GAY

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890. Broadley was a prominent figure in freemasonry, and the present item appears to link two individuals who were members of Oxford?s Apollo University Lodge: Oscar Wilde (whose proclivities Broadley shared) and Randolph Stewart (later Earl of Galloway). 1p, 16mo. On first leaf of bifolium, with second leaf tipped-in onto a page from one of Broadley?s albums.

See his entry in the Oxford DNB, and his Guardian obituary by Kemp’s collaborator Michael Coveney, 26 August 2018. Sprawling autograph inscription in green ink (‘with love for Paul from lindsay X’) across top of centre pages of an attractive programme for Kemp’s celebrated treatment of the works by Jean Genet and Oscar Wilde, with numerous photographs and illustrations: 16pp, 8vo, in black and white, on glossy paper, stapled into glossy red covers. Full page introductory piece on the Lindsay Kemp Company by David Haughton. See Image of autograph.

Of his activities around this time the Oxford DNB writes: 'he 'wrote film scripts in Hollywood in 1934–5 for classics such as David Copperfield (MGM, 1935), in which he played a bit part, and Little Lord Fauntleroy (1936)'. The subject of the letter may be his novel 'The Inquisitor', published by Macmillan in 1935. 1p, 12mo. In fair condition, lightly aged and worn. Folded once. Reads: ‘Dear Mr. Hunt / Here is a proof. The quotations are from the [?] Version. to me the only [last word underlined] version. / Yours sincerely / Hugh Walpole’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Reads: ‘Dear Miss Jennings / Thank you for your letter. There was however no half crown in the envelope. I searched carefully. / Yours sincerely / Hugh Walpole’.

See his entry in the Oxford DNB. The first letter, and probably the second, were written around the time when his ‘Down the Garden Path’ (1932) and its two sequels had made Nichols wildly popular, eliciting several parodies. ONE (TLS to ‘Mr. Bryon’): 1p, 12mo. Discoloration along top part of outer edge, otherwise in good condition. Folded once. Good clear signature ‘Beverley Nichols’. He thanks him for sending the interview. ‘I think it is admirably written, and expresses my views very clearly.’ TWO (conclusion of TLS): 1p, 12mo. Twenty-nine lines of text. In good condition, lightly aged.

The eight letters total 10pp., 4to., of which 3pp. are typed and 7pp. in autograph. In good condition, lightly aged and worn. De Rome's reputation was enlarged towards the end of his life, with the British Film Institute mounting a thrusting retrospective season, with an accompanying DVD and a penetrating documentary by David McGillivray, 'Peter de Rome: The Grandfather of Gay Porn' (2007). For more information on Alderman, who acted in de Rome's films 'Scopo' (1966) and 'The Second Coming' (1970), and who had been J. R.

Jerningham’s entry in the Oxford DNB, states that he died unmarried, ‘despite habitual flirtations with young actresses’; the present letter indicates that the members of the other sex were not exempted from his attentions. 2pp, 4to. In good condition, lightly aged, on a leaf of laid watermarked paper, folded for postage. Twenty-six lines of text. Dated ‘1798’ at top right, with ‘From Edward Jerningham the Poet’ above it. Unsigned, but in Jerningham's distinctive hand.

Material relating to Lambert is in the Charles E. Young Research Library of the University of California. See his obituary by Sharon Waxman in the New York Times (‘Gavin Lambert, 80, Writer Who Chronicled Hollywood Life, Dies’), 19 July 2005, which describes him as ‘an incisive observer of life in Hollywood through his screenplays, novels and film histories’, whose writings ‘speak candidly about the realities of Hollywood stardom and about the potentially destructive effects of the industry's harsh demands on artistry’: ‘Mr.

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Miss Cond, / I have pleasure in sending you my signature. As you will see, it is quite an ordinary one. / Yours very truly / William Plomer’. The signature is in fact rather stylish in an understated way, and the underlining has two small curls in it. In ink on otherwise-blank reverse, by someone who misread the signature: 'William Ploms'. See Image.

For information about Angela and her sister Jean, one must turn to Michael Williams, ‘The Three du Maurier Sisters’ (2012), as neither are even named in their father’s and sister’s entries in the Oxford DNB. The recipient Eileen Margaret Cond (1911-1984), was an enthusiastic autograph collector. The two items are in good condition, lightly aged and creased. On light-blue paper with the same design of letterhead. Both addressed to ‘Dear Miss Cond’ and both signed ‘Angela du Maurier’. ONE (5 March): 2pp, 4to.

1p, 16. On the recto of the first leaf of a bifolium of grey paper, with simple drawing in the same ink as the text of a straight plain walking stick stuck in the ground and running up the left-hand margin, with the handle hooked to the right at the top with the dating to its right. In good condition, lightly aged. Reads: ‘le 25 Decembre 89.

See his entry in the Oxford DNB. The postcard, with stamp printed on it, has the typed address: ‘The Rev. A. H. Sayers, / Orchard Close, / Monmouth’. Aged and worn, with a dog-eared corner and minor rust spotting from a paperclip. Stylised signature. Reads: ‘Many thanks for your offer to send a car to meet me at Severn Tunnel Junction, on November 20th. I will look out for it. / Yours / L Housman’. From the Sayers papers, with other material indicating that Housman was giving a talk for the Union. See image.

See his entry in the Oxford DNB. All three letters 1p, 8vo. The third letter in good condition, lightly aged; the first two in fair condition, on creased and chipping cartridge paper, with a few spots of rust from a paperclip. All three folded for postage. All three signed ‘Laurence Housman’. ONE (3 November 1936): Begins: ‘Dear Mr. Sayers, / I am rather perturbed to find that the meeting I am asked to speak at is the Annual of the League of Nations Union. The request for me to speak came from the Peace Pledge Union, and no indication was given that it was not a Peace Pledge meeting.

For the background to this letter see D’Arch Smith’s memoir ‘The Times Deceas’d: The Rare Book Department of The Times Bookshop in the 1960s’ (2003). The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 1p, 4to. Aged and lightly creased. Signed ‘Tim’, with Block writing ‘D’ARCH SMITH’ beside this. Begins: ‘My dear Andrew: / Thanks so much for looking after me so well on Saturday.

The subject of the present letter is, as Marshall’s entry in the Oxford DNB explains, her ‘translation of a play by the first female dramatist, Hrotsvit. ‘Paphnutius’ was given a world première by Craig for the Pioneer Players in January 1914.’ The recipient, Henry Mackinnon Walbrook (1865-1941), was the drama critic of the Pall Mall Gazette. 2pp, 12mo. In fair condition, on dusty discoloured paper, with slight rust spotting from paperclip.

Considered by his friend Noël Coward as ‘a phenomenon that would never recur’. See his entry by Osbert Sitwell in the Oxford DNB and the biography by Damian Collins, ‘Charmed Life: The Phenomenal World of Philip Sassoon’ (2016). Clearly sent in response to a request for an autograph. The signature is on a plain 9 x 6 cm card, and reads simply ‘Philip Sassoon.’ The card is laid down at the foot of a 12mo letterhead, on which is written by Sassoon, above a flourish: ‘With Sir Philip Sassoon’s Compliments’. Both items in good condition, lightly aged.

Busieness Card, 9 x 6cm, rounded corners, sl. battered but text clear. Printed detail includes name, James Kirkup, and celebrate his membership of the RSL, his professorship at the UNiversity of Nagoya, and Visiting Professorship at the Japan Women's University. The text (see image) is as follows: Many thanks for the books and your beautiful bill | James Kirkup". "AB [?], the recipient presumably has written the date 3 Dec. 1970 with these initial. The verso of the card has Kirkup's printed details (presumably) in Japanese.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – no other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

[12]pp, 8vo. Paginated to 14, but twelve pages on six leaves, comprising half-title, title and eight pages of text. Sewn into raspberry printed wraps. Title with engraving of the church, duplicated on front cover. Internally in fair condition, with slight creasing, but with blue ink (or wine?) stain at foot of outer edge of front cover. Bloomfield & Mendelson A46, which states that the edition was printed in November 1963 and limited to 250 copies, 'sent out to a number of personal friends whose names were mainly suggested by Mrs. MacNeice'. In this case, from the library of Christopher Fry.

The present item is the producer Hugh Burnett's own copy of the transcript of John Freeman's interview of Cecil Beaton, broadcast in the BBC series 'Face to Face' on 18 February 1962. Duplicated typescript. 4pp, foolscap 8vo. Numbered, and headed 'CECIL BEATON', otherwise consisting entirely of the transcript, with no other details. Aged and worn, with punch holes for binder. On four leaves which were originally stapled together, but with the first and last leaves now detached. Page references 1-10 (presumably to a shorthand transcript) in the outer margin.

Four pages, 4to, bifolium, some foxing but mainly good condition.The work was hugely popular, going through numerous editions between 1894 and 1907. The title is (deliberately) misleading. The work is an exploration of theological rather than biological questions, with the author stating that 'The How, Why, and Wherefore have not received the full amount of profound and reverent study that the ineffably intrinsic importance of the subject to ourselves warrants.' Lewis Carroll had a copy in his library.

A plain 'Carte Postale', with the address, with three postmarks, on one side (coloured lilac), reading 'Mrs. A. H. Green | Rosa House, Church Walks | Llandudno | N. Wales | Angleterre'. In fair condition, lightly aged and worn, with central horizontal crease. He is sorry to hear of her 'continuing illness', and hopes 'the air of Wales' will do her good. 'Dolgam is a farm-house about 2 or 3 miles below Capel Curig towards Bettws[sic]-y-Coed. I can quite recommend it. Mrs. Jones is (or was) the landlady. The air is probably not so bracing as some places as it lies in a sheltered hollow.

2pp., landscape 12mo. In good condition, lightly aged. The recipient is not named or addressed, the letter starting abruptly after the date: 'I like your portrait much. Thanks for sending it. Yes, the people are [last word underlined] fools, and the mills of God grind slowly. Nevertheless the work is not lost, and its outcome is sure. It is no good bothering about special results. They must take their own way (generally to the Crematorium!) but all the while something is being built up, wh.

The work was hugely popular, going through numerous editions between 1894 and 1907. The title is (deliberately) misleading. The work is an exploration of theological rather than biological questions, with the author stating that 'The How, Why, and Wherefore have not received the full amount of profound and reverent study that the ineffably intrinsic importance of the subject to ourselves warrants.' Lewis Carroll had a copy in his library.

1p., folio. Printed in red. Sixty lines of text. In fair conditon, lightly aged and worn. The first paragraph reads: 'The Soviet invasion of Czechoslovakia has provoked the expected emotional outburst from the reformist Left, tailing as usual behind the hypocritical phrases of the British ruling class, who weep over "poor Czechoslovakia" while actively supporting the 100-times-worse suffering inflicted by the US on the Vietnamese.

Only the prelims of the book are present, on four leaves. In fair condition, on aged paper, with slight damage at the margin of the first leaf. Orioli's two inscriptions are on the two central leaves. Comprising a leaf with series title ('The Lungarno Series No. 12'); leaf with half-title and limitation (no 5 of 300) on reverse, signed 'G. Orioli'; title leaf; and contents leaf. The inscription on the title reads: 'This is for Barbara and Raphael | with love and affection | from Pino [Orioli] | Florence day of publication'.

1p., 12mo. In good condition, on lightly-aged paper. Reads: 'Dear Sir/ | I beg to enclose my account for Cowes drawing. | Yrs truly | Oscar Eckhard'. On the reverse, in another hand: 'Oscar Eckhardt. [sic] | Popular Illustrator & artist. | (July 1897)', with stamp of the St James's Budget.

The five items in good condition, on lightly-aged paper. Item One: Autograph Letter Signed (with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines). 1p., 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl, and begins: 'Dear Erich | I have just spoken to Harewood [the Earl of Harewood, co-founder with Buckle of 'Opera' magazine].

The nine large prints are in good condition, lightly-aged with slight wear to corners. The smaller print is lightly-creased. In worn blue faux-leather album, with large facsimile signature of 'Lenare' on cover in gilt, with the address 'Portraiture | 28, GEORGE STREET | HANOVER SQUARE | LONDON, W.1.' ONE to FOUR. A series of four head-and-shoulders portraits of Driberg, each signed in pencil by Maurice Beck, and with the stamp on the reverse: 'Photograph by | Maurice Beck | F.R.P.S.' Each on a piece of 37 x 29.5 cm.