ENGLISH

Good, firm signature, on 5.5 x 14.5 cm piece of paper. In good condition, lightly aged, on card backing bearing traces of mount on reverse. Reads simply: 'Florence Marryat.'

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

Two pink cloth bandages, in brown cloth packet, roughly 8 x 11 x 2 cm. The contents are described as 'Two Dressings in Waterproof Covers, each consisting of a gauze pad stitched to a bandage and a safety pin.; The printed text, encased within a border, also includes instructions 'To Open' and 'Directions for Use'. The Imperial War Museum has three such dressings (1940, 1942 and 1944), but none with the same date as the present item.

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. Addressed to 'Dear Sir & Brother'. He had been hoping to see him 'at the consecration of our Tenbury Lodge. I begged Brother Barber to invite you, & I think I told you we would put you up here on that occasion'. He hopes he will come 'at some future lodge night when we have got into work'. He informs him that he has that day 'received a notice of the Royal Arch Chapter' the following Thursday, adding 'I see I am to be ballotted for, & if elected to be exalted'.

4pp., 12mo. Bifolium. In fair condition, but with damage at head of outer sides caused by removal from grey paper mount. While Seammen worked for him he found him to be 'good tempered, obliging & trustworthy - He left me last year owing to an illness which, at the time, precluded his having the same efficient control over the Household that he had hitherto exercised'. He explains the reason for making 'a change', and is sending 'an excellent Character with him, of 14 years, from Lord Ravensworth'.

1p., 16mo. Bifolium. In fair condition, lightly aged and worn. Docketted on reverse of second leaf 'Sir H Bishop June 17th/46' (17 June 1846 was a Wednesday, so probably a mistake for the previous day). He is much obliged by her 'kind thought, in sending me a Ticket for you Concert', but it is uncertain whether he will be in London at that time, 'but I wish you, most sincerely, every success'.

2pp., 4to. In good condition, lightly aged and worn. On two leaves stapled together. The letterhead, printed in red, is a cartoon portrait of the artist with palette and brush, pointing to the address on a blackboard. A long chatty letter, listing the titles and prices of an order Malcolm has made, describing his activities at a time when he is 'pushed like mad', arranging an 'interview for ERG', discribing the contents of the four albums of his stamp collecting ('I wouldn't call myself a philatelist . . . .

ONE (12 January 1975): 1p., 4to. In good condition. First page of letter only, and lacking signature. A generally positive review ('When I write, I suffer from excess, a disease which you and your contemporaries, Aldis, Brunner, Bulmer, etc long since cured yourselves of. [...] The story was, as I am sure you know, good.'), but with some caveats ('I also don't think that a female covered with body hairs would also have hair reaching down to her waist.'). TWO: 1p., 8vo. Signed in green ink. In fair condition, on aged paper with wear at head.

A black and white print, 24 x 19 cm. In good condition, lightly aged and worn. Shows Loder in top hat and nineteenth-century frock coat, with cane. Inscribed: 'To Mrs. Wright | With sincere good wishes | from | John Loder.' In pencil on reverse: 'Capt. William | Java Head | J. K. 67 | For Mrs Wright | Stills'. Stamped on reverse: 'CYRIL LEESTON | LONDON | TELEPHONE 3884 PADDINGTON'. This image is not in the National Portrait Gallery collection, nor is any other by Leeston.

The three items in good condition, on lightly aged and worn paper. ONE: 4 April 1858. 2pp., 12mo. Bifolium. Addressed to 'Mr. H Moore | Messrs. Gambert & Co.' Regarding the financial arrangement surrounding his engraving 'The Miller's Daughter'. On the subject of 'the two repayment bills', he would 'rather not part with £50.00 for some two or three months to come'. TWO: 11 December 1858. 1p., landscape 12mo. Directing the firm to give the bearer 'six (6) Artists Proofs of Millers Daughter -, which I long since promised to the owner of the Picture'. THREE: 24 December 1860. 2pp., 12mo.

4pp., 12mo. Bifolium. A long letter, closely and neatly written, with a number of emendations suggesting that it is a draft. After a short reference to the Count's kindness to him and his friend Joseph Neave, he devotes the rest of the letter to 'the heavy trial thou has had to pass through', discussing the nature of loss with 'knowledge from my own experience, that the loss of a child is a grief into whose full depths no stranger can enter, and that words, even well-meant, when uttered at an unfit moment, pain instead of helping'.

1p., 12mo. In good condition, on lightly-aged paper. Docketed: '20 August 1835 | Lord Auckland to R L'. Reads 'Lord Auckland would be much obliged to Mr Lambert if he would call here tomorrow soon after two o'clock -'.

1p., 16mo. In good condition, lightly aged and spotted. Since she is going away, he considers it 'safer' to return the 'Oedipus', which has given him great pleasure. He hopes she will enjoy her 'Freshwater outing', and that 'we may remain above the horizon to welcome your return to town'. The Freshfields were a noted family of solicitors, with strong connections with the Bank of England.

1p., 12mo. In fair condition, on aged paper, with negligible traces of mount adhering to the blank reverse of the leaf. Addressed to 'Dr Clarke | Harper St.' After explaining that the Commissioners of the Public Records want lists of the new plates for the first volume of 'Foeder', and another list of 'the old ones necessary to be re engraved', reminds him that he promised the latter list 'in September last'.

Both items in good condition, on lightly-aged paper. The letter is 2pp., 4to, and is written in a playful tone. Escaping the accompanying spoof Steward writes: 'Your remark that Glasgow was as alien to you as Mars got me thinking along the lines of the attached headline . . . . . It would be a good idea for a story if it hadnt been done about three thousand times already (See Robert Bloch (Report on Sol III) and others).

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. The letter, addressed to an unnamed recipient, begins: 'My dear Sir | Before I quitted Office I communicated to the Court of directors the Draft of an Insolvent Bill & some letters on the subject which I had received from the Judges in India, together with a request that they might be laid before you for your opinion & observations.' He should like the opportunity to talk over the subject with him, as he considers himself 'pledged to bring the measure forward [in the House of Commons]' with the approval of the present Board.

Letter: 1p., 12mo. In good condition. Written in a difficult hand, regarding 'Tickets' for a 'really remarkable Show'. Photograph: 9 x 6 cm. Sepia. In good condition, laid down on paper removed from album. Depicts Burdett-Coutts, in Victorian finery with bustle and veil, seated at a table, with gloved right hand pressed to her cheek (not found on Google images)..

Each letter 1p., 4to, Bickerstaffe-Drew's on reverse of Wood's. In fair condition, on aged leaf of paper with strip torn from head. The two letters cast an interesting light on English publishing practice in the late nineteenth century. Wood's letter, signed 'J. S. Wood', is written by a secretary, and addressed to 'The Right Rev Mgr Bickerstaff Drew'.

1p., 12mo. In good condition. In stamped envelope addressed by Dicksee to 'Shirley Slocombe Esq. | 27 Warwick Gardens | Kensington | W.14'. He apologises for his late reply to Slocombe's 'kind congratulations', explaining that he is 'faced by over 500 letters all needing answers'. Dicksee was knighted the following year.

1p., 12mo. In good condition, on lightly-aged paper. He acknowledges receipt of a cheque for 35 guineas, for 'the small drawing of Constantinople', adding that 'Prince Hohenlohe called and saw it here today, and liked it very much'. He ends with the news that he has engaged 'Heffer to call here for it, & pack & send it to its destination'.

12pp., 4to. On the twelve leaves of a ruled notebook, stitched into buff wraps. Internally in good condition, in heavily-worn wraps, with 'G Cruikshank' in the same hand on the front cover. The entries are arranged in eight sections: 1811-1821 (61 items); 'No Date' (36 items); 1826-1830 (23 items); 1831-1840 (51 items); 1841-1850 (45 items); 1851-1861 (33 items); 1862-[1867] (7 items); and a final section of eight items from between 1811 and 1824. The penultimate section is headed '1862 to [blank]', indicating that the catalogue was a work in progress, and the latest items are dated 1867.

3pp., 4to. In fair condition, on aged, worn and browned paper. Ada Chesterton worked with her brother-in-law while assistant editor of the 'New Witness'. Her admiration for his talents was fully reciprocated, G. K. Chesterton describing his sister-in-law as 'brilliant'. It begins: 'Very much has been written and said of G. K. C. the poet, the pamphleteer, the genius of paradox, who holds the attention of his listeners by his dazzling sleight of words. I am going to write of him from a different angle - G. K. C. the journalist as he is known and gauged in Fleet Street.

A total of 211pp., 8vo, paginated vii + xcviii + 105 + [1]. In red leather quarter-binding, with a coat of arms stamped in gilt on the green cloth front cover, and the title in gilt on the spine. Internally in fair condition, on lightly aged paper, in shaken and worn binding, with damage at head and tail of spine. Tastefully printed in a heavy style by Wyman and Sons. Day's 98-page introduction concludes by explaining thaht 'the documents now printed are in possession of Mr. Benett Stanford, the collateral descendant of Colonel Benett, and present member for Shaftesbury.

2pp., 12mo. In fair condition, lightly aged and worn. The menu is written out in faint pencil on one side, beneath the letterhead. On the other side, and headed with the date 4 June 1919 is the following playful address: 'Dear Jerrold, | "Carry on"! | This has no reference to the food we have just eaten. | You Walter [pun on 'ought to'] be here because you're a Jerrold [pun on 'dear old'] fellow. | And so say all of us.' Beneath this are nine signatures, two of which are undeciphered.

ONE (Knighton): 3 x 6 cm. In fair condition, aged and worn, laid down on a small piece of cream paper. A workmanlike production, within a wavy border. Reads: 'KNIGHTON's | Circulating Library, | DAWLISH.' BBTI records Knighton as active between 1828 and 1830. TWO (Crowther): 7 x 9.5 cm. In fair condition, lightly aged. Within decorative border, and reading: 'CIRCULATING LIBRARY, | DAWLISH. | CROWTHER, | BOOK-SELLER, | AND DEALER IN ALL KINDS OF | FANCY STATIONERY, | Toys, Berlin Patterns, German Wools. | Brushes, Fancy Turnery, Cutlery, Perfumery, &c.

Ford's first book of verse was 'Sung by the Way', published in Blackburn in 1905. She published several volumes of patriotic poetry: 'Poems of War and Peace' (1915), 'A Crown of Amaranth' (with Erskine Macdonald, 1915), 'Our Heroes' (1916); 'A Fight to a Finish' (1917). Other volumes include 'Lyric Leaves' (1912) and 'The England of my Dream' (1928). She edited the series of 'Little Books of Georgian Verse', 1915-1916. Her 'Lessons in Verse-Craft' was published in 1919 with a second edition in 1923. Her song 'In the Twilight' (1923) was set to music by Harry Brookes.

4pp., folio. Paginated 1-4. Unbound bifolium. On aged and worn paper, with chipping to extremities and closed tears along folds. Docket title: 'The Yearly-Epistle, 1761.' Marginal subtitles include: 'Theh Salutation', 'State of the Meeting', 'Account of Sufferings', 'Account of fthe Prosperity of Truth' and 'The Conclusion'. Ends: 'Signed in and on Behalf of the Yearly-Meeting, | By William Fry, | Clerk to the Meeting this Year.' No copy in the British Library, and now scarce.

1p., 12mo. In good condition, lightly aged and worn. Reads 'Dear Madam, | I am sorry I cannot have the pleasure of attending your Concert, but wish you every success. | Yours very truly | G A Macfarren'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

3pp., 12mo. Bifolium with mourning border. In fair condition, on aged and worn paper. She apologises for the delay in writing, explaining: 'my hand has been dreadfully lame, & I have no secretary'. She explains that she has spoken to 'Mr. Craufurd' regarding the cottage, but that there is 'an old lady here, the widow of a farmer, a certain Mrs. Mead, who is supposed by Mr. Craufurd to have a prior claim'. She discusses whether Mrs Mead truly wants the cottage, and the possibility of making alterations to it, ending with remembrances to the recipient's father and mother.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.