Printed Ephemera

Curious items. Yale has the originals of these pages, in an ‘Album, formerly owned by John Murray, containing items either by Pope or related to him, 1717-1855’, described as ‘original proof of two pages from Pope's Epistles, pages 69 and 70, with the author's corrections’. Each of the present items is printed on a 28.5 x 37.5 cm leaf of wove paper. A previous owner(lord Houghton in fact) thought highly-enough of them to include them in an album, as a profession white stub adheres neatly at the left of each.

See his entry in the Oxford DNB. From the Piffard papers. Signed ‘W Sharpey’ on ticket engraved in copperplate on one side of 15 x 10.5 cm card. In fair condition, a little worn and somewhat discoloured with age, and with short vertical crease to the left of the signature. Blind-stamped with ‘Treasury Seal’. The signature is at bottom right, with number of ticket (59) and the initials of the secretary ‘’ at bottom left. Attractively laid out, with text reading ‘University College, London. / Anatomy and Physiology. / William Sharpey, MD. / Professor. / Admit Mr.

Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. From the Piffard papers. 1p, 4o. On recto of the first leaf of a bifolium. In fair condition, lightly aged and worn, with short closed tears to both leaves on fold. Folded four times.

Williamson is notable for his work on the formation of ether, and for furthering Anglo-Japanese relations by welcoming the 'Choshu Five' and later members of the Satsuma han into his home. See his entry in the Oxford DNB. From the Piffard papers. Signed ‘Alexr W. Williamson’ on ticket engraved in copperplate on one side of 15.5 x 10.5 cm card. In fair condition, a little worn and somewhat discoloured with age. Central horizontal fold. Blind-stamped with ‘Treasury Seal’. The signature is at bottom right, with number of ticket (40) and the initials of the secretary ‘’ at bottom left.

Three pieces of ephemera from a golden period of English children’s book illustration. All three items printed on shiny paper, and all worn and discoloured. ONE: ‘Hodder & Stoughton’s Christmas List’, with advertisement for Edmund Dulac’s edition of A. T. Quiller-Couch’s ‘The Sleeping Beauty’ on cover. 20pp, folio. With rusting staples. Folded once. Undated, but containing items published in 1910, apart from the cover item, which appears to have been published in 1912.

A scarce piece of naval ephemera. Six copies on COPAC: Chetham’s Library, Lambeth Palace, NLS, Oxford, Society of Antiquaries and BL. According to ESTC, the journals of the House of Lords state that it was ‘presented to the House on 17 January 1705, and ordered to be printed 5 February 1705’. In landscape on one side of a folio sheet of watermarked laid paper, folded into a two-page bifolium.

Silver gelatin negative photostatic print of two documents: 3pp, 4to (i.e. each of the three pages on 19.5 x 24 cm. leaf). The first page of Goschen’s two-page ‘Aide Mémoire’ on a separate leaf, and the second page and von Jagow’s note on different leaves of a bifolium. In good condition, lightly aged. N.B. The entire item is a photostatic copy. Reproduced at the head and down the left margin of the first page of Goschen’s text are manuscript notes in German (including at top left: A15930 pr. 4. August 1914 pm. / Von Sir E.

See his entry in the Oxford DNB. The National Portrait Gallery possesses a carte-de-visite another portrait of Manns by Negretti & Zambra, which it dates to 1898, but does not hold the present item, which is a head and shoulders shot showing a white-haired Manns, bald on top, with bushy eyebrows and walrus moustache looking to one side in dark jacket and white shirt and tie. A 10 x 14.5 cm albumen print, presented in the customary style on a grey cabinet card, with the firm?s details embossed in white at foot, and the usual photographers? details printed on the reverse.

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.

See his entry in the Oxford DNB. 1p, 4to. A lithographed document, in facsimile of an Autograph Letter Signed, on a genuine letterhead with embossed motif of First Lord of the Treasury, with mourning border. On aged paper, with the blank reverse carrying unobtrusive glue stains from previous mounting. Folded three times for postage.

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

Conyers is curiously absent from the Oxford DNB. The present item is a frail survival. It is the customary form, printed under the heading ‘Annuities, 3700 l. per Week.’ Completed in manuscript with date, amount and record of payment to ‘Sr Gerard Conyers - Asignee of ye Execr. of S. [Leshieuller? Lechienller?] & Attorney to Jno. Burkin, Esqr Assignee of ye same’. Signed at bottom right ‘Gerard Conyer[s]’ and with the signature of ‘Witness E Clarke’ at bottom left. On aged, creased and worn paper, with one hole from wear, and the last letter of Conyer’s surname worn away. See Image.

Edward Knobloch’s play ‘My Lady’s Dress’ (‘in which’, as one newspaper wrote at the time, ‘the heroine’s dream takes her to the foreign [and London] scenes surrounding the manufacture of a costly gown’) premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s.

Scarce: no other copy traced. Bifolium of laid 1856 Saunders paper. 4pp, 4to. Unpaginated. The front cover carries is headed ‘City of London Piano-Forte Manufactory.’ Beneath this are engraved the royal arms, flanked by the words ‘By Appointment / to the Queen.’ Peachey’s address is engraved beneath the arms in large letters. At the foot of the page, in red ink, are three lines relating to ‘Harmoniums.’, with the second page headed by another two lines in red. The two central pages carry much information in small type.

A set of six scarce pieces of unusual Dickensiana. Difficult to date: the nature of the illustrations (printed in negative) gives them a modernist feel, but their purpose would place them before the 1920s. The six items, printed in black on pieces of grey-white card, range in size from 12 x 16.5 cm (‘SAM WELLER.’) to 4.5 x 6 cm (‘JOB TROTTER’). In good condition, lightly aged. Four of the six have soot stains on their blank reverses, presumably caused by the hot lantern.

An interesting autograph in economic history. Newland’s entry in the Oxford DNB states that ‘His signature on Bank of England notes became so familiar that they were known as Abraham Newlands. His fame in this respect was commemorated in several popular jingles’. A good firm signature, ‘A Newland’, with that of the witness ‘R Ettie’, at the foot of printed form, completed in manuscript, paying Newland £33 15s 0d as assignee to an executor.

An interesting piece of Exeter ephemera. See ‘Besley’s Exeter Directory for 1835’: ‘LUNATIC ASYLUM, St. Thomas. Founded in 1795. The expenses are defrayed by the board of patients whose friends can afford to pay for their maintenance, and by benefactions, legacies, &c.’ (In the entry ‘John Mackintosh’ is still listed as treasurer.) 1p, landscape 12mo. Addressed by Mackintosh on reverse to ‘Mr. James Penny / Bookseller / Fore St. / Exeter’. In fair condition, on aged and lightly-creased paper, with slight staining and damage from breaking open wafer.

An attractive piece of juvenile ephemera, printed in black on one side of a piece of 23.5 x 36.5 cm wove paper. In good condition, folded twice. The document is excessively scarce, no other copy having been traced, and little has been learnt about the advertiser. In 1919 Punch carried an advertisement for ‘Punch and Judy, Conjuring, Ventriloquism, &c.’ from ‘James Portland, the Conjuror and Children’s Entertainer’. Four years later the ‘Model Engineer’ carried several advertisements from Portland as a supplier of ebonite.

A nice collection, which both by its content and arrangement indicates the huge esteem in which Nelson was held. The material is in good condition, lightly aged, most items laid down on leaves of gilt-edged paper extracted from an album. Mostly 12mo. This description is arranged under fifteen numbered entries. The manuscript material is at No. 14. ONE: Engraving. ‘Plan of a MANSION HOUSE, proposed for Lord NELSON.’ ‘Gent[leman’s]. Mag[azine]. Feb. 1799. Pt. I. p.97’. Engraved by Longmate from Arthur Brown.

A nice collection, which both by its content and arrangement indicates the huge esteem in which Nelson was held. The material is in good condition, lightly aged, most items laid down on leaves of gilt-edged paper extracted from an album. Mostly 12mo. This description is arranged under fifteen numbered entries. The manuscript material is at No. 14. ONE: Engraving. ‘Plan of a MANSION HOUSE, proposed for Lord NELSON.’ ‘Gent[leman’s]. Mag[azine]. Feb. 1799. Pt. I. p.97’. Engraved by Longmate from Arthur Brown.

See his entry in the Encylopaedia Britannica. The signature ‘Mirbel’ is written on a clear area of a circular printed device of 4.5 cm diameter, in grey tone, within decorative border. The text reads: ‘MUSEUM / D’HISTOIRE NATURELLE / AU JARDIN DU ROI / Entrée aux Jours et Heures / consacrés à l’Etude. / Prof. Admin.’ Laid down on a 7 x 7.5 cm piece of paper, on which is written, in a neat early nineteenth-century hand, ‘Mirbel the naturalist’. See image.

The parallel which Bertrand Russell showed between Marxism and Christianity is apparent in this piece of quasi-religious propaganda, which presumably emanates from the Communist Party of Great Britain. It is printed in red on one side of a 20 x 29 cm piece of shiny paper, scarcely thicker than tracing paper. Lightly aged, and with creasing and wear to extremities. The text, which translates part of a letter sent by Stalin to the Rabochaya Gazeta on the first anniversary of Stalin’s death, reads as follows: ‘Remember, love and study Lenin, our teacher and leader.

This prospectus is a scarce item: no other copy has been traced. A 4to bifolium, with four unnumbered pages printed in red. Somewhat aged and worn, with a horizontal strip of light discoloration at the head of the cover, which has the title and author’s name surrounded by a border made up of Tenniel’s illustrations, beneath this is a quotation from Dodgson’s poetry and the price of ‘7/6 net’. Across the middle two pages is the heading ‘The Centenary “Life of Lewis Carroll”’. The text begins by explaining that Reed has made use of Dodgson’s letters to Ellen Terry.

Bündchen’s career began in London in 1998. Since 2001, she has been one of the highest-paid fashion models in the world. In 2007, Forbes listed her as the sixteenth-richest woman in the entertainment industry. In 2019 Claudia Schiffer described her as the last of the supermodels. Comte’s fashion and portrait photography have appeared in a wide range of publications, primarily Italian Vogue. In 2000 he was named Photographer of the year by PHOTO magazine.

See her entry in the Oxford DNB. The programme is 8pp, 12mo. In fair condition, lightly aged, with minor rust to staples. The cover consists of the royal crest printed in red, and the rest in black: ‘ROYAL OPERA HOUSE / COVENT GARDEN’ above the crest, and ‘THE SADLER’S WELLS / BALLET / 1947’ below it. At an angle across the centre of the page, in blue ink, is the large signature ‘Margot Fonteyn’.

The National Portrait Gallery copy of this item is NPG Ax17292, and the dating to September 1863 is theirs. A 5.8 x 8.8 cm photographic print, laid down on 6.2 x 10.3 cm piece of card. On the card beneath the portrait: 'JOHN WATKINS PHOT. / Copyright Secured'. On the reverse Watkins's full address, with crest. The image is faded and indistinct, compared with the NPG copy; otherwise the item is In fair condition lightly aged. A head and shoulders shot with a sepulchral Dickens turned almost to a left profile, eyes barely open, with a clenched right hand to the side of his face.

Stapled pamphlet. 20pp, 12mo. In good condition, lightly aged and worn. Sargent’s unusual bold stylized signature, in blue pencil, almost occupies a 5 cm square. All but the top centimeter which touches the printed date at points, is written on blank space on the cover. See image.

Rather long for a carte de visite: 6 x 9 cm albumen print laid down on 6.5 x 10.5 cm card. In fair condition, lightly discoloured and worn. On the card beneath the photograph is a facsimile of Ruskin’s signature (‘John Ruskin’) and ‘ELLIOTT & FRY Copyright. 55. BAKER ST.’ Printed on the reverse is the royal crest and the firm’s address. A copy of the present item was offered by Sotheby’s in 2021, dated to 1867, with the claim that it was ‘signed on the mount’. That claim is erroneous: the signature to that copy is identical with the present lithographed one.

See Cook?s entry in the Oxford DNB. His temperance hall and hotel illustrated here, were built in 1853. The hall was demolished in the 1960s, to be replaced by a building typical of those that blight Leicester in 2011; the council gave permission for the hotel to be demolished to make way for another monstrosity. Sepia lithograph printed in landscape on 20 x 13 cm leaf of laid paper, extracted from a book or pamphlet. Attractive illustration of an imposing structure, with those that flank it, and people and coaches in the foreground.

See his entry in the Oxford DNB. The present item is a nice piece of printed ephemera relating to the man described in his Guardian obituary as ‘the dominant cartoonist of the western world’. In 1937 Goebbels had told Lord Halifax that Low’s cartoons were harming Anglo-German relations, and after the war it was revealed that his name was in the ‘black book’ of individuals to be ‘liquidated’ on German conquest of Britain. In good condition, lightly aged.Small 4to bifolium printed in brown ink on thick wove paper.