STREET

32pp., 12mo. In faded green printed wraps with full title and advertisements. Disbound. In good condition, on aged high-acidity paper in brittle slightly-chipped wraps. The first edition was published in 1893 in Dorking by R. J. Clark. This third edition includes new material in seven appendices, pp.19-32, beginning with 'Results in 1893 - A year of drought.' Now scarce.

In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn, and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown, in costumes representing newspapers from the 'Daily Mail' to 'The Sketch', and including 'Mdlle. Zangfretta as Fashion', around a central representation of a scene from the ballet, featuring Adeline Genée as the Liberty of the Press.

King's letters total 135pp., 12mo; 10pp., 4to. The earlier letters (mainly from East Molesey) all addressed to 'Mr Dossé'; 37 of the later letters (all from Dublin) addressed to 'Dear Philip'. The collection also contains the holograph of King's review of Graham Cleverley's 1976 book 'The Fleet Street Disaster' (6pp, foolscap 8vo), and 11 Autograph Letters Signed and three Autograph Cards Signed to Dossé from King's wife Ruth (neé Railton), dating from between 1971 and 1979. These are written in a chatty style, the letters totalling 25pp., 12mo; 2pp., 4to.

A scarce piece of Liverpool printing ephemera. Dimensions approximately 63 x 51 cm. Both sides printed in light blue. Text and illustrations complete. In need of expert cleaning and repair: grubby and stained, with chipping to extremities and some closed tears. At the head of the one side is the masthead of 'The Employment Exchange | Edited by Charles H. Megson' ('The only recognized medium for speedy Employment. Absolutely without rival.') with illustrations of figures at work.

4pp., 12mo. Bifolium. Aged and stained, with creasing along one edge. A wonderful letter, linking two notable figures in late-Victorian society, beginning: 'Do I remember it? how can I ever forget it, considering that we introduced ourselves to each other, without any introduction; & that casual acquaintanceship has developed into a friendship (without a discordant note) which has lasted for about 38 years.' Regarding their first meeting he writes: 'I was not subpoenaed as a short hand writer, as no such functionary was engaged at Bow St.

4pp., 12mo. Two pages on bifolium with two-page postscript on loose leaf. In good condition, lightly aged. He thanks him for his 'kind note and opinion respecting my "Many Thoughts" [ anthology of 1857 ] of which nearly 267 - tons have been sold, an odd way of putting it you will say, but such is the fact.' He is working on a 'curious and suggestive book now on Aphoristic Wisdom'. He thinks he may 'gather something' from Girdlestone's 'Collection', which he undertakes will be 'most carefully and thankfully returned'.

2pp., 12mo. Bifolium. In good condition, with light signs of age and wear. Expressing great interest in a 'colonial matter', and asking to be spared 'a few minutes for an interview', followed by suggestions for an arrangement.

The four items date from around the same period, all printed in black and white on shiny art paper, stapled in cream card wraps with simple and elegant titles printed in gold on the front covers. All four are profusely illustrated, with accompanying effusive text. Two have price lists printed in red tipped-in at the end. All four are in fair condition, with pages of text in a good state, and light signs of age and wear to the covers, the two larger items exhibiting slight rolled creasing, and one of them with wear at foot of spine.

The three items in fair condition, on aged and worn paper, the last two items with traces of grey paper from mounting adhering. ONE: From Charlotte Street. 'Saturday' (undataed). Signed 'Irving Montagu'. 2pp., 8vo. Arranging to dine at Draper's in the face of a clashing invitation. TWO: From Briar Cottage, 2 January 1893. 4pp., 12mo. Signed 'Montagu'.

43 + [1]pp., 8vo. Strapled ino printed card wraps. Internally in good condition, lightly aged, in aged and worn wraps with rusted staples. Over 24 pages the speeches by Henderson, Lloyd George and the Marquis of Londonderry are reported in full, as is that of the chairman, quoting letters he has received from Prime Minister Ramsay MacDonald, Viscount Rothermere, General Smuts and several others. This is followed by a five-page list of guests, and a final seven-page 'Extract from "The Observer" of Sunday, Nov. 17, 1929', titled 'The Soul of a Newspaper'.

A charming and evocative production. Cards in very good condition; album in good condition, with light signs of age and wear. Initial note: 'This Travel Album is issued without charge to hold a complete set of twenty-five "A Day on the Airway" pictures, as issued with all packings of Sarony Virginia Cigarettes, plain or cork tipped.' The album comprises eight pages printed in black and green, on thick paper, stitched into black card wraps. Embossed on the front cover in faded gold is the title and an illustration of the plane (an Imperial Airways 'Argosy') flying in clouds.

On 1.5 x 6 cm. slip of paper. In good condition,, with light signs of age. Presumably cut from a letter in response to a request for an autograph.

1p., 8vo. On aged and creased paper. Lily Braytonis is a 'vague relative' of his, and she sends her 'good wishes [...] a propos the Chu Chin Chow article'. She would like to 'read through the relevant proofs' and Routh sends on her address. Brayton appeared in more than 2000 performances of 'Chu Chin Chow'. For more on Routh, see his obituary in the Independent, 8 June 2008.

2pp., 12mo. In fair condition, on lightly-aged paper, with slight smudging to second page. Annotated by the recipient 'read & burn'. He explains that he is 'just off to Eastbourne', and asks her to send on her letter 'to The Editor [of the Morning Post]', adding that it is 'a risk to send to me'. He concludes by explaining that he and his wife have 'given our present long ago & I am subscribing to a Kensington one. We cannot subscribe to all.'

Both letters 2pp., 12mo. Both in good condition, on lightly-aged paper, with tape from previous mounting adhering along one edge (and in one case overlapping a few words, including the signature). The two letters concern a concert 'at the Grand Theatre on 7 January', 'entirely of Manx music', in which the recipient has agreed to sing. Having put her down for two songs, he sends her 'our Book, out of which all the items of the concert will be taken', with suggestions of two songs and three encores. The second letter gives details of the rehearsal in Fort Street.

1p., 8vo. In good condition, on lightly-aged paper, with slight creasing along one edge. The letter concludes in autograph: 'It now seems like decades since we last met! | Kindest regards | from sincerely | I Muende'.

1p., 12mo. In good condition, on lightly-aged paper. Reads: 'Dear Mr. Fisher | I am so sorry I cannot attend the meeting. Unfortunately, I am absolutely obliged to attend to my newspapers all day long. | Yours faithfully | Alfred Harmsworth'. The Daily Mail was little more than two years old at the time of this note.

1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.

1p., 12mo. Addressed to 'My dear Mrs. Atkinson', and with contemporary note at head stating that the letter is 'To Mrs. Atkinson Grove end - about the year 1829', Grove End in Paddington being the estate of the architect William Atkinson. In good condition, lightly-aged, with minor traces of stub adhering to one edge on blank reverse. He thanks her for her 'beautiful present' and informs her that he has 'secured 6 places in the front Boxes for to-morrow evening - and shall do myself the pleasure of bringing up admissions for that Number either to day or early to morrow morning'.

1p., 4to. Bifolium. Addressed on second leaf to 'Wm Campbell Esqr. | Brook Street'. In good condition, lightly-aged. The letter begins: 'Had I been aware, before dinner, of what our friend Geddes has just informed me after dinner, - that you are at present a Batchelor, you certainly should have had no excuse for not returning with him to a friendly knife & fork in Mount Street'. He asks him, if he is 'quite alone', to 'come immeditely & lecture him for his remissness - & drink to his better behaviour - we are quite en famille with only Geddes'.

2pp., 12mo. Bifolium. In fair condition, lightly-aged. 'I shipped on yesterday to you through Mr J. D. Brink Jr Forwarding Merchant of this city a box containing 4 Oil Pictures which I wish you to expose for sale at your Exhibition Rooms. | The titles and prices of the same will be given you by my friend Mr G. du Mourier. Please let me know when they come to hand.' The Berner's Street Gallery's association with American artists would continue: in the following decade it would gain notoriety for exhibiting Whistler's 'Symphony in White, No. 1'.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Written in pencil. A long and interesting complaint, casting an interesting light on the journalistic practices of the period. Hurd begins without preamble, pointing out, with reference to a previous letter, that he 'never promised 35000 words', and stating that the publisher 'would doubtless be able to put in a few extra illustrations to fill it out'.

2pp., 12mo. Bifolium, addressed, with postmarks, on reverse of second leaf, to 'Messrs. Wilson | Linen Drapers | New Bond Street', and also docketed '1838 | Dealtry Miss A'. In frail condition, with the two leaves separated and closed tears and wear. Sewn with white thread onto the second leaf of the letter is a swatch of cloth - dark blue with white and red stripes - in a loop of circa 20 x 1.5 cm. The text reads: 'Miss A Dealtry wishes Mr.

2pp., 12mo. 33 lines of text in blue ink. In good condition, lightly-aged. He writes that his family have 'all been listening to your third broadcast on Gandhi with pleasure and admiration'. He cannot imagine 'a better treatment of the subject', and is 'lost in admiration for the skill with which you pieced all these fragments together, and wove out of them a thrilling and convincing narrative [...] The old charwoman at Bow was a delight, and how sympathetic & interesting was Lord Templewood! But there wasn't a "dud" among all your many contributors, both the Indians & the English.

6pp., 12mo. Bifolium and single leaf. On aged and worn paper, with 4 cm closed tear to all three leaves. A highly interesting letter, illuminating Victorian Fleet Street and City of London practices. The author's signature is frustratingly illegible, but may well be that of sports journalist Charles William Alcock (1842-1907). The recipient is possibly James Clarke (d.1888), editor of The Christian World. The author opens the letter with the 'conclusions' he has arrived at regarding the 'various schemes' which he 'maturely reflected upon' in a discussion with Clarke the previous week.

31pp., 64mo., i.e. 10 x 6.5 cm. Stitched, in green printed wraps. Heavily aged and worn. Penny pamphlet with three illustrations. Contemporary inscription on p.30: 'Thomas Richard Woollard his Book | Given him by Ann Wright 1840'. The signature of Sarah Wollard is also present. BBTI has Frederick Lankester active in Bury St. Edmunds between 1821 and 1864, but this may reflect a confusion between Frederick and Francis Lankester. COPAC holds items by published by Frederick Lankester between 1824 and 1837. No other copy of this particular edition traced, either on OCLC WorldCat or on COPAC.

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

Heavily influenced by its author's own journalistic career, 'The Pen and the Sword' is not only of great significance in the development of Michael Foot's thinking, but is also an important work in the study of Jonathan Swift. The book was a firm success, going through four printings between 1957 and 2008. It was first published in London by Macgibbon and Kee, with the subtitle 'A Year in the Life of Jonathan Swift' (the year in question being 1710).

On one side of 7 x 11 cm piece of card. In good condition, lightly-aged. An unusual and attractive piece of London booktrade ephemera. The whole design, including the text, is engraved, and is in the style of a children's book illustration. With the text represented on a piece of board placed on an easel, around which three children crowd. On the left is a girl in a red dress, with yellow bonnet and umbrella, beside her is a louche individual in a yellow and orange checked suit, and to the right is a zouave, with red hat, holding a paintbrush and palette.