ENGLISH

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

21 items. In good condition, lightly aged, held together with a brass stud. Deeping's eight items of correspondence - all signed 'Warwick Deeping' - total 9pp. His wife's three letters total 4pp. One of Deeping's letters is in its envelope, addressed by him to 'Miss Margaret Greenwood | 15 Horsham Road | Bexleyheath | Kent'. The copies of Greenwood's typed letters, totalling 16pp., date from between 27 July 1949 and 22 July 1950, bookending the whole correspondence. They are written on the backs of discarded typed drafts of pages from Greenwood's screenplays.

A total of 50 items, all but the three earliest of Strong's letters held together with a brass stud. The collection in good overall condition, on lightly aged and worn paper. Strong's 24 letters total 37pp., with the early letters signed 'L A G Strong' and the later ones 'Leonard', and occasional variant signatures in between ('Leonard Strong', 'LAGS'). The copies of Greenwood's 26 letters (two in autograph, the rest typed) total 32pp. An interesting correspondence, in which Strong responds with tact and patience to his inexperienced correspondent's proposals and actions.

Michael Howard's obituary of Ticehurst in The Times, 30 October 1975, describes him as 'a persuasive pioneer among those who sought to reestablish the harpsichord as a serious musical instrument'. ONE: Carbon typescript, 7pp., 4to. Headed 'Harpsichord to Australia | by John Ticehurst.' With a few minor manuscript marks. In autograph next to the title: 'April 1951/Feb 1952'. In good condition, on lightly-aged paper, with slight rust staining from paperclip.

1p., 4to. In fair condition, on aged paper, with creasing and wear at head. Written in Waugh's close, distinctive hand. Reads: 'Dear Miss Marshall-Hall | It was nice of you to write. I didn't go on the Invalids tour this year. It can't have been the same thing without Milhanger. | Sincerely Yrs | Alec Waugh /'. The reference is presumably to Milhanger, the Surrey country house designed by Harold Falkner.

On forms printed in red and black, totalling 1p., folio; 40pp., landscape 8vo; 6pp. (of which four in landscape), 12mo. The seven accounts from Messrs. Macmillan & Co., all relating to 'The Ring of Amasis', are on seven sheets, landscape 8vo, dating from between 1889 and 1900.

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

2pp., 12mo. Bifolium. In good condition, lightly aged, with strip of sunning at foot. Docketed with stamp of the Royal Society of Arts. Having 'had time to consider the question of a lecture on Heraldry' he has decided to decline Menzies's invitation, as he 'simply cannot spare the time such a lecture would require for its preparation'.

12mo, 134 pp each on one side of a ring-punched loose leaf, with the leaves attached by green thread within an original worn buckram binder with discoloured endpapers. The leaves themselves in good condition on lightly-aged paper; with those of the draft story ruled in red, and sometimes utilizing scrap paper (for example the blank reverses of prospectuses for Wright's books and scrap pages from Blake Society material).

[title continued] "As it was publickly declared at Westminster the 16. day of December 1653 . . . OLIVER LORD PROTECTOR of the said Common-wealth, took a Solemn Oath for observing the same." Wing (CD-ROM, 1996), G1456F ; Thomason, E.1063[5] Signatures: E2 F-L² chi¹. Issued separately and possibly also as part of a through-paged set. The last leaf bears "The oath taken by His Highness Oliver Cromwel, Lord Protector" signed (printed): O. Cromwell.

Gallup C552. 4to (leaf dimensions 28 x 22.5 cm), 40 pp. Stapled. In original blue printed wraps. Worn and dogeard on aged paper, with minor staining at foot of front wrap and first leaf. The signature "T S Eliot" (possibly his but more words would have helped) appears top front wrap. The 'Calendar' at the front lists, on 4 July [1950], the 'Lecture by Mr. T. S. Eliot, O.M.: "What Dante Means to Me," with H.E. the Italian Ambassador in the Chair.' The printed version, titled 'TALK ON DANTE | by T. S.

Four leaves. Eight unpaginated pages. 16mo. Nine and a half centimeters by twelve and a half centimeters. Stitching thread untied. Evan Gill 392 describes a copy dated 1927, but makes no mention of an undated issue. Engraving of aspidistra in vase on table before curtains on cover-title. Engravings by Gill: initial G, verso of first leaf; Christ on cross, verso of second leaf; glue pot, recto of third leaf; domestic interior, verso of third leaf; printer's device, verso of last leaf. No copy currently on AddAll.

The letter is 1p., landscape 12mo. In fair condition, with light signs of age, placed in a windowpane mount in the remains of a leaf from an album. The letter reads: 'Dear Mr Westmacot [no doubt the sculptor Sir Richard Westmacott or his son] - I have a little reunion - on Monday evening 1st Feby - pray come - I am desired by <?> to present you to her especially - that she may invite you to her next Fete'. The engraving is on a 21.5 x 13.5 cm piece of paper. Similarly-mounted as the letter, above it on the same leaf. In fair condition, lightly aged and worn.

3pp., 12mo. Bifolium. In fair condition, lightly aged and worn. She agrees to give her 'name as Patroness' to Mrs Lowther's 'theatricals', but 'cannot promise to be present at them as I have so very many engagements in May'. She concludes by noting the weather: 'glorious sunshine & cloudless blue sky'.

On 16 x 6.5 cm strip of paper, cut from financial document. In fair condition, lightly aged and worn. Addressed to 'Mr. Townshend' on one side, with signature of witness 'Jno. Lesingham', with the signatures of 'H Fox', 'R Arundell' and 'G Lyttelton' on the other, with date 27 May 1746, next to the word Orford, and below part of a sentence relating to 'Duty on Candles'.

The collection in good condition, lightly aged and worn. ONE: ANS ('J. A. Simon'). 17 January 1908. 1p., 12mo. From 4 Brick Court, Temple. Giving notice that he is that day 'applying to the Lord Chancellor for silk'. Accompanied by an undated Autograph Memorandum by Frederick Allan Wilshire (1868-1944), Recorder of Bridgwater, stating that it is 'of particular interest. When a Barrister applies for silk he has to write a similar letter to this to all members of the circuit who are his senior. | Simon recommended me to the King for the Recordership of Bridgwater. | F. A. W.' TWO: ALS ('J. A.

On 7 x 11 cm slip of paper, torn from the end of a letter. In fair condition, lightly aged, with minor staining to one corner. Reads, with top line slightly cropped: 'I may have more leisure. | Yours sincerely, | J. Masefield.'

40pp., 8vo. Stapled in printed wraps with illustration on front cover. In fair condition, somewhat aged and worn. Hodgkin was known for his meticulous catalouging, and 500 items are described, by a range of authors, both prominent and obscure, ranging from Grace Aguilar to Mrs Mary Wood-Allen. There are sub-sections for Louisa May Alcott, Elizabeth Barrett Browning, Fanny Burney, Jane Welsh Carlyle, Eliza Cook, Marie Corelli, Maria S. Cummins, Lady Elizabeth Eastlake, Maria Edgeworth, George Elliot, Mrs.

On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.

The letters total 5pp., 4to; and 1p., 12mo. In good condition, on lightly-aged paper. With stamps of the Royal Society of Arts. On the reverse of one letter are pencil notes, presumably by Wood.

2pp., 12mo. The last two pages of a letter, numbered 3 and 4. In fair condition, on aged and worn paper, with short closed tears at edges of central fold. The item begins with part of a sentence regarding 'dramatization in Paris', before turning to Spielmann's desire to have her novel 'The Sterndales of Sterndale House' (1919) filmed. She praises the recipient's 'critical faculty', adding 'The points taken are seldom just the points.' She will let the recipient's 'good opinion' of her be known 'in one or two quarters'.

1p., folio. On aged and worn paper. A jingoistic wartime outfit, with the letterhead proclaiming 'THE BRITISH EMPIRE FOR BRITISH SUBJECTS' and 'NO GERMAN INFLUENCE. | NO GERMAN LABOUR. | NO GERMAN GOODS | That compete with British.' The organisations chairman is named as Lord Leith of Fyvie, and the chairman Lieut-Col. Sir Mervyn Manningham-Buller. The long text begins: 'The British Empire Union offers a Prize of £2 2s.

1p., 8vo. Lightly aged, and with creasing and closed tear at head. He will be pleased to autograph any copies of his book which Pettitt would like to send, and concludes: 'Are there any Rankin's in Rochford now? They are related to me'.

On both sides of a 11.5 x 15 cm piece of card. Printed in black ink, and completed in manuscript. An interesting piece of University of London ephemera. Aged and worn. The front is headed 'UNIVERSITY OF LONDON. | UNIVERSITY COLLEGE.' and records that Lake has paid his fee of thirty-six guineas. At bottom left: 'This Ticket must be presented for signature to the Professors of the Classes for which it is issued.' On the reverse is a grid, with the signatures of: 'M. J. M. Hill' [ Micaiah John Muller Hill (1856-1929) ] for 'Pure Mathematics'; 'Alfred W.

1p., 8vo. In good condition, lightly aged. He is enclosing a contract, and asks to be sent a copy of 'some work on the antiquities of the Exchequer by Mr Hall'.

4pp., 12mo. Bifolium. In good condition, lightly aged and worn. He begins by stating that he has of late found the act of writing almost impossible, but that when he goes into his garden, 'there are various things determined that you should not be forgotten; above all those beautiful white Turks' Cap lilies'. He has not been able to enter his garden, and now realises 'that old Charon is in the offing with that low, flat boat of his, ready to convey me, not entirely unwilling, to the other side.

11pp., 8vo, paginated 243-253. Stapled. In good condition, lightly aged. Inscribed at head of first page: 'Very cordially, | Irving Ribner'. No copies of this offprint found on either WorldCat or COPAC.

4pp., 16mo. Bifolium. In good condition, lightly-aged. She assumes that her work ('Celebrated Friendships', 1861), 'published with Messrs Hogg', has attracted his attention. 'Now about my novel, about which you have been very kind. Till the storm of adverse criticism is over, I think it will be much better to delay the work. Any notice it may have, will be cursory, & slight.' She wishes to postpone publication: 'My name will not appear in any book next year, that I know of, at present.' She will be in Derby for a few days, and will be happy to hear from him.

1p., 8vo. In fair condition, aged and worn, with slight loss to one corner and creasing to another. Strengthened on reverse with a small piece of tape. Letterhead in red, with Tempest writing in green ink. She writes warmly: 'I've read your Play, and I think it charming up to the point of the two people who are crooks! It suffers from the same thing that our present Play suffers from. Too sudden a jump!' She invites him to go and see the play, 'and you will gather what I mean'. She ends by describing his play as 'amusing and witty'.

The table or bloom calendar is in a makeshift table, ruled out in pencil over 2pp., folio. It is in poor condition, heavily-aged, divided into two sections along central horizontal fold line, and with slight loss to text from chipping.