VICTORIAN

Both items printed on pink paper, with similar cover designs by Arnold Riches. Both in fair condition, aged and worn. The song sheet is a bifolium, 4pp, 4to, It dates from before 1939, when, following Ridgeway's death, the Player's Theatre moved to the Arts Theatre from King Street. The front page advertises performances 'Every Night (Except Sundays)', with 'THE ARTISTES' listed over twelve lines, and including 'Alec (Laneworthy-Figg) Clunes', Peter Ustinov, Bernard Miles and 'Leonard Sachs (Chairman)'.

Letter: 6pp., 12mo, on bifolium and single leaf. An vivid and entertaining letter, shedding light on Victorian valuation and auctioneering practices. Barling wastes no time in passing on the bad news. 'I am very glad you have written to me about the B[awdeswe]ll. pictures & I can tell you [last world underlined] plainly what the 2 Christie's opinion was which I cd. not do to poor old C[larke]. S[toughto]n. The inspection in issue was a grievous disappointment. So far worse than I cd. have possibly believed, and then coming the question cd. two such Men as the Christies be wrong?

ONE (memorandum): Headed: 'Memorandum of an Agreement between Messrs: Henry S. King & Co: of 65 Cornhill London of the one part and Mortimer Collins Esqre. of Knowl Hill, Twyford, Berks of the other part.' 19 March 1872. 1p., folio. In fair condition, on lightly-aged and worn paper. Pencil annotations. Five stamps at head (four embossed and one ink).

On one side of a 5.5 x 20 cm strip of laid paper, cut away from the bottom of a letter. In good condition, on lightly-aged paper, with traces of mount adhering to the reverse. Reads, in a firm attractive hand: 'Yours very sincerely | John Hassall.'

1p., 12mo. In fair condition, on lightly-aged and creased paper. The document reads as follows, with the autograph additions by Harrison in square brackets: 'WHITECHAPEL ESTATE, | THE PROPERTY OF | WILLIAM HEATHER MEDOWS, ESQ. | SIR, | I beg to acquaint you that I shall attend at the "Magpie," 12, New Street, Bishopsgate Street, to receive Rents on [Thursday] next, the [8th.] Instant, from Ten till One o'clock, when I have to request you will pay the Rent due by you at [Christmas] last amounting to £ [-. s17./7] | I am, SIR | Your obedient Servant, [G. C. Harrison] | Receiver.

On one side of a 5 x 8 cm piece of paper, cut from a letter, and backed with card. In good condition, lightly-aged, with the top two corners rounded. Reads: 'I am | Gentlemen | Your very obed Sert | [signed] Geo Combe'.

3pp., 4to. In bifolium. Good, on aged and lightly-creased paper. 'Mrs. de Morgan' in manuscript at the foot of the first page, and 'No 5' at the head. The first page carries the circular letter from 'Edwd. West, Secy.', engraved in copperplate. In sending the balance sheets he notes that 'the income is scarcely equal to the expenditure which is necessary for obtaining for the Society public support'.

The second of the three volumes of Stanley's lectures, subtitled 'From Samuel to the Captivity', was published by John Murray in 1865, the first volume having appeared two years earlier. The autograph draft is 4pp., 12mo, on a bifolium embossed with the Stanley crest (motto: 'Sans Changer'). Good, on lightly-aged paper.

28 + [1] pp., 8vo. In fair condition, on aged and lightly-worn paper. P. 1 has the drophead title: 'STRAND UNION WORKHOUSE. | RETURN to an Order of the Honourable The House of Commons, | dated 25 June 1866; - for, | COPY "of the REPORT made by R. B. Crane, Esquire, Poor Law Inspector, to the Poor Law Board, after an Inquiry held by him on the 4th and 6th June 1866, into certain Allegations made by Matilda Beeton, in reference to the Treatment of the Sick in the Strand Union Workhouse." | Poor Law Board, 25 June 1866.

3pp., 12mo. Bifolium, on yellow paper. In good condition, on aged paper, with traces of mount at head of second leaf. The full title reads: 'An Amateur Concert will take place in Mr. Gibson's Show Room, Eynsford, (Kindly lent for the occasion) On Wednesday, December 15th, 1869. | The Proceeds will be expended in the purchase of Coals, to be distributed previous to Christmas, among the poor of the Village.' Nine committee members are named on the first page, with details of tickets (to be 'obtained of any of the Committee, or Mr. T. M. G. Sharwood, Farmingham').

344pp., 4to. 26 essays (one of them in two parts), comprising 332pp. in manuscript and 7pp. in typescript, with three full-page illustrations, and five printed pages at the start. In good condition, on lightly-aged paper, in worn and rebacked blue buckram binding, with an elaborate design in the style of Walter Crane in gilt on front board, depicting a Grecian maid plucking apples, incorporating the words 'The Portfolio Socy.', a Latin motto and the date 1894. This design is duplicated in print on the recto of the first leaf of the volume, with the date '189' completed with a '4' in pencil.

1p., landscape 16mo (8.5 x 13 cm). Good, on aged paper, with blank second leaf of bifolium bearing evidence of previous mounting. The poem is neatly written out, in a sensitive hand, and is eight lines long: 'Fairyland! Fairyland! | That must be a pleasant spot: | Silver rippled over the strand, | Murmurs in each cave & grot, | Jewelled fruits upon the trees, | Music floating on the air, | Perfumes breathing on the breeze -, | How I wish that I was there! | [signed] Julia S. H. Pardoe'.

1p., 12mo. On bifolium with mourning border. With mourning envelope addressed by Chatterton to the surgeon 'Henry G. Times Esqre. | Manchester Street | Manchester Square'. Fair, on lightly-aged paper, in aged envelope. The note reads: 'With Balsir Chattertons [sic] best thanks. | Sunday | 32 Manchester Street | Manchester Square'.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

1p., 12mo. On bifolium. Good, on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring, and among his regrets is his inability to pay his respects to Lord Londesborough.'

The image is 9 x 5.5 cm, mounted on brown card, 10.5 x 6.5 cm, printed on both sides in red, with large facsimile of Disdéri's signature on reverse. In fair condition, somewhat aged. Page is shown seated at a table with a sculpture of a stag on it, with legs cross and the sole of his left show showing, smoking a pipe. In addition to being an MP, Paget held several positions in the Royal Household, acting as Equerry to Queen Victoria from 1837 to 1841. The present image is not among the four representations of Paget in the National Portrait Gallery collection.

16mo, 36pp. Printed in small type. Disbound. In good condition, on lightly-aged paper. A separate title-page may have been printed on a front wrap, now lacking. The pamphlet begins in stirring style: 'The conflict between labor and capital becomes more and more the struggle of the age. On both sides there are titanic powers engaged in what appears to be headlong and indiscriminating war. There may be now and again a lull in the contest - there may be some kind of truce proclaimed - some good sort of people may approach the combatants andn induce them for a season to lay down their arms.

xii + 56 pp., 12mo. Disbound. In fair condition, on lightly-aged paper. Presentation inscription on half-title: 'W. W. Hull Esq | With the Authors | Respects'. Uncommon: four copies on COPAC (not counting the 'electronic resource' ones).

2pp., 12mo. On bifolium with mourning border. Very good, on lightly-aged paper. He will be 'very happy, if it suits the Committee, to present a Cup somewhat similar to that they accepted fm me last year - as the Paxton Cup.' He prefers to leave the conditions to them, and asks for 'due notice when the time of the Regatta is fixed'.

1p., 12mo. Good, on lightly-aged paper. Written in a bold, attractive hand. The letter begins: 'It was with much regret that I was compelled to forgo the honour of attending your Lordship's Conversazione on Wednesday.' He was called to Hastings that day by '[u]navoidable business', but hopes to have 'during the continuance of the Exhibition, an opportunity of waiting on your Lordship'.

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

The collection is of great interest, providing a mass of information regarding the Victorian building trade. The owner of the volume, W. H. Dudley, would appear to be a War Office official, and, as described at the end of this entry, it contains manuscript details of two contracts. The ten printed schedules - totalling [34 + 17 + 14 + 10 + 12 + 13 + 12 + 10 + 16 + 11 =] 149 pp., folio - are uniform in design and format, bound together in a contemporary half-binding, with brown leather spine and corners, and marbled boards. All ten are in good condition, on lightly-aged paper, in worn binding.

After '[...] with numerous local illustrations.' the title continues: 'To which is added a short account of The Coventry Cemetery, Waterworks, St. Mary's and Draper's Halls, School of Art, New Free Library, Bond's and Ford's Hospitals; also the History of Stoneleigh and Combe Abbeys, Kenilworth Castle, &c.' 48pp., small (15 x 12 cm) 4to. With fold-out frontispiece and nine engraved plates, including 'The Countess Lady Godiva riding through Coventry' and 'Peeping Tom of Coventry'. In green printed card wraps with red cloth spine.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Addressed to 'My dear Sir'. England and Ireland are not named in the letter, but subject of the letter is clear from the context. He has read 'with very great pleasure' the pamphlet which the recipient sent him. 'You are correct in surmising that for the present at least I take no part in the political question of the day - but my views show no change'.

3pp., 12mo. Bifolium. In good condition, on aged paper, with original worn and torn envelope, with stamp and postmarks, addressed by Lucas to 'H. W. Stuart Esq. | Mulgrave House | Rectory Place | Woolwich'. Stuart's son has 'shown himself so good a worker' at Guy's that Lucas is 'anxious that he should have an opportunity of taking a good position in the profession'. Lucas has 'persuaded him to try for the fellowship & if possible, to pass the preliminary next September'. Lucas hopes Stuart will encourage his son, as he is 'convinced that he has the power, if you give him the opportunity'.

1p., 4to. Fair, on lightly-aged paper. Granville explains that 'Edmonds' (the economist Thomas Rowe Edmonds (1803-1889)?) asked him before the House of Commons Committee about giving Ricardo 'the evidence - the Committee saw it was quite irregular', but if Ricardo 'can manage to call on me at the Bd. of Trade tomorrow (Saturday) at about 12 o clock, I will show you what you want'. Postscript reads: 'Pray come at all events on Monday at one to the Committee'.

12pp., 12mo. Disbound. Stabbed as issued. Very good, on lightly-aged paper. Uncommon: the only copies of this first edition on COPAC at the British Library and Wellcome.

While only a rough pencil sketch, the drawing is an attractive one, landscape on a piece of wove paper, 20 x 25 cm, with 'JESSUPS' watermark. In good condition, on lightly-aged and creased paper, folded into a packet for postage, with remains of red wafer. Beneath the drawing, in ink in a shaky contemporary hand: 'Lawn view from the backs of Mount Vernon | This is from the Orange Tree planted by himself.' The reverse carries the following note: 'I made the enclosed rough sketch of Mount Vernon the residence of Genl.

2pp., 12mo. Bifolium. 28 lines of text. In fair condition: aged and a little ruckled. Docketed 'The Woodcutters' (a theme around which Linnell produced several paintings). Linnell writes that he has just received Lawrie's 'half note for £5 - and will not fail to attend to your wishes about The Verification'. He explains that he usually requires, in addition to the fee, 'an assurance that I shall not be called upon personally to give evidence respecting the work said to be mine.

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.