REVUE

See her entry in the Oxford DNB. After a stint as one of George Edwardes’ Gaiety Girls, she made her name in a number of revues, her performance in the lead role of the 1929 Broadway production of ‘Bitter Sweet’ prompting Coward to praise her grace and charm and assurance, which he said provoked one of the most prolonged outbursts of cheering I have ever heard in the theatre. She was less successful in Hollywood, starring in the Romberg/Hammerstein musical ‘One Heavenly Night’ (1931), a failure for Samuel Goldwyn.

1p, 8vo. In good condition, lightly aged. Removed from an album, and with stub still adhering to inner edge. Folded twice. He asks to be accorded ‘un quart d’heure d’audiénce’, as he is leaving on a journey and needs a passport and letters of recommendation. The recipient is not named, but he has written ‘Samedi à midi’ at top left.

Keys features in his son’s entry in the Oxford DNB. (John Paddy Carstairs was christened Nelson John Keys.) Three theatrical autographs - Nelson Keys, ‘G. L.’ and ‘Gordon’ - on one side of a 25 x 20.5 cm piece of card. Apparently a gift from fellow cast-members to the actress playing the ‘Spirit of Spring’ in the Arthur Wimperis sketch ‘The Queen of Hearts’, in the C. B. Cochran London Pavilion revue ‘London, Paris and New York’, which ran for 366 performances between 1920 and 1921. J. P.

24pp, 4to. Stapled pamphlet. Aged, and with spotting to covers, creased closed tear at foot of spine, and slight loss to bottom out corner of back cover. With one vertical fold. The cover is printed in black, with a charming cartoon by 'C. F.' in red ink of five happy birds singing and flying around with musical scores in wings, with one bird on box with conductor's baton tapping a music stand.

11 + [1]pp, 4to. Stitched with pink thread and unbound. In fair condition, lightly aged. Nicely printed on laid paper, with cover illustration in black and green of view from back of stage of dancer receiving a bouquet from an audience. The second page gives details of the performance, with a list of the names of the 'Executive Committee'. The programme is on pp.3-11. Divided into 16 numbers. After five songs, the main feature (numbers 6-15 pp.4-8) is 'Chelsea on Tiptoe | New Version', with 'A Prologue | Written specially for “Ellen Terry's Bouquet” | By E. V.

31pp., 8vo. Disbound pamphlet. In green printed wraps. In fair condition, on aged high-acidity paper, in worn wraps, with a few notes in light pencil. The title-page is headed: 'Collège de France | Cours de Philosophie Sociale | Leçon d'Ouverture | (16 décembre 1897)'. On p.6 Izoulet writes: 'cette leçon d'ouverture a pour but d'expliquer l'origine et le titre de la nouvelle chaire, la nature et l'esprit du nouveau cours'. Now scarce.

2pp., 4to. Good, on lightly-aged paper. Addressed to 'Mons. Marc Julien [sic] | Redacteur de la Revue Encyclopedique &c &c'.Jullien's address has been added in another hand: 'Rue d'Enfer St. Michel No. 18'. The first paragraph reads: 'Dear Sir | I have the pleasure to introduce to you Captn. Bromley, who is a zealous advocate of the cause of general Education, & who is visiting Paris for a short time. He will deliver you a Copy of the 21st. Report of the B. & F.

1p., 4to. Fair, on aged and worn paper. He begins: 'M. POULENC vous a sans doute remis le paraître dans votre supplément et nous charge de vous demander de nous le renvoyer au plus tôt lorsque votre graveur n'en aura plus besoin.' He accepts that it is likely that the Revue will ask Poulenc to correct the proof.

8vo: 4 pp (paginated 3-6). In original light-green printed wraps. Text in English, clear and complete. Good, on aged paper, with slight discoloration to wraps. Blind accession stamp of the British crime writer Jonathan Goodman (1931-2008). The following sentence is deleted in pencil: 'The above instructions have been observed at executions interessed [sic] by one.' A 'plan of the authorized scaffold' is said to be 'attached', but is not present. No copy recorded on COPAC or WorldCat.

12mo, 1 p. 20 lines of text. Clear and complete. On aged paper and lightly-creased paper. Writing to ask how the recipient wishes to deal with 'traités de Botanique et de Chimie' in his reviews. Written during the first of several incarnations of the 'Revue', this one beginning around 1836.