GEORGE

4to, 2 pp. Thirty-two lines. Text clear and complete. Good, on lightly-aged and creased paper. A tactful letter in response to an enquiry concerning the possibility of employment as a translator of Dutch publications. Unwins 'very seldom have occasion to translate from Dutch, but we should always be glad to give consideration to any important Dutch book which you were able to bring to our attention'. He suggests times when Thompson might be able to meet Stanley Unwin, who is travelling on the continent.

12mo, 1 p. Six lines. Mourning border. Text clear and complete. Aged, creased and a little grubby. Asking to be sent '4 copies of "The Butterfly", if ready', and if not to be told 'when it will be'. Lawrence published his 'Breaking a Butterfly; Or Blanche Ellerslie's Ending' anonymously by Tinsley in 1869.

16mo (leaf dimensions 13 x 10 cm), 3 pp. Bifolium. Twenty-eight lines. Text clear and complete. On aged and lightly creased paper with small closed tear in margin (not affecting text). He has been asked by 'Miss Caulfield' to 'perform the ceremony of "introduction" with a view to your publishing (if you approved of it) a work she has lately written [...] <"Janet de Rinzy?">'.

4to, 2 pp. Postscript ends abruptly ('I have read innumerable books on Italy, <...>'), suggesting a page lacking. Good, on lightly aged and creased paper. An interesting letter shedding light on Gollancz's attitude to the practice of sending out advance copies of books for review. Addressed to 'My dear Daniel'. Further to a report he has received from 'Hilary' (his nephew Hilary Rubinstein) regarding a conversation with George 'at John Coates's party', Gollancz assures him that there is no 'personal reason' why he is no longer receiving 'a stream of advance copies'.

12mo, 1 p. Good, on lightly-aged paper. Thanking them for the cheque, and returning the 'form of permission to reprint the four poems, signed' (not present).

12mo, 1 p. 7 lines of closely-written text. Clear and complete. On aged and slightly-grubby paper. He has received their letter regarding his 'Life of Thackeray', and appreciates 'the reason for your delay in deciding whether or no to issue a cheap edition. Undoubtedly the inclusion of my book in a series would benefit us both, & I hope Mr Lee may be able to make me an offer.'

12mo, 1 p. Four lines of text. Good, on aged paper with watermarked date '<...>864'. 'If the "Macaulays" have not gone yet, would you send them here, directed to me.' Trevelyan was nephew of the historian Thomas Babington Macaulay, of whom he published a biography in 1880.

8vo: 15 pp, paginated 267-281, In grey printed wraps. Inscribed by Gaster on front cover: 'With kindest regards | T. H. G.' Good, on lightly-aged paper, in grubby and lightly creased wraps.

Dimensions of print 6.5 x 11 cm. On a piece of paper 7.5 x 12 cm. Neatly laid down on a piece of cream paper 20 x 27.5 cm. Good clear impression on paper with foxing to margins at extremities. A series of three concentric red borders on the mount surround the print. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 6.5 x 11 cm. On a piece of paper 9.5 x 16 cm. Neatly laid down on a piece of cream card 15.5 x 21.5 cm. Good clear impression on lightly-aged paper. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 12 x 18 cm. Dimensions of paper 19 x 24 cm. Good, clear image on aged and foxed paper. A pleasant rural view over the harbour, with a house nestling between trees and a couple walking among the hills. Tastefully coloured in light blue, green, red and pink.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

Dimensions of print 12.5 x 19.5 cm. On paper 16 x 24.5 cm. Good clean impression, with six or seven spots of foxing in the margin and a little wear in the bottom left-hand copy. Striking detailed view of the city with sailboats and steamships in the harbour, and the major buildings and layout of the streets clearly portrayed, with the environs in the distance. Scarce: there is little information to be gleaned concerning this print.

8vo: 111 pp. Frontispiece portrait of author, and eight plates (including portraits of George Emmett and E. J. Brett). In original grey printed wraps (title incorrectly given on front as 'The Old Boy's Books'). Tight, on lightly-aged and foxed paper. Grubby frontispiece and worn and lightly-stained wraps. Uncommon. COPAC lists copies at the British Library, the National Libraries of Scotland and Wales, Oxford, Aberdeen and the University of London. The British Library entry ascribes the book to Allington. Pasted to the inner back wrap is an advertisement headed 'JOIN! JOIN! JOIN!

12mo: 1 p. Very good on lightly-aged paper. Reads: 'The Marquis of Lorne presents his compliments to Mr Wright and thanks him for the copy he has sent him of "The Spanish Armada." Wright's 'The Spanish Armada: a descriptive historical poem' was published in Plymouth by G. P. Friend in 1874.

4to: 1 p. Text complete and clear, on aged, spotted and lightly-creased paper. He has exchanged letters with 'Mr Morell' 'with reference to "Faust up to Date" ', but does not believe any contract has yet been arranged. He does not have a copy of 'the Score and Band Parts': 'I should say Mr Geo. Edwardes or Mr Meyer Lutz has these.' Sims co-wrote 'Faust up to Date' with Henry Pettitt. The music was by Lutz. It was produced by Edwardes, and first performed at the Gaiety Theatre, London, on 30 October 1888.

4to: 1 p. Good, on lightly aged and spotted paper. Regarding 'certain verses concerning this street', Walpole will 'find an explanation of the whole circumstance in this week's Notes & Queries'.

Four paginated pages of small type in a quarto (25 x 20 cm) bifolium. Attractively printed on paper watermarked 'T EDMONDS | 1834'. Unbound. Good: lightly aged and creased. On the first page the author announces the publication of the second part, 'with great regret for the delay which has unavoidably intervened in the publication, from causes impossible for him to have forseen'. The succeeding three pages consist of the double-column list of subscribers, headed by 'Patron.

One page, 8vo, chipped and grubby, text clear and complete. Seventeen lines. The printed version incorporates the minor corrections made to the MS.

4to, 8 pp. Unbound and unstitched. Grubby, worn and stained, but with text clear and entire, except for words on a couple of lines of the heavily-stained final leaf. The reverse of the title reproduces 'The Church-Wardens Oaths. On Coming into Office.' and 'In Delivering Presentments.' Mainly consisting of two sections (both clear and entire): 'Concerning Churches and Chapels; the Fabrick, Furniture, and Ornaments thereunto belonging.' (pp.3-4) and 'Concerning the Church-Yard, and the Houses, Glebe, Tithes, and other Dues belonging to the Church.' (pp.4-6).

12mo: 8 pp. Leaf dimensions 18 x 11.5 cm. Unbound. Stitched as issued. Good, on lightly-aged paper with foxing to first page. Complete: paginated [1] to 8, and with 'Finis.' at the end.

On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.

Two pages. Dimensions of paper fourteen and a half inches by nine inches. Aged and stained, with fraying to extremities and some loss to one corner (not affecting text). Order to 'deliver and pay of such his Majesty's Treasure as remains in your Charge unto John Earl of Dunmore or his Assigns the Sum of Two hundred and Fifty Pounds', on Dunmore's 'Annuity or yearly Pension of One Thousand Pounds as one of the Gentlemen of his Majesty's Bedchamber'. With signatures of 'Winnington', 'G Earle' and <?>. Docketed 'Mr. Yorke I pray pay this Order out of Addl.

Both items concern John Littlejohn's 'British Watercolour Painting and Painters of Today' (Pitman, 1931). Note of 18 December 1930: 12mo, 1 p. Five lines. Good on lightly aged paper. Thanking the publishers for sending 'the prints of my drawings [...] they are really very well done!' Letter of 13 February 1931: 12mo,1 p. Eight lines. Good, on lightly creased paper. Thanking the publishers for four presentation copies of the book. 'It is a handsome book and the drawings are well reproduced: I am particularly pleased with those of my own drawings.' Two items,

8vo: iv + 48 + [ii] pp. Last leaf carries advertisements for works by Fairburn. In marbled wraps. Text clear and entire. On aged paper with slight wear and fraying, small holes and light stains to first four leaves. Title continues '[...] to which are added, The Q-'s last letter to the K-, Written a few Days before Her M-'s Death, and other Authentic Documents, never before published. | [quotation] I am the Viper that has been secretly wounding you both.

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

An unusual, scarce and frail survival. Printed on one side of a piece of tissue paper, roughly 35 cm square. Surprisingly well preserved: heavily creased, with some wear to extremities, one small hole (not affecting text or image) and one closed tear of approximately 4 cm to coloured border.

8vo, [19 pp]. In original grey printed wraps. On lightly aged paper, with unevenly trimmed edges, and in slightly worn wraps. Short ink inscription at head of front wrap. INSCRIBED by the author's wife 'To my very dear Daughter Marian In happy memory of dear Pater the Author May 4th. and May 24th. 1936'. Full-page illustration of the 'Metropolitan Free Church Federation Eisteddfod, 1926. Grand Bardic Chair Presented by John Weir, Esq.' A curious mixture of pagan and Christian.