ENGLISH

Cut from a letter. On small rectangle of light-grey paper, roughly 2 x 4 cm. Fair, on aged paper with thin light strip of glue staining along top edge. Neat firm signature, underlined and overlined, reading 'John Hullah'.

12mo: 2 pp. Bifolium. Text clear and complete. Fair, on aged paper. If the recipient visited on the Saturday he would have found that the Waughs were away: 'My wife was developing mumps in London & I was kicking a football. Would tha tit had been any other day.' He thanks him for 'the review of Strachey', which he read with much interest, if partial agreement': 'I think mystic experience lies beyond my compass, & therefore I can hardly judge'. Quotes 'our friend Moore' (the philosopher G. E. Moore?) on the subject.

The fifty-two items (in various formats) are in very good condition. Texts clear and complete. On lightly-aged paper. A cordial correspondence regarding the business of the Society, Holdich's close association with which is not noted in his entry in the Oxford DNB. On 21 February 1917 Holdich writes to 'accept the honour of appointment to the office of Vice President of the Society of Arts'.

The collection of thirty-one items is in good condition, with the texts (in a variety of formats) clear and complete. Includes nine Typed Letters Signed, one Autograph Letter Signed, two Autograph Notes Signed, one Autograph Card Signed, one Typed Note Signed by Crowe, with a Typed Letter and a Typed Note signed on his behalf. The first item is an Autograph Card Signed from Crowe accepting his election as the Society's Vice-President.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

Dimensions of card 6 x 9 cm. Good. Printed on the card are the name 'Miss Anna Swanwick,' and the address. Written around the name in MS is 'Mr Palgrave, The Misses Palgrave from [Miss Anna Swanwick] With kindest regards and all the good wishes of the season.'

4to, 8 pp. Stitched pamphlet on grey paper. Text clear and complete. Good, though somewhat creased, and a little stained. In small type. Divided into two sections: 'Selections from the opinions of the London press' and 'Selections from the opinions of the provincial press'. In a long quotation on the front page: 'Charles Dickens made the practice famous, and Mr. Joseph Hatton has begun his platform career in the same modest, careful, and unpretentious way [...]'. (p.1, 'From General Press Notices').

Both items in fair condition, on lightly-aged and foxed paper. Letter One: 12mo (15 x 10 cm), 1 p. He thanks him 'for the Tickets': 'we are looking forward to seeing you act. I shall be very pleased to come to smoke a cigarette after the first act off the Duel.' ('The Duel' was produced at the Garrick Theatre, London, in 1907.) Letter Two: 12mo, 2 pp. He thanks him 'for the excellent evening you gave me at The Coronet the other night. | The Incubus is an admirable play, and admirably acted.' He hopes France 'had a good week of it': 'I told innumerable people not to miss it.'

Both items good, on lightly-aged paper. Letter One: 4to, 1 p. Begins 'The College today at its Special General Meeting did itself the honour of electing you to an Honorary Fellowship. We trust that it may not be unacceptable to you to be thus associated with our Society. There are no duties, save that of wearing a surplice in Chapel on Sundays and Feasts of the Church.' He thanks Gore for his 'generous words' of the previous day. Letter Two: 4to, 2 pp.

Both cards plain with printed stamp and 9 x 11 cm. Both bearing the Society's oval purple stamp. Card One: He is 'leaving town on business for two or three days' and so cannot attend the meeting of the Indian Section Committee. Card Two: He will 'with pleasure support Abney if in town', but may not be there on the day.

8vo, 2 pp. Text clear and complete. Good, on lightly-aged paper. He is 'sorry' that Harlech has 'left the Colonial Office, upon which you have produced such a profound and salutary effect'. From the point of view of the I.L.O.

12mo, 1 p. Good, on lightly-aged paper. Punch-hole in top left-hand corner. Replying to an autograph hunter, she states that she has 'signed the programme' and has 'much pleasure in returning it with every good wish'. Good, firm signature.

On a piece of laid paper, roughly 14 x 9 cm. Good, on lightly aged and spotted paper. Reads 'Steph: Waller | (Eng. 21)'. Docketed in ink on lower part of same page: 'Flyleaf of Book from Library o Stephen Waller - 2nd. Son of Edmund Waller, the poet, and one of t Commisisoners appointed by Quee Anne on the Union between Scotland and England -'.

Excessively scarce, with no copy in the British Library and the only copy on COPAC at Cambridge, where it is tentatively dated to 1823. 8vo: 80 pp. Followed by five leaves (pp.373-382) from 'The Evangelical Magazine and Missionary Chronicle' for 1839, in which an anonymous review of Reed's two books features on pp.378-382. Interleaved (all blank). In simple contemporary blue-grey half-binding with cloth spine and corners and marbled boards. Tight copy on aged paper in worn binding. Neat contemporary repair to blank reverse of title. The circumstances of this publication are as follows.

12mo, 1 p. The purple ink of the letter has bled, otherwise in good condition. He does not 'think it likely that we shall soon see this neighbourhood again'. They have had 'frequent bad weather, constant illness, & general discomfort'. The Yateses 'hope to meet you at Hamburg, where we expect to arrive on Wednesday 5th. August. So be it!' Mrs Perkins was the wife of the wealthy brewer Augustus Frederick Perkins.

Landscape sketchbook of eighteen leaves. Leaf dimensions roughly 17.5 x 13 cm. One leaf loose. A further leaf has been removed. Drawings on twenty-five pages and the rear pastedown. Bound in rough grey cloth with printed design on front board. Printed stationer's ticket (label) on front pastedown. Grubby, and with the inevitable pencil offsetting, but good and tight on good paper, lightly-aged but unaffected by damp or stain. Contains some charming images, showing the promise that would win Wright a scholarship to the Royal College of Art three years later.

Excessively scarce survivals, with no copies of either item appearing on COPAC or WorldCat. Both are printed on one side of a leaf roughly 25 x 20 cm. In fair condition, with light creasing to extremities. Item One (on grey paper, with illustration by Audrey Seyfang): 'Oh, Brother, did you weep? | words and music by Ewan MacColl'.

According to Karl Dallas (Morning Star, 16 November 2007) it was he who 'first mooted the idea' of an anti-Vietnam War 'campaign in the folk scene', with the 'singers' group' being formed by Dallas in conjunction with Ewan MacColl and Gordon McCulloch. The four items are excessively scarce survivals, with no copies of any of them appearing on COPAC. All are printed on one side of a leaf roughly 25 x 20 cm. Each leaf is differently coloured. The items are in fair condition, dogeared and with light creasing and chipping to extremities.

12mo, 2 pp. Twenty-eight lines of text. Good, on lightly-creased paper. Lockhart's signature has been docketed in ink (by Aitken?) 'Sir Robert'. A letter of condolence on the death of Aitken's father. Reminisces about the 'moment I came into his life', a 'luncheon at Charkley' soon after the First World War: 'The only other guest was Augustus John. [...] as you know, I learnt much from him. Indeed, it was he who taught me how to write, and in his house I met numerous people whom, but for him, I should never have known.' He considers that Beaverbrook treated him 'nobly'.

12mo, 3 pp. Bifolium. Good, on lightly-aged paper. Attractive red letterhead, in the Arts and Crafts style. The writings she referred to in a previous letter have not come. 'You probably forgot to enclose them. I expect to read some of the papers in the days when I look in the P[all]. M[all]. G[azette].' He asks her to give him 'an idea of what the publisher proposes to spend on the illustrations, and also the size of them, and the style - pen & ink, or "wash".' He has heard news of her 'from Welsh, Ethel Johnson's husband, who is with me at the Haymarket'.

On both sides of the gilt-edged card, which is roughly 9 x 11.5 cm. Aged, but in fair condition. 'Mr Bosworth Smith' has informed her that her book 'Poets the Interpreters of Their Age' (1892) 'will be acceptable to the pupils of Harrow School', and she has 'great pleasure in presenting a copy to your library, & hoping that a kind welcome will be accorded to my little offering'. A postscript explains that the volume 'will be forwarded by an early post'.

12mo, 3 pp. Bifolium. Spike hole through both leaves, not affecting text. Fair, on aged paper. She states that 'The story would be ready to commence the 2nd. week in March.' She then gives a list of her five 'other works besides Comin' thro the Rye'. The first two in the list are said to have passed through '3 editions', and of the second in the list 'a further is in preparation'.

16mo, 2 pp. On first leaf of bifolium. Mourning border. She has just received his letter, 'forwarded through Mr Fisher Unwin'. 'I am not "Lucas Malet" - but I am forwarding the letter to her. She is my sister - | Mrs. William Harrison | Clovelly Rectory | Bideford | North Devon'.

12mo, 3 pp. Bifolium. Fair, on aged and lightly-creased paper. He would have answered Sedgwick's letter punctually, had he been able to help him. 'But I have not only no notes for the Walton Convalescent Institution of my own available, but I have been (before your application) desirous of obtaining one for a young man known to me personally, and have not (as yet) succeeded in the object.' He hopes to send him 'a letter about hymns in the course of this autumn'. [Palmer edited a selection.]

Each copy is identically printed, on a piece of paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Three of the four have a lightly-embossed stationery crown mark in a top corner. All four with text clear and complete, and in good condition, on lightly-aged and creased paper. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it.

On a piece of green paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Lightly-embossed stationery crown mark in top left-hand corner. Text clear and complete. In good condition, on lightly-aged paper with creasing to bottom righ-hand margin. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it. I have travelled every path and part thereof, and know the productions of every kind, it can possibly yield.

12mo, 1 p. Fair, on aged and lightly-creased paper. Blank second leaf of bifolium bearing traces of previous mount. He is obligedfor the 'kind invitation to meet Maeterlinck. It will give me great pleasure to lunch with you at the National Liberal Club on Tuesday at 12.30.'

8vo: 16 pp. Stapled pamphlet. Nothing other than the title printed on the first leaf. Text paginated [19] to 31, with publisher's slug on reverse of last leaf. On aged and creased paper, with 6 cm closed tear at central crease of outer bifolium. No copies of this title on COPAC or WorldCat.

On a piece of card roughly 9 x 11.5 cm. With embossed government crest of the Board of Education in the top left-hand corner. In fair condition, lightly-aged and with small triangular areas of discoloration to two opposing corners caused by previous mounting. Good bold signature, presumably sent in response to a request for an autograph. Reads '[signed] Walter Runciman. | 6 March | 1911.'

Dimensions of leaf roughly seven and a half inches by ten. Good, though grubby and with archival repair to verso. That the piece is a spoof is indicated by the printers slug, in the bottom right-hand corner: '[Spottisnotwood & Co, Printers, London.', the reference being to the leading London printers Spottiswoode & Co.