TWENTIETH

Good firm large signature in blue ink on 13.5 x 18.5 cm leaf of cream paper torn from an album. In good condition, lightly aged. Reads 'Rafael Kubelik | 25.X.37.' No other writing on either side of the leaf.

Attractive menu, printed in black and gold, on card bifolium, folding into two 8 x 17 cm. panels, partly detached. In fair condition, lightly aged and worn. Calligraphic design, with 'Pagani's' printed in gilt on the cover, and the menu itself on the recto of the second leaf, facing some calligraphic flourishes on the verso of the first leaf. The two inscriptions are both in pencil, mainly on the recto of the second leaf but with the second extending somewhat onto the facing page. The upper of the two, signed by 'A. C.

1p., 4to. In fair condition, on aged and worn paper. He apologises for his 'long silence', having been 'troubled by several things not connected with literature'. He expresses a desire to call on her 'some time later'. He has not been successful with her articles with Lord Beaverbrook, and thinks 'the most effective step to take would be to publish your novel first'. (Her first novel 'Cold Surge' was published by Hutchinson & Co. in 1929.) He has signed her copy of his novel 'The Polyglots', which he is returning separately.

1p., 4to. In good condition, lightly aged. He only met Finck on a few occasions, but offers his condolences 'as a Composer of Light Music, and as a former Director of Music at a West End Theatre (Daly's)'. In his view, Finck 'surely had no superior in the art of giving pleasure to others, not only by his personality, but also by his pen.

[1] + 6pp., folio.Two bifoliums with printed staves, stitched together. A working score, worn and aged, and with the outer leaves detached from one another. Ink blot on front page which only bears the title 'Duet | "Optimist & Pessimist" | Herman Finck'. The score is six pages long, signed at the head by Finck. Neatly written out, with a couple of notes by Finck in blue pencil. On the first page: '"You is a Pessimist" | 3 verses', and on the last: 'Encore Sym & Chorus only'. A new edition of the piece, with words by Adrian Ross, was published in London by Cavendish Music Co.

According to his obituary in the Guardian, 2003, after a long period of neglect, Prince was rediscovered b the New York School, and by the end of his life had 'come to be regarded by writers as diverse as Geoffrey Hill and the American innovator John Ashbery as one of the most significant poets of the 20th century'. 40pp. of closely-written text in a small (13.5 x 9 cm) 'Lion Brand' notebook. Stapled, in card covers. In fair condition, aged and worn.

Five letters, each 1p., 4to. In fair condition, aged and creased. ONE: Palace Theatre, 4 July 1912. In capitals. Conveying the thanks of the King and Queen to the members of the orchestra for their work at the previous night's royal performance, and adding, for Finck: 'I have already told you how much I appreciate what you did on Monday night and the splendid manner in which you conducted. The success of the performance would have been impossible without your invaluable assistance.' TWO: Garrick House, 23 March 1921.

The material is in fair condition, lightly aged and worn. ONE: Set of 16 black and white 'Leichner Make-Up Charts', each on a loose 22 x 13.5 cm piece of art paper. Complete with covering leaf. Illustration and instructions on how to prepare make-up for characters including 'Haggard Man', 'Villain', 'Stage Butler', 'Italian', 'Arab', 'Clown', 'Red Indian', 'Oriental', 'Jovial Woman' and 'Ballet'. TWO: Duplicated Typescript titled 'Casualty Faking'. 6pp., 4to.

The seven items in fair condition, on aged and worn paper. Menus, with seating plans, for the gaudys of 1906, 1914, 1920, 1921, 1925, 1927 and 1930. Six of the seven uniform in design, printed on both sides of pieces of 24 cm square paper, folded twice into a 24 x 8 cm packet. The seventh (1925) printed on both sides of a 28 x 22.5 cm piece of paper, folded three times into a 14 x 7.5 cm packet.

1p., 12mo. In fair condition, on creased and lightly-aged paper. Written in a close and difficult hand. A jokey letter: 'I also am obstinate as Marion in matters of fact. I doubt if ever she saw a bishop signing with "Arthur Bath. and Well." What she saw was "Bath. & Well." which must stand for "Bathomensis et Wellensis".' | But yet I will not be sure that there has been no iliterate [sic] bishop of Bath and WElls. At least the bishop now alive can sign his name for I have seen him do it. This is more than I can do, as you see'.

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

21 items. In good condition, lightly aged, held together with a brass stud. Deeping's eight items of correspondence - all signed 'Warwick Deeping' - total 9pp. His wife's three letters total 4pp. One of Deeping's letters is in its envelope, addressed by him to 'Miss Margaret Greenwood | 15 Horsham Road | Bexleyheath | Kent'. The copies of Greenwood's typed letters, totalling 16pp., date from between 27 July 1949 and 22 July 1950, bookending the whole correspondence. They are written on the backs of discarded typed drafts of pages from Greenwood's screenplays.

A total of 50 items, all but the three earliest of Strong's letters held together with a brass stud. The collection in good overall condition, on lightly aged and worn paper. Strong's 24 letters total 37pp., with the early letters signed 'L A G Strong' and the later ones 'Leonard', and occasional variant signatures in between ('Leonard Strong', 'LAGS'). The copies of Greenwood's 26 letters (two in autograph, the rest typed) total 32pp. An interesting correspondence, in which Strong responds with tact and patience to his inexperienced correspondent's proposals and actions.

Michael Howard's obituary of Ticehurst in The Times, 30 October 1975, describes him as 'a persuasive pioneer among those who sought to reestablish the harpsichord as a serious musical instrument'. ONE: Carbon typescript, 7pp., 4to. Headed 'Harpsichord to Australia | by John Ticehurst.' With a few minor manuscript marks. In autograph next to the title: 'April 1951/Feb 1952'. In good condition, on lightly-aged paper, with slight rust staining from paperclip.

[8]pp., 4to. Stapled pamphlet. Aged and worn, with rusting staples. Two-page 'Directors' Report', with topics including a yearly balance of £134,953 5s 3d, the death of Lord Riddell and the decision to 'rebuild the old-fashioned sections of the Company's premises in Southampton Street, Tavistock Street and Exeter Street; centrefold balance sheet; single-page 'Statement Showing Combined Assets and Liabilities of George Newnes, Limited and Subsidiary Companies'; single-page 'List of Magazines and Periodicals'; and cover page. The subsidiary companies included Country Life; W. H. & L.

[28]pp., 4to. Stapled into grey printed wraps. Illustrated with photographs; centrepage spread of matching tables giving 'Weekly Potato Shipments' from Tasmania to Sydney, in 1937 and 1956. On glossy art paper. Both prospectus and inserts in fair condition, on lightly aged and worn paper. Stamp of the Van Diemen's Land Company on front cover, with ownership inscription 'C. C. Carter'.

62pp., 12mo. In printed boards with blue printed label with red text on front cover. In fair condition, on lightly aged paper, in worn boards. The flyleaf carries twelve signatures: 'George H. Milsted' (Senior Director), 'Mervyn Horder' (Director), 'Patrick Crichton-Stuart' (Director), 'A. J Griffiths.' ('London traveller'), 'Alan Harris' ('literary adviser'),'A. G. Lewis' ('On the managerial side'), 'G P Rothwell', 'A G. Rudge', 'M. H. Pyke.', '', 'E Walton.' and ''.

The four items in their original wraps. All four in fair condition, on lightly-aged and ruckled paper, with slight evidence of damp. One: 'Report on the Survey and Settlement Operations in Assam for the Year ending the 30th September 1930'. Shillong: Printed at the Assam Government Press, 1931. 7 +18 + [2]pp., foolscap 8vo. By 'L. C. Thuillier, Lt.-Colonel, I.A., Director of Surveys, Assam', 'W. L. Scott, Director of Land Records, Assam' and 'C. K. Rhodes, Secretary to the Government of Assam, Revenue Department'. Stamp of the Bala Theological College on front wrap.

1p., 8vo. In fair condition, lightly-aged, with small pin-hole at top left and Gray's signature underlined in red pencil. He would have 'loved' to chair 'Dr. Cole's "Cantor" Lecture on 22 May, but has to 'attend at [sic] series of meetings in Ireland during the whole of that week'. He has written to Cole on the matter.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

4to, 71 pp, with one 12mo page at end. In poor condition, damp damaged and detached from green cloth covers, but with texts legible and complete. Manuscript table of contents on recto of first leaf describes nine tales in German, told by Ascher Horowitz and T.

NOTE: Autograph Note Signed. 1p., 12mo. Lightly stamped with date of receipt, 28 August 1969. In fair condition, lightly aged and creased. Reads: 'Dear Mr Rota, | I hope & believe this is one you havent got - it needs a touch of ink eraser - | Gratefully, yrs | Cyril Connolly'. At foot of page, in Rota's autograph: 'About exchanging issues of Personal Landscape [i.e. Lawrence Durrell's magazine]'. BOOK: xv + 414pp., 8vo. In good condition in like dustwrapper. Connolly has scored through his name on the title page and written beneath it in blue ink 'Cyril Connolly.'

On 3 x 9 cm piece of card, cut from the end of a letter. Reads: 'Yours sincerely | H. H. Asquith'. In poor condition, heavily creased and marked.

2pp., 12mo. In good condition, lightly aged and worn. The letterhead, printed in red and black, features the illustration of a phoenix in fire which featured on the covers of some Penguin Books publications of works by D. H. Lawrence. He begins by stating that Malcolm Kelly has sent him Bailey's letter 'with its very flattering reference to me'. He explains that he has 'always regarded the book business as a whole & not as two camps as it were, book-sellers & publishers'.

Both items are printed with elegant restraint, and  designed by Sebastian Carter (from the horse's mouth). Both are in good condition, with light signs of age and wear. The service with a horizontal central fold and the ticket with a vertical fold. The funeral service is printed in black and red on deckled-edged wove paper. The second page gives details of 'The Music' and the third 'The Order of Service', which features Michael Morpurgo, Richard Hoggart, Robert Lusty and Harry Paroissien, with Rev. Austen Williams officiating. The last page gives details of the eight musicians.

On 7 x 11 cm slip of paper, torn from the end of a letter. In fair condition, lightly aged, with minor staining to one corner. Reads, with top line slightly cropped: 'I may have more leisure. | Yours sincerely, | J. Masefield.'

42pp., 8vo. Duplicated stapled typescript, with text on rectos only. Not illustrated. Introduction by Jones, in which he explains that 'the list is arranged chronologically under the country of origin, plus special types of cards as, for example, transformation, etc. A selected bibliography has been included for those who may wish to go into these matters more extensively.' A scholarly production, with 264 entries and four-page bibliography. Aged and worn, with printed card cover (on which a playing card has been laid down as part of design) detached and chipped.

1p., 8vo. Lightly aged, and with creasing and closed tear at head. He will be pleased to autograph any copies of his book which Pettitt would like to send, and concludes: 'Are there any Rankin's in Rochford now? They are related to me'.

The seven items are in good condition, on lightly-aged paper, and total 9pp., 8vo. Three carry the Society's stamp. The correspondence concerns the production of Wood's 'History of the Royal Society of Arts' (1913). Topics include price, binding, design, layout, reviews. An eighth item is also included: a letter in the third person from 'Mr. Murray', dated 20 January 1914. This does not appear to be in the hand of either John Murray IV or John Murray V