BRITISH

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

12mo: 2 pp. Sixteen lines of text. Good, on aged paper, with a strip from the previous mount adhering at the head of the reverse. Docketed in a contemporary hand 'Jacob Bell' and 'M. P. for St. Albans 1851.' He thanks him for taking the trouble to search 'the last document which fortunately is found much to my surprise in a store room in my own house'. He 'cannot account for the accident' and apologises once again.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

Two pages. Dimensions of paper fourteen and a half inches by nine inches. Aged and stained, with fraying to extremities and some loss to one corner (not affecting text). Order to 'deliver and pay of such his Majesty's Treasure as remains in your Charge unto John Earl of Dunmore or his Assigns the Sum of Two hundred and Fifty Pounds', on Dunmore's 'Annuity or yearly Pension of One Thousand Pounds as one of the Gentlemen of his Majesty's Bedchamber'. With signatures of 'Winnington', 'G Earle' and <?>. Docketed 'Mr. Yorke I pray pay this Order out of Addl.

TWO COPIES, both octavo: iv + 158 pages. Several collotype plates, several in red and gold. In original green printed Sotheby wraps. Both items sound internally, with some wear to the wraps. One item has extensive pencil annotations to the front wraps, and the other has a few ink marks to the reverse, with minor wear to the last couple of leaves. Both catalogues partially priced with some names by the London booksellers Myers & Co. of New Bond Street, one on the second day of the sale and the other on the fifth.

Octavo: 190 pp. In original red cloth binding. First edition. Lacks rear free endpaper. On aged paper and in heavily worn binding. INSCRIBED by author on creased front free endpaper 'Much that is contained in this book is founded on fact | [signed] William Le Queux | Oct 1916'.

Both items concern John Littlejohn's 'British Watercolour Painting and Painters of Today' (Pitman, 1931). Note of 18 December 1930: 12mo, 1 p. Five lines. Good on lightly aged paper. Thanking the publishers for sending 'the prints of my drawings [...] they are really very well done!' Letter of 13 February 1931: 12mo,1 p. Eight lines. Good, on lightly creased paper. Thanking the publishers for four presentation copies of the book. 'It is a handsome book and the drawings are well reproduced: I am particularly pleased with those of my own drawings.' Two items,

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

The six-line letter, which is laid down on a slightly larger piece of lilac paper, was originally on one side of an octavo leaf, but it has had a strip (presumably carrying the name and address of the recipient) beneath the address cut away. It is now in two pieces: 5 x 15.5 and 12 x 15.5 cm. Otherwise very good. Laid down on the top piece is a slip of paper in Hill's hand, reading 'From: Air Commodore Dame Felicity Hill D.B.E. WRAF (retd)'. In the bottom right-hand corner of the second piece of paper is a strip carrying Hill's autograph.

On irregularly shaped piece of paper, roughly 3 x 7 cm, cut around the signature and its double underlining. Good signature, with slight smudging to a couple of letters.

4to: 3 pp. A bifolium, mounted onto a larger piece of paper by a strip along the inner margin of the verso of the second leaf. Separated horizontally into two parts by a central tear which has been neatly repaired with archival tape, but with the 39 lines of text clear and entire. A signficant letter regarding the political climate in the County of Norfolk in the period preceding the general parliamentary election of 1768.

Printed on one side only of a piece of watermarked laid paper, dimensions 32.5 x 19.5 cm. Folded twice for insertion in the magazine. Good, apart from strip of approximately 0.5 x 5.5 cm loss along top fold, affecting one word of text, and neatly repaired with archival tape. At head of page clean impression of satirical engraving (roughly 8.5 x 13 cm), showing Beckford (father of the connoisseur), in Lord Mayor's robes, telling Harley to 'Receive Instructions & not Silver'. Harley, holding a jacket, tailor's iron and shears, replies 'Teach us our Lesson! Are we then School Boys?

All three letters 12mo, and closely written. All three with rusted pinholes at head. A valuable correspondence, in which one of Victorian England's leading critics describes his response to the work of one of the age's foremost historians. LETTER ONE (1 page, 26 lines, good): He thanks Kinglake for sending his 'new volume' [of 'The Invasion of the Crimea']. 'I am reading it with great delight. The work to me is unique both in military & literary history.

Folio: ii + 59 + [1] pp. Unbound. Stitched as issued. Text clear and entire, but in poor condition: on creased, discoloured and stained paper, with wear to extremities. Begins 'WHEREAS fires in warehouses in the borough of Liverpool have of late years been of frequent and alarming recurrence, and have been attended with considerable loss of life and property.' 124 clauses, followed by seven pages of 'Schedules referred to by the foregoing act'.

12mo, [ii] + 235 pp. In contemporary brown-calf half-binding, with marbled boards and grey endpapers. Internally sound and tight, if a little foxed, with some wear to the extremities of the title-leaf. In worn binding with label on spine mostly worn away. The identity of the author is unknown.

8vo, 12 pp. Stapled and in original blue printed wraps. Good, with minor staining to wraps at top of spine. Eight 'Rules' and three 'Regulations', with a separate entry on 'Regulations for the Use of the Library'. Not listed on COPAC.

4to, 20 pp. The last page carries advertisements for the publisher Almon. Unbound; stitched. Good, with first and last leaves somewhat aged and chipped. Central vertical fold. A relatively uncommon item, with most of the entries on COPAC turning out to be for a microfilm reproduction.

The prospectus is a four-page bifolium. Dimensions of leaf roughly 38.5 x 24 cm. Aged, creased and worn, and with slight loss to spine and with a panel in the second leaf worn through, resulting in loss of some of text. The prospectus is addressed by hand to 'Eton College Wilds Estate'. The 'form of application' is printed in green on one side of a leaf roughly 34 x 20.5 cm. It is in better condition than the prospectus, lightly creased and aged, and complete with a perforated 'Banker's Receipt'. Note: The Wilds Estate provided the land for Hampstead Garden Suburb and the Heath.

In light blue, light brown and black on one side of a piece of wove paper roughly 38 x 56 cm. Good: lightly creased and with a little wear at foot. Folded three times. 'Corrections 14th. June' in bottom left-hand corner, and 'Malby & Sons, Lith.' in bottom right-hand corner. Faintly stamped on border at foot 'CHARPENTIER | PORTSMOUTH'. COPAC lists one copy (National Library of Scotland).

The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

Quarto: 4 pp. Bifolium. Unbound. Creased and grubby. Half-page map ('Sketch to show position of Hausa-land'). Headed in red ink 'Funds are urgently needed both to secure the results already obtained and to carry forward the work.' 'The Hausa Association, For Promoting the Study of the Hausa Language and People' is said here to have been founded in 1891 in memory of the Rev. John Alfred Robinson.

Campaigner against slavery and colonial exploitation in Africa (1874-1940) and Liberal MP for North Hackney, 1923-24. All four items one page, quarto. All in good condition, though on somewhat discoloured paper. Two items docketed in pencil and two bearing the Society's stamp. ITEM ONE: He hopes to be present at Dr. Max Horn's lecture, and wants to know whether the Society is 'publishing the lecture by Mr. Wilson Fox on Imperial Resources'. He thinks he should join the Society, 'if not now soon after the war', and asks to be sent the conditions of membership.

Very good, on aged and lightly creased paper. Six long letters to family in England written during a turbulent period in South African history. Affectionate, chatty, and written from a lower-middle-class point of view (Florrie: 'we always have an h[ou]r., when I change my dress for the afternoon after dinner'). Mostly dealing with family matters. Letter One (from 'Florrie', 4 September 1898, 'P.O. East London, South Africa', 4to: 4 pp): tells an amusing story about Birt, a cart and a goat. Letter Two (from 'Florrie', 11 September 1898, address as Letter One, 4to: 2 pp).

4to, 1 p. On aged, creased apper, but with text clear and entire. A small piece of paper from a bottom corner has been torn away in opening the letter, and is still present on the reverse, under a red wax seal bearing a clear impression of a lyre and the words 'Addolcire ed Maturare'. Brief communication apologising for the fact that the Literary Souvenir has not reached him sooner. 'The omission is the sin of my booksellers and not mine'. He is sending a copy with the letter, and asks him to accept his thanks, 'for your courtesy'.

12mo, 2 pp, and 8vo, 1 p. A little grubby and creased, but with text clear and entire. He is sorry that Shorter was not able to visit the Chateaux of the Loire, but hopes that 'the sea air of Dieppe' has done him good. The year before Shorter's death, Hammerton writes: 'But you must really cease this brink-of-the-grave touch! Ten years hence, from an inglenook at Knockmoroon [where Shorter would die], you will wonder why you were anticipating the "closing down" of C.K.S.

Letter: 12mo, 1 p. Grubby and stained. He 'did not mention the Planché-affair' in his letter of the day before. Asks for his name to be put down 'for a copy of the book' [French's edition of Planché's 'Extravaganzas']. The subscription form (12mo, 1 p), heavily worn and with loss to the extremities, is laid down on the reverse of the letter. On it Merivale gives his address as 'Barton Lodge, Kingston on Thames'.

On one side of a piece of paper, dimensions 19.5 x 21 cm. Lightly creased. Presumably in response to a request for an autograph. Reads 'Is there a life before Death? | (slogan chalked on wall in Northern Ireland, 1975) | Yours sincerely | [signed] Beryl Bainbridge.' Firm sprawling signature.

On a piece of pink paper, roughly 9 x 11 cm. Neatly laid down onto a piece of white paper. Very good. A reply to a request for an autograph. Reads 'I am | my dear Lady | Yours truly | [signed] Eliza Cook'. The signature is firm and bold, with a small part of the flourish beneath it shaved away.

All five items are 12mo, 1 p, and in good condition, with the text entirely legible, but with slight discoloration to the extremities and to the blank second leaves of four of the letters. Letter One (17 May 1898): Concerns a letter by Sir William White, regarding which Knowles has not written as 'it seemed to me there was nothing to write about - & I am compelled to write so many letters!' Knowles 'did not at all think that Sir W. White intended any disparaging reflection in your competence by saying that you were <?> not a man "technically trained in naval architecture" '.