'.

See their entries in the Oxford DNB. Castle was a pioneer for woman in British politics and a champion of the welfare state; and Ashley, said to have been the first totally deaf democratic representative in the world, was a campaigner for the rights of the disabled.. Both items in good condition. The ANS is on a 16mo leaf of pink paper. On one side: ‘To Pip / who has lightened our load and brightened our lives for so many years. / Bless you! / Barbara Castle / 11. 7. 73.’ On the other: ‘To PIP THE POPular / With every good wish / Jack Ashley / P.S. And lots and lots of fun. / JA’.

Two pages, 12mo, small closed tear not affecting text, good condition. I have looked through William Starling's papers & I find that not only is he under height (being only 5-71/2) but his Physique was pronounced by the Doctors to be not up to our standard & therefore I am sorry to say that nothing can be done for him.

One page, 12mo, bifolium, fold mark, good condition. He has been asked ot gibe a reference for someone who is seeking employment wit you. A subaltern in the Ramsgate Company Church Lads Brigade which I commanded. Warren knew his family, but he has met him with his brother on many occasions and think that he is a respectable & presentable young man. See image.

On 5 x 9 cm card. In fair condition, lightly aged, with traces of glue from mount on reverse. The only writing on the card is the good firm signature 'E. Patsy. Hendren.', which is underlined twice with two short lines. At bottom right, in pencil, in a tiny hand: '1920'.

A satisfying association: a copy of the typescript of a play set in 'Mid-Rhondda', for a production by an amateur dramatic company from Mid-Rhondda. [1] + 80pp, 4to. Duplicated typescript. In fair condition, on aged and worn paper. Each page is on the recto of a separate leaf. Stapled into a dark-blue card binding, with cloth spine, the front cover of which carries: '”RHONDDA ROUNDABOUT” | A Play in 3 Acts by | JACK JONES | GARRICK DRAMATIC SOCIETY | Mid – Rhondda'. Preceding the text of the play is a page carrying a list of characters and their ages, and a 'Scene-Sequence'.

1p, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed, over a red 'Postage Revenue' 2d stamp: 'Alfredo Compoli. | August 13th. 1947'. Above this the receip, in Compoli's autograph, reads: 'Received £500 (five hundred pounds) in full, (£200 deposit – and £250 in cash – also cheque value £50 (dated August 11th. 1947) for Sale of Music Library (Salon Orchestra, & Trio)'. Accompanying the document is an unsigned autograph receipt on a worn slip of white paper, reading: 'April 28th. 1947 | Received, from Jack Salisbury Esq.

Six items, all but the last in good condition, with light signs of age and wear. A highly-entertaining snapshop of the seamier side of Victorian life, with the Metropolitan Police investigating after Sir Richard Harington of Ridlington, 11th Baronet, (1835-1911) alleges a blackmail plot, following his receipt of a letter from Mrs Nellie Rowan (Item Two), in which she addresses him as 'Dick', refers to her 'Rubbing Care' and ends in ' Kisses XXXXXX'.

32pp., 8vo. In good condition, lightly aged. A previous owner has thought well enough of this item to have it put in a sturdy binding of black cloth, with title in gilt on spine. The binding is in very good condition, but a bookplate has been removed from the front pastedown. An interesting catalogue (especially when compared with the staid British book catalogues of the period), with each of the 108 items presented, four to a page, each with accompanying photograph of the covers of the book. The most expensive item, at $100, is a 1902 first edition of 'The Cruise of the Dazzler'.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website, which descibes the background to this material, although its author us clearly unaware of the increasing tension between Pulman and Wouk revealed by material in the present collection: 'In early 1978 Paramount TV producer Stanley Kallis and author Herman Wouk approached Pulman to write a treatment (to be followed by a screenplay) for Wouk's sweeping World War Two novel 'The Winds of War'.

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

Folder of material from the Jack Pulman papers. 43 items in good condition, lightly aged. The Writers' Guild of Great Britain, established in 1959, is a Trades Union for writers working in television, radio, film, theatre, books and multimedia. Pulman began his career while studying economics, and his understanding of the business side of screenwriting is evident in his arbitration decisions contained in this collection. His distinguished career is well described on the British Film Institute's website.

1p., 4to. In fair condition, lightly aged and a little ruckled at edges. Winner's signature, in blue ink, is somewhat stylised. The document deals with eleven points raised at the meeting (which relates to a film project which was not realised), the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).

2pp., 16mo. In good condition. He is 'due at Woolwich the moment the rain stops as we have a day's match there today & tomorrow, but I don't suppose that you will be at Lords the ground must be under water.' He 'couldn't come out of the boys' room on Friday, the cricket was too exciting for words & it was cruel that we could not win'.

2pp., 8vo. In fair condition, on aged paper. She begins by thanking him for his 'altogether charming letter', before explaining that she and her husband 'expect to be in England about the middle of June if we escape capture by the Spaniards in [ Spanish-American War being waged ] and shall hope for the pleasure of welcoming you to "Jackwood" often'. She ends by sending her regards, along with those of 'Nat and the small sister'. The 'small sister' was Gertrude, and Jackwood was the Goodwins' mansion in Kent.

ONE: Typed playscript. 64pp., 8vo. Typed in purple ink, on rectos only. In pink card 'Ludgate File', with white typed label on front cover: 'THE FAIRYLAND EXPRESS'. In fair condition, aged and worn, with the leaves bound in with a rusted metal bar. Initial blank leaf with ownership inscription: 'Jack Denton | 12 Montague Road | Richmond | Surrey', as well as 'Mr Percy Nash | see phone'. The first page gives Denton's typed address as '25 Monmouth Road | Watford', and lists the cast, headed by 'Prudence . . . a little girl from Kensington', and 'Eric' and 'Marjorie', who are 'Her cousins . .

An interesting collection, giving an insight into theatre practices in post-war Britain. Hartnoll is commissioned by the actress Freda Jackson, then at the height of her popularity, to produce an adaptation of the play, Jackson gets impressario Jack Hylton and producer Anthony Hawtrey on board, and there is the inevitable falling out between the actress and the author, with Macqueen-Pope, who is acting as Hartnoll's agent, playing the mediator, as matters become acrimonious.

The collection of sixteen items is in good overall condition, on aged and worn paper. Includes: two lists of 'Messrs. Methuen's Sixpenny Books', one of them dated to 1908; lists for 1912, 1915, 1924 (two), 1934 (two: novels and 'new books'), 1939 (two: one in red of novels, and the other in blue of non-fiction). Also advertisements for: 'The Illustrated Pocket Library of Plain and Coloured Books'; 'The Heather Moon' by C. N. and A. M.

1p., 12mo. Good, on lightly-aged paper. He thanks him for his 'letter and expression of appreciation - judging by the wonderful reception of "Sunny" in Manchester I am hopeful of its success in London.' He is enclosing 'the two photos asked for' (not present).

ONE (Elliott's letter): 3pp., 12mo. 34 lines. Bifolium. In good condition, on aged paper, loosely attached to the title-leaf of the book by a small piece of gummed paper. The letter begins: 'My dear Driberg | I ought to have acknowledged your letter sooner, but I only received it on my return from abroad, and since then I have been busy struggling with the arears which always accrue during absence.' He thanks him for sending his 'son's little volume', which he has read 'with much interest & congratulate him on the neat & modest appearance he has made in print'.

6pp., 4to. Paginated 1-7, with page 6 missing, and a strip at the bottom of page 5 torn away, resulting in the loss of five lines of text. The letter ends 'Our garden is coming along too slowly. | All best salaams,'. It lacks a signature, but comes from the Driberg papers, and it is presumably Driberg who removed what was probably part of the text which dealt with personal matters.

8pp., 4to. On eight leaves pinned together. In good condition, on lightly-aged paper, with rust staining from pin. Apparently unpublished. Typed at head of first page: 'From J. H. Driberg, 19, Dryden Chambers, W.1.', above which, in manuscript: 'NL. N. 10 pt Miscellany'. Driberg is clearly the author: 'Anyanga' is a surname common in the area of Kenya in which he was based as a colonial offical. The first paragraph gives an indication of the tone of the piece: 'The War left me with one fragrant memory. Her name was Yvonne Beaubouchais, and the date was 1915.

The four items in good condition, on lightly-aged paper. In envelope addressed to Mrs P. E. Batt, Beckenham, Kent. ONE: 'The Last Month' by Wilmott. 13pp., foolscap 8vo. A photocopied typescript on thirteen leaves of paper, stapled together, with five original autograph annotations by Batt. The first reads '"Big funf" was one of the German Guards - had no roof to his mouth - spoke funnily' and the fourth 'We had a "Union Jack" which was used for burials when P.O.W.'s died.' Wilmott's account commences: 'There had been gun fire from the west and the south for the last three days.

1p., 12mo. In good condition, on lightly-aged paper. The letter begins: 'Dear Jack | It is a long time since we met - but perhaps that is my fault. If so, will you let bygones be bygones - and come over to Toppesfield some time?' She suggests a date, 'Or any Sunday lunch in the immediate future', stating that 'after July, all plans are "Hitler permitting"!' Driberg has noted his acceptance of the invitation up one margin. [Driberg was a Lecturer in Anthropology at Cambridge University from 1934 to 1942. His brother was the colourful Labour MP Tom Driberg.