COOK

See his entry in Encyclopaedia Britannica. Both items are in good condition, lightly aged. TLS: 1p, 4to. Addressed to 'Rosalyn Sacks / YMHA - YWHA / Congregation of Mishkan Israel-Linas Hazedek of Jamaica, Inc. / 153-14 90th Avenue / Jamaica, New York 11432'. Signed 'Norman Mailer'. Reads: 'Dear Rosalyn Sacks, / I don't have any pictures at the moment, but I'll try to get ahold of one and autograph it and send it to you and the members of the Congregation of Mishkan Israel-Linas Hazedek in Jamaica.

Black and white print of an 11.5 x 15 cm head and shoulders portrait of a smiling Carter on 12.5 x 21 cm piece of shiny paper. In good condition. Beneath the portrait, in red ink, Carter writes: ‘for Michael Robuck / Elliott Carter, March 28, ’72.’ On the reverse, in another hand, is the note ‘4. 3. 72 / Elliott Carter Composer’. See Image.

See Cook?s entry in the Oxford DNB. His temperance hall and hotel illustrated here, were built in 1853. The hall was demolished in the 1960s, to be replaced by a building typical of those that blight Leicester in 2011; the council gave permission for the hotel to be demolished to make way for another monstrosity. Sepia lithograph printed in landscape on 20 x 13 cm leaf of laid paper, extracted from a book or pamphlet. Attractive illustration of an imposing structure, with those that flank it, and people and coaches in the foreground.

See his entry in the Oxford DNB, which notes his unpopularity at his college Christ’s, which terminated his fellowship in 1783. According to Fanny Burney he was ‘dullness itself’. 1p, 12mo. In good condition, on lightly aged and browned paper. Folded for postage. Signed ‘A. Shephard Plume’s Profr. / Camb.’ The recipient is not named.

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud” – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud”' – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging.

2pp., 4to. Bifolium. In very good condition, on lightly-aged paper, with minor evidence of previous mounting. Apparently addressing an autograph hunter, she writes: 'I beg to forward you a specimen of my "pothooks and hangers" trusting you will "admire" if you honestly can. Believe I have pleasure in gratifying your request and am with truth my dear | Ever yours faithfully | Eliza Cook'. The poem, also signed 'Eliza Cook', is four lines long, beginning 'That stroke indeed would deeply gash'. There is no indication that the poem was published.

1p., 12mo. Good, on lightly-aged paper. He has been 'requested by Mr. L. Veneaux to desire you to return the Picture (Boulonaise) which was delivered at your Gallery at the last Winter Exhibition but being a French Picture was not Exhibited, but allowed to remain for the French one'. He has already made an application 'in Berners Street and Mr. Gambart said the proper place to apply to was at the Gallery.' Graves claims 'L. Veneaux' as a misprint for 'V. Vemaux' of 30 Piccadilly, who exhibited 'Souvenir of Eguihen, near Boulogne-sur-mer' at the Royal Academy in 1853.

3pp., 12mo. Bifolium, with Foss's letter (33 lines) on both sides of the first leaf, and the page of extracts by the recipient (38 lines) on the recto of the second leaf. Good, on lightly-aged paper, with one corner of the first leaf cut away. The letter is addressed to 'My dear Sir', without any indication of the recipient's identity.

1p., 4to. On aged paper, in two pieces, lightly-attached to a piece of backing paper. The text of the note and the signature are intact on the upper part of the letter, but the name of the recipient is lacking. The note reads '- May I ask you to advance me fifty dollars on account of the souvenir - Being disappointed in receiving some money that I expected from Boston, I am just now quite at a loss. | Yours | [signed] E. Leslie -'. Leslie's story 'The Souvenir' was first published in 1830 in 'The Pearl', and republished in 1832 in 'Affection's Gift'.

1p., landscape 12mo. Good, on lightly-aged paper. Helper asks Rives to send, with 'back numbers, from the commencement of the present Session [...] the Congressional Globe (and Appendix) for the thirty-sixth Congress'. He discusses payment and method of delivery.

2pp., 12mo. Good, on aged paper, neatly placed in a thin windowpane mount. After acknowledging receipt of $90, Corson announces that the previous week she 'had a letter from the House accepting my book.' She has received no answer to her letter asking for 'some information', and asks Booth to 'be my mediator again'.

12mo, 48 pp. Disbound. Incomplete, ending at foot of page 48 with 'Wilson's (H. C.) Pastorals of the Season, 8vo. [1]834', and lacking the 'Regulations of the Library [...] printed at the end of the Catalogue', advertised on p.3. On lightly aged paper, with the only fault a small hole through the title leaf removing the first five letters of the word 'Belgrave' on the recto, and the 'atal' in 'Catalogue' on the verso. Scarce: no copy in the British Library or on COPAC or WorldCat.

16 pages, 4to, original grey/blue wraps, dusted and some foxing, mainly good. List No.1 of Signatures authorised for signing Letters of Credit, Letters of Indication in conjunction therewith, and Drafts, 4pp. (56 signatures), and Supplementary List of Signatures authorised for signing drafts only, 12pp., both lists including list of foreign branches with signing rights.

On watermarked paper roughly 13 x 20.5 cm. Dimensions of image 9 x 13 cm. With plate mark. Fair, on lightly-aged paper. Loosely attached to brown mount. Rare eighteenth-century cricket print from the June 1793 issue of the 'Sporting Magazine'. Cardus & Arlott state, in their 'Noblest Game' (1969), that 'This print, once barely considered, has lately become rare'.

A total of six parts: Vols I and II complete in leather bindings; the rest (vol. III, pts I & II, and vol. IV, pt II, only) in original grey wraps with white paper printed labels. From the collection of the Rev. Joseph S. Cook, and with his bookplate by Bewick's studio (featuring his coat of arms, an illustration of Newton Hall, and a facsimile of his signature) in the first two volumes, and his ownership inscription to the two parts of vol. III. (Cook contributes a paper to the first volume.) Internally all parts are sound and tight, on lightly-aged paper.

2 pp, on first leaf of bifolium of thick cream paper, dimensions roughly 40.5 x 26.5 cm. Ruled with red lines. Docketed on reverse of second leaf. Text clear and complete. In good condition, though grubby. Leverhulme ('the Settlor') is 'desirous of assisting in the foundation of a Chair of Physical Chemistry in the University', and has ('with the approbation of the Council of the University') 'transferred Five Thousand "B" Twenty per centum Cumulative Preferred Ordinary Shares of One pound each fully paid in Lever Brothers Limited into the name of the University'.

Roughly nine and a half inches by fifteen wide. Mounted on a piece of card, with some fraying to extremities. Somewhat aged, but a good impression of a strong, striking idealised illustration, showing a bearded warrior with a club, emerging from the undergrowth beside a tree and fast-flowing water, beside which four women (one of them baring a breast) recline with their children.

On piece (15 x 16 cm) of laid-paper cut from a page of a diary. Creased and worn at head. Signature under heading 'March 18'. Lightly docketed in pencil.

On a piece of pink paper, roughly 9 x 11 cm. Neatly laid down onto a piece of white paper. Very good. A reply to a request for an autograph. Reads 'I am | my dear Lady | Yours truly | [signed] Eliza Cook'. The signature is firm and bold, with a small part of the flourish beneath it shaved away.

Letter: 12mo, 4 pp. Bifolium. Text clear and entire, but with the outer pages grubby. He has 'no wish to annoy other members of the Court family', so it will 'go no further'. 'It is cool of Miss Court to talk thhe confidence of her own home, when she made the statement to Mrs Bulkeley in her own drawing-room.' Suggests that Draper send 'the Postmistress' a 'reminder'. 'She is so accustomed to threatening letters from her creditors' lawyers that she possibly may disregard this.' Asks him to 'make her understand that withholding an apology may have sharp consequences'.

Five pages, folio, folded, good condition. A list of 141 names and addresses, a few with a line through, ticks or crosses at the side of many, and the letters "C" or "L". Names include the Marquis of Normandy, the Earl of Zetland, Vicars, women (inc. "The Hon. Miss Dawney") and others (no celebrity as far as I can judge). Addresses usually Whitby or close.

1 page, 8vo. Grubby but in good condition. 'In case you have not already seen it, I beg to enclose you a leaflet relating to my new book. | I shall be grateful for any help that you can give it.' Signed 'G. E. Manwaring'. The book was 'My Friend the Admiral. The life, letters, and journals of Rear-Admiral James Burney' (Routledge, 1931).