ALEXANDRE

[Dumas fils: Alexandre Dumas the younger, French novelist and playwright.] Autograph Letter Signed [to a prospective agent?] with regard to the sale of paintings in his Paris house.

Author: 
Dumas fils: Alexandre Dumas the younger (1824-1895), French novelist and playwright, author of ‘La Dame aux Camélias’, on which Giuseppe Verdi based his opera ‘La traviata’
Publication details: 
[1883.] On letterhead of Salneuve par Montcresson (Loiret).
£250.00

An interesting item occupying the zone in which French connoisseurship and literature overlap. In 1880 - three years before the present item - Maurice Mauris (Marchese di Calenzano) described a visit to Dumas fils’s Paris house in Rue de Villers. ‘The walls above the library are enriched with a priceless collection of paintings, modern and antique. Diaz, Fortuny, Marchal, Vernet, Delacroix are there seen at their best. Dumas generally presents himself with a new painting after he has presented a new book to the public.

[Ernest Alexandre Honoré Coquelin, French actor.] Autograph Letter Signed ('Coquelin Cadet') to 'Ma cher Alice', asking her to meet him in order to discuss 'l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère'.

Author: 
'Coquelin cadet' [Ernest Alexandre Honoré Coquelin] (1848-1909), French actor, brother of 'Coquelin aîné' [Benoît-Constant Coquelin, known as Constant Coquelin] (1841-1909) of the Comédie Française
Publication details: 
'Mardi' [no date]; no place.
£50.00

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

['Coquelin aîné' [Constant Coquelin; Benoît-Constant Coquelin] of the Comédie Française, great French actor.] Autograph Letter Signed ('Coq') to 'Ma cheri Alice', giving his plans for the summer and referring to his 'depart de la Comédie'.

Author: 
'Coquelin aîné' [Constant Coquelin; Benoît-Constant Coquelin] (1841-1909) of the Comédie Française, one of the greatest French actors of the nineteenth century
Publication details: 
No place or date.
£50.00

1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous raconter l'histoire de mon depart de la Comédie'.

Fourteen nineteenth-century French pamphlets relating to the blind, four presented by Maurice de La Sizeranne of the Association Valentin Haüy, a run of whose magazine is also present, with English pamphlet from Wilberforce School for the Blind, York

Author: 
Maurice de La Sizeranne; Association Valentin Haüy, Paris; Institut National des Jeunes Aveugles; Société des Ateliers d'Aveugles; Alexandre Blanchet; Wilberforce School for the Blind, York]
Publication details: 
All but one item printed in Paris, Paris-Auteuil and Tournon, between 1859 and 1888. The fifteenth pamphlet printed in York by Coultas and Volans of King Street, 1879.
£950.00

A total of 38 items (15 pamphlets and 23 copies of a magazine) bound together in a sturdy modern brown cloth binding, with 'PAMPHLETS ON THE BLIND | FRENCH' and shelfmark in gilt on spine. The items are in good overall condition, on aged paper, with occasional slight chipping and wear to wraps. Label of the Board of Education Reference Library, London, and stamps and labels of its predecessor, the Science & Art Department Educational Library.

Manuscript Report to the Secretary General of the Hospitals and Hospices of Paris, by a commission investigating the medicinal qualities of the cahinca root. In Parent de Chatelet's hand and signed by him and the other four members of the commission.

Author: 
Alexandre Jean Baptiste Parent du Châtelet (1790-1836); Philibert Guéneau de Mussy (1776-1854); Pierre-Barthélémy Portal d'Albarèdes (1765-1845), Baron Portal; Auguste François Chomel (1788-1858)
Publication details: 
[Paris. Seance of 29 April 1830.]
£350.00

Foolscap (leaf dimensions 42 x 26.5 cm), 1 p. Clear and complete. On the recto of the first leaf of a bifolium. Both leaves with the small neat ownership stamp of the 'Collections Louis Leguay, à Paris [series A, number 382]'. Good, on lightly-aged watermarked laid paper. Written in French. Addressed 'A Monsieur le Secretaire general des hopitaux et hospices de Paris'.

Autograph manuscript paper entitled 'Rapport au congrès Scientifique de Douai sur Les coutumes locales du Bailliage d'Amiens considerée comme documents historiques.' Autograph Letter Signed ('Bouthors') to Dinaux.

Author: 
Alexandre Bouthors (1796-1869), Greffier en chef de la Cour royale d'Amiens [Arthur Dinaux (1795-1864)]
Publication details: 
Paper undated [1835]. Letter dated 18 September 1835; Frévent.
£150.00

Paper: 4to, 6 pp. With addendum slip of a third of a page. Text clear and complete. On aged paper and lightly-creased paper. Closely written, with several deletions. This paper held some significance for Bouthors. The 'Bulletins de la Société des antiquaires de Picardie' (1864) quotes an address by him, in which he describes that society as 'la fille de l'association des Congrès scientifiques de France.

Autograph Signature, in roman script ('A. N. Roussoff').

Author: 
Alexandre Nicolaievich Roussoff [Alexandre Nicolaïevitch Roussoff or Volkoff-Muromsoff] (1844-1928), Russian artist and rival of Whistler
Publication details: 
Dated 'Cairo 1892'. On letterhead of the Cairo Continental Hotel.
£56.00

On piece of watermarked laid paper 12.5 x 13.5 cm. In fair condition: lightly-aged and creased. Clearly in response to a request for an autograph. Firmly written, with the signature 5.5 cm long. Reads 'A. N. Roussoff | Cairo 1892'. Roussoff famously wagered that he could produce a dozen pastels indistinguishable from those of Whistler. He lost the bet, and was 'obliged to take a course of mud baths after his defeat'.

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