CARTE

See his entry, and that of his brother, in the Oxford DNB. On one side of a 14 x 9 cm printed postcard. No stamp or address, the side that should carry them being blank. The other side carries an illustration of a British soldier in khaki firging a cannon behind a wall, as another soldier stands to attention beside a nearby flagpole, from which a large Union Jack flies, pited in red and blue. At the head of the saide is a snatch of musical notation, to the words ‘Under the British Flag well fight our way to glory’.

1p, 4to. On discoloured and somewhat grubby paper, folded twice for postage. Addressed to ‘S. Hodgson Esq.’ and signed ‘H M. Hake’. Hodgson has sent Hake ‘a manuscript fragment’, which does not seem to indicate either of ‘the portraits in the Gallery’. He has ‘looked up the record of portraits offered in the past but there is no mention of Mrs. Cruikshank or her executors.’ He asks a related question before turning to the subject of the physician Sir Benjamin Ward Richardson (1828-1896), who was in Hake’s opinion ‘more of a professional worthy than a national one’.

Rather long for a carte de visite: 6 x 9 cm albumen print laid down on 6.5 x 10.5 cm card. In fair condition, lightly discoloured and worn. On the card beneath the photograph is a facsimile of Ruskin’s signature (‘John Ruskin’) and ‘ELLIOTT & FRY Copyright. 55. BAKER ST.’ Printed on the reverse is the royal crest and the firm’s address. A copy of the present item was offered by Sotheby’s in 2021, dated to 1867, with the claim that it was ‘signed on the mount’. That claim is erroneous: the signature to that copy is identical with the present lithographed one.

2pp, 12mo. Seventeen lines of text, with a few lines and the signature written lengthwise on the second page. On bifolium. Accompanied by the letter’s stamped and postmarked envelope, addressed by Power to ‘Mrs Lane / 67 Addison Road / W14’. (Note that she lives in the same street.) Both letter and envelope in good condition, lightly aged. Letter folded once. Signed ‘Geo. Power’. He explains that a friend of his, Rev. Eric O. Norman’, ‘who is a fine musician & pianist is trying to get together a small orchestra for a concert on the 24th. May’ and he wonders whether she would ‘care to join’.

Carte-de-Visite, c.10 x 6cm, sl. grubby but a good image. Name of subject (apparently) written on reverse in pencil, Mrs Magrath. A similar item at the V & A is described as an albumen print. Louis Werner appears in the Dictionary of Irish Artists. Apparently ill health drove him from portrait painting to photography.

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “M[?]”'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle.

First two letters 1p., 4to; third letter 2pp., 4to. All three signed 'John Cartier'. In fair condition, lightly aged and worn. In the last letter he states that he has received the 'envelopes', and has 'distributed them round to various singers and musicians who will eventually, I am sure, be sending you a photograph with best wishes'. He apologises for being unable to invite him to visit: 'You see, this is a very tiny flat and, in fact, I am very seldom here for any length of time as my work means continual journeying from place to place for concerts and shows.

1p., 12mo. In fair condition, lightly aged. Reads: 'Dear Miss Randall | I am pleased to sign myself | Yrs. sincerely | Henry A. Lytton'

The image is 8.7 x 6.2 cm, on part of printed London Stereoscopic & Photographic Company mount. In good condition, lightly-aged. The lower part of the mount has been cut away, and laid down over the lower part of the photograph is a 1 x 6.5 cm strip of paper, carrying Cruikshank's autograph signature ('Geoe Cruikshank'). The National Portrait Gallery copy of this image is NPG Ax17862.

LETTER: 2pp., 12mo. On lightly aged and worn paper. He summons him to a meeting, telling him to read a memo beforehand, before writing: 'I am not disposed to waive any Crown rights for money advanced | Lenders may have notice, but if P. W L C advance public money, the public must be protected against persons who are trading for profit'. CARTE DE VISITE: In fair condition, lightly aged, with 'W. H. SMITH, ESQ., M.P.' printed beneath the image, and the details of the London Stereoscopic & Photographic Company on the reverse.

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

2pp., 12mo. On aged paper, with creasing and short closed tear at foot of leaf (affecting first letter of signature). The letter reads: 'My dear Sir | So many thanks for your most beautiful lines. I should be grateful if you would dedicate them to me | Yrs Truly | Henry A. Lytton'. Lytton gives his Chiswick home address on the reverse.

14 x 10 cm albumen print, on 16.5 x 11 cm card. In fair condition, lightly-faded. Docketed on reverse: 'G. W. Childs | who erected monument over <?>' From the papers of the Anglo-American astronomer Mary Proctor (1862-1957).

An albumen print, mounted on a piece of plain white card. Dimensions of print: 94 x 57 mm. Dimensions of card: 104 x 64 mm. Aged and faded. The card is entirely blank, apart from the date '1853' written at the head of the reverse. Clearly an early portrait of black people: if the date on the reverse is correct it pre-dates by a year the patenting of the carte to visite by Disdéri. The couple are seated side by side, gazing slightly to the right of the camera.

Both items in early nineteenth-century notebooks, each with the original marbled covers. Both in fair condition, on lightly-aged paper, in worn bindings. The volume of 'Miscellaneous Receipts' is 12mo, 129 pp. Paginated by the compilers, with a ten-page 'Index' at the rear. The first page is signed by 'Edward Carte', 'Edward Leigh Carte', 'And Edward Alexander Leigh Carte'. Almost entirely in the hands of Edward Carte and Edward Leigh Carte, with only one page, following the index, in E. A. Leigh Carte's hand.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

Albumen printh, 8.5 x 5.5 cm, laid down on card, 10.5 x 6 cm. In fair condition: lightly faded on slightly-aged card. Card printed in red on both sides, with Nadar's address and facsimile signature on reverse, and his initial within the border containing the photograph on the other side. Head and shoulders shot of the singer, staring at the viewer in a dark dress attached at the neck.

One page, 8vo, minor stains, good condition, text clear and complete. He explains the arrangement that was made for him to get a copy of a book ("la geographe de Mr. Mattebrun" on the account of M. Buisson). He asks for the volume to be consigned to the "porteur" with a second copy to which he has subscribed.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.