AUTOGRAPH

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded twice for postage. Elegant signature: 'J Enoch Powell.' He thanks him for his letter, and explains that, as '[t]he reprint or reproduction of the St Lawrence Jewry addresses is hanging fire’, he is enclosing ‘a photocopy of the first, which I think is the one you have in mind’. He hopes it will reach him ‘in time’. The recipient’s address at the foot of the letter reads: ‘H. V. Shooter, Esq. / 225 Makepeace Mansions, / Makepeace Ave, / N.6.’ At the head of the letter, presumably by the recipient: ‘From: The Rt.

On 11 x 5.5 cm piece of grey paper. Good firm signature, with emphatic underlining, apparently in response to request for an autograph. Reads: 'Richmond Hill / Ontario / Canada. / William Guy Carr / June 13th. 1939.'

The recipient Eileen Margaret Cond (1911-1984) was an enthusiastic collector of autographs, with the ability to draw a more than perfunctory response from her targets. 1p, 8vo. Good firm signature, 'William Guy Carr', above typed 'Wm. Guy Carr.' On lightly browned paper with nicks and short closed tears to extremities. His London publishers Hutchinsons have sent on her letter, and he is pleased to learn that she enjoyed her book, and is sending his autograph for her correction.

See his entry in the Oxford DNB, which notes his unpopularity at his college Christ’s, which terminated his fellowship in 1783. According to Fanny Burney he was ‘dullness itself’. 1p, 12mo. In good condition, on lightly aged and browned paper. Folded for postage. Signed ‘A. Shephard Plume’s Profr. / Camb.’ The recipient is not named.

See the entries of members of her extraordinary family in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage, and accompanied by envelope with stamps and 1950 Edinburgh postmark, addressed by her to ‘Adam Dickson Esq. Junior / 28 Comely Bank Grove | Edinburgh’. Signed ‘Winifred Peck’. Responding to an autograph hunter, she writes: ‘Dear Sir, / How kind of you to like to [sic] my books & to say so.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

All 18 items are in very good condition, with slight signs of age and wear. Items One and Eighteen are letters (Eighteen being a ‘triplicate’), the other sixteen items are accounts, with items Five to Eighteen relating to the firm of the New York merchant Lewis Simond. Items Seven, Nine and Twelve are copies (i.e. written out afresh but containing the same text) of Items Six, Eight and Eleven. ONE: Henry Hough (overseer of the Bounty Hall estate, Jamaica) to ‘William Fairclough / Green Park’: Autograph Letter Signed.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. An area torn away at the head of the first leaf (with the loss of one word of text) has been skilfully repaired with archival paper; otherwise in good condition, lightly aged. He apologizes for being unable to ‘come to your at home tomorrow as I can not go to any parties till after the funeral of the Duke of Albany’. He asks her to ‘accept and make use of’ tickets ‘for some tableaux vivants which are to take place tomorrow night at the house of the Princesse de Caraman-chimay.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. The year of the letter looks more like ‘1901’ than ‘1961’, but the letterhead names the writer as ‘Charles Wheeler, C.B.E., R.A.’ Addressed to ‘Dear Sir’ and signed ‘Charles Wheeler’. Having received two letters from the unnamed recipient, he explains that the first ‘got mixed with some papers sent to my Accountant and therefore was not answered’. He apologises for ‘the consequent neglect’.

See his entry in the Oxford DNB. On 11.5 x 9 cm plain post card with printed half penny stamp. In fair condition, lightly aged, with dog eared corner and spike hole (through part of address on one side and blank space at bottom left on message side). Addressed by Russell to ‘The Secretary / Society of Arts / John St / Adelphi / London / W.C.’ Reads: ‘Dunrozel, Haslemere. / In reply I beg to say I shd like the Journal “supplied in a bound volume at the conclusion of the Vol. in Nov.” / J. A. R. Russell’.

See her entry and his in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded for postage. Signed ‘Ruby’. Begins: ‘Popie, darling, / What are we coming to? / You - as a pierrot with the “Fol-de-Rols”! / BBC/TV must be mad not to let you do a talk on the St. James’s. / But after the Gaiety fiasco I can believe anything of them.

See his entry in the Oxford DNB. Removed from album, and closely trimmed, having been cut down to 9 x 7 cm, with corners cropped. Lightly aged, with one fold for postage. In neat close hand, reads: ‘My dear Lady Burdett / I am very sorry indeed that an Engagement from which I cannot release myself will deprive me of so great a pleasure. Yours ever / S Rogers.’ See image

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. The recipient is not identified. Addressed to ‘My dear Sir’ and signed ‘Herbert Thurston’. He begins by thanking him for ‘the nice things you say’, and continues: ‘I fear I have no defence as regards Samuel Butler. I knew that he had written on the Sonnets and that some people thought highly of his book but I have never seen it. The fact was that I was provoked into talking up the question by some friends who have recently become obsessed by the Oxford theory.

A good letter, full of content. 2pp, 8vo. Air mail letter with New York postmark, 30 September 1963. Signed ‘Marian’ and addressed to ‘Mr. Les Tompkins / 96, St Helier Ave / Morden / Surrey’. Writing after the publication of an interview with her by Tompkins in ‘Crescendo’, she begins: ‘Dear Les. Thank you, & Tony also, for the copies of Crescendo - Boy! I was verbose, wasn’t I! I got a kick out of the record review, & thought everyone was very complimentary. Wish Steve Race had been there! He always insists you can tell a female player (and of course I think that is a lot of you-know-what)’.

See the entries on Robert and Sylvia Lynd, and Clement Shorter, in the Oxford DNB. (Shorter’s first wife, the Irish nationalist poet Dora Mary Shorter (née Sigerson), had died in 1918.) Both items are in good condition, lightly aged. Both 1p, 12mo, and each folded once for postage. ONE: SL to CS, 18 January 1922. Signed 'Sylvia Lynd'. Begins: 'My dear Clement, I hear that you have a little daughter. Many many congratulations & good wishes. It is very nice to know that you are so happy.' She turns to her own family: ‘We are all well down here & very busy. Sheila & B. J.

There were around thirty ‘Paul Temple’ radio serials between 1938 and 1968, along with four films, a dozen books, a television series and a newspaper cartoon strip. Despite obituaries in the major British newspapers Durbridge has not been granted an entry in the Oxford DNB. On 14 x 5.5 cm piece of light-blue laid paper, cut from a typed letter. In good condition, lightly aged. Good clear signature. Reads ‘Thank you for your nice poem - / Best wishes to Dave. / Francis Durbridge’.

Good letters, the second with biographical content about a prolific yet elusive author. The recipient Eileen Margaret Cond (1911-1984) was an enthusiastic collector of autographs, with the ability to draw a more than perfunctory response from her targets. Both letters in good condition, on lightly aged paper folded for postage. Each bearing large stylized signature ‘Francis Gerard’ and addressed to ‘Dear Miss Cond’. ONE (12 March 1950). 1p, 4to.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged and with two creases from folding for postage. Addressed to ‘Carmichael Thomas, Esq., / Mount Cottage, / Borough Green, / Kent.’ Cyclostyled signature of ‘Ben Purser.’ Begins: ‘For some time I have been desirous of becoming a member of the Royal Society of Arts. Mentioning this matter to your daughter a few days ago, Miss Thomas thought that if I wrote you in this connection you might possibly be able to arrange this matter for me.

See her entry and his in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and slightly creased at extremities. Addressed to ‘My Dear Mr. MacQueen Pope’ and signed (in block capitals) ‘BERTA RUCK’.

Abercorn was characterized by Walpole as ‘his taciturnity, the Earl’. His entry in the Oxford DNB describes him as ‘a patron of the arts, a builder, and the consolidator of the family's property and influence’. 1p, 4to. On recto of first leaf of bifolium, with verso of second leaf docketed and with 1884 date stamp. In good condition, lightly aged. An excellent example of Abercorn’s bold hand and signature. Reads: ‘London March 10. 1768.

Shand is great-grandfather of Queen Camilla. His best-known work is 'The Foundations of Character' (1914). ONE: 18 November 1907. 4pp, 16mo. Bifolium. Thirty-five lines. In good condition, lightly aged. Folded for postage. Shand - who is weakened by ‘fever & cough’, and ‘too tired to think consecutively’ - thanks Burdett for his ‘very kind letter which was a real consolation to me in my bed’. His ‘argument about avarice was most interesting, & I think I quite agree with it.

1p, 4to. In fair condition, on aged and lightly-creased paper, with two small punch holes to one margin. Pencil notes at foot of page, with more notes in ink and pencil on the reverse. He begins: ‘I too a looking forward to my visit to Cheltenham on April 4th. I shall, as you say, be bringing my records with me which include both 78 r.p.m. and 33 1/3 r.p.m. As you say it will be necessary for me to have overnight accommodation and I should be grateful if you could make the booking.’ He gives details of the train he will be travelling on from Paddington, and asks where to go.

1p, landscape 12mo. Aged, worn and lightly discoloured. Laid down on larger leaf removed from an album. The text, all in Randolph’s hand, reads: ‘Pay to Jaqueline [sic] P. Taylor or bearer Fifty four Dollars 84 Cents / John Randolph of Roanoke / Decr. 22d. 1829. / To the Cashier of the Bank of Virginia’. Despite the name Jacqueline P. Taylor of Richmond City, Virginia, was male. See image.

See the entry on her second husband George Wyndham in the Oxford DNB. Wyndham had been appointed Chief Secretary for Ireland a few months previously (October 1900). His plans were ambitious, but after some success they would flounder, leading to a nervous breakdown: within four years of the present letter the Prime Minister Arthur Balfour would write to Lady Wyndham that was ‘utterly ruined’ and ‘really hardly sane’. See also the ODNB entry on the recipient. 4pp, 12mo, with text concluding crossways at top of first three pages. Bifolium with mourning border. In fair condition, lightly aged.

An interesting item, providing a sidelight into the process of Victorian scholarly editing and publication. Fitchew’s letter is 2pp, 4to, on the outer pages of a bifolium; the inner pages being filled with notes (citations?) in a minuscule hand, possibly the recipient’s. In good condition, lightly aged and worn, and folded for postage. Addressed to ‘H. W. Wilson’ and signed ‘E. H. Fitchew’. The letter begins: ‘Dear Mr. Wilson / I think it is possible we may want a little more letterpress, but probably not much. Up to end of pt. 7 we have used 82 slips.

Jenkins’s Bond book ‘Per Fine Ounce’, which he claimed was based on a diamond-smuggling storyline he had developed with Fleming in 1957, was rejected by Fleming’s production company Glidrose in 1966. The recipient Eileen Margaret Cond (1911-1984) of Honiton was an enthusiastic collector of autographs, with the ability of drawing a more than perfunctory response from her targets. 1p, 12mo. In good condition, lightly aged. Folded for postage. Signed 'Geoffrey Jenkins'.

For such a prolific author, it is odd that so little is to be gleaned about Dorothy Jarman (1902-1978; Fellow of the Institute of Arts and Letters, widow of Roy H. Jarman), who claims in this letter, written as ‘Dorothy Desana’, that ‘Ann Trent’ is her pseudonym, while in the 1971 edition of ‘The Author’s and Writer’s Who’s Who’, ‘Ann Trent’ is given as her real name, while ‘Dorothy Desana’ is one of four pseudonyms. Whatever the case, twenty-six books were published under the name ‘Davide Sernicoli’ between 1936 and 1953, with twenty more books published by her under other names.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged; folded for postage. Addressed ‘To / A. Williams Esqre.’ from ‘Edmund Yates.’ Written in purple ink. Reads ‘Dear Sir / I am much obliged to you for your politeness in forwarding me the extract from the Liverpool Mercury. / Faithfully your’s, [sic] / Edmund Yates.’

The address from which this letter is sent is said to have been 'the English home of Louis Kossuth and Garibaldi'. 1p, 12mo. On aged paper, and with strip of discoloration from glue along the inner edge, the detaching of the item from its mount having caused a little wear to a couple of words of text. Reads: ‘Dear Sir, / Northampton is the only Constituency I have represented in Parliament - I am not [last word underlined] the author of the work you allude to / Yours truly / C Gilpin’.

Part of leaf from autograph album, cut into an irregular shape. In fair condition, on lightly aged and discoloured paper, with film of dried glue from mount on blank reverse. The passage, which curiously enough does not correspondend with the printed text, reads (with three mistakes scored through): ‘Life of Napoleon III - Vol 2. / The Government, it is true, endeavoured to prevail upon Queen Hortense to request him to give his word that he would remain in America for ten years; but she replied that Prince Louis was master of his own actions & she would not endeavour to influence them.