MANUSCRIPT

On one side of 8 x 19 cm piece of paper, torn from the end of a document. In fair condition, lightly aged, with strip of paper from mount adhering to the reverse. Two folds. The signature 'Cavan' is between two horizontal lines. The rest of the document would appear to be in a secretarial hand, but the matter is not quite certain. It reads: '[...] | I have the Honor | to be | Sir | Your Royal Highness's | Most Obedt. Faithful | & Much Obliged | Humble Servt. | Cavan'. It is dated 'Cowes. | March 1st 1804' and addressed to 'His Royal Highness | The Duke of York'.

Both items in good condition, lightly aged. PAMPHLET: 12pp, 8vo. Stapled in green wraps, printed on both sides of covers, and with drawing of Shaw by Hadfield, dated 1974, on front cover. Containing a few autograph emendations. Inscribed on front cover: 'To Christopher Fry, | from | Alan Hadfield, | Greetings! | Feby 1975'. A quirky and highly personal response to Shaw, combining anecdote, reminiscence and original poetry.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 12mo. In good condition, lightly aged. Folded twice. He writes that he has 'received the memorial to the Postmaster General, which you have done me the honor to transmit for the joint transmission of Mr Ross & myself'. He will arrange with Ross to have the memorial 'presented on the earliest possible opportunity'.

1p, 4to. In fair condition, lightly aged, with tissue labels from mount adhering to the reverse. Folded twice. Embossed letterhead with US seal. Salutation and valediction in Page's autograph, with addition of an exclamation mark. Addressed to 'Lady Lloyd, | 26, Great Cumberland Place, | W. | Enclosure.' He has had 'two moods' about the 'touching letter' that she is enclosing, but believes that 'the best thing to do is not to send it to Berlin'.

[2] + 16pp, 8vo. In wraps on the front cover of which is printed the title-page, with a 'Note' by Wilder on the reverse. Sixteen pages of text with drop-head title: 'Churches and Ministers Considered'. In poor condition, aged and worn. Wilder's note explains his motive for writing: 'I am nearly four-score years of age - my life covering almost three generations. My opportunities for observation in city and country, North, South, East, and West, have been abundant.

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.

See the appreciative obituary of Lowbury by Christopher Hawtree, Guardian, 15 October 2007. Nineteen items, five of which are accompanied by envelopes addressed to Fry at his home The Toft, East Dean, Chichester, Sussex. The material is in good condition, lightly aged. ONE: Edward Lowbury's ten ALsS and one ACS, 1972-1989, with one undated Christmas card. A total of 17pp, 12mo.

4pp, 4to. Bifolium. Panel, a little under one-sixth of total area, missing from bottom outside corner of second leaf, with attendant loss to text, otherwise in good condition, lightly aged and worn. Folded three times. A good long letter in a neat and stylish hand, with a firm underlined signature. He begins by writing that he has that morning 'received the Petition from Belfast which I was pleased to expect from having seen in the Report of your meeting that you had done Mr Dunbar and myself the honor to entrust its presentation to us'.

Two items in the hand of George Whitley, surgeon, of Halton, Cheshire (not to be confused with his namesake the epidemiologist George Whitley (1816-1881), for whose career see Fraser Brockington, 'Public Health in the Nineteenth Century', 1965). The two items are accompanied by the front board of a volume, with the following ownership inscription and note on the pastedown: 'George Whitley, Surgeon, | St. Thomas' Hospital. | London. | Novr. 22. 1819. | NB. See in this Book a Copy of a Letter to Lady Cunliffe pr. Mr. [?] Surgeon, about an Ulcerated Leg of her House Keeper, Mrs.

4pp, 4to. Bifolium. In good condition, lightly aged. Addressed on reverse of second leaf, with small seal in red wax and postmark, to 'Revd. Charles Merivale | St John's College | Cambridge'. A long letter, with the four pages of text followed by a long postscript at the head of the first page, continuing to the last.

2pp, 4to. On two letterhead leaves with border in blue. The following endorsement printed at the foot of each leaf: 'ANNA PAVLOVA wrote after visiting the School: "It is with pleasure that I record the very good impression made on me both by the School and your method of training. I wish you the fullest success which I think your School deserves"'.

The Duke was Winston Churchill's great-great-grandfather. His library at Whiteknights Park was celebrated, and his purchase of the Valdarfer Boccaccio at the 1811 Roxburghe sale was the spur to the formation of the Roxburghe Club. Like the Duke, Cotton was a notable collector of books and autographs. He was generally considered a faintly-ridiculous figure, and condemned men were said to die 'with Cotton in their ears'. 1p, 12mo. In fair condition, lightly aged. Folded once. Reads 'Admit Dr.

Four items, in good condition, lightly aged. The three letters with date stamps of the Society of Arts, and two with pencil annotations. All three signed 'Cloudesley Brereton'. ONE: ALS of 4 January 1900. 2pp, 12mo. He thanks him for his 'kindly intervention with the Board of Education', which he believes 'will in time bear good fruit'. He has been 'thinking over' Wood's 'suggestion of giving a lecture on the Rural Schools of France', and would 'much like to take it up if you have still a vacant date & you do not want it too soon - as I am just now overwhelmed with work'.

A 10 x 3 cm slip of paper cut from a letter, bearing the beginning of the Lord's Prayer in Mongolian vertical script. Laid down on a 21.5 x 17.5 cm piece of paper extracted from an album, on which is written in pencil the caption: '"Our Father which art in Heaven" written in the Mongol language by Stallybrass - a Missionary, who resided seventeen Years at Irkousk in Siberia - about 3500 miles from St. Petersburg -'. On the reverse of the mount are entries in two hands. The first is a four-line poem ('Oh! when but of Friendship the farewell is spoken') by 'E: A: | Jany.

1p, 4to. Typescript with a couple of minor autograph corrections. Unpublished, but perhaps relating to her 1945 book 'Ariadne and the Bull'. At foot, in Farjeon's autograph: 'From E. F. | 20 Perrin's Walk | N.W.3.' In fair condition, on aged and worn paper, with nicking and loss at edges. A chatty and entertaining retelling of the story. As an example of the tone, early on Farjeon writes: 'The Minotaur was a monster with the gigantic body of a man topped by a bull's head; his father was a bull and his mother was Pasiphae, Minos's Queen.

For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given, and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913, see Musical Times, 1 February 1913, pp.113-114. Thirteen signatures of British pre-war musical figures, on ten pieces of paper, ranging from 16 x 19 cm to 7 x 13 cm, nine of them on parts leaves of various colours cut from an album. In good condition, lightly aged. In only two cases are the signatures on both sides of the paper, on the other eight the reverse is blank.

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

A nice collection of material, including five letters in which an American actor writes to a London friend while on a visit to England. The recipient of McDonough's letters is John Jabez Stocken (d.1892), head of a leading City of London firm of tobacconists, and an antiquary. (His son Frank Lacy Stocken (1867-1937) was later an actor under the name 'Frank Lacy'.) From the correspondence it is clear that McDonough stayed with Stocken during his stay in England.

4pp, 12mo. Bifolium. In fair condition, lightly aged, with pin hole to one corner. Folded once. The recipient is not named, but would appear to be a fellow member of the Women's Institute. She apologises for having been 'unable to attend the former meetings, as I am just convalescent from blood-poisoning followed by a bad nervous break down'. She will 'certainly come on Friday at 3-30.

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous raconter l'histoire de mon depart de la Comédie'.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

Card, 13 x 10cm, text on both sides, card with attractive coloured and embossed royal insignia. "Permettez-moi de vous dire combien je suis touchee de votre don genereux d'un tableau, [?] par vous-meme qhe vous verrez de m'envoyer pour l'hopital russe. | Il est bien joli et nous tacherons de le mettre au lotterie, pour augmenter les fonds de l'Hopital, dont il a besoin souvent. | Avec mes vifs remerciements [...]" See image of first side.

One page, 8vo, bifolium, good condition. From the celebrated manuscript collection of Richard Monckton Milnes (Lord Houghton). Text: "The Baroness de Feucheres presents her compliments to Mr Wesmacott, and has much pleasure in sending a Snuff Box which Capt. Manby said she might venture to offer him. She begs he will consider it merely as a souvenit [underlined] ,and by no means as an inducement for him to make any concession in his political opinions." Pinniger and Westmacott also conducted a court case involving the Baroness's large estate reported in detail in the "Annual Register", etc.

Three pages, cr. 8vo, bifolium, dusty but good condition. He requests Dr Swabey's opinion of some points of ecclesiastical law, as follows: "Can the dignitaries of a Cathedral, who are bound by their stautes to 3 months attendance there; and by the old Law obliged to retire for the remainder of the year [...] to their pastoral cures, claim exemption from all the penalties of non-residence under the protection of [......] & if he be, is it necessary for him, in order to fulfil such Cathedral residence, regularly & daily to attend the service of the Choir.

A nice piece of Edinburgh historical ephemera. See the entry on George Berry (1795-c.1874), the first man to register to vote there following the passing the Great Reform Act, in the Proceedings of the Royal Society of Edinburgh, 1874-1875, where he is described as 'an enthusiastic "Free Trader"'. 40 x 10 cm slip of laid paper, with printed form on one side, headed 'COPY of ENTRY in the REGISTER of QUALIFIED VOTERS for the CITY of EDINBURGH.' In fair condition, lightly aged and creased, with clean vertical cut unobtrusively repaired with archival tape.

16pp, 8vo, paginated 673-688. Stitched into brown wraps, with typed white label on front cover. At the head of the front cover, in manuscript: 'II | Prof C. G. Curtis | With the Authors' Compliments.' The offprint in good condition, on lightly aged paper, the brown wraps aged and chipped, with small of back wrap torn away at rear. The only other copy of this offprint on OCLC WorldCat at Durham University.

Tiller's entry in the Oxford DNB explains the background to this poem. In 1939 he 'went to Cairo to teach English literature and history at Fuad I University. During the Second World War he became closely associated with the group surrounding Personal Landscape, a review in the Middle East that had been founded and was edited by Lawrence Durrell, Robin Fedden, and Bernard Spencer'. Two items, both in good condition, lightly aged. ONE: Autograph Draft of the poem, in pencil, with numerous deletions, emendations and rubbings-out. 1p, folio.

The Times, 16 February 1860, announces 'the new drama, called A TALE OF TWO CITIES', at the Royal Lyceum Theatre, 'Sole Lessee and Directress, Madame Celeste'. ('Madame Céleste' [Céline Céleste-Elliott] (c.1815-1882) was a French dancer and actress.) 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded three times. The recipient is not named. The letter has a large signature ('Henry Betty.') with florid underlining.