Autograph Letters

12mo: 2 pp. Sixteen lines of text. Good. He is 'very anxious to be introduced' at the Literary Society and 'to take advantage of [Adolphus's] kindness in proposing' him. Gives reasons for not having attending any of the Society's dinners.

12mo, 2 pp. Thirteen lines of text. Good. The letter possibly relates to Furnivall's Early English Text Society, founded in 1865. He is enclosing a Post Office Order for a guinea, but, as he 'said to Mr Furnivall last year', he does not consider himself a subscriber, 'wishing to reserve the right of withdrawal in case of finding it inconvenient to pay, which will certainly be the case when I give up my official position'. Nevertheless asks Wheatley to remind him 'when the time comes for collection'.

4to (27 x 21 cm), 1 p. Nine lines of text. Text clear and complete on lightly aged, creased and foxed paper. Small closed tear at edge along crease line (not affecting text). Bearing the numbered stamp of the Exposition Universelle de 1867, Commission Imperiale. Accepting the position, conferred on him by the Commission, of 'membre de Jury de l'Exposition dans la 55me. classe': 'J'accepte cette tâche de confiance, et ferai tous mes éfforts pour la remplir avec l'activité reclamée par le reglement concernant les travaux du Jury'.

On a piece of wove paper, cut into a shape roughly corresponding to a 5 x 8 cm rectangle. Aged, discoloured and worn, with some of the autograph slightly smudged with blotting. The autograph of one of America's greatest poets. In Longfellow's small, tight hand, reads: 'With regards | Henry . W . Longfellow .' Thin slip of paper laid down on the reverse reads 'S. ENGLEFIELD COLLECTION | HENLEY ON THAMES'.

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.

12mo: 2 pp. On the rectos of the two leaves of a bifolium. Good, on lightly aged and spotted paper. Her letter has been handed to him by 'Mr Spender'. He would be 'very pleased to have the temperance cartoons circulated as post cards', and has asked 'the manager here' for a costing. 'Some of the cartoons I believe are being produced as posters by the Liberal Publication Department and by Temperance organisations.'

12mo, 4 pp. Bifolium. Good, on lightly aged paper. Addressed to 'Monsieur et Confrère'. He replied to de Monglave's last letters a couple of days previously, and he has addded 'deux ou trois propositions que je vous de traduire en bon François, et de lire à notre comité, au Conseil'. He wants to get to know 'quelques uns de mes voisins dans ce village où j'ai l'intention de passer six mois', and asks for letters of introduction. Lists four families he wishes to get to know and names some individuals with whom he is a little acquainted.

4to, 1 p. Fourteen lines of text, on the recto of the first leaf of a bifolium. Text clear and complete, on lightly aged and creased paper. Slight staining at foot of text (affecting part of signature), and on the reverse of the second leaf of the bifolium, which is docketed 'la renaudié | A. S.' He is sending an article on 'la Bibliotheque des voyages'. Asks that the article on the work entitled 'Des Beaux arts en Angleterre', 'que Buisson vous adressa il ya prés de Deux mois', be inserted. 'Je vous prie en grace de laisser ma Signature en entier.

12mo: 1 p. Fourteen lines of text, neatly and closely written. Good, on lightly aged and creased paper. 1 cm closed tear to a margin (not affecting text). He accepts Hill's proposal 'with regard to the Parliamentary leaders of the Daily News'. He hopes the 'condition [...] as to notice of termination [...] will prove as much of a formality without consequence as certain claims for "consequential damages" '.

12mo, 1 p. Good, on lightly aged paper. Asking Pingard, as Secretary of the Institut de France, to convene a meeting of the members of the 'Section de Géographie et Navigation'. Postscript: 'P.S. Je suis, connais vous, près <?> une Jambe.'

On a piece of paper cut from a letter, roughly 3.5 x 9.5 cm. On lightly aged and slightly grubby paper. Good firm signature, beneath which, in a contemporary hand, 'I knew his daughter Stepny'. Gulston's wife Bridgetta (1749/50–1780) was the second daughter of Sir Thomas Stepney.

Part of letter, 11 x 4cm, faint staining, text illegible but clear, as follows: "I [amyrobedtSt | Rich Ford||".

One page, 12mo, asking her friend to dinner "to meet a friend from the country", fearing that "there is small chance of finding you disengaged" with such late notice.

On a fragment, roughly 11 x 16 cm, of a page of laid paper from a diary. Good, on lightly aged paper. Two signatures, under the heading 'July 22': 'Spencer <?> | Steuart Wilson.' Lightly docketed in pencil.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

On piece of laid paper (roughly 8.5 x 16 cm) cut from diary. On aged paper with wear and 1 cm closed tear at head. Clear and clean signature, beneath the heading 'July 17'.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On piece (15 x 16 cm) of laid-paper cut from a page of a diary. Creased and worn at head. Signature under heading 'March 18'. Lightly docketed in pencil.

On a light-green leaf (11 x 14 cm) removed from an autograph album. Lightly aged and creased. Reads 'Hugh P. Allen | Nov 8. 1928'. Lightly docketed in pencil. Two other autographs on reverse.

On a leaf of pink paper, roughly 13.5 x 11 cm, removed from an autograph album. Lightly creased and with a thin glue stain along inner margin (not affecting text). The inscription, in a top outer corner, reads 'Noël Eadie | 21. 1. 24'. It is somewhat smudged, either having bled or been badly blotted.

On piece of laid paper paper (roughly 11 x 16 cm) cut from diary. Good, on lightly-aged paper. Under the heading 'June 25'.

On piece of laid paper (roughly 13 x 11 cm). Aged and chipped. Reads 'Yours truly | Frank Barrington Foote'. Chipping to the outer edge, very close to the last couple of letters of the signature. Foote, who frequently sang with Adelina Patti at Covent Garden, ended his days destitute in New York City.

On light-yellow page (roughly 11 x 14 cm) removed from autograph album. Four glue stains showing through from the reverse (not affecting the signatures), otherwise good. Reads 'Dora Stevens | Ethel Hobday | Marjorie Hayward | Cedric Sharpe'. Lightly docketed in pencil.

12mo: 2 pp. Eleven lines of text. A bifolium, docketed on the otherwise-blank second leaf '8 June 1830 | Ld. Ellenborough'. Good: lightly spotted and with traces of grey paper mount adhering to edge on reverse of second leaf. He is enclosing a letter (not present) 'from Keene' (docketed [by Astell?] ('Kearney.)', and possibly the watercolourist W. H. Kearney). 'I must not enter into a Correspondence with him and he asks nothing definite.' Asks Astell to 'consider the matter' and to let him know his opinion on the coming Saturday.

4to: 2 pp. 35 lines of text. Good, on aged paper. Text clear and entire. Minor damage to one corner (not affecting text) through breaking open of wafer. He has received the letter with the 'observations de milord', whose 'propositions' are not 'acceptables'. Mentions a 'Mr. Tournal'. How could he offer 'Mr. Gerrard' 'les quatre cent quarante francs proposé par milord et meme les six cent francs fixé par vous?' Mentions Madame la Marquise de Sainte-Aulaire. Suggests a sum which would be acceptable to Gerrard and would thus avoid a trial the success of which would be uncertain.

12mo bifolium. Ellenborough's letter (15 lines of text) occupies the first leaf; with the pencil draft of Gough's reply (also 15 lines), with additions and deletions, on the recto of the second leaf. Very good, with traces of grey paper mount adhering in a thin strip to the reverse of the second leaf. Ellenborough will 'afford' Nichols 'every facility for the making of tracings from the Tiles at Southam'. If Nichols will let him know when he is coming he will 'make it a point to be here'. Suggests that Nichols might come 'after Church, about 2 o'clock, on Sunday next'.

12mo: 1 p. Ten lines of text. Bifolium. Grubby, and with the text of the letter faint. Letterhead printed in red with illustration of the firm's headquarters. Written in, or faded to, lilac, and could well be a carbon. Sending copies of the two newspapers as 'we think it probable you would like your newly published works noticed or reviewed' in them.

On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

On a piece of laid watermarked paper roughly 11.5 cm square. Good firm underlined signature, about 8 cm long. On aged paper, with pin holes above and below, and a vertical fold about 1 cm above.