MANUSCRIPT

See his entry in the Oxford DNB. 1p, 12mo. In good condition, in trimmed windowpane mount, with a little light creasing and one fold. Addressed to ‘Dear Mr. Peacock’ and signed ‘Herbert Card Vaughan’. He is ‘greatly obliged’ to Peacock for his note which he has ‘read through with much interest’. He thanks him for publishing it in the Archaeological Journal, ‘where it occupies a public & as it were official position of authority. / God bless you’.

See her entry in the Oxford DNB. LETTER: 3pp, 12mo. Thirty-one lines. Bifolium. In fair condition, with slight staining at foot of first leaf, and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher, until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’.

See his entry in the Oxford DNB. Wilfred Scawen Blunt’s assessment was brutal: ‘It is strange his poetry should be such poor stuff, and stranger still that he should imagine it immortal.’ And it is ironic that Austin may not have even written the lines for which he is now principally remembered, on the illness of the Prince of Wales: ‘Flashed from his bed the electric message came | He is not better, he is much the same’. 1p, 12mo. On the first leaf of a bifolium of good watermarked wove paper.

Eleven lines of closely-written text. 1p, 16mo. On recto of first leaf of bifolium, the verso of the second addressed in another hand to ‘F Chapuy / 6 Bis. Rue Rodier’. In good condition, lightly aged, with strip of tape from mount adhering to the second leaf. Folded once. Attractive vignette letterhead of illustration based around the letter W. Signed ‘Albert Wolff’. It will render him ‘un bien grand service’ if the recipient will act on his promise made when they dined together to place ‘un très brave et très digne garçon de mes amis’, as ‘il a besoin pour vivre’.

See his entry in the Oxford DNB. Although Windham was elected as member for the county of Norfolk in the general election of 1806, the election was declared void on petition. In fair condition, lightly aged, attached to neatly-trimmed border of windowpane mount. With creases from folding. Reads ‘Dear Sir, / I should have apprized you earlier that the Ballot for the Norfolk Petition is appointed for to day, when, I hope you may be able to make it convenient to you to attend / Your’s with great truth’.

See his entry in the Oxford DNB. Book: 351 + [1]pp, 8vo. In original green boards, with lettering on spine and monogram 'WG' on cover in silver. No dustwrapper. Worn copy, with foxed and grubby pages. However the front free endpaper, carrying the inscription is clean, and the inscription reads, 'Dear Arthur Lyne, / Herewith the novel at last, delayed a little beyond its natural season by the printing strike. / Again thank you for all the quite invaluable help and advice you gave me in this novel, from its inception right through to the finished article. I really am most grateful.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, worn and creased. Addressed to ‘Dear Miss Cond’, and signed ‘Winston Graham’. It was ‘nice’ to hear from her again, and he is happy to send her ‘the usual autograph’. ‘What a fine collection of first editions you must have. No, I didn’t know you ran a gift shop in Sidmouth. If I am ever in the town I will certainly call in.’

See his entry in the Oxford DNB. The recipient Philip Dosse (Summerson spells it ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. The five items are in good condition, lightly aged. The three letters signed ‘John Summerson’. ONE: ALS, 3 October 1973. 1p, 12mo. Two previous letters from Dosse were sent while Summerson was in Canada. ‘The book on Fischer von Erlach I will review with pleasure. I’m not sure that I want to do the Raj book as well – anyway, not in the same review.

See her entry in the Oxford DNB. ONE: ALS to Bagnall. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Bagnall. / How very kind of you to write me such a charming letter. I did appreciate all you said – thank you very much / Sincerely yrs / Sybil Thorndike’. TWO: ACS addressed to ‘Victor Jones Esq. / 83. Ravenhurst Road. / Harborne. / Birmingham.’ Signed ‘Sybil Thorndike.’ Aged and discoloured, with address side lightly stained. She is not sure whether she thanked him for his ‘sweet letter & card for Xmas -it was such a very kind thought & I must seem ungracious!

See his entry in the Oxford DNB. Slip of grey paper, 11 x 4 cm, cut from letter. In good condition, lightly aged, with central vertical fold and spotting on reverse (a few dots of which show through) from glue. Bold signature ‘Sydney Buxton’. Text on reverse: ‘[…] paper you thought [?] […] / or if too late for […]’.

See his entry in the Australian Dictionary of Biography. Despite the Prince of Wales’s endorsement, the novelist Sally Emerson (b. 1954) proved to be the last editor of ‘Books and Bookmen’, which followed the suicide of the proprietor Philip Dosse of Hansom Books. (See her article ‘Death of a Bookman’, in Standpoint magazine, October 2018.) 2pp, 4to. On two leaves stapled together, the first with letterhead in blue ink with biblical quotation and illustration of a cross and a crown of thorns. Signed ‘T Noffs’.

See his entry in the Oxford DNB, and the entry for ‘scientist’ in the OED. Whewell first used the word in 1834 in the Quarterly Review, stating that ‘some ingenious gentleman proposed that, by analogy with artist, they might form scientist, and added that there could be no scruple in making free with this termination when we have such words as sciolist, economist, and atheist’. It is probable that the ‘ingenious gentleman’ is Whewell himself. 2pp, 12mo. On first leaf of a bifolium. In good condition, lightly aged, with the blank second leaf slightly damaged by removal from mount.

Emerson’s novels have undergone a re-evaluation in recent years. The first six were republished by Quartet Books as ‘Rediscovered Classics’ in 2017, and in 2021 by Quadrant Books. ‘Books and Bookmen’ was one of a stable of seven London arts magazines owned by Philip Dosse (1925-1980) of Hansom Books. Emerson, who was the editor of the magazine at the time of Dosse’s suicide, has published an account of her time there: ‘Death of a Bookman’, Standpoint, October 2018.

See his entry in the Oxford DNB. Slip of paper, roughly 15 x 2.5 cm, cut from form. Somewhat discoloured by the glue with which it is laid down on irregularly-cut backing card. Good firm signature ‘Samuel Cooper’, followed by the lithographed word ‘Professor.’ in gothic script. See IMage.

See his entry in the Oxford DNB. In good condition, lightly aged, with light ink mark beside date. Folded for postage. The recipient’s Hampstead Garden Suburb address at foot. He thanks him for his letter ‘about my “usage and abusage” of the English language’. All he can do is ‘plead guilty, and hope that that plea will not prejudice the chance of you being prepared to forgive me!’ The word ‘prepared’ is underlined, and may be the cause of Collins’s complaint.

See the entry what was wrote about him in the Oxford DNB. The archives of the recipient, Vere Henry Collins (1872-1966), are now housed in the library at Yale. All four items signed ‘Ernest Gowers’ ONE: ALS, 27 June 1952. 2pp, 12mo. In fair condition, worn and spotted, with pin holes to one corner and short closed tear at edge of one of the two folds. Begins: ‘By all means. The more I look into your book the more I realise how true what I said was.

See his entry in the Oxford DNB. On 11 x 7 cm piece of grey paper, presumably cut from an album. In good condition, lightly aged, with traces of glue from mount on reverse. Reads: ‘Try & trust will move mountains - / J. M. de Robeck / 1919’. See Image.

1p, landscape 12mo. On ruled paper. In fair condition, but with traces of glue from mount from reverse, a strip of which shows through along the outer edge, not affecting text. Good firm signature, underlined: ‘Robert Leighton’. Clearly a response to a request for an autograph: ‘Dear Scout Sibson, / I have much pleasure in acceding to your wish. / Very truly yours / Robert Leighton’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In good condition, lightly aged and worn. Folded twice for postage. In autograph: ‘Dear Philip Dossé [sic]’ and ‘Yours sincerely / Richard Acland’. He begins by thanking Dosse for his ‘most generous letter’ with regard to his autobiography ‘Four Years Hard Labour’, and for the offer of a free advertisement in ‘Books and Bookmen’, continuing: ‘But how sad.

See his entry in the Oxford DNB. The recipient Philip Dosse (Hoggart addresses him as Dosse) was the proprietor of Hansom Books, which operated a stable of seven London arts magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In fair condition, slightly aged, worn and creased. Folded twice. Signed ‘Richard Hoggart’ (‘Assistant Director-General (Social Sciences, Human Sciences and Culture)’. He presumes that the letter with the copies of ‘Books and Bookmen’ was delayed by the French customs.

The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and ‘Plays and Players’. 2pp, small 4to. Addressed to ‘Dear Philip Dossé’ [sic] and signed ‘Richard Ingrams’. He is enclosing ‘a rather rude review of the Clive James book for the June B & B’, and sends renewed apologies for missing the May issue. He will ‘do Thurber next’ and reminds Dosse that he still has ‘the biography of Thurber which you sent me many moons ago’: ‘Would it be too late to embrace that as well?’ He thanks him for ‘continuing to print the P.

See his entry in the Oxford DNB. Slip of paper, roughly 18 x 2.5 cm, cut from form. Somewhat discoloured by the glue with which it is laid down on irregularly-cut backing card. Good firm signature ‘James Copland’, followed by the lithographed word ‘Professor.’ in gothic script, which is followed by ‘pro temp.’ in Copland’s autograph. See Image.

See his entry in the Oxford DNB. The two items in good condition, lightly discoloured, and each folded twice. Both addressed to ‘Doyne . C . Bell’. ONE (17 December 1886): 2pp, 12mo. On first leaf of bifolium. Signed ‘J. Callcott Horsley. He explains the reason for not writing sooner: ‘I waited to see how our wants were likely to be as to small pictures’. The picture that Bell describes ‘must be a very interesting one’, and Horsley would ‘much like to see it’.

See his entry in the Oxford DNB, and his Guardian obituary by Kemp’s collaborator Michael Coveney, 26 August 2018. Sprawling autograph inscription in green ink (‘with love for Paul from lindsay X’) across top of centre pages of an attractive programme for Kemp’s celebrated treatment of the works by Jean Genet and Oscar Wilde, with numerous photographs and illustrations: 16pp, 8vo, in black and white, on glossy paper, stapled into glossy red covers. Full page introductory piece on the Lindsay Kemp Company by David Haughton. See Image of autograph.

See her entry and his in the Oxford DNB. 2pp, 8vo. In fair condition, on aged and lightly creased paper. Folded for postage. Addressed to ‘Dear Mr Robey’ and signed ‘E Londonderry.’ Begins: ‘We are holding a gigantic Jumble Sale on the 10th. of July – to help the Legion funds – We are calling it the Jazz Jumble Sale as there is a the dansant as well – A kind of fair we intend to make it & a member of the Royal family is going to open it in the afternoon. Will you be very kind and come and auction some of the things for us at four oclock.

See the entries for Cathcart and Dundas in the Oxford DNB. 1p, folio. In fair condition, on aged paper, with wear along one edge, and repair with archival tape along folds. Addressed ‘To / The Paymasters General of His Majesty’s Forces, or the Paymasters General for the time being -’. Signed ‘G Hotham Lt Genl. / D. Dundas Lt Gl.

See his entry in the Oxford DNB, with that of the presumed recipient, the Manchester bookseller William Ford. 1p, 4to. On recto of first leaf of bifolium, the verso of the second addressed, with two postmarks, to ‘Mr. Wm. Ford / 11 Strangates / Lambeth.’ In good condition, lightly aged, with spots of paper from mount at corners on address page. Folded for postage. Signed ‘Geo: Chalmers’. He begins by thanking him for his ‘obliging Note’ of the previous day, before stating that he has ‘the curious Tract, which was printed, by Raban of Aberdeen’.

See her entry in the Oxford DNB. On 15.5 x 5.5 cm slip of paper, cut from an autograph album. In good condition, lightly aged, with some show-through from the writing on the reverse. Reads ‘To Minna May / With my love / “Auntie” Gladys / Gladys Cooper / 1935’. See Image.The writing rises slightly across the page, and a small section at the bottom of the initial ‘G’ and the ‘y’ of ‘Gladys’ have been trimmed away. On the reverse is the following, in an unidentified hand: ‘Philatelic Minna May / Came to lunch with me today: / took my box of stamps away, / Says she’ll bring ’em back – some day!

From the Henry Williamson papers. The present text does not feature in Williamson’s 1941 memoir of Lawrence ‘Genius of Friendship’, and appears to be unpublished. (According to Williamson’s entry in the Oxford DNB, the publication in 1927 of ‘Tarka the Otter’ ‘attracted the attention of T. E. Lawrence, whose letter of praise started a correspondence and friendship between the two.

See the entry on his son Horatio Ross (1801-1886) – named after his father’s friend Lord Nelson who was the boys godfather and died the year after the writing of this letter - in the Oxford DNB. 1p, 4to. Twenty-two lines of closely and neatly written text. In good condition, lightly aged and creased, with strip of paper from mount to one edge. With fold lines. The recipient is addressed as ‘My dear Sir’ and not named, and the letter signed ‘H. Ross’. Written in a spirited style.