ENGLISH

12mo, 1 p. Text clear and complete. Fair, on lightly-aged paper. Lucas's handwriting is not straightforward, and the recipient's name is unclear. His 'Shakespeare drawings' are 'first rate'. Lucas retires 'into private life again' on the Monday, when 'O. S.' returns.

Folio, 9 pp. Unpublished. Written in landscape, with the title ('Samuel Wilberforce - DD | Bishop of Winchester | July 19th. 1873') on the first leaf and the poem on the following eight. The leaves held together with pink string. On paper watermarked 'EDWIN PARR | DULCOTE MILLS | 1861'. Text clear and complete. The commencement sets the tone of the poem, fully worthy of its subject 'Soapy Sam': 'A jennet stumbled on a grassy knoll - | And without sound or sign | Passed from Time's foremost rank a peerless Soul - | A Chief by right divine.

PRINTED HOUSE OF COMMONS SELECT COMMITTEE 1833 COLDBATH FIELDS MEETING CALTHORPE STREET RIOT LONDON ENGLISH BRITISH POLICING PUBLIC DISORDER

PRINTED HOUSE OF COMMONS SELECT COMMITTEE REPORT 1833 METROPOLITAN POLICE POLICING CRIME CRIMINOLOGY ENGLISH BRITISH GEORGIAN EDWARD GIBBON WAKEFIELD

PRINTED HOUSE OF COMMONS SELECT COMMITTEE REPORT 1833 METROPOLITAN POLICE POLICING CRIME CRIMINOLOGY ENGLISH BRITISH GEORGIAN

PRINTED HOUSE OF COMMONS SELECT COMMITTEE REPORT 1833 METROPOLITAN POLICE POLICING CRIME CRIMINOLOGY ENGLISH BRITISH GEORGIAN

PRINTED HOUSE OF COMMONS SELECT COMMITTEE REPORT 1833 METROPOLITAN POLICE POLICING CRIME CRIMINOLOGY ENGLISH BRITISH GEORGIAN

RINTED HOUSE OF COMMONS SELECT COMMITTEE REPORT 1833 METROPOLITAN POLICE POLICING CRIME CRIMINOLOGY ENGLISH BRITISH GEORGIAN CLERKENWELL HOUSE OF DETENTION COLD BATH FIELDS TOTHILL FIELDS PRISON

Paper, 11 x 3cm, formerly laid down in an album, some remnants of process on reverse, otherwise good condition.

12mo, 133 pp. Hundreds of neat entries, in a small hand, written lengthwise on graph-paper pages in a red-cloth 'Memoranda' book ('Compliments of Ingersoll-Rand Co., Limited, 165, Queen Victoria St., London, E.C.4.'). Good: with text clear and complete on lightly-aged paper, in the original worn red binding. Many entries are dated (with a few also giving the dates on which various planes crashed), and among the airports referred to are Northolt, Yeovil, Radlett, Cowes, Rochester, Guernsey, Jersey, Peterborough, White Waltham, Hanworth Park, Elstree, Cranfield, Luton.

106pp., 4to, black limp cloth, worn, remnants of paper on which is written a biblical passage in Greek on back, hinge strain, but contents clear and complete, text in an extraordinarily small neat hand, sometimes (amazingly) hard to read. The author has used a double entry system, recording Income on one side and Expenditure on the other. The balance (income less expenditure) is brought forward. Expenditure is listed daily, usually all expenses appearing on one line, nature of expenditure and outlay, and a total for the day appearing in the final column.

4to, [ii] + 12 + [ii] pp [i.e. 16 pp in toto]. Prelims paginated I-IV. Boasting of being 'the first Journal to be devoted exclusively to the interests of legal assistants'. Containing some light-hearted matter, including 'Office Yarns. No. I - The Firm and the Feminine', 'Relevant Irrelevancies', but also with reviews ('The Law Book-Worm') and columns containing useful information ('Municipal Mems', 'Practice').

4to, 6 pp, with a seventh leaf carrying the title 'The Ludlow Hunt Alphabet. An Adaptation.' (The title at the head of the poem itself is 'The Ludlow Alphabet. An Adaptation.') A genuine typescript, and not a reproduction. A poem of 128 lines, divided into 32 4-line stanzas. Fair, on aged paper, with the last leaf laid down on a leaf of an autograph album, with traces of a newspaper cutting on the reverse. Consisting of playful references to members of the Hunt, arranged alphabetically. First stanza: 'A's for Allcroft, on chestnut | With frontlet of blue.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

12mo, 1 p. Fair, on aged paper, with central horizontal crease, and traces of mount adhering to reverse. In response to a request for an autograph Harraden has signed, neatly in the centre of the page, 'Your truly | [signed] Beatrice Harraden'. The signature is underlined.

12mo, 4 pp. Bifolium. 51 lines. Text clear and complete. Good, on aged paper. Chatty and spirited letter. 'I propose myself the honour and pleasure (seldom indeed, save in common parlance!) of paying you a visit, - to present you with a copy of "Westminster Abbey"', which has 'emerged from the press in the orthodox three volumes'. Does not want to give him 'an excuse for not flashing your eye through it'.

4to, 1 p. 15 lines. Text clear and complete. Fair, on aged paper. In green ink. He is pleased that her 'footsteps are treading in high places', and hopes that this 'leads to as much golden reward as it seems to suggest'. He will see her friend 'Mr. Kennerley', but he cannot be 'encouraging' as he is not at present 'casting any picture', and will not be doing so for 'a month or so'. His 'activities now never seem to bring [him] to Hampstead', he hopes she will see him when she visits his 'neighbourhood'.

12mo, 1 p. Eight lines. Text clear and complete. Fair, on aged paper. Asking if Webster requires a seat at a celebratory dinner for George Washington, 'Tickets not to exceed one Guinea'.

Two pages, 12mo, one stain, fold marks, sl. grubby, text clear, as follows: The Prince of Wales has at the same time desired Sir W. Knollys to tell My Dighton that H.R.H. thinks the likeness of the King of the Belgians would be much improved if he could make the nose a little longer and the beard a little darker -- The portrait shall therefore remain in Sir W. Knollys's room should nr Dighton wish to take it away with the view of making the improvements which the Prince has suggested. A list of names in pencil (Dighton's hand) has been added, including Thomas Baring and Combermere.

4to, 1 p. In reply to a request for an autograph, she feels 'flattered'. She has copied out seven lines from her poem 'Lines on Mr. Johnstone's Picture of the Covenanters' Marriage' (which was published in 'The New Monthly Belle Assemblée' of 1844).

4to, [16] pp. Drophead title. Disbound and with some leaves loose. Text clear and complete. On aged paper. From Patron King George III and President Sir Joseph Banks to the last of the 'Foreign Members' 'D. Eustatius Zanotti, Astronom. Bonon.' Scarce: the only copy on COPAC at the British Library.

One page, 8vo, some marking but text clear and complete. "Iam glad that your messenger caught me here, & that the picture could at once be returned. There is nothing to bid fo. It is a wothless painting, clumsily touched upon to make high lights &c. & is in miserable condition might be any child of the period".

Folio, 3 pp. Bifolium. Printed on laid, watermarked paper. Around thirty-four lines to the page. Text clear and complete. Fair, on aged paper, with loss to one corner (not affecting text). Reverse of second leaf docketed, and with thin strip from mount adhering at fold. Written in a neat seventeenth-century hand, with a number of emendations (including a deletion of three lines) suggesting that this copy was made by the anonymous author himself.

One page, thirteen lines, 8vo, small closed tears, text clear and complete. "As I cannot continue my lectures on [? see scan], for some time to come I return a proportion of the balance of money collected in various towns. I have not taken one penny for my labours, but I propose to retain about one third of the balance [underlined] as there were innumerable etceteras about a work like mine. If any of the subscribers object to this, please let me know. - I enclose a cheque for £5." Best has listed 6 recipients of shares of this £5 on the verso of a conjoint leaf ,and with a small sum.

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

12mo, 2 pp. Bifolium. Twenty lines. Text clear and complete. Fair, on aged paper. Because of the 'Very great outlay attending the production of the work at the onset', asks for a year's advance subscription of £1 10s 0d. Gives the publication date, adding 'from the distinguished literary aid I have received I am sanguine enough to hope that it will mert your full approval'.

On eight pieces of 8vo paper, one of which has ha d a 3 cm horizontal strip cut away at the foot (not affecting the image). On a variety of different paper types, all wove. Good, on aged paper. Attractive images, ranging in height from 7 to 9 cm, of four women and four men, all clearly belonging to the eighteenth-century middle-classes. Executed in black ink using both pen and brush. Not full silhouettes: in some cases the hair is picked out in white. One of the images, of a young woman with curls and a bow, treated twice in slightly different styles.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

A total of twelve 12mo pages and two 4to pages. All texts clear and complete. Good, on lightly-aged paper. The first letter addressed to 'Mrs Norbury', and the others to 'Grace'. After a first letter of 1948, in which he complains that he is 'becoming more & more a home dweller', the correspondence continues in 1951, with Keith thanking Mrs Norbury for a gift of sugar ('Its arrival made my housekeeper Miss Holman quite elated'), and sending Lionel Norbury encouragement on his Hunterian Oration ('My heart goes out to the Orator & to his Better Half').

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.