SAMUEL

12mo, 3 pp. Regarding the 'assigning of an income to the Regius Professor of Medicine out of the Ewelme Charity': 'I trouble you with a line to say that I have recommended the allowance of £250 a year, and that when the revenues of the Charity shall reach £1000 a year, it shall be submitted to the Court to increase the amount to £300 or £350'. Asks if there is 'any other matter connected with my office upon which you would wish for information, before I seek a week or two's repose? (of which I have had none, not even for an hour since I came into office.)'.

Folio, 2 pp. On first leaf of bifolium, with the verso of the second leaf docketed, under the heading 'King's Warrant'. Text clear and complete. Fair, on aged paper. Headed '(Copy)', and with 'George R' in a bold hand in the top left-hand corner. Although the signature is almost certainly not in the hand of the king, the document is docketed in pencil: 'Signature of his late beloved Majesty King George III on Copy of a Warrant retained by General Saml. Townsend'.

4to, 31 pp. In original grey printed wraps, with the bookseller's ticket of Messrs. Bolster of Cork. Text clear and complete. A fair, tight copy, on aged paper. In worn red calf quarter-binding, red cloth. Neatly priced up in manuscript (the sale totalled £803 4s 6d), and ruled with red lines.

Folio, 9 pp. Unpublished. Written in landscape, with the title ('Samuel Wilberforce - DD | Bishop of Winchester | July 19th. 1873') on the first leaf and the poem on the following eight. The leaves held together with pink string. On paper watermarked 'EDWIN PARR | DULCOTE MILLS | 1861'. Text clear and complete. The commencement sets the tone of the poem, fully worthy of its subject 'Soapy Sam': 'A jennet stumbled on a grassy knoll - | And without sound or sign | Passed from Time's foremost rank a peerless Soul - | A Chief by right divine.

Around the size of a modern cheque. Fair, on lightly-aged paper. A nice item, considering Rogers' background. A printed cheque for £40 cash, written out to himself (as 'S R'). With a lattice of five lines over Rogers' signature ('Saml Rogers') indicating payment. Denominations to be paid indicated on back.

Landscape 8vo, 1 p. Text clear and complete. Fair on aged vellum. Engraving of royal crest in top left-hand corner. Printed in small type and completed in manuscript. Three witnesses, including 'Rich. Robinson' and 'Walt: Robins'. Red wax seal of head, and government stamp on blue. Brief modern notes accompanying the item state that the elder Shaw was born in 1685, the son of the headmaster of Lichfield Grammar School (Johnson's old school), who died in 1704. There is no record of anything published by the Shaws, who do not feature in BBTI.

12mo, 1 p. Fair, on aged paper folded twice. He has 'no idea where the Graphotype Company "hail from" & cannot find out', despite making enquiries.

4to, 4 pp. Bifolium. 105 lines of text. Clear and complete. Good, on lightly-aged paper. Black wax seal with impression of 'D L' adhering to reverse of second leaf, which is postmarked 'LOUGHBOROUGH | 109' and franked '1817 | Loughborough March Eight | S. Pipe Wolferston [sic] Esqr | Stotfold Hall | Tamworth | [signed] P. Gell'. Begins 'I have recd. your obliging communication of the 22d.

12mo, 31 pp. Ruled cashbook. Bound in vellum, marbled edges and endpapers, remains of clasps. Text clear and complete, internally sound and tight, on lightly-aged paper. In Stained vellum binding. 'Registration Cash Book' in large manuscript on front cover, and 'Godolphin School Collection | Commencing Xmas 1856.' on back. The first twenty-eight pages of the volume are headed 'Cash Receipts for Fees for Registration'.

The proof itself is in good condition, on lightly-aged paper, 22 x 14 cm. Dimensions of image roughly 10.5 x 7 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with wear to extremities, carrying Fisher's inscription in pencil: 'L Stocks Esqr with S Fisher's Comts'. Oval vignette, showing what appears to be a ruined Norman abbey, with stone staircase and high window, a skull, a sword, a helmet, a stork and a key in rushes on water in foreground. Possibly one of the enravings from Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

The proof itself is in good condition, on lightly-aged paper, 24 x 16 cm. Dimensions of image roughly 12 x 10 cm. Mounted on the original foxed and aged paper, 43 x 29 cm, with Fisher's inscription in pencil: 'Bantry Bay Cork. L Stocks Esqr with S Fisher's Comts'. Oval vignette, giving tasteful view from hill, with soldiers and women, down into the bay, with mountains behind. The engraving appeared in Leitch Ritchie's 'Ireland, Picturesque and Romantic' (London: Longmans, 1837-8).

4to, 3 pp. Bifolium. Twenty-two lines. Text clear and complete. Fair, on aged paper, with minor damage repaired with archival tape. Franked, with broken red wax seal and two postmarks, to 'Captain Saml Brown R.N.', at Inverleith House, Edinburgh. Despite the fact that Martin has 'given the Credit of every improvement in the Service', Napier happens to know 'that other people are deserving of more credit than him', and he wishes to 'bring forward some great names like yours' to 'the Lords & the Country' at the second reading of the Navy Officer Bill.

12mo, 3 pp. Bifolium. Forty-nine lines of text, clear and complete. Good, on lightly-aged paper. In a neat, childish hand. Begins by asking for ten pounds to be paid to the bearer, Thomas Fairfax Carlile, on Hey's account. A 'hand bill' has been 'published on the occasion - but without effect', and fifteen of his 'near neighbours' have - 'without consulting me' - subscribed ten pounds each. 'A man was apprehended - but for want of sufficient evidence he was liberated to appear before the magistrate when called for, upon penalty of 40£.

For more information relating to this influential series of concerts, see 'Pursuit: The Uncensored Memoirs of John Calder' (2001). Seven items, including two duplicates. Text of all items clear and complete. In fair condition, but with one side of a duplicate advertisement heavily sunned (see below). ONE: Typed Letter Signed ('Ian Hamilton') from Hamilton to Conn (husband of the poet Jeanne Conn), 12 February 1960. 4to, 1 p. Eighteen lines. Responding to Conn's criticisms, explaining reasons for cutting short discussion and cancelling part of the programme, and giving future plans.

8vo, 2 pp. Leaf dimensions 21 x 16.5 cm. On good wove paper. 29 lines. Text clear and complete. On the first leaf of the bifolium, with the transcription, presumably by Twining, on the recto of the second. Addressed by Parr to Twining at Devereux Court in the Strand, on the reverse of the second leaf, which carries Parr's broken seal in red wax, and a postmark. In good condition, though a little grubby. Parr's handwriting is legendarily bad (he received a flogging at Harrow because of it, and never reformed), and although the transcriber has made a game effort, there are a few lacunae.

8vo: [iv] + [70] + [i] pp. The body of the text is paginated 75-144, with the six letters numbered seven to twelve. At the end of the volume are an index to the whole work, and a title-page for Maitland's 'Twelve Letters on Fox's Acts and Monument' (Rivingtons, 1841). In original buff wraps, with white printed label on front cover. Text clear and complete, but in poor condition: worn, dogeared and lightly-stained, with loss to margins.

16mo (13.5 x 9 cm), 1 p. On recto of first leaf of bifolium. Good, on aged paper. Traces of brown paper mount adhering to reverse of second leaf. Reads 'You & the young Ladies will be welcome whenever it suits you best. After 2 oClock you will be least liable to Interruption.'

The seven signatures are each cut from a letter. They are mounted in two columns on a page of grey paper, roughly 22.5 x 27.5 cm, removed from an autograph album. In fair condition, on lightly-aged paper with occasional light spotting. At the head of the page is the word 'Horseman', with each individuals occupation in the same hand on the mount beneath his autograph. One (2.5 x 11 cm): '<...> delivery? | Yrs truly | Roderic Owen' ['Gentleman rider']. Two (5.5 x 11.5 cm): '<...> Yrs truly | Sam Darling' ['trainer']. Three (3.5 x 12 cm): '<...> Yours very sincerely | C. Morton' ['Trainer'].

12mo, 15 pp. In original green printed wraps. Disbound. Vertical fold. On aged paper with fading to wraps and slight damage to spine from disbinding. As Streatfeild explains in his two-page introductory 'Note', five of the seven poems appear here for the first time. Uncommon. COPAC lists copies at Cambridge, Edinburgh, Glasgow, Oxford and the British Library.

Letter: 12mo, 2 pp. Bifolium. Good, on aged paper, with small rust stain at head from paperclip. She is writing to Harmsworth ('President, Dr Johnson's House') to ask him to accept a copy of 'my Journal in which mention is made of my Portrait of Dr Samuel Johnson which hangs in the Garrett of Dr Samuel Johnson house this was presented by H. B. Wheatley whom I knew for many years.' On a visit to the curator of Johnson's house she was 'pleased to see the picture still hands in its original place'.

4to bifolium. The text, in small print, covers the final three pages. On aged and foxed paper. Inscribed, at the head of the title, 'from R. W. C.' The recipient was Cecil Harmsworth, who has written in pencil, beneath the inscription: 'C H | 26/ii/ 1927'. (Harmsworth was the proprietor of the Johnson house, which he had bought in 1911.) Scarce: no copy in the British Library, and the only copy on COPAC at Oxford.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

4to, 1 p. Bifolium, addressed with postmarks, penny red stamp, and remains of black wax seal, on reverse of second leaf to 'Mr Blanchard, 5 Hackney Terrace, South Hackney'. Text clear and complete. In poor condition, on aged, ruckled and stained paper. Following their 'conversation of Saturday Morning' Brewer agrees 'to purchase the Copyrights of the "City Polka's [sic] & also the Song entitled "Ever the Same" upon the following terms [...]'.

4to: 1 p. Twenty-four lines of text. On a bifolium of laid paper, and docketed on the reverse of the second leaf. Good, in faded ink on lightly-aged paper. Begins 'La france republicainne [sic] me fait perdre des renttes [sic] viageres'. She complains of the attack on her 'legitimes droits a mes biens de Corses que le roy de france garrante par un Contract', and speaks of 'droits inalterables et inprescriptible'. She asks for a 'paquet' to be passed to 'Milord Hood'.

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

12mo: [ii] + 14 pp. Unpaginated. Frontispiece of Blake's celebrated print. Internally tight on lightly-aged and grubby paper, and with the reverse of the frontispiece slightly discoloured. Staples a little rusty. In grubby white wraps. A signed presentation copy. Boldly written on the front wrap: 'Lawrence Binyon C.H. with the compliments of [signed] H. Edward Newton'. A characteristic production by the boisterous author of 'The Amenities of Book-Collecting'. At end: 'A. EDWARD NEWTON | "Oak Knoll" | Daylesford, Berwyn P.O., | Pennsylvania'.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.