ELIOT

Two pages, 12mo, bifolium, fold marks, good condition, second leaf laid down on sl. larger part of an album leaf. See Image of second page.Text: Dear Mr. Meredith | Your boy is grand. Thanks for sending me his shadow. We are in retreat - have fled from the world for some months, while our house is being turned inside out. I imagine that you too enjoy a family solitude, & are sometimes well pleased to be secure against visitors. | That fine boy presupposes, I fancy, a fine mother. I hope that she retains health & strength to delight in her noble offshoot. | Always | Yours sincerely | MALewes.

Williams, who has an entry in the Oxford DNB, became a close friend of Spalding and her sister Anne after lodging with their parents during the Second World War. The present item is a transcription, made and printed out around the 1980s, of the 1961 radio programme, on one side each of 34 numbered pieces of A4 paper, loosely gathered by a black plastic spine.

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

2pp, 12mo. Twenty-seven lines of text. In good condition, lightly aged. Folded twice. A nice item, giving an indication of Lewes's editorial principles at the Fortnightly Review (he held the position from 1865 to the following year). Addressed to 'R. S. Poole'. He begins by explaining that he only returned to England the previous night, '& found your notes & m.s awaiting me'.

3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. The recipient is not named, but the conclusion of the letter makes it clear it is Poole. Written in a shaky hand a little over a year before Pattison's death. The context of the letter makes clear that as a married man, Poole is attempting to take advantage of the previous year's revision of the Oxford college statutes enjoining celibacy. It begins: 'Dear Sir | You seem to be under a misapprehension as to the historical lectureship for which you wish to become a candidate.

The 'Rebellion' was precipitated by the whipping of Thomas J. Whall, a Catholic boy at the Eliot School, for refusing to recite the ten commandments in the Protestant King James translation. It resulted in the creation of nationwide Catholic parochial schools. 29pp, 8vo. Saddle-stitched pamphlet with uncut edges and without wraps. On aged and worn paper. In double column and small print. A transcript of the closing arguments in the case, without editorial interpolation. Scarce. No other copy traced of original edition.

Possibly the author's first book (see below), from the Christopher Fry papers (despite the ownership inscription). 54pp, 12mo. Stapled into green printed wraps (title and words '(ALL RIGHTS RESERVED)'). Tiny ownership signature in initials ('R. G.') in top right-hand corner of title-page. No details of publication or date, other than the printers' slug at bottom left of title-page.

From the Christopher Fry papers. PLAY: [1] + 47pp, 12mo. Stapled into buff wraps printed in red, including the statement that it is the 'Friends of Canterbury Cathedral Edition'. In fair condition, lightly aged, in worn wraps, with a trace of rust to staples. This edition of the play (the first?) is uncommon: the only copies on OCLC WorldCat at the British Library and University of British Columbia. COPY LETTER: 4pp, 12mo. In good condition, lightly aged. Written out in two hands, Recipient not named. With salutation 'Dear Sir,' and valediction 'I am | Yrs truly,'.

3pp, 12mo. Bifolium. In good condition, lightly aged. Each page numbered by Fry. An Unsigned document from the Christopher Fry archive. Warm personal recollections, entertaining and evocative. Unpublished.

Unpaginated stapled pamphlet of 24pp, small 4to. In fair condition, lightly aged and worn, with slight damage at head of spine. On the second page: 'The arrangement of this Programme has been the work of the Rev. Hugh Ross Williamson.' Programme for the day on front cover, including a talk by 'Mr Robert Speight: “Touring in Canada with Murder in the Cathedral”'. The final event, at 7pm in the Chapter House, is a performance entitled 'The Drama of our Festival years', and the text of this piece makes up 21pp of the pamphlet.

Vertès won two Oscars for his work on John Huston's 1952 biography of Toulouse-Lautrec, 'Moulin Rouge': Best Art Direction (with Paul Sheriff) and Best Costume Design. The second of the present two items is an article Ede had invited Vertès to write on his role in the film; the first is the covering letter with which it was sent. ONE: Autograph Letter Signed to 'Cher M. Ede'. 4 January 1954. 2pp., 8vo. In good condition, lightly aged and worn. He is enclosing 'le petit texte', which he hopes will be to Ede's taste.

2pp., 12mo. On aged paper, with slight strip along one margin cut away, resulting in slgiht loss to text. After thanking the recipient for his 'kind remembrances' he writes: 'I shall arrive in Devizes only in time to give a lecture & must leave soon after for Marlboro on my way back. | I have very little time to spare. But that spare time I am expending in order to help a deserving '.Docketed at head of first page in a contemporary hand: 'Mr. Cumming | Scotch Church'. For information on Cumming see his entry in the Oxford DNB.

Both letters are on bifoliums, and both on aged paper, with damp and rust staining. ONE: 7 October 1887. 2pp., 12mo. Blackwoods the publishers have forwarded to him Langbridge's 'letter asking for permission to quote three passages from George Eliot's works in a book of "Readings" which you are preparing', and he has 'great pleasure in according you the desired permission'. TWO: 12 March 1888. 3pp., 12mo. With mourning border. He is 'very glad' to have Langbridge's 'full and thoroughly satisfactory explanation'.

Gallup C552. 4to (leaf dimensions 28 x 22.5 cm), 40 pp. Stapled. In original blue printed wraps. Worn and dogeard on aged paper, with minor staining at foot of front wrap and first leaf. The signature "T S Eliot" (possibly his but more words would have helped) appears top front wrap. The 'Calendar' at the front lists, on 4 July [1950], the 'Lecture by Mr. T. S. Eliot, O.M.: "What Dante Means to Me," with H.E. the Italian Ambassador in the Chair.' The printed version, titled 'TALK ON DANTE | by T. S.

20pp., 12mo., paginated 116-135. Side stitched in grey card wraps with cover including contents on front. In good condition, lightly aged, in worn wraps. Inscribed at head of front cover: 'To Michael Cullis | "30 Years After" | from | E. W. F. T. | 24. viii. 43'. No copies of this offprint traced on OCLC WorldCat or on COPAC.

2pp., 12mo. Written lengthwise across the paper, so that the letterhead runs up the left-hand margin of the first page. She thanks him for his letter and 'the Cocteau profile (most interesting and infuriating - splendid misunderstanding - written down with such authority.)', as well as '"The Holy Terrors" notices'. She has been delayed in sending him the script of 'The Confidential Clerk' as she had to go to King's Lynn. She is sending the script now, and asks for it to be returned 'fairly soon, as it is Henry Sherek's and he may suddenly scream for it!' (Sherek was the play's producer.)

4pp., 16mo. Bifolium. Very good, on lightly-aged paper, with slight traces of glue to fold edge. The first two pages carry the 'Prospectus', beginning: 'NO Scientific subject can be so important to Man as that of his own life. No knowledge can be so incessantly appealed to by the incidents of the every day, as the knowledge of the processes by which he lives and acts. At every moment he is in danger of disobeying laws which, when disobeyed, may bring years of suffering, decline of powers, premature decay.

An interesting collection of Cambridge ephemera, dating from a period of considerable economic and social turbulence. The twenty-two items are in good condition, on lightly-aged paper. They include six term accounts, with Brett-James's details typewritten on printed forms, signed by tutors D. Thomson and B. T. D. Smith. These accounts are itemised, with details of domestic charges. Affixed to all but one of these accounts are official College receipts signed by tutors. Also present is an Autograph Note to Brett-James from the College clerk R. S.

Totalling 36pp., 4to. In fair condition, bound by Escott with brown paper into paper wraps, with the front wrap signed by Escott and bearing the typed label 'LETTERS from HERBERT PALMER on "Minstrels of Christ" and my second book of verse "Soar for Victory", amended in February 1948 to "Back to the Fountain."' An interesting correspondence, casting light on the workings of the mid-twentieth century publishing industry, from the point of view of a successful traditional poet strongly opposed to modernism.

Folio, 2 pp. On first leaf of bifolium, with the verso of the second leaf docketed, under the heading 'King's Warrant'. Text clear and complete. Fair, on aged paper. Headed '(Copy)', and with 'George R' in a bold hand in the top left-hand corner. Although the signature is almost certainly not in the hand of the king, the document is docketed in pencil: 'Signature of his late beloved Majesty King George III on Copy of a Warrant retained by General Saml. Townsend'.

12mo, 2 pp. Eighteen lines. Text clear and complete. Good, on lightly-aged paper. Addressed to 'My dear Reed'. He thanks him for his note and is glad he likes the cartoon on 'the Educational Model'. He had 'been hoping the Tories would tread on the Nonconformists' toes to shut them up and now they have done it.' He doubts whether his agent has sold the original drawing, and is writing to him 'to let you have an offer if possible'.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.

12mo, 3 pp. 42 lines of text. Clear and complete. Good, on lightly-aged paper. Small ink stain at foot of reverse of blank second leaf (not affecting text). Interesting letter, revealing of the politics surrounding appointments within nineteenth-century Harvard. The 'Lectureship' having been 'carried throough', Everett repeats his 'very special request that in some way the Undergraduates may have an opportunity of attending the course - This I regard as vital'. Reports the view of 'Mr. Eliot' on the idea that Everett 'desired to be on the staff of instructors at Harvard'.

4to: 36 pp + 12 pp of prints on art paper. Stapled. In striking original printed red card wraps. With A4 addendum leaf loosely inserted. Good, with light stain to bottom outer corner. Important two-page introduction by Lewis, reviewing his career, followed by three-page essay by Rothenstein on 'Wyndham Lewis and Vorticism'.

Printed in black and sepia on both sides of a leaf of watermarked wove paper, 45 x 30 cm. On lightly-aged paper with one vertical and two horizontal fold lines. The seven sample pages feature a total of six illustrations, in a variety of styles, two by Herb Roth. The arrangement is as follows. Recto: Title ('Specimen Pages from Books made at the Walpole Printing Office in New Rochelle, N.Y. 1929-1932') with vignette of Walpole. Specimen One, titled 'Piratical Barbarity, &c.', with illustration of pirate ship by Roth. Specimen Two, title-page of T. S. Eliot's 'John Dryden. The Poet.

The collection is in good condition, with items on lightly aged and creased paper. Letter One (12 September 1951, Onslow Gardens; 12mo, 1 p, in envelope): As Kyrle Fletcher 'may have seen', Speaight is engaged in a biography of William Poel, and is 'anxious to trace the letters he received from Shaw & which were sold about 1930'. Kyrle Fletcher has docketed the envelope with a precis of his reply. Card (postmarked 14 September 1951): Thanking Kyrle Fletcher for his 'letter & most useful suggestions'.

All items good. Two bearing the Society's stamp. Item One (typed note, 15 October 1931, 4to, 1 p): He is sending 'short summaries of the two lectures, in a form which I prefer to mere headings'. Item Two (autograph letter, 17 January 1932, 8vo, 1 p): He is sending 'summaries of the two lectures'. 'As you seemed in a hurry I have not waited to have them typed. I think that they are legible, but I will look at a proof if you like.' He has left it to Menzies 'to add any preliminaries or conclusions that may be necessary'.

Three pages, small octavo. Good, though a little aged. He is having an exhibition of his 'new Mexican things [...] and teaching a small class' in Savannah. He is pleased that Woodward is going to Chapel Hill ('They need a breath of fresh air.'). The rest of the letter consists of an interesting assessment of the artistic situation in the area, beginning, 'In N.