MANUSCRIPT

1p, 12mo. In good condition, on aged paper, with patches of lighter and darker discolouration from varying exposure to sunlight. Good firm signature, enclosed in circular flourish: ‘Dr Arnost Kraus’. See image.

Information regarding this major figure in British history is not far to seek. On 11.5 x 5.5 cm panel cut from front of envelope. In fair condition, with a few traces of glue at centre and short closed tear to right-hand edge; none of this anywhere near the signature. The letter is addressed in another hand: ‘The Solicitor General / Hackwood Park / Basingstoke’, with last word deleted. Signed in the customary manner at bottom left: ‘W E Gladstone’. Basingstoke postmark in blue, and cropped frank in red. See image.

Each of the two items attributed to Wright in pencil note on reverse. Both in good condition, lightly aged. ONE: On 11 x 17.5 cm piece of paper. At head: ‘Book Plate of Morrall A[?] vox stellarum vox Dei’. At foot: ‘M. J. Morrall’. (Unlikely to be the Brooklyn architect of this name active at this time.) Up left-hand margin: ‘Mr. Edward Morrall / Mayor 1885-6’. Down right-hand margin: ‘Presented to Mr Edward Morrall Quay House Bridgnorth’. Full achievement, from crest to motto, with colours indicated. TWO: On back of 9 x 11 cm printed ‘at Home’ card.

Keys features in his son’s entry in the Oxford DNB. (John Paddy Carstairs was christened Nelson John Keys.) Three theatrical autographs - Nelson Keys, ‘G. L.’ and ‘Gordon’ - on one side of a 25 x 20.5 cm piece of card. Apparently a gift from fellow cast-members to the actress playing the ‘Spirit of Spring’ in the Arthur Wimperis sketch ‘The Queen of Hearts’, in the C. B. Cochran London Pavilion revue ‘London, Paris and New York’, which ran for 366 performances between 1920 and 1921. J. P.

For information about this brave and gallant man, who offered himself to be hanged in place of his fellow officers during the Nore Mutiny, see his entry in the Oxford DNB. The presence of these four items together may indicate a Victorian autograph dealer as the source, or perhaps a family member wishing to distribute keepsakes. Some with tantalizing fragments of surviving text. All four in good condition, some with fold lines. ONE: 14.5 x 6.5 cm. On one side: ‘[...] Ever your truly obliged and / Affectionate Friend / Edward O’Bryen’.

The context appears to be that Wynne-Rushton is supplying Aylesford with ‘inside information’ regarding the ‘shady deals’ of one Soulsby, proprietor of the Westminster Association, a travel agent’s being employed by Aylesford with regard to a pilgrimage to Rome. Lynch’s two letters and that of J. Cleeve’s all in good condition, lightly aged and each folded three times. Letter by ‘J. R.’ in fair condition, on aged paper. Lynch’s letters are both signed ‘Malachy Lynch O. Carm.’ ONE: By Lynch, 21 January [1950]. He explains: ‘I understood that the Agency had made provision already for 1,000.

For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra, and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name, but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p, 12mo. In good condition, lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ (the period of her appearance in a London Palladium production).

See Ashton’s entry in the Oxford DNB. Both items in good condition, lightly aged, with evidence of mount to blank reverse of photograph. ONE: TLS. 17 January 1922. 1p, 12mo. Folded once. Signed ‘Clemence Dane’. Addressed to G. Railton Barnard, 6 The Crescent, York. She thanks him for his ‘interesting letter’: ‘If the same question had not already crept up once or twice, I should not have thought it possible for anyone so to misunderstand Legend, but I know people do, clear as I thought I had made it.’ Barnard is ‘absolutely right’: ‘Madala Grey is head over ears in love with her husband.

See his entry in the Oxford DNB. In good condition, lightly aged, with paper from mount on reverse. Folded once. On 6 x 10 cm piece of paper, cut from conclusion of letter. Good firm signature. Reads: ‘[...] European troops / [...] quartered them. / Yours sincerely / Elphinstone’. See image.

According to the Encyclopaedia Britannica, it was de Calonne’s efforts at reform, which precipitated the crisis which let to the French Revolution. The present item is on a 31 x 22 cm piece of parchment. In good condition, lightly aged, with a couple of closed tears.

See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. The material is in good condition, lightly aged, with one leaf of poetry typescript creased. Vanson’s eight Autograph Letters Signed date from between 29 December 1983 and 12 January 1993. total 11pp, 8vo, and 2pp, 12mo. One of the letters is lacking all but the last (signed) page; the others are complete. Vanson’s Typed Letter Signed is 1p, 8vo. It is undated, but dated by Fry to 14 August (no year, but from the context written in 1992). The nine letters are all signed ‘Frederic’.

See Glaisher’s entry in the Oxford DNB. The story of Glaisher’s balloon flights is travestied in the 2019 film ‘The Aeronaut’, with his co-pilot Henry Tracey Coxwell being replaced by the fictional female character ‘Amelia Wren’. The object of the ascents, made on behalf of the British Association between 1862 and 1866, was to carry out scientific observations in such matters as the variation in temperature and humidity of the atmosphere at high elevations.

On one side of a 42 x 52 cm piece of laid paper. Folded three times. In very good condition, lightly aged. A striking item in its austere way: very neatly written out, and perhaps suitable for framing. At head: ‘No. 2. Tableau des communes qui ont cessé d’être autorisées à planter du tabac.’ At foot: ‘Toutes les communes des arrondissements de Bethune et de St. Omer qui ont cessé d’être autorisées à planter, avaient volontairement renoncé à la culture. | Arras, le 21 Juillet 1834 | Le Directeur du Dépt du Pas-de-Calais, | [signature (‘Borrage?’, ‘Barrois?’)].

Williams, who has an entry in the Oxford DNB, became a close friend of Spalding and her sister Anne after lodging with their parents during the Second World War. The present item is a transcription, made and printed out around the 1980s, of the 1961 radio programme, on one side each of 34 numbered pieces of A4 paper, loosely gathered by a black plastic spine.

Interesting artefacts of provincial Georgian connoisseurship and picture dealers. If genuine (unlikely, given the period) the paintings would be of considerable interest. Given the exchange of cash, ‘W. Hayward’ could well be a visiting picture dealer. Both memoranda in good condition, lightly aged. ONE: 1p, 8vo. Folded four times. Reads: ‘Gloster 20th. Octr. 1841 | Exchanged with Dr. Maddy the following pictures viz / Waterfall &c. - Berghem / Landscape - Hobbema / for / Landscape - K. Du Jardin / Perseus & Andromeda - S. Rosa / and / Cash - £100 / W. Hayward’. TWO: 1p, landscape 12mo.

A nice slice of London ephemera. The three items are in good condition, lightly aged. They were clearly all sent together. ONE: ALS from Westley (‘W. Westley | Hon. Sec.’) to unnamed recipient. 2pp, 12mo. In answer to an application he is sending ‘one New Programme showing Waters &c’, pointing out that not all are ‘Trout Waters’, and that ‘about 30% of the Members only take part in competitions’. He explains that they have had good (he mistakenly writes ‘few’) membership over the previous two years, ‘but at the present time there are a few members’. TWO: Printed ‘C.L.P.S.

Parker was with the Wimbledon Dons between 1945 and 1953, during which time he won three national trophies (1950, 1951 and 1953). He also rode in several World Finals. Fynn came over to Britain from Australia, and Speedway Star, 7 May 2022, contains a biographical feature, with photograph, on the occasion of his hundredth birthday. A pair of black-and-white prints, each on 14 x 9 cm glossy paper. Each with stamp of ‘BCM/SPORTS PHOTOS’ on reverse, stating ‘SPORTS PHOTOGRAPHS 6d each’.

See Michael Caine’s affectionate account of Fox in ‘The Elephant to Hollywood’ (2010), from which the anecdote at the end of this entry is taken. 1p, 4to. Addressed to ‘Dear Mr. Hindin’, signed ‘Alwyn Fox’ and headed ‘Pantomime - “Dame”.’ While the twenty lines of text are clear and complete, the item is not in the best of condition, on aged and creased on discoloured paper with closed tears to edges. The letter begins: ‘I am at present free for Dame for coming season pants. and would be glad to negotiate with you.

See Fry’s entry by Michael Billington in the Dictonary of National Biography. His brother survives as a rather shadowy figure: he was certainly alive in 1978, when Fry referred to him in the account of his family background ‘Can You Find Me / A Family History’ (OUP). In that volume Fry describes his ‘brother Leslie’ as a baby ‘growing sturdily’, noting that ‘though he was later called by his first name Charles, he was Leslie for many years to come’.

See his entry in the Oxford DNB. 1p, landscape 8vo. In good condition, folded once. Headed ‘Private & Confidential’. Reads: ‘Dear Bob, / I had a word with the V. C [presumably the Vice Chancellor of Cambridge University] this morning and am writing a letter to Sartain, which he should receive before the meeting of the G. B. on Wednesday. I hope something is done. / Yours ever / Oliver.’

1p, 12mo. On bifolium. In good condition, lightly aged. Addressed on reverse of second leaf, with minuting and broken seal in red wax, ‘To / John Sainsbury Esqre / 35 Red Lion Square’. Reads: ‘Dear Sir, / It occurs to me that I left my black cane at your house when I was with you yesterday. If so, would you give it to the bearer of this note / Yr’s thankfully / A Egerton Brydges’.

On 11 x 6 cm piece of paper cut from letter. In good condition, lightly aged. Reads: ‘Yours faithfully / Olga Novikoff.’

2pp, 12mo. Twenty-one lines of text. In good condition, lightly aged. Signed ‘Lilian Gish’. Begins: ‘Dear Miss Murchison, | I was so touched by your very sweet letter which was handed to me by the BBC just before we went on the air. / It is heartwarming to come back to England after these long and dreadful years and find that our film friends have not forgotten us.

See the entries for Beresford and Temple in the Oxford DNB (in an unfortunate omission, Ramsay - ‘The King of Kumaon’ - is not represented in that work). 3pp, 12mo. Ruckled, with second leaf laid down on a piece of card, and damage along the gutter repaired with archival tape. Twenty-nine lines of text. Signed ‘Charles Beresford’. He has received ‘a long explanatory letter from General Sir Henry Ramsey [sic] containing the explanation of a grievance by which he has lost £300 a year since 1884.

On 16 x 14 cm leaf of green paper, with rounded outer edges, torn from autograph album. In good condition, lightly aged. Reads: ‘For / John / With every good wish, / Joseph Cotten / 1949’. Above the inscription has been laid down a photograph of Cotten cut from a newspaper. See image

See his entry in the Oxford DNB. 20 x 25 cm lithograph in pink, white and black. In good condition, lightly aged. An attractive item, suitable for framing. Head and shoulders portrait of a dapper bespectacled Hall, with parted greased hair, in white tie, staring at the viewer. Across his shirt, Hall has written in green ink ‘Best Wishes / Henry Hall’. Captioned at bottom left: ‘HENRY HALL / DIRECTOR, B.B.C. DANCE ORCHESTRA’; and at bottom right: ‘Presented with “Radio Pictorial,” / No. 1, January 19, 1934’. See image.

Wardle worked as Kenneth Tynan’s deputy on the Observer between 1959 and 1963. Wynne-Rushton had published a play titled ‘The Gull’s Way’ in 1930, and a book on the papacy for Catholic publishers Burns, Oates and Washburne two years later. 2pp, 4to. In fair condition, folded three times, with wear and loss along one fold line of the second leaf, resulting in loss of a few words of text. Signed ‘Irving Wardle’ and addressed to ‘Dear Mr. Rushton’, identified as G. W. Wynne-Rushton by associated correspondence.

Six lines, in original envelope, very good condition. ‘Il Cardinale Antonelli’ presents his compliments to her, and ‘egli desidera dal [?] di prosperità’. See image.

See his entry in the Oxford DNB. The recipient is William Bernard Crow, and the work referred to in the letter is his University of London thesis, presumably written under Fritsch’s supervision. 1p, 4to. Aged and creased, with chipping to edges. Folded three times. Good firm signature at foot: ‘F. E. Fritsch’. He thanks him for the copy of his book on “Contributions to the Principles of Morphology”, which he hopes to read ‘when the present rush dies down’. He hopes he is ‘getting on well at Huddersfield’.

See his entry in the Oxford DNB. On strip of paper, roughly 10 x 3.5 cm, cut into an irregular rectangular shape. On one side is the valediction: ‘Yours very sincerely / Harry Plunket Greene’. On the other a fragment of three lines of the letter: ‘[...] I hope no [...] / started that things [...] / go on well. I am part[...]’. See image.