CENTURY

The eleven items are in fair condition, lightly aged and worn, laid down on two heavily-worn leaves removed from an album. An interesting slice of social history, relating to introduction into England of a phenomenon which began in the Unites States in the 1850s. Nine of the items relate to spelling bees in Kennington, managed by the compiler of the material T. W. Williams, and one to a 'Grand Spelling Bee' in Guildford.

On one side of a slip of laid paper cut from the end of a letter: roughly 4 x 17 cm, the reverse being blank. In good condition, lightly aged. Good neat signature to the valediction of a letter. Reads: 'I am my d [Phippen?] | (in great haste | Yours very truly | Jos: S: Munden'. Munden eas the subject of one of the "Essays of Elia" (Charles Lamb).

On one side of 8 x 13 cm piece of wove paper, cut from front of envelope. In fair condition, lightly aged, with minor offsetting from another document on the reverse. Reads: 'Private | Right Hon | W. E. Gladstone | J Russell'. Before 1861, when Russell was elevated to the peerage.

On 3.5 x 9.5 cm slip of paper cut from letter. In fair condition, lightly aged and worn. On one side, from the conclusion of the letter: 'Yours very truly | Clements Markham'. On the other: '[...] have failed me: so no[...] | [...] you mind my putting [...]'.

The two letters in fair condition, lightly aged and worn. Both with contemporary annotation at head of first page. ONE: From 13 North Crescent, and signed 'John M Morton'. 2pp, 12mo. Addressed, with a second signature, to 'J. P. Harley Esq'. Begins: 'Tho' not quite finished, you will see enough of the drift of the piece, to enable you to say whether you fancy it or not. I have written it out without amendments, which are rarely made, if you approve - I began Dainty (you remember the name?) for Mr. [Humby?], but broke down'.

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

On one side of an irregular piece of thin paper, roughly 12.5 x 13.5 cm. From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and neatly mounted on a leaf extracted from an album. He writes that a few days previously he wrote to ask 'Monsieur le ministre de la marine' for 'une audience de q[uel]ques instants'. He fears that the letter did not reach him, and so renews his request. Signed 'salut et paternité | Alphonse Karr'.

1p, 12mo. In good condition, lightly aged. Folded twice. The recipient is not named, but the item derives from the papers of James Payn, the editor of the Cornhill Magazine, London. Gallenga begins: 'My dear Sir. | The last time I saw you - it may be 20 years ago - you were leaving London to write for Chambers in Edinburgh.

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 12mo. In good condition, lightly aged. Folded twice. He writes that he has 'received the memorial to the Postmaster General, which you have done me the honor to transmit for the joint transmission of Mr Ross & myself'. He will arrange with Ross to have the memorial 'presented on the earliest possible opportunity'.

[2] + 16pp, 8vo. In wraps on the front cover of which is printed the title-page, with a 'Note' by Wilder on the reverse. Sixteen pages of text with drop-head title: 'Churches and Ministers Considered'. In poor condition, aged and worn. Wilder's note explains his motive for writing: 'I am nearly four-score years of age - my life covering almost three generations. My opportunities for observation in city and country, North, South, East, and West, have been abundant.

4pp, 4to. Bifolium. Panel, a little under one-sixth of total area, missing from bottom outside corner of second leaf, with attendant loss to text, otherwise in good condition, lightly aged and worn. Folded three times. A good long letter in a neat and stylish hand, with a firm underlined signature. He begins by writing that he has that morning 'received the Petition from Belfast which I was pleased to expect from having seen in the Report of your meeting that you had done Mr Dunbar and myself the honor to entrust its presentation to us'.

Two items in the hand of George Whitley, surgeon, of Halton, Cheshire (not to be confused with his namesake the epidemiologist George Whitley (1816-1881), for whose career see Fraser Brockington, 'Public Health in the Nineteenth Century', 1965). The two items are accompanied by the front board of a volume, with the following ownership inscription and note on the pastedown: 'George Whitley, Surgeon, | St. Thomas' Hospital. | London. | Novr. 22. 1819. | NB. See in this Book a Copy of a Letter to Lady Cunliffe pr. Mr. [?] Surgeon, about an Ulcerated Leg of her House Keeper, Mrs.

4pp, 4to. Bifolium. In good condition, lightly aged. Addressed on reverse of second leaf, with small seal in red wax and postmark, to 'Revd. Charles Merivale | St John's College | Cambridge'. A long letter, with the four pages of text followed by a long postscript at the head of the first page, continuing to the last.

A 10 x 3 cm slip of paper cut from a letter, bearing the beginning of the Lord's Prayer in Mongolian vertical script. Laid down on a 21.5 x 17.5 cm piece of paper extracted from an album, on which is written in pencil the caption: '"Our Father which art in Heaven" written in the Mongol language by Stallybrass - a Missionary, who resided seventeen Years at Irkousk in Siberia - about 3500 miles from St. Petersburg -'. On the reverse of the mount are entries in two hands. The first is a four-line poem ('Oh! when but of Friendship the farewell is spoken') by 'E: A: | Jany.

A nice collection of material, including five letters in which an American actor writes to a London friend while on a visit to England. The recipient of McDonough's letters is John Jabez Stocken (d.1892), head of a leading City of London firm of tobacconists, and an antiquary. (His son Frank Lacy Stocken (1867-1937) was later an actor under the name 'Frank Lacy'.) From the correspondence it is clear that McDonough stayed with Stocken during his stay in England.

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous raconter l'histoire de mon depart de la Comédie'.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

A nice piece of Edinburgh historical ephemera. See the entry on George Berry (1795-c.1874), the first man to register to vote there following the passing the Great Reform Act, in the Proceedings of the Royal Society of Edinburgh, 1874-1875, where he is described as 'an enthusiastic "Free Trader"'. 40 x 10 cm slip of laid paper, with printed form on one side, headed 'COPY of ENTRY in the REGISTER of QUALIFIED VOTERS for the CITY of EDINBURGH.' In fair condition, lightly aged and creased, with clean vertical cut unobtrusively repaired with archival tape.

2pp, 8vo. On a gilt-edged leaf of umwatermarked wove paper. In good condition, lightly aged. A fair copy in Milnes's autograph. A curious poem, in which Milnes's Napoleon-worship wins through over considerations of the futility of war. Retitled 'The Funeral of Napoleon', the poem was first published in 1841 in the Spectator, and in slightly different form in Milnes's 1844 collection 'Poems, Legendary and Historical'. There are a number of differences between the present version and that published in the Spectator. The final stanza is entirely recast.

1p, 4to. On leaf of aged, worn and creased cartridge paper. Addressed to 'A. T. Q. C., | Care of The Editor of | The Speaker, 115, Fleet Street, E.C., London.' An interesting letter, touching on English and American journalistic practice, 'sensational' copy, plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers', only to have it 'cribbed' by Pearson's Weekly.

1p, 12mo. In fair condition, lightly aged, with traces of grey-paper mount on blank reverse, and minor discolouration at one edge from glue used. The actor Henry Leigh Murray (1820-1870) is identified in pencil as the recipient. The letter begins: 'My dear Sir, | You are quite welcome to a P[rivate]. Box if there is one to spare'. He asks him to 'call or send to Mr. Massingham at the Box Office at 1/2 past 4 o'clock who has received instructions to attend to your wishes, if all the Boxes are not let by that time'.

See Meadows' entry in the Oxford DNB. The recipient of the letter is not named, but it comes from the album of the actor Henry Leigh Murray, which also contained a letter regarding a theatre box from Charles Kean (offered separately). 1p, 12mo. 1p, 12mo. In fair condition, lightly aged, with traces of grey paper mount on reverse, and slight discolouration at corners from glue. Written with mock-pomposity, and beginning: 'My dear Sir | I hereby give you notice that Mr C. Kean has delivered unto me a Card for a Private Box for to-morrow Augt. 19th.

See Anna Gurney's entry in the Oxford DNB. The recipient and her husband had spent some time in Rome in 1842, and in 1838 had befriended the Alpinist Henriette d'Angeville at Geneva. 4pp, 4to. Bifolium with mourning border and watermark year 1840. In good condition, lightly aged, with minor traces of glue from label on outsides of gutter. The letter begins: 'My dear Lady Cullum | I think You & Sir Thomas may be home by this time & I must wish to enquire how you both are after your long wanderings.

1p, 4to. In fair condition, on aged and worn paper with one corner torn away (without any loss of text). Folded three times. The recipient is not named. The letter begins: 'Sir | Your letter enclosing a prospectus of your proposed work has just reached me. I beg you will excuse me for not entering into a discussion of the subject, which is a rule I have found it necessary, under my engagements, to make.

3pp., 12mo. On bifolium. In good condition, lightly aged. Folded once. With date stamp of the RSA, and endorsement in blue pencil. He is writing to inform Wood that 'a relative of mine has written a paper on a subject of importance regarding the connection of fat [containing glycerin] with manufacture of explosives in Germany - and showing how that Country is approaching a crisis - when her supply of fat will be approaching exhaustion'.

16pp, 8vo. Saddle-stitched into (the original?) plain blue wraps. In fair condition, lightly aged and worn, with slight damage and damp staining to back wrap. A laudatory assessment of Richardson's life, attainments and achievements, concluding with the observation that 'no marble monument will be needed to tell the coming age, that he lived and died in the heart of this community. Confusing entries on OCLC WorldCat appear to list six copies, none in England. "William Merchant Richardson (January 4, 1774 – March 15, 1838) was a member of the U.S.