PLAYWRIGHT

A friend of Horace Walpole, she was described by Boswell, after a dinner with her and Dr Johnson, as ‘the beautiful, gay, and fascinating Lady Craven’. See her entry in the Oxford DNB. The three items are laid down with eight other items (see the end of this description) on pieces of paper cut down from two leaves of an album. Somewhat discoloured with age, but in fair overall condition. The recipient or recipients of the second and third letters (laid down on the same piece of paper) are not named, although the third is written to a member of her ‘fishing gentry’.

See his appreciative entry in the Oxford DNB, concluding with praise of his ‘undeniable’ achievements. 1p, 12mo. In good condition, lightly aged, with the blank reverse carrying very slight staining to one edge from glue from mount. Folded once. Neatly and firmly written, with the underlined signature with a deliberate upwards slope. Clearly sent in response to a request for an autograph. Reads: ‘ “A man dies but once, a woman twice - the first time when she marries, and then, as at the last, wondering at the thereafter.” / Lady Bountiful. / Act IV. / Arthur W. Pinero. / 23rd. February 1897.’

Long and almost universally-appreciative articles, with photographs and cartoons, reflecting the excitement and energy of the period during which Fry was, as Michael Billington writes in his entry on the playwright in the Oxford DNB, ‘a dominant figure in British drama’. Ranging from three continents, with a few articles in foreign languages (Swedish, German, French). Among the material are John Gielgud’s long statement ‘Mr. Gielgud discovers Mr. Fry’, New York Times, 5 November 1950; and Richard L. Coe, ‘ “Lady” Delights A Packed Gayety’, Washington Post, 21 March 1951.

See his entry, and that of his brother, in the Oxford DNB. The recipient Clifford Musgrave (d.1993), Borough Librarian, was instrumental in the saving and renovation of the Brighton Pavilion. Both items in good condition, lightly aged. Both written in an elegant close calligraphic hand. The first is misaddressed to ‘Mr Muspratt’, and the second to ‘Mr. Musgrave’. Both signed ‘Clifford Bax’. ONE (14 February 1945): 2pp, 16mo. Nineteen lines. Regarding the arrangements for a lecture he is going to give, he has been asked by ‘Eric’ to communicate with him about his ‘Brighton visit’.

See the recipient's entry in the Oxford DNB. Both letters signed ‘Elsa’. ONE (7 December 1951): 1p, 8vo. In fair condition, lightly aged and worn. Folded three times. Thirty-eight lines of text. She received his letter while wishing to contact him, and wonders if this is a coincidence. ‘And my wanting to write you grew out of an intense yearning to be in London again’.

See the recipient’s entry in the Oxford DNB. 1p, 12mo. Signed ‘Evelyn Lake’. In good condition, lightly aged, with minor traces of paperclip. Folded once. She enjoyed his ‘article in yesterday’s Reynolds News’, and thinks it is ‘Lovely to be able to make people laugh spontaneously.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The valediction reads ‘Yours alway faithfully / Arthur W. Pinero’, and it is written with quite a flourish: the ‘y’ of ‘faithfully’ hooks downwards in a long squiggle, exrending downwards past the right of the termination of Pinero’s signature, which rises upwards, being dotted above and below the signature’s underlining. He feels that her ‘kind letter is all the more welcome inasmuch as it gives signs’ that she is recovering from her recent illness.

See the account of his life in the entry for his father the serjeant-at-law John Humffreys Parry (1816-1880) in the Oxford DNB. Signed ‘faithfully yours / Edward Parry / April . 1930’, across the headline of a 22 x 21 cm. cutting of a newspaper article, with text in three columns, the headline reading: ‘BREACH OF PROMISE / THE LAW, THE LADY, AND SEX EQUALITY/ By His Honour SIR EDWARD PARRY’. In good condition, on browning high-acidity paper. Folded once and with one crease. Begins: ‘Marriage is not the gilt-edged security that it was. Its stock is not rising.

See his entry in the Oxford DNB. 2pp, 12mo. On brittle, discoloured paper, cropped at foot. Signed (‘J. Oxenford’). The recipient is not named, but is clearly the editor of the Athenaeum. Reads: ‘Sir/- / In the name of Mr. C. A. Feiling and myself, I beg leave to thank you for the very handsome and prominent notice of our “German Tales” which appeared in the Athenaeum of the 30th. ult. - You will confer a further obligation by letting the gentleman who wrote the article [know] how much we feel indebted to his kindness.’

See his entry in the Oxford DNB. The two items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of both of the prints. Both colour prints. ONE: 23 x 16 cm photograph, in Landscape. Slightly creased at corners. A relaxed Rosenthal, in plaid shirt, jeans and trainers, seated on the steps of a farm outhouse, with five students and Warboyes grouped around him. On the reverse: ‘Jack Rosenthal / with his students / Sally Worboyes’.

See his entry in the Oxford DNB. The three items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of each of the prints. All three in good condition. ONE and TWO: Black and white photographs, both 12 x 17 cm. ONE is in portrait, and shows Plater seated at a country table, in shirtsleeves, jeans and trainers, looking over with concentration and expressively spread hands. On back: ‘Alan Plater at my home. / Sally Worboyes’. TWO is in landscape.

Chambers is not mentioned in Dame Nellie Melba’s entry in the Oxford DNB. She met him in London in 1895, and their affair ended for unknown reasons in 1904. It is clearly the ‘notorious’ affair in whose fame Chambers ‘rejoiced to the last’, according to Somerset Maugham’s devastating assessment of the man in ‘A Writer’s Notebook’ (1946). Harry de Windt gives a markedly kinder account of Chambers in his ‘My Note-Book at Home and Abroad’ (1923). The recipient would appear to be Chambers’s agent. Regarding the content of this letter, see ‘The Theatre’, 1 November 1894: ‘Mr.

Chambers is not mentioned in Dame Nellie Melba’s entry in the Oxford DNB. She met him in London in 1895, and their affair ended for unknown reasons in 1904. It is clearly the ‘notorious’ affair in whose fame Chambers ‘rejoiced to the last’, according to Somerset Maugham’s devastating assessment of the man in ‘A Writer’s Notebook’ (1946). Harry de Windt gives a markedly kinder account of Chambers in his ‘My Note-Book at Home and Abroad’ (1923).

See Fry’s entry by Michael Billington in the Dictonary of National Biography. His brother survives as a rather shadowy figure: he was certainly alive in 1978, when Fry referred to him in the account of his family background ‘Can You Find Me / A Family History’ (OUP). In that volume Fry describes his ‘brother Leslie’ as a baby ‘growing sturdily’, noting that ‘though he was later called by his first name Charles, he was Leslie for many years to come’.

Circa 20 items, two printed, others typescript and manuscript, various formats including: a. Autograph Letter en francais Signed Jean Cocteau, 19 Dec. 1952, one page, c.20 x 30cm, to [Edward O. Marsh, translator and adapter], presumably a response to e. below, partly about translation and translators; b. Agreement, one page, folio, signed on behalf of Cocteau on 7 November 1952, on share of revenue between Marsh and Cocteau on adaptation, SIGNED by Marsh and by a representative of the Union Financière Artistique on behalf of Cocteau, appointing Dr Jan van Loewen as exclusive agent; c.

Twelve TLSs, 1-3pp. each, total 27pp., 4to. His subjects are predictable: his plays, his portraits, the contemporary theatre, performances (Brigadoon etc), actors, films, art exhibition, personal matters (eg his wife's ill heath, children), his writing activities,Popie's works (showing enthusiasm), drawing and writing activities, visitors to Glasgow (Hannan Swaffer writing articles on Scotland), portrait he did of Popie, the life of Novello (ghost-written then done in earnest by Popie), Edinburgh Festival, anecdotes, suggestions for theatrical books, insider gossip, anecdotes, etc etc.

Paper, 15 x 9cm, trimmed with minimal loss of text, some staining, text clear and legible. Pay to Lady Montfort's Bearer the sum of Eighy seven Shillings & charge the same to | Your Humble Servt. | Arthur Murphy. A bold and impressive signature. Note: A, He studied at Jesuit run Saint-Omer, France, and was a gifted student of the Latin and Greek classics. He worked as an actor in the theatre, became a barrister, a journalist and finally a (not very original) playwright. He edited Gray's Inn Journal between 1752 and 1754.

It is puzzling that Van Druten, one of the most successful British playwrights of the early 1930s, should not have an entry in the Oxford DNB. The present entertaining and informative letter is written from the A. J. C. Ranch in Coachella Valley, which Van Druten purchased with his then-lover Carter Lodge and the British actress Auriol Lee (it was named after the initals of their first names).

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

[6] + viii + 266pp, 8vo. With four-page 'Select Bibliography' and three two-page lists of errata tipped-in at the rear. In plain brown cloth, with green printed dustwrapper glued-down (by publisher) onto the endpapers by the flaps. In good condition, lightly-aged, in lightly-worn dustrapper with closed tear at rear. Inscribed on the front free endpaper: 'To | Mr. Christopher Fry, | With best compliments | from the Author, | S. n. Ray | 7.4.98'. Fry makes around fifty autograph corrections to the text, giving a list of them over the rear endpapers.

A total of 8pp of closely-typed text. In good condition. Also present are an additional four-page copy on pink paper of the first letter and its enclosure. First letter signed 'Kevin Bailey', two others signed 'Kevin B.' aq2 One letter lacks its last page and signature.

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

The two letters in fair condition, lightly aged and worn. Both with contemporary annotation at head of first page. ONE: From 13 North Crescent, and signed 'John M Morton'. 2pp, 12mo. Addressed, with a second signature, to 'J. P. Harley Esq'. Begins: 'Tho' not quite finished, you will see enough of the drift of the piece, to enable you to say whether you fancy it or not. I have written it out without amendments, which are rarely made, if you approve - I began Dainty (you remember the name?) for Mr. [Humby?], but broke down'.

Both items in good condition, lightly aged. PAMPHLET: 12pp, 8vo. Stapled in green wraps, printed on both sides of covers, and with drawing of Shaw by Hadfield, dated 1974, on front cover. Containing a few autograph emendations. Inscribed on front cover: 'To Christopher Fry, | from | Alan Hadfield, | Greetings! | Feby 1975'. A quirky and highly personal response to Shaw, combining anecdote, reminiscence and original poetry.

See the appreciative obituary of Lowbury by Christopher Hawtree, Guardian, 15 October 2007. Nineteen items, five of which are accompanied by envelopes addressed to Fry at his home The Toft, East Dean, Chichester, Sussex. The material is in good condition, lightly aged. ONE: Edward Lowbury's ten ALsS and one ACS, 1972-1989, with one undated Christmas card. A total of 17pp, 12mo.

24pp, 4to. Stapled pamphlet. Aged, and with spotting to covers, creased closed tear at foot of spine, and slight loss to bottom out corner of back cover. With one vertical fold. The cover is printed in black, with a charming cartoon by 'C. F.' in red ink of five happy birds singing and flying around with musical scores in wings, with one bird on box with conductor's baton tapping a music stand.

103pp, 8vo. Revises of the text of the play (and not the prelims) in unbound signatures. In fair condition, lightly aged. Red ink stamp at foot of pp.1 and 40: '15 APR 1954 | REVISE'. Numerous autograph emendations, nearly all minor and relating to accidentals, but with five verbal changes, of which the following two are the most significant. Printed on p.9: 'KASSEL. Well, Bella, does she seem to be in trouble? | BELLA. She says the only trouble is us who trouble ourselves.' amended in autograph to 'KASSEL. Well, Bella, where has she been/ | BELLA.

Possibly the author's first book (see below), from the Christopher Fry papers (despite the ownership inscription). 54pp, 12mo. Stapled into green printed wraps (title and words '(ALL RIGHTS RESERVED)'). Tiny ownership signature in initials ('R. G.') in top right-hand corner of title-page. No details of publication or date, other than the printers' slug at bottom left of title-page.

From the Christopher Fry papers. PLAY: [1] + 47pp, 12mo. Stapled into buff wraps printed in red, including the statement that it is the 'Friends of Canterbury Cathedral Edition'. In fair condition, lightly aged, in worn wraps, with a trace of rust to staples. This edition of the play (the first?) is uncommon: the only copies on OCLC WorldCat at the British Library and University of British Columbia. COPY LETTER: 4pp, 12mo. In good condition, lightly aged. Written out in two hands, Recipient not named. With salutation 'Dear Sir,' and valediction 'I am | Yrs truly,'.