AUTOGRAPH

12mo, 4 pp. 40 lines. Text clear and complete. Good, on lightly-aged paper. Addressed to 'My dear Spencer'. He is sorry to have missed Childers: 'I came back early on Sat: morning fairly driven home by the weather.' Reports that 'Better reviews of the book are now appearing Athenaeum - evidently by Dilke: Tablet: Pall Mall &c.' Thinks 'Clarke will use his influence with the Times', the idea that 'King' has done so being 'entirely out of the question'.

Folio, 3 pp. Bifolium. On watermarked laid paper. Headed 'A La Gloire du Grand architecte de L'univers sous Les auspices et au Nom du Serenissime G M | Le Grand orient de france a tous les Maçons reguliers, | union force salut'. Apparently regarding relations 'Entre Nous & Les directoires

On piece of blotting-paper, 14 x 13 cm; folded horizontally to make two rectangular leaves, each 7 x 13 cm, with the signature presented in the centre of the first leaf, and with the back leaf laid down neatly on a piece of cream card, 14.5 x 17 cm, with caption at foot of card: 'ORIGINAL BLOTTING-PAPER IMPRESSION OF SIGNATURE OF EDWARD VII.' Being the result of blotting, the impression is a mirror image of the original, with the firm signature 6 cm long, with a 7.5 cm underlining.

12mo, 3 pp. Bifolium. 47 lines. Text clear and complete. On aged paper, wear and fraying to extremities. The cutting which Lawler leant him 'has helped me to trace one stage further in the wanderings of more than one vagabond Caxton'. Refers to John Winter Jones's discovery of a copy in the British Museum of the 'Quatre Derrenieres Choses', 'now more than 50 years ago [...] it has remained absolutely unique until our old friend at 15 Piccadilly [Bernard Quaritch] came upon a 2nd copy'.

On piece of blotting-paper, 13.5 cm square; folded horizontally to make a two rectangles, with the signature centred on the front leaf, and with the back leaf laid down neatly on a piece of cream card, 15 x 18 cm, with caption in ink at foot: 'ORIGINAL BLOTTING-PAPER IMPRESSION OF SIGNATURE OF GEORGE V DATED 14 . 12. 1910.' Being the result of blotting, the impression is a mirror image of the original, with the firm signature 4.5 cm long, with 6.5 cm underlining. On aged paper, with neat vertical fold line in centre, crossing the underlining half a centimetre from the right.

4to, [ii] + 71 pp, with numerous leaves of additional manuscript and typescript material loosely inserted, as well as laid down. A few cuttings and extracts from printed works, as well as a Typed Letter Signed (17 March 1937) to Halliday from Ralph M. Williams of Yale, describing himself as 'interested in securing books, manuscripts, or other documents by or about the eighteenth century poet John Dyer'. Neatly written out in pencil and pen, on watermarked wove paper, in sturdy buckram binding. Internally in excellent condition, tight and clean, in worn binding with staining to front board.

4to, 1 p. 18 lines of text. Clear and complete. Fair, on aged and lightly-stained paper. Neatly laid down on a leaf removed from an album. Lightly marked-up in red pencil by the recipient. After professing respect for Nichols's 'literary character' and his 'valuable miscellany', Glasse offers his services 'as corrector of your press for any quantity of Greek you may incidentally have occasion to publish'.

4to, 2 pp. Seventeen lines. On worn aged paper, with the cropping of one margin resulting in minor loss to a few words of text. Requesting inclusion in 'any arrangement which may be made' regarding 'a move from Halifax [Nova Scotia]' as a result of a 'late vacancy at the Navy Board'. He is writing despite having 'neither claim or pretension' to Spencer's 'goodness', but 'having received an answer not sufficient to banish hope, in an application about 3 years ago', he is induced to try again.

On rectangle removed from autograph album. In good condition. Reads 'Shura Cherkassky | 1929'.

On rectangle of pink paper, removed from autograph album. In good condition. Reads 'Wolfi Schneiderhan | 1930.'

On rectangle removed from autograph album. In good condition. Reads 'Albert Coates | 1929'.

Black and white studio photograph, postcard format (13 x 8.5 cm). On leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12 x 8 cm, captioned in bottom right-hand corner 'PHOTO | LAIRD | ABERDEEN'. Showing a kindly-looking Coborn seated in country tweeds, with spectacles in hand and paper on his knees. In addition to a facsimile in the bottom-left, the picture has Coborn's genuine dated signature across his chest: 'Charles Coborn | 28/5/29'.

On rectangle of paper, laid down on leaf removed from autograph album. In fair condition, on lightly-aged paper. Reads 'Good wishes | Anna Neagle.' With two newspaper cuttings carrying photographic portraits, one loose and one laid down to the left of the signature.

Black and white studio photograph, postcard format (14 x 9 cm). Laid down on leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12.5 x 8 cm, captioned at foot 'JOHN STUART' and, in smaller type, 'PHOTO BY | L. PROTHEROE'. Stuart's inscription, in bottom right-hand corner, reads 'Best wishes | Sincerely yours | John Stuart'. Stuart's two Hitchcock films were the director's debut 'The Pleasure Gardens' (1925), and 'Number Seventeen' (1932).

On leaf removed from autograph album, with one set of rounded corners. In good condition. Reads ' Good Morning - Bill! | With every good wish | Yours Sincerely | Peter Haddon | 1928 -'. Together with a loose newspaper cutting carrying a photographic portrait.

On piece of light-blue paper, removed from an autograph album. Firm signature. In good condition. Reads 'Robert Easton.'

One page, 12mo, good condition. From a batch of letters most of which are addressed to A. Williams of the Liverpool Mercury. I am afraid that I cannot tell you of any book on English history during the period you mention which can be recommended without reserve. / The best I know is Mr. Lappenberg's History of England, transaletd by B.Thorpe.

Two pages, 12mo, good condition, saying, "I was much obliged by your kind thought of sending me the critique - as well as taking the trouble - always a task - of copying it outIt seems to me to convey the intention of the [author?] exactly."

12mo, 1 p. Fifteen lines. Text clear and complete. Very good on lightly-aged paper. The valediction ('Yours sincerely | C. Bradlaugh') in Bradlaugh's hand, the rest in a secretary's. Addressed to 'F. Harris Esq'. Docketed by Harris: '18 or 20th of Feb. or March. Length unlimited: but more valuable short.' Bradlaugh is working on the article, but 'must not send it' before the report is presented to parliament, which Lord Derby assures him 'will be within fourteen days of the Reopening of the House'. He asks about length and deadline.

Ten notebooks, nine of them 4to and the other folio, totalling in excess of a thousand pages. Not uniform. In original worn bindings, five with marbled boards and the others in full cloth. Internally all ten volumes are sound, with their texts neatly-written, clear and complete. Numbered 2 to 18 (lacking 1, 7, and 12 to 17). The dating of the diaries is as follows. ONE ('2'): 15 May 1867 to 1 September 1868. TWO ('3'): 4 September 1868 to 19 September 1870. THREE ('4'): 20 September 1870 to 7 September 1872. 'A diary written by "Albert Smith" G.M. & G.S.

Photographs: All black and white prints. The first (21 x 15 cm) a portrait of Waller (reproduced in Baxendale, p. 26, below). The second (23 x 17 cm) a family photograph of six Edwardian individuals, three younger ones (including a woman and with Waller at centre) standing, and three older men seated. The other six (all 14 x 8.5 cm and taken at the same time) showing Waller and family outdoors: one of him rowing, and one with a smiling woman (presumably his wife). Overall condition of the photographs is fair. They are lightly-aged, with a little creasing here and there.

12mo, 3 pp. 30 lines. Text clear and complete. Fair, on aged and creased paper. He sends a 'list of pieces' which he considers 'suitable for a Short Company'. The first piece named is 'The Silver Lining (the St James's Comedy)', in which he says there are 'only 4 Men & 3 women exclusive of Helen Maltravers'.

Seven documents, all in folio, a total of fifteen pages. Texts clear and complete. Good, on aged paper, with one document with rusted staple. All are police circulars, but only the first is clearly specific to Brighton. ONE: 'Police Box System - Going-off Points'. 3 pp. Short introduction, followed by a list of points to be deleted, and their substitutes. TWO: 'No. 6 District Police Training Centre, Larceny Act, 1916'. 1 p. Table giving 'Time', 'Place', 'Manner' and 'Intent' for four offences from Sacrilege to Housebreaking with Intent.

12mo, 3 pp. On bifolium, with the printed playbill for the 'Benefit of Mr. Chas. Calvert' at the Theatre-Royal, Newcastle, on the recto of the first page (including a performance of Much Ado About Nothing, with Calvert as Benedick and Miss Fanny Alexander as Beatrice. The letter is 42 lines long. She feels that, 'with but one rehearsal', the 'Merchante's Storye will scarcely go', and suggests performing 'Nine Points, The Household Fairy, and Head of the Family' instead, considering it 'a good bill' and 'lighter works for all the company'.

Both good, on aged paper. Both docketed and with the Society's stamp. ONE: 14 October 1915. Folio, 1 p. Regarding a 'special examination in English, for Belgian refugees'. TWO: 21 October 1915. 4to, 1 p. Headed 'Examination for Belgians in the English Language'.

4to, 1 p. Thirteen lines. Text clear and complete. Good, on aged and lightly-creased paper. The letterhead features an engraving of Chaucer with a lion and eagle. Stating that 'the Pilgrims Society has no funds available' to pay for the sending of 'a representative to the Conference that you are holding with the object of preserving the Old Cottages of England', although 'individual Pilgrims might be willing to subscribe' and the Society is 'in full sympathy with your object'.

12mo, 3 pp. 28 lines. Text clear and complete. Good, on aged paper. He does not understand how they can have 'a record of a second edition [of Burns's poems] dated 1786, for the book was not published until April 1787'. He describes the two issues of the second edition ('a stinking or a skinking issue') and concludes that he will be glad to hear from them, should they 'meet with a 1786 second edition, or with a copy having the addenda incorporated in the list of subscribers, or one having Roxburgh spelled correctly'.

Printed on one side of a piece of vellum, 19 x 20 cm. With two government stamps but lacking the Archbishop's seal. Copy of grant of administration to Walsh's daughter Philis, the estate being sworn under three hundred pounds. Mention made of Walsh's two other daughters, Katharine and Margaret. Ostensibly written on behalf of the Archbishop of Canterbury by George Gostling, James Townley and Robert Dodwell, Deputy Registers.

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

The letter is of 23 lines, written on the front and back of an opened envelope with the cancelled address of 'John Wickham Flower Esq, Park Hill, Croydon'. In good condition, on aged paper. The rear of the envelope carries a good impression of a red wax seal, and the letter begins: 'My dear Sir, I had written this letter having obtained my object through my friend the York Herald and I still send it on account of the Seal which was the counter seal of Richd Neville Earl of Warwick killed at the battle of Barnet'.