MANUSCRIPT

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

An almost miraculously legible example of Parr’s normally atrocious hand. (His entry in the Oxford DNB states that ‘Parr was flogged only once at Harrow, for bad handwriting, and to no effect. His writing remained atrocious all his life, so much so that on an occasion when he wrote to ask for 'two lobsters' his friend read the words as “two eggs”.’) On one side of blank card. In envelope with indistinguishable seal in red wax, addressed by Parr to ‘Keeling Greenway Esqr / Mayor of Warwick’.

The present item is excessively scarce: there is no record of it on either OCLC WorldCat or JISC. The Staff College Drag Hunt at the Royal Military College, Sandhurst, was established in 1869 as a private pack which drag-hunted twice a week in the area surrounding Camberley, and after more than a hundred and fifty years, the hunt still rides. 1p, 12mo. Text enclosed in rules with decorative corners. In fair condition, lightly worn and spotted, with traces of stub and mounting on blank reverse. Titled: ‘The Staff College Drag Hunt Song. / By Major M.

See her entry in the Oxford DNB. An interesting letter, whose circumstances are intriguing. 3pp, 12mo. On two leaves of letterheaded paper. In pencil. From the Asquith papers, and possibly a draft letter to her son Anthony (‘Puffin’). In good condition, lightly creased. Folded once. The signature is a short squiggle. The handwriting is challenging, and the following interpretation is tentative. She begins: ‘My Darling, I felt rather guilty after leaving you about abusing yr. love of blue in yr. pictures. - I can see that nothing I say can alter yr. love of this colour, & I hate hurting yr.

See the entries on the various members of the Tree family in the Dictionary of National Biography. 4pp, 12mo. Bifolium. Thirty-eight lines of text. In good condition, lightly aged, with pin holes to corner. Folded once. Good firm signature ‘Maud Tree’. She does not want her to think that she is ‘losing sight of the Sunday Matinée’. She had to wait for Sir Oswald Stoll’s answer, ‘& it was kind, but it said regretful No’. She then wrote to Sir Alfred Butt ‘for the Palace or the Empire. His answer was also a sad No. - But now Mr. George Grossmith has offered me His Majestys or the Winter Garden.

See Hopkins’s entry in the Oxford Companion to Twentieth-Century Poetry in English. His papers are in the Harry Ransom Center of the University of Texas. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Printed on one side of a foolscap 8vo leaf. A tasteful piece of provincial printing. Worn, creased and dog-eared, with closed tears at head. Inscribed at bottom-right: ‘for Andrew Block / Kenneth Hopkins’. Titled ‘THREE SONNETS’ and signed in type ‘KENNETH HOPKINS’.

1p, 12mo. On recto of first leaf of bifolium of pink patterned paper. In good condition, lightly aged. Folded twice. The sonnet, which does not appear to have been published, begins: ‘Midst the young eyes that on this book shall shine / Kindling with genius or with feeling bright, / Lit up with all youth’s visions of delight, / There yet shall gage no dearer ones than thine!’ Signed at end ‘J E R.’ See image.

Underlined signature on 9 x 1.5 cm piece of wove paper, apparently cut from letter. In good condition. Reads ‘Joan Sutherland.’ Reverse blank. See image

The present autographs were taken within a few years of the quartet’s formation in 1931. Accompanying the item is an 11 x 9 cm newspaper cutting of a photograph of the youthful members of ‘THE FAMOUS GRILLER QUARTET - often heard over the wireless - which created a very favourable impression last night at the first concert for the season of the Aberdeen Chamber Music Club.’ The autographs are on one side of a 16 x 11 cm leaf with rounded edges, extracted from an autograph album. The signatures are one above the other, with Sidney Griller’s large and bold.

An excellent bold and sprawling signature ‘Heather Thatcher’ at the end of a carbon typescript of a 1920s article from an unascertained source, with a few minor corrections in pencil. 3pp, 4to. Fifty-nine lines of text, on three leaves attached with a slightly rusty paperclip. In fair condition, lightly aged and creased. Begins: ‘ “Luckily, fashion for this autumn and winter are going to be varied; so every woman will be able to find something to suit her own particular type,” said lovely Heather Thatcher when she was showing me some of her new autumn dresses.

See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. In good condition, lightly aged. Folded once. Eighteen lines of text. Begins: ‘Mr H Gastineau presents his compliments to Miss Nelson and in consequence of having received her address from Miss Stringer relative to a wish to receive some instruction from him, he writes’, giving details of when he would be able ‘to give a lesson at Windham Place’, were he to ‘receive a line to say that such an arrangement’ was desirable, after which ‘future appointments can be made’.

See his entry in the Oxford DNB. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 1p, 12mo. In fair condition, lightly aged. Signed ‘A N L Munby’ and addressed to ‘Dear Block’. Folded twice. He is sending ‘the volume of playbills, all Lyceum ballad-operas’, which he estimates comprises fifty-eight in total. ‘Send me along whatever they are worth to you.’

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of Stevenson's interview with Freeman, broadcast in the groundbreaking BBC television series 'Face to Face' on 22 July 1959. The single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in pencil and green ink. 2pp, foolscap 8vo, on two leaves.

See the entries for Long, Forbes and Burgess in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with traces of tape from mount along one edge. Signed ‘Edwin Long’. Begins: ‘Dear Sir Richard / I have just had a chat about your kind enquiry with my friend Burgess, who knows everybody’. While Burgess ‘says Stanhope Forbes is the best man coming on & that he has painted some very good portraits’, from what Long himself remembers of his work, it seems ‘very black’. He concludes: ‘Why not give it to Burgess? he is painting capitally just now & I know he would be very pleased.’

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with Harding, broadcast in the groundbreaking BBC television series 'Face to Face' on 18 September 1960, a few weeks before Harding’s death on 16 November 1960. Harding’s entry in the Oxford DNB states that, ‘in radio programmes such as The Brains Trust and Twenty Questions, and on television in What's my Line?, Harding became a great popular figure, especially of television in which he was probably the best-known performer in the country.

See her entry in the Oxford DNB. 2pp, 12mo. On bifolium. In fair condition, but with slight loss to inner upper corner, caused by removal from mount, and resulting in loss to two words on second page, and closed tear at bottom of gutter. Folded once. Signed ‘Hesba Stretton.’ Begins: ‘My dear Henrietta / It was too cold to get over to see you this morning; but as we hope to be so near to you for sme days that signifies less.’ She asks if the recipient’s maid can ‘kindly take the rooms’, as ‘we’ (i.e.

See her entry in the Oxford DNB. Clearly written in response to a request for an autograph. On 11.5 x 5.5 piece of wove paper, cut from an album. In good condition. Reads: ‘Yours very truly / Ada Ellen Bayly / “Edna Lyall.” ’.

For information on Littler see the entry in the Oxford DNB of his brother Prince Frank Littler (1901-1973), who did not share Emile’s ‘affection for plays or players individually’. Also see Macqueen-Pope’s entry in the same work. The three items in fair condition, lightly aged and creased. Both signed ‘Emile’. ONE: TLS of 15 November 1957. 1p, 4to. Reads: ‘My dear Popie, / You know about everything in the Theatre, and I am wondering if you could tell me how many London pantomimes Julian Wylie did, either by himself or as the Wylie-Tate organisation.

Publishing history does not get more vivid than this. See Flower’s obituary in The Times, and Wells’s in the New York Times. The three items in good condition, lightly aged. All three folded once and signed ‘Newman Flower’. First TLS (3 January 1928): 1p, 12mo. He writes that although ‘a very apologetic letter from Mr. Wells of Harpers’ has ‘cleared the air entirely’, ‘a reply from Holt’ received at the same time is not very satisfactory’, and ‘in view of the fact that Cassell’s and Harpers will be coming together again, it would, perhaps, be as well not to do anything at present’.

Hook’s entry in the Oxford DNB descibes his novel ‘Gilbert Gurney’ (1836) and its sequel ‘Gurney Married’ (1838) as made up of ‘thinly disguised portraits and a string of anecdotes from real life’. 1p, 12mo. On bifolium. In good condition, folded twice. On wove paper with C. Ansell watermark of 1834. The signature ‘Theo E Hook’ does indeed have a strange ‘hook’ on the end of it, which has led to a pencil note on the blank second leaf: ‘try Thos. E. Boot / Booth / author of “Gilbert Gurney”’.

On 9 x 13.5 cm newspaper cutting of photographic portrait of Jarred. In good condition, lightly aged. Reads: ‘Mary Jarred / 1935.’ The photograph shows Jarred posing in a black dress and pearls, with left hand arranging her white fur coat to tastefully emphasize her bust. See image.

On 17.5 x 11.5 cm leaf of pink paper, with rounded edges, removed from autograph album. In good condition, lightly aged. Written in a large, expansive hand, diagonally and upwards. Reads: ‘With all / good wishes / Oda Slobodskaya’. See image.

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 1p, 4to. In poor condition, aged and worn. Folded three times.

See Nicolas Barker’s obituary of Bondy in the Independent, 27 June 1993. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. An evocative piece of booktrade and London local government ephemera. 2pp, 8vo. Printed on a leaf of shiny art paper. Worn and creased; folded twice. On one side ‘L. W.

See Nicolas Barker’s typically-elegant obituary of Williamson in the Independent. 2pp, 4to. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. On aged and worn paper; folded three times. Signed ‘Hugh Williamson:’ and addressed to ‘Mr Block’. Thirty-one lines in a close, calligraphic hand.

See the entries for Warner and Macqueen-Pope in the Oxford DNB. Such was the popularity of Warner’s portrayal of George Dixon, that the Queen told him it had become part of ‘the British way of life’, and he was carried to his grave by six real officers from Paddington Green Police Station. LETTER: 1p, 4to. Folded twice. In good condition, lightly aged. Signature ‘Jack.’ and salutation to ‘My dear Popie’ in Warner’s hand; the rest typed. Letterhead with his name. He is sending ‘the long promised photos’, delayed because he ‘had to get some new prints of the “pipe” one.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. Lightly aged and worn. Folded four times. Signed ‘Jesse Collings’. Addressed to ‘Messrs Smith & Kitching / Hon. Secs. Political Committee / Chelsea / London’. Minuted in pencil on reverse of second leaf: ‘Acknowledgment of Copy of our Resolution’. He has been ‘so much over-pressed with correspondence and other work’, hence the delay in replying. He asks them to ‘convey my best thanks to your Committee for the Resolution they have passed, and copy of which you enclosed’.

See his entry in the Oxford DNB. In good condition, lightly aged. In the following transcript, the parts in Masefield’s autograph are in square brackets, and the first printed sentence (‘I [...] letter.’) has been scored through: ‘PINBURY PARK, / CIRENCESTER. / Dear [Sirs,] / I thank you for you letter. / [I shall be obliged if you will send me No 98 of your list / Du Maurier. Trilby / London, 1895.] / With all good wishes, / Yours sincerely, / John Masefield.’ (Note that this ‘signature’ is printed.) See image.

1p, 12mo. In fair condition, on lightly-aged paper, with rust stain from paperclip to one margin. The letterhead consists of a stylized vertical arrangement of the letters in the name ‘JOY’ at top left. The ‘signature’ is an extremely good facsimile in black ink.

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Both addressed to ‘Dear Mr. Block’. LETTER: 1p, 12mo. In fair condition, lightly aged. Folded twice. Signed ‘Helen D. Willard’. She is hoping to be able to see him in London the following month. ‘I called in you [sic] briefly last year, then got swept up into many activities that kept me from returning to browse.’ She has a very pleasant memory of their conversation.