ENGLISH

9pp., folio. On five leaves of aged and worn paper. Heavily reworked, with numerous deletions and additions. Headed 'The Confessions of A [amended from 'The'] Suspicious Gentleman. | by Lord Nugent'. The present short story was first published in 'The Musical Bijou' for 1830, and was reprinted in 'The Polar Star' (abridged) and 'New York Mirror', before being collected in an anthology by Nugent and his Wife, 'Legends of the Library at Lilies, by the Lord and Lady there' (London: Longman, 1832), pp.51-91.

On 2.5 x 6.5 slip of paper cut from the end of a letter. Laid down on a small piece of black card. In good condition, lightly aged. In a small tight hand. Reads 'Very truly yours | M. O. W. Oliphant'. With cutting of part of an article. featurinng a photograph of the novelist.

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

ONE: Christmas card. 12mo bifolium, with coloured illustration of Christmas candle on cover. Pearson writes: 'FOR [corrected from 'from'] | Edward. A. Carrick | from his old inspirer | George Pearson | 1970'. The association between the two men was warm.

ONE: TNS. 1p., landscape 12mo. In good condition, lightly aged with nick to corner. Letterhead features two small cartoons: a caricature of himself and a lion. Covering letter sending 'herewith my autograph for your collection'. TWO: Signed black and white portrait photograph of Cole. 8 x 5.5 cm. In good condition. Signed at bottom right: 'Sincerely | Charles Cole | 1945'. Cole has rather disappeared under the radar.

Both items in good condition, on lightly-aged paper. ONE: ALS. 1p., 4to. In stamped envelope addressed to Ducan in St Martin's Court, London. Begins: 'O, thank you for the beautiful print. I think it's really lovely - couldn't be more delighted.' She thanks him for 'the charming note', adding: 'If I'd known it helped I'd have smiled more often!' TWO: ACS. In red ink. Begins: 'How lovely - the programme. So pleased to have it'. She ends: 'Hope we manage as well as they did!'

The two typed notes in good condition, lightly aged; the autograph note in fair condition, on aged paper. Two items signed 'Bernard Miles' and one 'B. M.' The first typed note suggests an exchange of material, with the autograph postscript 'One or two of the appeals for charity are endorsed by H. I. [ Henry Irving? ] himself.' The second typed note declines a collection: 'I managed to pick up an almost complete set in Leeds soon after we talked - nearly 200'. The autograph note simply acknowledges the sending of a cheque for a 'little lot of photographs I took away'.

1p., 4to. On shiny art paper. In fair condition, lightly aged and worn, with one dogeared corner. On letterhead which covers half of the page, with photograph of the pair, and text in red and black ('Presenting Comdey Cartoons and "Fashions from Rags" Dress Designing Extraordinary! Two or Three Entirely Different Comdey Spots if required introducing Monologues, Conjuring Numbers, etc. Evening Dress when required. | Special Clowning and Conjuring Act for the Children. | Road Show, Production, Panto, Variety or C.P.' The letter offers for sale 'a lot of old John Dick's "Penny" Plays'.

Both items in good condition, lightly-aged. ONE: 2pp., 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' [ the Society of British Film Art Directors and Designers, of which Craig was a leading light], and in the light of these circumstances Irving feels compelled to resign. 'It is [...] unlikely that I shall design any more films.

BThe five items in fair condition, lightly-aged, with slight rust staining from paperclip. In a difficult hand. ONE: ALS to Macqueen-Pope, 20 March 1941. On his Larkwood letterhead, with 'From Allan Aynesworth' at head. Undated. 3pp., landscape 12mo. Providing a deal of information about his association with Maude, the last page beginning: 'Friendship about 50 years. We joined the Garrick & Beefsteak Clubs where we dined together with so many of our Theatre Friends Inc. Wyndham Irving Alexander Hare & Kendal to name a few.

3pp., 12mo. Bifolium. In fair condition, on aged paper, laid down on part of a leaf from an album. He writes that he has 'carefully looked over the Copy of "Turner's England and Wales," that will be offered for Sale at Christies rooms on Tuesday next', and that while he finds it 'in all respects good of its kind, and applicable to the Library of a gentleman', it is 'not so well applicable to the Studio of an Artist, whose aim is to acquire from it, all the knowledge that a more refined class of impressions of places might impart to him'.

ONE: Letter. 1p., 12mo. In good condition, lightly aged. He cannot attend the breakfast club, as he is to be best man to a friend in Wimbledon at that time. He is 'rather too old for the character but all his other friends are married'. He would 'prefer the chat but, alas, it cant be managed'. TWO: Note. 1p., 12mo. In fair condition, on aged paper with slight damage at foot. He regrets that, being out of town, he will be unable to 'join the breakfast club' at the recipient's house.

Both items in fair condition, bifoliums on lightly aged paper. ONE: 16 December 1883. 3pp., 12mo. Telling the story of the 'Wallingford Belles', beginning with the family of 'Thomas Clark [...] landlord of the Lamb Hotel, formerly called the Bell' When Grant visits him the following summer he will give him 'lessons in painting & as much Lawn Tennis as you like and there is no end to the Archaeology of the neighbourhood'. TWO: 23 December [1883]. 4pp., 12mo. He begins by offering to aid Grant's researchehs by search the parish registers.

1p., 4to. In good condition, on lightly-aged paper, laid down on a leaf removed from an album. The letter begins by directing the recipient to 'place the head stone upon the figure if you intend to place it before the rest of the figure is erected'. If the recipient's 'previous arrangements did not contemplate putting the whole figure together' he asks him not to do as he has directed. Chantrey is 'desirous that the figure should be in the best possible condition to be looked at' before the next Wednesday morning.

Printed on one 12mo page of a bifolium of thick orange paper. The invitation is to a show of 'Mr. Andrew Storie's drawings of modern, mediaeval and theatrical dresses at her studio on Friday, 20th July, 1928 from 4 to 7 - (p.m. of course)'. Casson's note, in top left-hand corner, reads: 'Mr. Ian Davison kindly told me he was sure you would be very interested in Mr. Storie's work. - I do hope you can find time to come. | Jill Casson'.

1p., 12mo. Bifolium. In good condition, on lightly-aged paper. Reads: 'My dear Sir, | I shall be very happy to be one of the committee who are to appeal for help for the family of the late Harold Frederic.' The letter relates to a Victorian scandal. In 1884 Frederic (1856-1898) had come to England with his wife and five children as the London correspondent of the New York TImes. He set up a second household with Kate Lyon, with whom he had a further three children. Lyons was a Christian Scientist, and when Frederic suffered a stroke in 1898, she tried to cure him by faith healing.

1p., 12mo. In good condition, lightly-aged, with traces of glue from mounting on blank reverse. Reads: 'Sir, | In reply to your polite note of the 22nd. inst:, I am quite prepared to receive the "Camel Coats" [?] with which my friend Mr: Morris has kindly bethought me, and I shall thank you for their delivery.'

Studio Photograph, c.15 x 10.5, laid down on slightly larger card with photographers printed at base, faintly speckled, good condition. Image of head and upper body, not found on Google Images.

1p., 12mo. In fair condition, lightly aged and worn. Good firm signature. Written in response to a request for an autograph, and reading 'if you wish | Your's sincerely | Henry Bentinck'.

1p., 4to. In good condition, lightly aged. Nash is named on the letterhead as the Association's president, and Morgan as Honorary Secretary and Treasurer. The letter begins: Dear Percy / | For various reasons we did not get a largely attended meeting on Friday, but the better feeling between members seems still to grow.' Nash's 'protracted illness' has clearly necessitated his stepping down as president, and '[a]fter considerable discussion it was decided to ask Pearson & Elvey [i.e. George Pearson (1875-1973) and Maurice Elvey (1887-1967)] to be President & Vice with myself to continue'.

1p., 8vo. In good condition, on lightly-aged paper. He has 'not played cricket for twenty years, so you had better not count on me!' He will 'try to turn up as a spectator', and if Cathrey will send him a card, he will make 'a special effort to do so at Mesa, whichh I have visited several times'.

In blue ink on one side of a 10 x 16 cm piece of white card with Forbes's name printed at the head. In very good condition. He thanks him for the 'kind and interesting letter': 'I particularly liked your nostalgic reference to snak where I had many a meal "on the slate"!'

64pp., 8vo. In fair condition, on lightly and worn paper, in worn contemporary half calf binding with front cover detached. The cover carries the gilt stamp of the Society of Writers to the Signet, and the front pastedown carries a shelfmark label. There is no other evidence of library provenance. Thomas is not named on the title-page, but he is the author of the dedication to Samuel Shore of Meersbrook, Derbyshire. Scarce: no copy in the British Library, and only four on COPAC.

1p., 12mo. In good condition, on lightly-aged paper. Reads: 'Dear Mr. Fisher | I am so sorry I cannot attend the meeting. Unfortunately, I am absolutely obliged to attend to my newspapers all day long. | Yours faithfully | Alfred Harmsworth'. The Daily Mail was little more than two years old at the time of this note.

On 3 x 11 cm piece of thin card, cut from conclusion to a letter. In fair condition, aged and with traces of mount to two corners (not affecting signature). Reads: 'Yours sincerely | Laura. T. Alma Tadema'. Text on reverse: '[...] with us, I should be so pleased if you would join us - [...]'.

169pp., 12mo. Covering the whole of a ruled notebook in black waxed cloth binding. In fair condition, aged and worn, in like binding with some damage to spine. Ownership signature of 'A. C. Collyer' on front free endpaper, with the word 'Notes' written under it, and beneath that a seal (hand holding a sword) in red wax. The notebook has been compiled by at least three different parties (with a couple of notes in shorthand), and is certainly the work of instructors rather than students, possibly Scottish.

Studio Photograph, c.15 x 10.5, laid down on slightly larger card with photographers printed at base, faintly speckled, good condition. Image of head and upper body, not found on Google Images.

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.

Learned and witty, Spedding was a popular figure within the literary scene of Victorian London. As he lay dying following an accident, Tennyson rushed to the hospital and begged admission to his bedside. When approached by Delia Bacon, he dismissed the Baconian theory with contempt, and was the first to realise that the play 'Henry VIII' was a collaboration between Shakespeare and John Fletcher. Both of the present letters are signed 'Jas Spedding' and addressed to 'My dear Mrs. Pollock', and both in good condition, on lightly aged and worn paper, with minor traces of glue from mount.

1p., 12mo. In fair condition, on aged paper. He hopes he is not 'premature' in asking for 'a box for Richard 2d for tomorrow - Tuesday - night!' If he is not he will be 'thankful'; if he is he will 'wait patiently for a future occasion'. Kean's Richard II opened at the Princess's Theatre on 14 March 1857 and ran for 112 nights.