LONDON

ONE: Autograph translations by Proud. 14pp., 12mo. Unbound, stitched into a booklet of laid watermarked paper, with deckled edges. In very good condition, neatly and closely written on lightly-aged paper. Upwards along the inner margin of the first page Proud has written: 'Translation by R. P. Anno. 1802.' The translation of 'On Gardens, | From the Latin of Lord Bacon's Essays &c' covers the first 12pp., paginated 1-12; the 'Laus Mortuli. Translated at Hackney near London from a Lat. Epigram of Virgil, abt. the year 1752. by R. P.' covers the last two pages, and is unpaginated.

On a piece of paper 20 x 22.5 cm, with the dimensions of the image 16.5 x 22 cm. Caption at foot: 'A Drawing on Paper transferred on Stone', with 'Drawn by S. Prout' beneath the bottom left-hand corner of the image. In fair condition, on lightly-aged paper, with the image clean, and foxing to the caption strip at the foot. Laid down on a leaf removed from an album. The original print, from the English edition of Senefelder's book, published by Ackermann in 1819, and not the version reprinted in 'Lithography and Lithographers' by E. R. and J. Pennell (London: T. Fisher Unwin, 1915).

Both items printed on pink paper, with similar cover designs by Arnold Riches. Both in fair condition, aged and worn. The song sheet is a bifolium, 4pp, 4to, It dates from before 1939, when, following Ridgeway's death, the Player's Theatre moved to the Arts Theatre from King Street. The front page advertises performances 'Every Night (Except Sundays)', with 'THE ARTISTES' listed over twelve lines, and including 'Alec (Laneworthy-Figg) Clunes', Peter Ustinov, Bernard Miles and 'Leonard Sachs (Chairman)'.

On strip cut from letter. Dimensions: In fair condition, on aged and lightly-creased paper. Reads 'have complied with my suggestion | Yours Trly | [signed] John Lindley'. The signature has been cut close, and the downward loop of the final letter of the signature is lacking.

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

1p., 12mo. In fair condition, on lightly-aged and creased paper. The document reads as follows, with the autograph additions by Harrison in square brackets: 'WHITECHAPEL ESTATE, | THE PROPERTY OF | WILLIAM HEATHER MEDOWS, ESQ. | SIR, | I beg to acquaint you that I shall attend at the "Magpie," 12, New Street, Bishopsgate Street, to receive Rents on [Thursday] next, the [8th.] Instant, from Ten till One o'clock, when I have to request you will pay the Rent due by you at [Christmas] last amounting to £ [-. s17./7] | I am, SIR | Your obedient Servant, [G. C. Harrison] | Receiver.

The autograph address by Eva Marie Garrick is on a 7.5 x 14.5 piece of paper, laid down on an 8 x 20 cm piece of paper cut from an album. In fair condition, aged. Lightly-scored through by the postal authorities, it reads: 'The Rigt. Honorable | Dowr. Lady Amherst | Leven Grove near | Stokerley | Yorkshire'. Beneath this, in another hand: 'Widow of the celebrated David Garrick Esq', and along one edge, in a third hand (Lady Amherst's?), 'This direction was written by Mrs Garrick in the year 1819 when in her 92d year'.

3pp., 4to. In bifolium. Good, on aged and lightly-creased paper. 'Mrs. de Morgan' in manuscript at the foot of the first page, and 'No 5' at the head. The first page carries the circular letter from 'Edwd. West, Secy.', engraved in copperplate. In sending the balance sheets he notes that 'the income is scarcely equal to the expenditure which is necessary for obtaining for the Society public support'.

On one side of a 4.5 x 13 cm strip of paper, cut from the bottom of a letter. In good condition, on lightly-aged paper. All in Partridge's hand. Reads: '[...]ment of time occupied. | With many regrets, | I am truly yours, | Bernard Partridge.'

The second of the three volumes of Stanley's lectures, subtitled 'From Samuel to the Captivity', was published by John Murray in 1865, the first volume having appeared two years earlier. The autograph draft is 4pp., 12mo, on a bifolium embossed with the Stanley crest (motto: 'Sans Changer'). Good, on lightly-aged paper.

1p., 12mo. On aged and ruckled paper, with pinholes to one corner. He is 'in the thick of this "Week in the Country" business'. 'When I come to town I'll come & see you about your proposition of the series for the Grand Magazine, but I'm a rotten short story writer, you know.'

Both items signed 'Arthur Mee'. Typed Letter Signed: 5 August 1924. 1p., 12mo. Good, on lightly-aged paper. It would be a 'great pleasure' to him to be able to make use of the article she has sent him, 'but my papers are almost entirely in the hands of a staff of regular contributors', and he has 'very little opportunity of using outside contributions'. In a postscript he expresses pleasure at the fact that his 'papers come your way', and sends his regards to 'Patricia and David'. Manuscript Letter: 11 August 1924. Written by a secretary and signed by Mee. 1p., 12mo.

1p., 8vo. In fair condition, on lightly-aged paper, with slight wear and few short closed tears. An interesting artefact, reflecting the postwar British manpower shortage. The heading is all in block capitals, with 'TRADESMEN WANTED' across the top.

8vo., 69pp. Unbound as issued. In fair condition, on lightly-aged and worn paper, with worn and chipped printed front wrap still present, with ownership inscription at head (''). 482 lots, with several of the books ticked in pencil. Included, as lots 95 to 112A, are 'specially printed copies of the various Lyceum Plays, as arranged for the Stage by SIR HENRY IRVING; they contain numerous manuscript alterations in the text in the handwriting of the great Actor, and are in consequence of very great interest'.

28 + [1] pp., 8vo. In fair condition, on aged and lightly-worn paper. P. 1 has the drophead title: 'STRAND UNION WORKHOUSE. | RETURN to an Order of the Honourable The House of Commons, | dated 25 June 1866; - for, | COPY "of the REPORT made by R. B. Crane, Esquire, Poor Law Inspector, to the Poor Law Board, after an Inquiry held by him on the 4th and 6th June 1866, into certain Allegations made by Matilda Beeton, in reference to the Treatment of the Sick in the Strand Union Workhouse." | Poor Law Board, 25 June 1866.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

Typescript, 242pp., 4to, brown paper wraps, damage to top of spine but no loss, label on front with author ("Owen Edwards") and title. A semi-autobiographical novel based on Marsh's experiences during the Second World War in the London Ambulance Service. Initially a "Notice" "The characters in this book are fictitious. Some of the incidents are naturally based on real happenings during the war but they are none of them wholly accurate[...]". The novel starts with the hero, Lang, joining the Service.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

1p., 16mo. In fair condition, on lightly-ruckled paper. The note reads: 'Dear Mr. Odgers, | You were quite right, and I thank you for correcting my correction. I do not know what possessed me to make it.'

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

1p., 4to. Addressed on reverse, with red wax seal, to 'C. W. Dilke Esq:'. Hayward writes that he is enclosing a note (not present), which was sent to him 'in one to me received only today though apparently written on Wednesday last. A d - d foreigner kept it in his pocket in the interim.' Clearly referring to a fee for an article, he continues: 'The lady will be quite satisfied with what you name, but I suppose it may stand over till she does something else'.

3pp., 12mo. Bifolium. In good condition, on aged paper, with original worn and torn envelope, with stamp and postmarks, addressed by Lucas to 'H. W. Stuart Esq. | Mulgrave House | Rectory Place | Woolwich'. Stuart's son has 'shown himself so good a worker' at Guy's that Lucas is 'anxious that he should have an opportunity of taking a good position in the profession'. Lucas has 'persuaded him to try for the fellowship & if possible, to pass the preliminary next September'. Lucas hopes Stuart will encourage his son, as he is 'convinced that he has the power, if you give him the opportunity'.

46pp., 12mo. In original printed wraps, with the last two pages of the catalogue on the back cover. 704 priced items, with descriptions. Reproduction of no. 612 (mezzotint of Napoleon by Charles Turner from J. J. Masquerier) on front cover. In fair condition, on aged paper, in aged and worn wraps, with occasional pencil markings in margins. An important catalogue, issued in part to make a point during the Great War.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.

Original cutting, 53 cm long, from The Times, of an article titled 'Ode on the Death of the Duke of Wellington. By Alfred Tennyson.' This poem, one of Tennyson's finest and best-known, was published on 16 November 1852 (two days before Wellington's funeral) by the London publisher Edward Moxon, who had offered Tennyson £200 for 10,000 copies. As Edgar F. Shannon, Jr.

12pp., 4to. On the rectos of 12 leaves, stitched with red thread into yellow wrappers with crude design of airplanes in action. From the papers of the Labour MP Tom Driberg, and with 'Mr Driberg' in pencil at head of front wrap. In a preface dated 21 August 1941 Knight refers to 'twelve fateful and ferocious months', and criticises 'a deplorable lack of vision and imagination everywhere.

1p., 12mo. Good, on a piece of lightly-aged paper, with fold lines. Possibly written in response to a request for an autograph. Reads: 'With Dr. Jenners Compts. & thanks - | 8 Harley St | June 15th 1866.'

2pp., 4to. 58 lines. Good, on lightly-aged and creased paper. E. S. E. Childers' biography of his father had appeared earlier in the year, and his brother writes to tell him that the American booksellers 'have not yet received the copies (3) of the "Life" which I ordered on first hearing it was published'. He is ordering a further six, and will send copies 'to some of the leading papers for review, including 1 each to Dean Hodges and Mr Robt Woods of Boston for review in the "Churchman" and Boston "Transcript"'.