FRANCE

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

1p, 12mo. Seventeen lines of closely written text. In fair condition, lightly aged and worn, laid down on a leaf from an album. The recipient is not named, but is addressed as 'Monsieur le Comte'. The letter concerns the count's 'ami et protégé' 'M. Leharivel' [author of 'Grammaire Francaise Pasigraphique, Simplifiee Et Regularisee, Pour Servir de Base Fondamentale; Et Anecdotes, Et Contes Historiques (1839) ].

An interesting letter, casting light on bibliographic and book trade practices in Consulate Paris. 2pp, 12mo. Forty-two lines of closely-written text on the first leaf of a bifolium, the recto of the second leaf being addressed 'Au Citoyen Firmin Didot | Rue du Regard | A Paris'. In good condition, lightly aged, with white paper stub of mount adhering to second leaf.

The Association des Artistes Musiciens was founded by the traveller and author Baron Isidore Justin Séverin Taylor (1789-1879), and existed between 1843 and 1868. Its aims were to improve the status of musicians, to provide a pension fund and relief, and to promote the art of music. Over the years the Association's committee contained eminent personalities inclulding Berlioz, Liszt, Meyerbeer, Auber, Thalberg, Zimmerman, Herz and Érard.

1p, 4o. On watermarked laid paper. In fair condition, with slight wear and chipping; folded twice. Two manuscript endorsements on reverse, which also carries minor traces of previous mounting. In fairness to Dupuytren, his finest achievement is not operating on Napoleon’s hemorrhoids, but the description and first successful operation on what is now known as Dupuytren's contracture. Image lived with Dupuytren while studying medicine in Paris. Signed in untidy medical hand: ‘Paris le 4 juil: 1829 | B Gull Dupuytren’.

1p, 8vo. On bifolium endorsed in two hands on reverse of second leaf, one reading: 'Papier d'antoine Joignar anglois recu Le 29e. Fever. 1676'. In good condition, lightly aged and worn, with stub from mount adhering. Beneath Hamilton's signature at the foot of the document is a fair impression of his seal in red wax. The document reads: 'Nous le Sieur d'Hamilton Capn.

The context is explained in Hamilton's entry in the Oxford DNB: 'Anthony Hamilton joined his brother George in France in 1667, and was given a captain's commission in the French army. In 1671 he and his younger brother Richard joined a regiment of foot which George raised in Ireland for the service of Louis XIV. They served in the Franco-Dutch War of 1672–8.' On 12 x 19 cm piece of vellum. In good condition, with spike hole and bottom corners snipped. Entire document in French.

1p, 12mo. On bifolium, addressed on the reverse of the second leaf, with the cardinal's seal in red wax to one corner, 'A Monsieur Payne'. In good condition, lightly aged, with stub from mount adhering to inner edge. Folded twice. In a close, neat hand, the letter reads: 'Le Cardinal Fesch fait ces compliments à Monsieur et à Madame Payne et les Félicites de leurs heureux Retour a Rome. | Le Cardinal est toujours visible vers midi mais il tachera de visiter les aimables voyageurs, à leurs auberge avant leur depart.

LETTER: 3pp, 4to. Bifolium addressed on reverse of second leaf, with Saint Quentin postmark, 'A Monsieur | Monsieur Mathias | pour inspecteur des Douanes.' in good condition, neatly written, with repair to corner cut off in breaking of the wafer, and with stub from mount adhering. 43 lines of closely-written text. A warm letter of good length, addressed to 'mon cher Camarade'. The handwriting is difficult.

1p, 4to. Aged and worn, with thin strip of mount adhering to one edge, and slight damage to one corner. The unnamed recipient is a member of William Pitt the Younger's Tory Ministry, and the letter is written at a time when the administration was preparing for a French invasion, the first French Army of England having gathered on the Channel coast.

Sir Colin Thornton-Kernsley is identified as author from the first of the pamphlet's seven appendices ('Eastern Command | List of officers principally concerned with plans for the mounting of Overlord'), where he is described as: 'Chairman: AQMG(Ops) Lt. Col. C. N. Thornton Kernsley MP-RA'.

ONE: Cabinet Card: 13.5 x 10 cm photographic head-and-shoulders portrait of Blouet, smartly-dressed with glasses and handlebar moustache, mounted on 16.5 x 10.5 cm card, with printed details of the photographers Taber's printed in gold below the image, and an elaborate advertisement for the firm printed in brown on the reverse. In fair condition, lightly aged. Inscribed on the base of the print: 'Yours Sincerely | Max O'Rell'. TWO: Autograph Letter Signed to 'Mr Appleton', i.e. E. W. Appleton. 1p, 12mo. On bifolium. 14 December 1885; 2 Lime Grove, Uxbridge Road, W.

On one side of an irregular piece of thin paper, roughly 12.5 x 13.5 cm. From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and neatly mounted on a leaf extracted from an album. He writes that a few days previously he wrote to ask 'Monsieur le ministre de la marine' for 'une audience de q[uel]ques instants'. He fears that the letter did not reach him, and so renews his request. Signed 'salut et paternité | Alphonse Karr'.

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous raconter l'histoire de mon depart de la Comédie'.

1p, 12mo. Bifolium. In fair condition, lightly aged and worn. From the celebrated manuscript collection of Richard Monckton Milnes (Baron Houghton). Addressed by Girodet on reverse 'préssée | A Monsieur | Monsieur Gros peintre d'histoire rue des champs Elissés la 1ere or 2e porte cochere a droite'.

On one side of a 12 x 13 cm piece of paper with the corners cut away to make a irregular octagon shape. In fair condition, lightly aged. Laid down on part of leaf from album. Reads: 'Madame | Voici un billet pour la Séance Royale de demain. Je suis charmé d'avoir pu me le procurer puisque vous le desiriez. | Agréez, je vous prie, Madame, l'hommage de mon respect | Guizot | Dime. Juin 16.' At bottom left, in a contemporary hand: '184'.

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

2pp, 16mo. Bifolium. In good condition, lightly aged. At the time of writing Arnaud was delighting audiences at the Lyric in her first leading role, that of 'Suzanne' in the musical 'The Girl in the Taxi'. Good firm signature. She writes: 'Cher Monsieur | Thanks [sic] you very much for your nice letter. Certainly I will go to Mess. Foulsham and Banfield for a picture, perhaps next week, and then, when they will be ready I give you one with great pleasure. | Mes bien sincères salutations.

1p, 12mo. In good condition, lightly aged. Begins: 'My very dear Friend, | I lack words to express my real gratitude for your heartfelt kindness to so young a fellow as your devoted comrade, here writing'. He hopes for an opportunity to show proof of his 'profound and hearty friendship'. He ends with renewed thanks, and 'sincere loves [sic] to your good Wife and dear self'.

Both items are 2pp, 12mo, and bifoliums. Both in good condition, lightly aged, and each folded once. The second has rust marks to margin from a paperclip. Given the sunbject-matter, the recipient may be a relation of the actress Mrs William Barry (1739-1771), whose maiden name was Osborne. ONE: 17 August 1769; on Park Road letterhead. Signed 'Ch. Fechter.' He begins by announcing: 'I have, by no means, altered my mind; but have been – and am still – strolling about the country'.

On both sides of a 17.5 x 20.5 cm piece of wove paper cut from the first leaf of a letter, with 14 lines of text on the recto, and 20 lines of text on the verso. In fair condition, lightly aged, with two small labels used as mounts still adhering. Annotated at the head of the first page, in a small light hand, dating the letter by reference to Arnold's 'Memoirs', and explaining that the letter is written 'To Mrs. Arnold who gave me this | [?] from Her dear hand | Autumn 1860'. For the context of the letter see the Memoirs, 'Appendix C. | VIII. Tour in the South of France'.

On one side of a 38 x 24 cm piece of wove paper with watermarked date 1828. In fair condition, lightly worn and creased. The engraving is roughly 21 cm square, and shows three figures gathered around a table, their arms tangled as they reach forward to sign a document.

2.5 x 11.5 cm slip of paper, laid down on part of leaf from album, with d'Albret's autograph dating ('i67i') on 1.5 x 6 cm slip laid down below it. In good condition, lightly aged. The valediction of a letter, written in an undisciplined hand.

A nice piece of Second World War ephemera, of which no other copy has been traced. 1 British Corps formed part of the B.E.F., travelling to France in September 1939, and withdrawing from Dunkirk at the 'Darkest Hour' in May 1940. In good condition, lightly aged and worn. Lithographed in black on the four sides of a 9.5 x 15 cm bifolium. Two parallel diagonal red lines printed at top left of front cover, which also carries the Spearhead badge of 1 British Corps at centre, above 'B.E.F.' in a scroll, with 'Christmas – 1939' at bottom left.

Vertès won two Oscars for his work on John Huston's 1952 biography of Toulouse-Lautrec, 'Moulin Rouge': Best Art Direction (with Paul Sheriff) and Best Costume Design. The second of the present two items is an article Ede had invited Vertès to write on his role in the film; the first is the covering letter with which it was sent. ONE: Autograph Letter Signed to 'Cher M. Ede'. 4 January 1954. 2pp., 8vo. In good condition, lightly aged and worn. He is enclosing 'le petit texte', which he hopes will be to Ede's taste.

On 6 x 11.5 cm piece of paper, cut from the end of a document. In good condition, on aged paper, laid down on piece of grey paper cut from an album, with the words 'Marquis Seignelay.' in a nineteenth-century hand at the foot of the mount. Seignelay's signature is large and bold, above the following words in a neat secretarial hand: 'Vostre tres humble & tres aff.ne Seruiteur.'

Card with stamp and postmark. Of the two addresses in her letterhead, she has deleted the London one (105 Hallam Street, W1). In good condition, lightly aged and worn. Addressed to 'Secretary to | E. V. Knot [sic] Eq. | Offices of “Punch”'. The card reads: 'Miss de Casalis hopes to broadcast Mr. Knot's “Reparation” at the end of her turn on Friday 27th 9.35 to 10.15 (Forces programme) & again on Sunday to Forces abroad.'

The author of the text of the present volume, J. B. Payne, was manager of the book's publisher Moxon, and ruined the firm with his sumptuous editions, including one of Tennyson's 'Idylls of the King' with illustrations by Gustav Doré, which determined Tennyson to forbid future illustrated editions of his work. The market for the present volume would have been limited, and the cost of producing it so high, that it is hard to see how it can have covered its costs. [3] + 53pp., 4to. Each of the 56 pages is lithographed in black against a light-brown background, on thick art paper.