CENTURY

Both in fair condition, lightly aged, on bifoliums, stitched together. ONE: 4 December 1884. 4pp, 12mo. The recipient is not identified. Begins: 'My dear Sir | I am advised by more than one common friend to take the liberty of writing to you. Mr. Oates [publisher], amongst others, tells me that you have great knowledge of old Catholic literature & have collected many curious & valuable books. As I think you see the Tablet, I should like to direct your attention to a letter which I hope may appear in the next or the following number on some points on which I wish for information.

1p, 12mo. In fair condition, on browned paper, with glue from mount adhering to blank reverse. The last leaf of a letter, evidently detached for an autograph hunter. Good bold handwriting. Reads: 'I shall be only too glad to avail myself of it | Yours very sincerely | Alfred Gilbert'.

3pp, 12mo. Bifolium on grey paper. In good condition, lightly aged. A letter of seventeen lines, written 'In haste'. Written in a difficult hand. He begins by thanking him for his 'Satisfactory note', written in answer to a point by '[Shuter?]' which Richards was 'not able to answer then'. The postscript refers to the 'sad loss […] I never knew a better man & friend'. As a hydrographer on the coast of British Columbia from 1857 to 1862, Richards was responsible for the selection and designation of dozens of place names (e.g.

2pp, 12mo. On a bifolium of grey laid paper, with fleur-de-lys 'J M & Co' watermark. In good condition, lightly aged, with creases from having been neatly folded three times, and stub adhering to edge of blank second leaf of bifolium. The item derives from the collection of a notable nineteenth-century autograph collector, Lord Houghton, a friend of both Taylor and Norton.

1p, 12mo. In good condition, lightly aged. Signed 'James Nasmyth', with a fingerprint beneath the signature, flanked by the words 'Hys' and 'marke', and with 'impression before Letters' jokingly added beneath. Written in a shaky hand, the letter invites Horsley to a dinner 'to meet Col Colville Mrs. [Maclins?] and Dr. [Savile?]'.

4pp, 12mo. Bifolium of grey paper. In good condition, lightly aged.

2pp, 12mo. In good condition, lightly aged. Reads: 'I pray your forgiveness. I am sincerely ashamed of my bad behaviours in putting by your letter & forgetting to answer it, especially when it was written for a charitable purpose. With great pleasure I enclose a small donation & am sorry it was not in time for your dinner.'

Four pamphlets. Three with red labels of the Board of Education Reference Library, London, and all four bearing its stamps and shelfmarks. All in good condition, lightly aged and worn. All now scarce. ONE: Rev. J. O. Bevan, M.A., F.S.A. - Dental Hygiene, Especially in Relation to Children and Schools. ('To be obtained from the author, 55, Gunterstone Road, West Kensington, London, W.' No date.) 8pp, 12mo. Stapled into grey printed wraps. No copy on OCLC WorldCat or on COPAC.

Ainsworth's 'Thesaurus' (1752) neatly defines 'The Royal Aid, or subsidy money' as 'tributum quod regi ex plebiscito in sumptus belli, &c. praestatur'. It was a one-off household tax, set by assessors and collected locally. (For further information see M. J. Braddick's 2013 paper 'Resistance to the Royal Aid and Further Supply in Chester, 1664–1672'.) The present two documents are each laid out in identical fashion, the two carrying different assessments for 'Land' and 'Goods' for the same 58 individuals.

Both 1p, 8vo, and each in fair condition, on aged paper, with creasing along one edge. The first letter with smudged date of receipt in one corner. The first letter signed 'Paddy Carstairs', the second 'John Paddy Carstairs'. ONE: Begins: 'Dear Miss Greenwood | What can I possibly say? I am “set” for my next pic, but always want very unique stories – who doesn't?! | In 22 years (nearly!) I've only sold 3 originals for the screen and none of my novels – you see, there aren't any rules'.

1p, 12mo. In good condition, on lightly-aged paper. Folded once. Signed 'Rafael Sabatini'. After thanking her for her letter of sympathy, he notes: 'In the past I have had plenty of cause for complaint, but nothing quite so flagrant.' He has been 'avenged by the Press, which described the unutterable scenario from which the film was made in terms similar to those which I employed when I requested that my name be removed from the “author credits”'. He ends with good wishes to her 'laudable enterprise'.

For the context of the letter see Pamela M. King's 2007 paper 'Twentieth-Century Medieval-Drama Revivals and the Universities', which states that at the time of the writing, there was in Canterbury 'to be a new play by Robert Gittings about St Alphege and the Danish invasion entitled Makers of Violence', and that at the Pilgrim Players in Norwich planned to put on, at the church of St Peter Mancroft, a production of Fry's 'Sleep of Prisoners'. 2pp, 8vo. In fair condition, lightly aged, with a little light damp spotting. Folded once.

JJohn Freeman's interview with Jomo Kenyatta was broadcast on 26 November 1961 in the BBC TV series 'Face to Face'. The present duplicated typescript of the interview is from the papers of the programme's producer Hugh Burnett, and is edited for publication in the book 'Face to Face | Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964). 1p., foolscap 8vo. Headed 'JOMO KENYATTA', otherwise consisting entirely of the transcript, with no other details.

2pp, 12mo. In fair condition, on aged paper with central spike hole. Folded twice. Begins: 'My dear Mr. Tinsley, | I see that you are not going to use my article “We Women,” & I want it so much, to form the basis of a set of articles! - & I have no copy.' She notes that it is 'generally the case with regular workers, that the Editors return the rejected MS' and explains that she has 'destroyed the first rough draft', exclaiming: 'I do hope it is not lost!' She asks him to either tell her if it is lost, so that she may 'know the worst', or if it is not lost, '& is not to be used'.

1p, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed, over a red 'Postage Revenue' 2d stamp: 'Alfredo Compoli. | August 13th. 1947'. Above this the receip, in Compoli's autograph, reads: 'Received £500 (five hundred pounds) in full, (£200 deposit – and £250 in cash – also cheque value £50 (dated August 11th. 1947) for Sale of Music Library (Salon Orchestra, & Trio)'. Accompanying the document is an unsigned autograph receipt on a worn slip of white paper, reading: 'April 28th. 1947 | Received, from Jack Salisbury Esq.

A good letter, breathing enthusiasm for his field of study. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. He begins by stating that he will not be calling at the Museum that week, but writes to 'drop you a line to say that I have received a very long letter from Mr [Suett?] full of details regarding Ilrigocephalus etc and in which he mentions that he can drown you with notes on Rudists'. He also refers to 'a good paper by V. Hauren on the Structure etc of Caprina Partschi' ('a synonym of Cap. Paradoxa Matheron').

4pp, 12mo. Bifolium. In good condition, lightly aged. Evidently incomplete: the first part only of a long letter. Begins: 'My dear Maclean | I have it not in my heart to put forward an excuse for very long silence, beyond an amount of employment the like of which I have never had thrown upon me before, for many years.' He hopes to see him, but leaves that night 'for the North on a tour of inspection'.

1p, 8vo. In good condition, lightly aged, folded twice. He does not have a copy of his book 'Flying Eggs', but intends 'to order a few. Since computerization, ordering is a longwinded business, but there's reasonable hope they'd arrive before the Christmas post.' He gives instruction concerning payment and postage. He makes a suggestion if McPherson should 'at any point in the future [be] tempted to buy my first book of short stories, PENNINE TALES' (go for the paperback which is cheaper and 'much better edited').

2pp, 12mo. In good condition, lightly aged. Folded twice. The female recipient is unidentified, but would appear to be the editor of a magazine, enquiring after the progress of a 'paper' Ellis has agreed to write on 'Java Sparrows'. Ellis explains that she has 'begun a better story in the Child's department which it is consequently necessary to finish first', to appear 'in the number for June', but that 'your paper shall certainly come next'. The handwriting is not altogether straightforward, but Ellis appears to say here that 'stories will not always [write?] up when [necessary?]'.

1p, 12mo. In good condition, on lightly-aged paper, folded twice. An elegantly-expressed sentiment: 'Mademoiselle, | Les malheureux sont mes Amis, et l'oeuvre à la quelle vous vous interressez à [sic] toutes mes sympathies; malheureusement je suis si peu de choses que je ne puis vous témoigner que mon bon vouloir a l'oeuvre à la quelle vous vous interressez [sic]si vivement.'

3pp, 12mo. Bifolium. In fair condition, lightly aged, with minor damage at head. Folded once. He begins by requesting with 'much respect' to be excused 'on your great day', and explains: 'I write this from my bed, where I am confined with that delectable complaint the gout, and the moment I can move I must be off somewhere, either to Bath, or Buxton, to go through a regular course -'. He complains: 'This country does not agree with one -; we arrived in England 1 May, and I have already had three attacks of gout. I was seven months absent and was entirely free from it.

See Sewell's entry in the Oxford DNB. 1p, landscape 12mo. In fair condition, lightly aged and worn. The letter reads: 'My dearest Annie | Eliza tells me you wanted a copy of the French Book. I am so glad I happen to have one by me. - for I want you to have it from me. Please accept the book with love. | Yours very affly | Elizabeth M Sewell | Bonchurch. July 13th. 1868'.

2pp, 12mo. In fair condition, lightly aged, with fold lines. Annotated up one margin: 'Writer of Travels &c'. Andersson writes: 'Dear Mr. Blackett, - | I enclose a literal translation of a paragraph extracted from one of the best Swedish newspapers, by which you will see that the King has honoured me with a medal. If you think that this paragraph may be of any use to you when advertising the 2d. Edition of “Lake Ngami”, it is quite at your service. Of course you may put it any [sic] language you may think proper. | Yours faithfully | Chs. J.

On slip of grey paper, roughly 4 x 13.5 cm. In fair condition, lightly aged, with traces of paper from mount adhering to the blank reverse. With two unobtrusive vertical fold lines. Reads: 'Kindest regards | Yours sincerely | Edward Lear.'

1p, 12mo. In fair condition, lightly aged and grubby, with three folds. The letter reads: 'Dear Streatfield | it is no use sending me the Score of the Symphony here at present, as I am too busy to look at it properly, besides which, all my Programmes are definitely fixed till the end of the season, but if you will ask Mr. Hinton to send it to me to Hamilton Terrace (54, not 73) after Feby., when I shall be back in town, I shall be pleased to look through it.'

On 1.75 x 6.25 cm slip of paper, laid down on part of leaf removed from album. In fair condition, lightly aged. Simply reads 'D Brewster'.

1p, 4to. In good condition, lightly aged, with minor traces of mount adhering to one edge, folded several times. 'Mrs. Macready' in a contemporary hand at the head of the page. Written in a neat hand the letter reads: 'Mrs. Macready presents her compliments to Mr. Kenneth, - any Letters directed to Mr. Macready Theatre Royal Birmingham will find Mr. Macready until Saturday Morng. 24th Inst.'

Four pages, 4to, bifolium, some foxing but mainly good condition.The work was hugely popular, going through numerous editions between 1894 and 1907. The title is (deliberately) misleading. The work is an exploration of theological rather than biological questions, with the author stating that 'The How, Why, and Wherefore have not received the full amount of profound and reverent study that the ineffably intrinsic importance of the subject to ourselves warrants.' Lewis Carroll had a copy in his library.

3pp, foolscap 8vo. On laid paper with watermark: 'GOLDING | & | SNELGROVE | 1811'. Aged and worn, with closed tears along folds, but with text complete and clear. The document includes two passages written in red ink which has faded but is still legible. The background to the present letter is given in Lambert's entry in the Oxford DNB: 'On 4 June 1813 Lambert was promoted major-general, and was appointed to a brigade of the 6th division. […] Having been sent to America, he joined the army under Sir Edward Pakenham below New Orleans on 6 January 1815, with the 7th and 43rd foot regiments.

De la Mare's definitive answer to the oft-asked question regarding the meaning of his best-known poem - and also one of the most celebrated English poems of the twentieth century - 'The Listeners'. 1p, 4to, in good condition, lightly aged, folded twice. After thanking her for her 'kind letter', he adds: 'I am afraid you may not find my answer to your question a very satisfactory one.