WARDLE

Wardle worked as Kenneth Tynan’s deputy on the Observer between 1959 and 1963. Wynne-Rushton had published a play titled ‘The Gull’s Way’ in 1930, and a book on the papacy for Catholic publishers Burns, Oates and Washburne two years later. 2pp, 4to. In fair condition, folded three times, with wear and loss along one fold line of the second leaf, resulting in loss of a few words of text. Signed ‘Irving Wardle’ and addressed to ‘Dear Mr. Rushton’, identified as G. W. Wynne-Rushton by associated correspondence.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.