CENTURY

The autograph address by Eva Marie Garrick is on a 7.5 x 14.5 piece of paper, laid down on an 8 x 20 cm piece of paper cut from an album. In fair condition, aged. Lightly-scored through by the postal authorities, it reads: 'The Rigt. Honorable | Dowr. Lady Amherst | Leven Grove near | Stokerley | Yorkshire'. Beneath this, in another hand: 'Widow of the celebrated David Garrick Esq', and along one edge, in a third hand (Lady Amherst's?), 'This direction was written by Mrs Garrick in the year 1819 when in her 92d year'.

3pp., 4to. In bifolium. Good, on aged and lightly-creased paper. 'Mrs. de Morgan' in manuscript at the foot of the first page, and 'No 5' at the head. The first page carries the circular letter from 'Edwd. West, Secy.', engraved in copperplate. In sending the balance sheets he notes that 'the income is scarcely equal to the expenditure which is necessary for obtaining for the Society public support'.

1p., 12mo. On laid paper with 'Pro Patria' watermark. In good condition, lightly-aged and dusty. Headed 'September 25th 1732' and docketed on reverse 'Account of Linen in 1732 of Bn. & Eliz. Adams.' Thirteen items, beginning with 'There is eleven pair of Linneng [sic] sheets' and ending with 'There is 1/2 a dozen of Dypers naptkin for night Caps'. The Northumberland origins of the Adamses is not referred to in the document, but is clear from one which accompanied it. The document derives from the papers of Benjamin Adams's descendant, the Alnwick solicitor Thomas Adams.

1p., 12mo. On aged and ruckled paper, with pinholes to one corner. He is 'in the thick of this "Week in the Country" business'. 'When I come to town I'll come & see you about your proposition of the series for the Grand Magazine, but I'm a rotten short story writer, you know.'

On both sides of a piece of 8vo paper, folded vertically to make a bifolium with 31 x 9.5 cm leaves. In fair condition, aged, worn and with a short central closed tear unobtrusively repaired with archival tape. Docketed 'Acct. of the Funeral of [blank'], and elsewhere in another hand 'Benja Adams | Benja Adams'. A total of 78 individuals are named (including six deleted) over three narrow pages, with 32 (including three deleted) on the first page, 6 on the second, and 40 (including three deleted) on the third.

Printed in black on one side of a piece of thick laid paper, 30.5 x 19.5 cm. Aged, and separated into two parts by a neat tear along a vertical fold line 13 cm from bottom (repaired on reverse), and with slight wear at the head. An attractive and characteristically Victorian design, entirely drawn onto the stone (i.e. none of the text set in type). The design displays a quirky and charming amateur energy, with the text within a decorative border incorporating what appears to be 'IOD POONA' at the foot. Headed by the words 'STATION THEATRE .

Dimensions: 18.5 x 25.5 cm. Laid down on a piece of 19.5 x 26.5 cm grey paper. The print has been trimmed, so that there is no margin. In good condition, lightly-aged and ruckled. Against a rocky backdrop, with aborigines viewing from the top of a hill, a group of six aborigines are shown to the right, naked and waving sticks and spears. To the left are the five Frenchmen, with a stack of rifles in front of a tent at far left. In the centre of the image the leading Frenchman places gifts on the end of a long stick held by one of the aborigines.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

1p., 8vo. On yellow paper. On lightly-aged paper, with slight wear and creasing along one edge, and thin stub from previous mounting adhering to the reverse. The poem is twenty lines long, arranged in five stanzas, and signed at the foot 'George Steele Seymour'. Beneath this, in Seymour's hand: 'Special greetings to Mrs.

344pp., 4to. 26 essays (one of them in two parts), comprising 332pp. in manuscript and 7pp. in typescript, with three full-page illustrations, and five printed pages at the start. In good condition, on lightly-aged paper, in worn and rebacked blue buckram binding, with an elaborate design in the style of Walter Crane in gilt on front board, depicting a Grecian maid plucking apples, incorporating the words 'The Portfolio Socy.', a Latin motto and the date 1894. This design is duplicated in print on the recto of the first leaf of the volume, with the date '189' completed with a '4' in pencil.

1p., landscape 16mo (8.5 x 13 cm). Good, on aged paper, with blank second leaf of bifolium bearing evidence of previous mounting. The poem is neatly written out, in a sensitive hand, and is eight lines long: 'Fairyland! Fairyland! | That must be a pleasant spot: | Silver rippled over the strand, | Murmurs in each cave & grot, | Jewelled fruits upon the trees, | Music floating on the air, | Perfumes breathing on the breeze -, | How I wish that I was there! | [signed] Julia S. H. Pardoe'.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

1p., 12mo. On bifolium. Good, on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring, and among his regrets is his inability to pay his respects to Lord Londesborough.'

1p., 12mo. Good, on lightl-aged paper. A short letter, in which he thanks Brett-James for writing to him 'about the Macmillan speech': 'I really feel badly at having put you obviously to so much trouble'. He suggests that Brett-James sends him 'the tape' and lets him 'have it transcribed here, by my secretary'.

The image is 9 x 5.5 cm, mounted on brown card, 10.5 x 6.5 cm, printed on both sides in red, with large facsimile of Disdéri's signature on reverse. In fair condition, somewhat aged. Page is shown seated at a table with a sculpture of a stag on it, with legs cross and the sole of his left show showing, smoking a pipe. In addition to being an MP, Paget held several positions in the Royal Household, acting as Equerry to Queen Victoria from 1837 to 1841. The present image is not among the four representations of Paget in the National Portrait Gallery collection.

16mo, 36pp. Printed in small type. Disbound. In good condition, on lightly-aged paper. A separate title-page may have been printed on a front wrap, now lacking. The pamphlet begins in stirring style: 'The conflict between labor and capital becomes more and more the struggle of the age. On both sides there are titanic powers engaged in what appears to be headlong and indiscriminating war. There may be now and again a lull in the contest - there may be some kind of truce proclaimed - some good sort of people may approach the combatants andn induce them for a season to lay down their arms.

xii + 56 pp., 12mo. Disbound. In fair condition, on lightly-aged paper. Presentation inscription on half-title: 'W. W. Hull Esq | With the Authors | Respects'. Uncommon: four copies on COPAC (not counting the 'electronic resource' ones).

2pp., 12mo. On bifolium with mourning border. Very good, on lightly-aged paper. He will be 'very happy, if it suits the Committee, to present a Cup somewhat similar to that they accepted fm me last year - as the Paxton Cup.' He prefers to leave the conditions to them, and asks for 'due notice when the time of the Regatta is fixed'.

1p., 12mo. Good, on lightly-aged paper. Written in a bold, attractive hand. The letter begins: 'It was with much regret that I was compelled to forgo the honour of attending your Lordship's Conversazione on Wednesday.' He was called to Hastings that day by '[u]navoidable business', but hopes to have 'during the continuance of the Exhibition, an opportunity of waiting on your Lordship'.

Both items in good condition, on lightly-aged paper. Poem: 1p., 4to. Titled at head: 'Forbearing Love | Romans XII 19-21.' Signed at foot: 'John S. Broad | Newcastle under Lyme'. The poem consists of 24 lines in six four-line stanzas. The first stanza reads: 'Heap coals of fire upon the guilty head, | And melt its malice down; | Let flames of love around it be outspread | And charm away its frown.' The last stanza: 'Thus shall it win its conquering way in peace, | Raise trophies free from blood; | Thus make the storms of sinful passion cease | And bow the heart to God!' Letter: 1p., 12mo.

The collection is of great interest, providing a mass of information regarding the Victorian building trade. The owner of the volume, W. H. Dudley, would appear to be a War Office official, and, as described at the end of this entry, it contains manuscript details of two contracts. The ten printed schedules - totalling [34 + 17 + 14 + 10 + 12 + 13 + 12 + 10 + 16 + 11 =] 149 pp., folio - are uniform in design and format, bound together in a contemporary half-binding, with brown leather spine and corners, and marbled boards. All ten are in good condition, on lightly-aged paper, in worn binding.

After '[...] with numerous local illustrations.' the title continues: 'To which is added a short account of The Coventry Cemetery, Waterworks, St. Mary's and Draper's Halls, School of Art, New Free Library, Bond's and Ford's Hospitals; also the History of Stoneleigh and Combe Abbeys, Kenilworth Castle, &c.' 48pp., small (15 x 12 cm) 4to. With fold-out frontispiece and nine engraved plates, including 'The Countess Lady Godiva riding through Coventry' and 'Peeping Tom of Coventry'. In green printed card wraps with red cloth spine.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Addressed to 'My dear Sir'. England and Ireland are not named in the letter, but subject of the letter is clear from the context. He has read 'with very great pleasure' the pamphlet which the recipient sent him. 'You are correct in surmising that for the present at least I take no part in the political question of the day - but my views show no change'.

3pp., 12mo. Bifolium. In good condition, on aged paper, with original worn and torn envelope, with stamp and postmarks, addressed by Lucas to 'H. W. Stuart Esq. | Mulgrave House | Rectory Place | Woolwich'. Stuart's son has 'shown himself so good a worker' at Guy's that Lucas is 'anxious that he should have an opportunity of taking a good position in the profession'. Lucas has 'persuaded him to try for the fellowship & if possible, to pass the preliminary next September'. Lucas hopes Stuart will encourage his son, as he is 'convinced that he has the power, if you give him the opportunity'.

1p., 4to. Fair, on lightly-aged paper. Granville explains that 'Edmonds' (the economist Thomas Rowe Edmonds (1803-1889)?) asked him before the House of Commons Committee about giving Ricardo 'the evidence - the Committee saw it was quite irregular', but if Ricardo 'can manage to call on me at the Bd. of Trade tomorrow (Saturday) at about 12 o clock, I will show you what you want'. Postscript reads: 'Pray come at all events on Monday at one to the Committee'.

12pp., 12mo. Disbound. Stabbed as issued. Very good, on lightly-aged paper. Uncommon: the only copies of this first edition on COPAC at the British Library and Wellcome.

The background to the collection is simply stated. On the death of the 15th Earl of Glencairn in 1796 the title became dormant. It was claimed by Fergusson (praised by Boswell but dismissed by Johnson as 'a vile Whig' and derided by Burns as 'aith-detesting chaste Kilkerran') as heir of the line of the 10th Earl. Fergusson's claim was opposed by Sir Walter Montgomery Cunningham of Corshill, as presumed heir male along with Lady Henriet Don, sister of the 15th Earl, and wife of Sir Alexander Don of Newton Don, Roxburghshire.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

While only a rough pencil sketch, the drawing is an attractive one, landscape on a piece of wove paper, 20 x 25 cm, with 'JESSUPS' watermark. In good condition, on lightly-aged and creased paper, folded into a packet for postage, with remains of red wafer. Beneath the drawing, in ink in a shaky contemporary hand: 'Lawn view from the backs of Mount Vernon | This is from the Orange Tree planted by himself.' The reverse carries the following note: 'I made the enclosed rough sketch of Mount Vernon the residence of Genl.

2pp., 12mo. Bifolium. 28 lines of text. In fair condition: aged and a little ruckled. Docketed 'The Woodcutters' (a theme around which Linnell produced several paintings). Linnell writes that he has just received Lawrie's 'half note for £5 - and will not fail to attend to your wishes about The Verification'. He explains that he usually requires, in addition to the fee, 'an assurance that I shall not be called upon personally to give evidence respecting the work said to be mine.