LONDON

1p, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed, over a red 'Postage Revenue' 2d stamp: 'Alfredo Compoli. | August 13th. 1947'. Above this the receip, in Compoli's autograph, reads: 'Received £500 (five hundred pounds) in full, (£200 deposit – and £250 in cash – also cheque value £50 (dated August 11th. 1947) for Sale of Music Library (Salon Orchestra, & Trio)'. Accompanying the document is an unsigned autograph receipt on a worn slip of white paper, reading: 'April 28th. 1947 | Received, from Jack Salisbury Esq.

An interesting archive of material relating to a movement whose influence extended beyond the British Empire. In 1906 the MEL had induced the Board of Education to make provision for moral instruction in the education code for England and Wales, and two years later the first in a series of International Moral Education Congresses was held at the University of London, with Michael Sadler in the chair (the sixth and last would take place in Krakow, Poland, in 1934). The twenty items present here are in good condition, lightly aged and worn.

The present item is part of a propaganda battle between King-Hall and Goebbels. The only other copy of the item located is at the German National Library, King-Hall having 'contrived to infiltrate', as his Oxford DNB entry has it, this 'German version' of his 'King-Hall News Letter' to 'individuals in the Reich, provoking a vehement reaction from Goebbels and Hitler himself'. See also the article in Time magazine, 7 August 1939: 'Last week all Europe was excited about the propaganda battle between England's Commander Stephen King-Hall and Germany's Paul Joseph Goebbels (TIME, July 31).

1p, 12mo. In good condition, on lightly-aged paper, folded twice. An elegantly-expressed sentiment: 'Mademoiselle, | Les malheureux sont mes Amis, et l'oeuvre à la quelle vous vous interressez à [sic] toutes mes sympathies; malheureusement je suis si peu de choses que je ne puis vous témoigner que mon bon vouloir a l'oeuvre à la quelle vous vous interressez [sic]si vivement.'

2pp, 12mo. In fair condition, lightly aged, with fold lines. Annotated up one margin: 'Writer of Travels &c'. Andersson writes: 'Dear Mr. Blackett, - | I enclose a literal translation of a paragraph extracted from one of the best Swedish newspapers, by which you will see that the King has honoured me with a medal. If you think that this paragraph may be of any use to you when advertising the 2d. Edition of “Lake Ngami”, it is quite at your service. Of course you may put it any [sic] language you may think proper. | Yours faithfully | Chs. J.

7 + [1]pp, 4to. On two loose bifoliums. In fair condition, worn and aged. Stamped twice on cover: 'CORRECTION COPY' with date 1 July 1938, and second date, 29 November 1946. On the cover is an attractive stylized children's illustration, Curwen press style, hand-coloured in blue and orange, depicting three policemen walking in a line, truncheon aloft, before a row of houses and a church. The second page is blank; the third carries 'Hints for Performance', including 'Directions for Marching'. The musical score (for voice and piano) and words cover the four pages 4-7.

2pp, 16mo. Bifolium, with the letter on the recto of the first leaf, and a long postscript on the recto of the second. In good condition, lightly aged, folded twice. A friend of Charles Dickens and his circle, and physician to Queen Victoria's uncle Prince Leopold, Quin founded the London Homeopathic Hospital in 1849. The letter invites Quin to 'dine with us on Tuesday the 23rd. Inst at a quarter before seven o' clock'. The pith is in the two postscripts: 'P.S.

1p, 4to. In good condition, lightly aged, with minor traces of mount adhering to one edge, folded several times. 'Mrs. Macready' in a contemporary hand at the head of the page. Written in a neat hand the letter reads: 'Mrs. Macready presents her compliments to Mr. Kenneth, - any Letters directed to Mr. Macready Theatre Royal Birmingham will find Mr. Macready until Saturday Morng. 24th Inst.'

Four pages, 4to, bifolium, some foxing but mainly good condition.The work was hugely popular, going through numerous editions between 1894 and 1907. The title is (deliberately) misleading. The work is an exploration of theological rather than biological questions, with the author stating that 'The How, Why, and Wherefore have not received the full amount of profound and reverent study that the ineffably intrinsic importance of the subject to ourselves warrants.' Lewis Carroll had a copy in his library.

[8] + 200pp, 8vo. In light-brown wraps with title repeated on front cover. Worn, on aged paper, with the upper back few leaves dogeared, and spotting at foot of first few leaves. The present proof must in some regard differ from the published version, whose various listings on COPAC give it 200pp, rather than the 199pp here. Lewis's two-page 'Introductory' concludes with a vivid picture of the Inklings: 'The first two chapters had been read aloud by the author to Professor Tolkien and myself.

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [...] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear.

Eleven volumes, 1890-1900, each of around 50pp, 16mo. Uniform (but for a few decorative features) in grey printed wraps. The sixth annual report (November 1891) has an attractive frontispiece illustration of 'Proposed New Buildings, when completed'; the seventh (December 1892) has two plates showing the interior of the mission building 'when used as church' and 'when used as hall'. The other volumes each have frontispiece maps of the environs of the 'Mission Hall' and 'Missioners' House'.

2pp, 12mo. Bifolium. In good condition, on lightly aged and worn paper. Folded twice. After thanking him for sending 'the card with Shelley's philosophic verse', he continues: 'I am sorry that you have so sad a memory connected with 1883 - the year gets with me sadder for the loss of friends and with hopes dashed too'. Nevertheless he looks forward, and hopes 'for pleasure in useful work for both of us'.

On one side of 8 x 13.5 cm leaf of cream paper. In good condition, lightly aged and worn, with slight creasing to one corner. A good, firm underlined signature. Reads: 'Good luck to Enid! | Max Wall | 1951'. On the reverse is the autograph of an unknown signatory: 'To Enid | [Sister? Lister?] [J?] Ferguson'.

The four items in good condition, lightly aged, with stubs from mounts still adhering. The first three are bifoliums, carrying seals in red wax (that to the third letter broken). The second letter is addressed to her at Grosvenor Square; the third and fourth to her at Upper Brook Street. ONE: No place or date. [London, on paper with watermark of 'J GREEN & SON | 1824'.] 1p, 12mo.

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

1p, 8vo. On bifolium addressed on verso of second leaf to 'Mr. Erskine'. In good condition, lightly aged. Autograph jeu d'esprit, signed at foot 'J. Jekyll. | June 30th. 1800'. A short poem reading: 'Tell Mrs. Crewe | I envy You. | But sit on Lu- | nacy. || Yet Mrs. Crewe | will think I'm stu | pid in my lu | -cid Intervals.' Jekyll's entry in the Oxford DNB concludes, perhaps unkindly: 'If he is remembered by later generations, it is chiefly as a wit. It has to be said, however, that his wit, which consisted in large measure of excruciating puns, has not lasted well.'

1p, 12mo. Folded twice. In good condition. Presumably in response to a request for an autograph, the central third of the page carries Patmore's signature ('Coventry Patmore.') beneath a four-line quotation from Patmore's best-remembered poem, 'The Angel in the House': 'Spirit of Knowledge, grant me this: | A simple heart and subtle wit | To praise the thing whose praise it is | That all which can be praised is it!'

1p, 8vo. On laid paper with watermarked date 1811. In good condition, lightly aged, with stub from mount adhering. In a contemporary hand at head: '0 15', and at foot '5 Mar 14' and 'Margravin Anspach'.

1p., 12mo. In fair condition, lightly aged, with slight damp staining. Addressed to 'Mr Brooks'. She is sending 'the script for you. It can, of course, be knocked about how you like. It is just a peg on which to hang things.' She reports that 'Collie' (i.e. Collie Knox) was pleased with Brooks's message, 'and sent most cordial ones back to you'. She concludes: 'We had an extremely pleasant lunch, and I shall look forward very much to meeting you again'.

3pp., foolscap 8vo. On a bifolium of laid paper. In fair condition, aged and worn. The first poem, 'Balooning [sic]', covers both sides of the first leaf. No evidence has been discovered that this poem was ever published, but it is inspired by the exploits of 'Mr. Green' in a humorous essay titled 'Ballooning', which appeared in Charles Dickens's 'Household Words' on 25 October 1851. The choice of two phrases ('pipes & backy' and 'Mounted Meershaums') is given in the present manuscript, these variants perhaps suggesting that this item is authorial rather than a transcription.

2pp, 12mo. Bifolium. In good condition, lightly aged. With Cruikshank's splendid sprawling signature. Addressed to 'C. Le Motte Esq' and beginning: 'Sir, | Professor Wheatstone did not lay the wire across the Thames as he proposed to do, on account of the “Trawling” in that River and also finding some trouble in obtaining permission from the Lord Mayor – as “Conservator of the Thames” - In 1840 he had all the plans and apparatus ready – and in 1844 he in company with the Member for Swansea [i.e.

Volney's 'Ruines' (1791) was extremely influential, particularly in the United States. In 1796 Volney met Thomas Jefferson at Monticello to discuss Jefferson's plan to translate the book into English. Jefferson had completed the greater part of his translation by the time he mounted his 1800 bid for the presidency, at which point he handed over the project to Joel Barlow, who translated the last four chapters and, at Jefferson's request, put his name to the whole translation, which was published in 1801.

1p., 4to. In good condition, lightly aged. On bifolium with stub from mount adhering to blank second leaf. Neatly written and reading: 'Le Senateur Volney a l'honneur d'offrir au Ministre du tresor public, comme a l'un des juges les plus competens et les plus Eclairés l'examplaire ci-joint de Son Nouveau livre Tableau du climat et du Sol des Etats-unis D'Amerique | et leprie d'agreer des tres humbles civilités.' At the head of the page the recipient has written: 'Rep. 2o Br[umair]e. 12. [i.e.

1p., 12mo. In fair condition, lightly aged, with slight rust staining at head from paperclip. Reads: 'Dear C. B/ | Choice of two photographs with pleasure that you so flatter me as to want one. | Thought the enclosed cuttings from the NY Daily Mirror would interest you. Dont trouble to retain them. | Yours | George.' Wood was a screen and stage actor and comedian. A dwarf, he usually performed as a child. He wrote a weekly column in The Stage, and was a stalwart of the Savage Club. He is mentioned by John Lennon in the Beatles song 'Dig It'.

60pp., 8vo. In green printed wraps, the front cover carrying a dense illustration of scenes from various songs ('Kitty of Coleraine', 'Angel's Whisper', 'The Irish Wedding', 'Donnybrooke Fair', 'Low-Back'd Car' and 'The Wake'), with Tom Moore at the head, printed by Richard Born from a drawing by W. E. Earl. Title on cover differs slightly: '100 Songs of Ireland | Music & Words | The Popular Edition'. Eight-page publishers' catalogue bound in at rear. In fair condition, on aged paper, in aged and worn wraps.

First two letters 1p., 4to; third letter 2pp., 4to. All three signed 'John Cartier'. In fair condition, lightly aged and worn. In the last letter he states that he has received the 'envelopes', and has 'distributed them round to various singers and musicians who will eventually, I am sure, be sending you a photograph with best wishes'. He apologises for being unable to invite him to visit: 'You see, this is a very tiny flat and, in fact, I am very seldom here for any length of time as my work means continual journeying from place to place for concerts and shows.

The four letters are in good condition, with light signs of age and wear. Written in Payne's neat and mannered hand, and all four signed 'J Bertrand Payne'. For the background to the correspondence see Jim Cheshire's article 'The Fall of the House of Moxon', Victorian Poetry, Spring 2012. Payne was manager of the London publishing house Edward Moxon & Co., celebrated for their association with poets.

2pp., 12mo. In good condition, lightly aged. Addressed to 'Leicester Buckingham Esq'. Bentley writes that the matter of Buckingham's life of Mary Queen of Scots is 'just now brought to [his] attention'. 'If you are passing this way any day between 12 and 2 o'C you will be sure to find me, or my son, who will be able to discuss the subject with you'. He finds that he 'paid to Mr Wageman for a copy of the Miniature of the Queen executed for yuou at your desire, £3 . 3. 0', and asks to be sent this.

1p., 12mo. In fair condition, lightly aged. Presumably written to the governess of a child he had arranged to paint. Reads: 'Madam | I have Mrs. Horsfall's permission to ask if you could make it convenient that I should see her little daughter tomorrow at ¼ past 2 oC – for the purposes of arranging sittings for her portrait.'