ENGLISH

305 mm high and 225 mm wide. The print has been trimmed, with the top corners cut away to give the print the appearance of an arched window. A strip, 35 mm high, at the foot contains the caption, with the bottom right-hand corner damaged (not affecting print) by removal from backing. A good crisp impression, on lightly-aged paper, the only faults being loss to the sky above the Emperor as a result of the trimming of the top corners, and a couple of spots of glue to the sky.

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.

12mo: 2 pp. Sixteen lines of text. Good, on aged paper, with a strip from the previous mount adhering at the head of the reverse. Docketed in a contemporary hand 'Jacob Bell' and 'M. P. for St. Albans 1851.' He thanks him for taking the trouble to search 'the last document which fortunately is found much to my surprise in a store room in my own house'. He 'cannot account for the accident' and apologises once again.

The proofs are on one side each of five strips (each approximately 60 x 15.5 cm) of discoloured high-acidity paper. They are in good condition, with a little light creasing, and slight chipping at head of first strip (not affecting text). They are headed 'GALLEY ONE [TWO, THREE, FOUR, EIGHT]'. Text clear and entire. The article reads continuously, with no hiatus between Galleys Four and Eight. Some simple errors indicate that these are early proofs, i.e.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

On a piece of wove paper, roughly 5 x 14.5 cm. Rough lower edge. Good, on lightly aged paper. 0.5 cm closed tear at left (not affecting signature). Paper folded once vertically. Good clear signature.

Two pages. Dimensions of paper fourteen and a half inches by nine inches. Aged and stained, with fraying to extremities and some loss to one corner (not affecting text). Order to 'deliver and pay of such his Majesty's Treasure as remains in your Charge unto John Earl of Dunmore or his Assigns the Sum of Two hundred and Fifty Pounds', on Dunmore's 'Annuity or yearly Pension of One Thousand Pounds as one of the Gentlemen of his Majesty's Bedchamber'. With signatures of 'Winnington', 'G Earle' and <?>. Docketed 'Mr. Yorke I pray pay this Order out of Addl.

Octavo: 190 pp. In original red cloth binding. First edition. Lacks rear free endpaper. On aged paper and in heavily worn binding. INSCRIBED by author on creased front free endpaper 'Much that is contained in this book is founded on fact | [signed] William Le Queux | Oct 1916'.

Both items concern John Littlejohn's 'British Watercolour Painting and Painters of Today' (Pitman, 1931). Note of 18 December 1930: 12mo, 1 p. Five lines. Good on lightly aged paper. Thanking the publishers for sending 'the prints of my drawings [...] they are really very well done!' Letter of 13 February 1931: 12mo,1 p. Eight lines. Good, on lightly creased paper. Thanking the publishers for four presentation copies of the book. 'It is a handsome book and the drawings are well reproduced: I am particularly pleased with those of my own drawings.' Two items,

On irregularly shaped piece of paper, roughly 3 x 7 cm, cut around the signature and its double underlining. Good signature, with slight smudging to a couple of letters.

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

The six-line letter, which is laid down on a slightly larger piece of lilac paper, was originally on one side of an octavo leaf, but it has had a strip (presumably carrying the name and address of the recipient) beneath the address cut away. It is now in two pieces: 5 x 15.5 and 12 x 15.5 cm. Otherwise very good. Laid down on the top piece is a slip of paper in Hill's hand, reading 'From: Air Commodore Dame Felicity Hill D.B.E. WRAF (retd)'. In the bottom right-hand corner of the second piece of paper is a strip carrying Hill's autograph.

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.

12mo, [ii] + 235 pp. In contemporary brown-calf half-binding, with marbled boards and grey endpapers. Internally sound and tight, if a little foxed, with some wear to the extremities of the title-leaf. In worn binding with label on spine mostly worn away. The identity of the author is unknown.

4to, 20 pp. The last page carries advertisements for the publisher Almon. Unbound; stitched. Good, with first and last leaves somewhat aged and chipped. Central vertical fold. A relatively uncommon item, with most of the entries on COPAC turning out to be for a microfilm reproduction.

In light blue, light brown and black on one side of a piece of wove paper roughly 38 x 56 cm. Good: lightly creased and with a little wear at foot. Folded three times. 'Corrections 14th. June' in bottom left-hand corner, and 'Malby & Sons, Lith.' in bottom right-hand corner. Faintly stamped on border at foot 'CHARPENTIER | PORTSMOUTH'. COPAC lists one copy (National Library of Scotland).

Printed on one side only of a piece of watermarked laid paper, dimensions 32.5 x 19.5 cm. Folded twice for insertion in the magazine. Good, apart from strip of approximately 0.5 x 5.5 cm loss along top fold, affecting one word of text, and neatly repaired with archival tape. At head of page clean impression of satirical engraving (roughly 8.5 x 13 cm), showing Beckford (father of the connoisseur), in Lord Mayor's robes, telling Harley to 'Receive Instructions & not Silver'. Harley, holding a jacket, tailor's iron and shears, replies 'Teach us our Lesson! Are we then School Boys?

8vo, [ii] + 8 pp. Unbound stitched pamphlet. Lightly aged, and with short closed tears at head and foot of outer leaves. Dogeared corner to rear leaf. A 116-line 29-stanza poem, beginning 'The Pilgrims loved Old England, | Their hearts fed on her sod, | Their souls clung close to England, | But closelier [sic] to God.' and ending 'And through those centuries strenuous | In services to Man, | If sometimes sadly tenuous, | We claimed, and kept the Van.' Scarce: no copy on COPAC, in the British Library or Library of Congress.

The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers.

8vo, 12 pp. Stapled and in original blue printed wraps. Good, with minor staining to wraps at top of spine. Eight 'Rules' and three 'Regulations', with a separate entry on 'Regulations for the Use of the Library'. Not listed on COPAC.

The prospectus is a four-page bifolium. Dimensions of leaf roughly 38.5 x 24 cm. Aged, creased and worn, and with slight loss to spine and with a panel in the second leaf worn through, resulting in loss of some of text. The prospectus is addressed by hand to 'Eton College Wilds Estate'. The 'form of application' is printed in green on one side of a leaf roughly 34 x 20.5 cm. It is in better condition than the prospectus, lightly creased and aged, and complete with a perforated 'Banker's Receipt'. Note: The Wilds Estate provided the land for Hampstead Garden Suburb and the Heath.

Folio: ii + 59 + [1] pp. Unbound. Stitched as issued. Text clear and entire, but in poor condition: on creased, discoloured and stained paper, with wear to extremities. Begins 'WHEREAS fires in warehouses in the borough of Liverpool have of late years been of frequent and alarming recurrence, and have been attended with considerable loss of life and property.' 124 clauses, followed by seven pages of 'Schedules referred to by the foregoing act'.

12mo, 30 pages. In contemporary nonce-binding of brown boards tied with twine. Presumably incomplete, as sequential translations of only thirty psalms are present, ending with the hundred-and-fourth. Scarce: no copy in the British Library, and none on COPAC.

NOT in George. Dimensions of paper 27.5 x 41 cm. Dimensions of image 20.5 x 31.5. On aged, grubby paper with wear to extremities. Image entire, but with one closed tear intruding from right across 3 cm of the blue background, and three closed tears (the longest 4cm) horizontally across a central vertical crease. A splendid full-length figure of Wellington (entirely undamaged), in full military uniform, with boots, red coat with gold epaulettes, white breeches, gloves, and sword, flees, hands in air and plumed hat falling to the ground, from a giant pig with three human heads.

Letter One (November 1848; folio, 1 p; on discoloured, creased and worn paper): Availing himself of Philippart's 'kind permission to contribute to the U. S. Magazine', Stocqueler is sending 'the commencement of a Historical Sketch' he has 'long meditated writing'. 'A note in this month's Dublin University Mag. has afforded the text - & the pretext'. It 'will be calculated to please the India Office', and will contain 'a good deal of personal sketch'. Addressed on reverse to Philippart at the Magazine's office at 19 Catherine Street, Strand, and docketed by Philippart.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

12mo, 2 pp, and 8vo, 1 p. A little grubby and creased, but with text clear and entire. He is sorry that Shorter was not able to visit the Chateaux of the Loire, but hopes that 'the sea air of Dieppe' has done him good. The year before Shorter's death, Hammerton writes: 'But you must really cease this brink-of-the-grave touch! Ten years hence, from an inglenook at Knockmoroon [where Shorter would die], you will wonder why you were anticipating the "closing down" of C.K.S.