LONDON

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

On one side of a strip of wove paper, 46.5 x 9.5 cm. Cut down. In fair condition, on aged and lightly ruckled paper. 96 lines arranged in 12 numbered eight-line stanzas.

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

Typescript, 242pp., 4to, brown paper wraps, damage to top of spine but no loss, label on front with author ("Owen Edwards") and title. A semi-autobiographical novel based on Marsh's experiences during the Second World War in the London Ambulance Service. Initially a "Notice" "The characters in this book are fictitious. Some of the incidents are naturally based on real happenings during the war but they are none of them wholly accurate[...]". The novel starts with the hero, Lang, joining the Service.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

1p., 16mo. In fair condition, on lightly-ruckled paper. The note reads: 'Dear Mr. Odgers, | You were quite right, and I thank you for correcting my correction. I do not know what possessed me to make it.'

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

1p., 4to. Addressed on reverse, with red wax seal, to 'C. W. Dilke Esq:'. Hayward writes that he is enclosing a note (not present), which was sent to him 'in one to me received only today though apparently written on Wednesday last. A d - d foreigner kept it in his pocket in the interim.' Clearly referring to a fee for an article, he continues: 'The lady will be quite satisfied with what you name, but I suppose it may stand over till she does something else'.

3pp., 12mo. Bifolium. In good condition, on aged paper, with original worn and torn envelope, with stamp and postmarks, addressed by Lucas to 'H. W. Stuart Esq. | Mulgrave House | Rectory Place | Woolwich'. Stuart's son has 'shown himself so good a worker' at Guy's that Lucas is 'anxious that he should have an opportunity of taking a good position in the profession'. Lucas has 'persuaded him to try for the fellowship & if possible, to pass the preliminary next September'. Lucas hopes Stuart will encourage his son, as he is 'convinced that he has the power, if you give him the opportunity'.

46pp., 12mo. In original printed wraps, with the last two pages of the catalogue on the back cover. 704 priced items, with descriptions. Reproduction of no. 612 (mezzotint of Napoleon by Charles Turner from J. J. Masquerier) on front cover. In fair condition, on aged paper, in aged and worn wraps, with occasional pencil markings in margins. An important catalogue, issued in part to make a point during the Great War.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.

Original cutting, 53 cm long, from The Times, of an article titled 'Ode on the Death of the Duke of Wellington. By Alfred Tennyson.' This poem, one of Tennyson's finest and best-known, was published on 16 November 1852 (two days before Wellington's funeral) by the London publisher Edward Moxon, who had offered Tennyson £200 for 10,000 copies. As Edgar F. Shannon, Jr.

12pp., 4to. On the rectos of 12 leaves, stitched with red thread into yellow wrappers with crude design of airplanes in action. From the papers of the Labour MP Tom Driberg, and with 'Mr Driberg' in pencil at head of front wrap. In a preface dated 21 August 1941 Knight refers to 'twelve fateful and ferocious months', and criticises 'a deplorable lack of vision and imagination everywhere.

1p., 12mo. Good, on a piece of lightly-aged paper, with fold lines. Possibly written in response to a request for an autograph. Reads: 'With Dr. Jenners Compts. & thanks - | 8 Harley St | June 15th 1866.'

2pp., 4to. 58 lines. Good, on lightly-aged and creased paper. E. S. E. Childers' biography of his father had appeared earlier in the year, and his brother writes to tell him that the American booksellers 'have not yet received the copies (3) of the "Life" which I ordered on first hearing it was published'. He is ordering a further six, and will send copies 'to some of the leading papers for review, including 1 each to Dean Hodges and Mr Robt Woods of Boston for review in the "Churchman" and Boston "Transcript"'.

11 + [i] pp., foolscap 8vo. Stitched and unbound. Grubby and aged, with wear to dog-eared corner. Title printed on reverse of last leaf, with drophead title on p.1 reading: 'ST. THOMAS'S HOSPITAL.

11pp., foolscap 8vo. Stitched and unbound. Aged and worn, with closted vertical 5cm cut from bottom through all six leaves. The full drophead title reads: 'CAP. LXXVII.

1p., 4to. Fair, on aged paper, with one small burn-hole to margin. Addressed to 'Mrs. T. Driberg, | Bradwell Lodge, | Bradwell juxta Mare, | nr. Southminster, | Essex.' He thanks her for receiving 'an African boy from Northern Rhodesia and some members of my family', and 'showing us the details of your charming house so unhesitatingly'. He discusses the 'astonishing contrast the house is to the landscape around it.

1p., 8vo. In good condition, on lightly-aged paper. Van Thal was 'most distressed to read in the Daily Express this morning that you were no longer connected with that paper.' He thanks him 'for the pleasure that you have given me over a number of years of reading a first class column'. He hopes it will be 'discoverable as to where you are going to continue to write - or have politics put an end to a chapter?' In a postscript he states that he is at least 'able to console myself with Hansard!'

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

Mackenzie's letter is 1p., landscape 12mo. 16 lines. Good, on lightly-aged paper, with a crease to one corner. He thanks MP for his 'encouraging letter' and discusses his own 'silly slip about the Faery Queen's entrance' in a radio broadcast: 'I was so much concerned with giving listeners the difference between the O.P. and the Prompt side that it became a question of physician heal thyself.' He continues: 'I wasn't sure of the year Mille Le Garde [sic] sang that song. Probably '97. Rose Dering was the Aladdin. She was second boy. Ted Young was the Widow Twankey.

1p., 12mo. Fair, on lightly-aged paper, with a creased corner. The note reads: 'The Duke of Buckingham and Chandos incloses [sic] an order for Mr Blair to the House of Peers for to-day, & begs to acknowledge the receipt of the Pamphlet on the Corn Laws. | 17th May'. The paper is watermarked '<...>YNSON | 1839'.

2pp., 4to. Good, on lightly-aged paper. Addressed to 'Mons. Marc Julien [sic] | Redacteur de la Revue Encyclopedique &c &c'.Jullien's address has been added in another hand: 'Rue d'Enfer St. Michel No. 18'. The first paragraph reads: 'Dear Sir | I have the pleasure to introduce to you Captn. Bromley, who is a zealous advocate of the cause of general Education, & who is visiting Paris for a short time. He will deliver you a Copy of the 21st. Report of the B. & F.

All four stories 16mo, and each with a frontispiece included in the pagination. ONE. 'Tommy and Mary. A Book for the Very Little Ones.' 17pp. TWO. 'The Rector's Brook: A Story for Little People.' 32pp. THREE. 'Dobbin; or, The Discontented Donkey.' 30 + [1]pp. FOUR. 'The Little Missionary. A Tract for Children.' 11pp. Stitched into printed wraps, with the front cover coloured blue and the rear pink. Aged and worn, but complete and tight. Handwritten in a contemporary hand on the reverse of two frontispieces: 'Kilndown Lending Library'.

Both items in good condition, on lightly-aged paper. Neither is signed by Langham. ONE: Agreement with Coward, 1892. 1p., foolscap 8vo. On vellum paper with red embossed tax stamp. 'I Walter Hastings Coward hereby bind myself to disclose to Herbert Hay Langham all Chrome Ore or Chromium Mine that I may discover or otherwise acquire any right or share to or that I may have at present discovered or otherwise have acquired any right or share in the Island of Madeira'.

One page, 16mo, spike-hole, mainly good, complete and clear. "I believe the copyright of my drawings which appeared in the P.M.B. [Pall Mall Budget] belongs to us. I made a distinct arrangement to that effect with regrad to drawings I made for the P.M.[Pall Mall] Magazine, altho' I made no agreement (in writing) either way with the 'Budget', the Manager would, no doubt' be able to tell you."

The three items, all in manuscript, are in good condition, on lightly-aged paper. All three are folded into the usual packets, with the two items by the accountants each titled in manuscript on the outside. Item One (Gibson's report): 'Report to accompany the Accounts of "Vanity Fair" for the six months ending 30th. Septr. 1880'. In Bowles's autograph, and signed by him at the foot, 'Thos. G. Bowles | 10 Novr 1880'. 1p., foolscap 8vo.

5pp., foolscap 8vo. Attached with green ribbon. The sale was a protracted affair, and the detailed nature of these accounts may be due to Murray's desire to justify his charges of £22 1s 6d. The first entry reads: '1881 | Novr. 1st. Attending Mr. Bowles on his calling and receiving his instructions to act for all parties in the Sale of 1/18th. Share in "Vanity Fair" and General Roberts Executors would call and hand me the necessary papers [6s 8d]'. Other entries include 'Novr. 28th [1881] Writing Mr. Bowles that the Deed would be ready for his signature tomorrow morning [5s]', 'Jany.

2pp., 4to. 29 lines of text. Bifolium. In very good condition, on lightly-aged mourning paper, with broken black wax seal. Reverse of second leaf addressed to 'E Magrath Esq | Athenaeum | Pall Mall'. The letter begins: 'Yes, Truth, (as you say) is better than a thousand apologies. | From the Evng I was last in town (when I met your respected & kind friend Mr. J.