Autograph Letters

16mo, 2 pp. On first leaf of bifolium. Mourning border. She has just received his letter, 'forwarded through Mr Fisher Unwin'. 'I am not "Lucas Malet" - but I am forwarding the letter to her. She is my sister - | Mrs. William Harrison | Clovelly Rectory | Bideford | North Devon'.

12mo, 4 pp. Bifolium. Watermarked 'TOWGOOD'S | SUPER FINE | 1859'. Eighty-seven lines of text. Text clear and complete on aged and grubby paper. With little hope of influencing the editor of Punch, the author feels compelled to 'write and tell you what I and many others think about your Publication and the malignant spite you display towards individuals who happen to incur your wrath'. This 'malignity', he feels, 'must be derived from that murderous old ruffian from whom your publication takes its name, and which alone prevents it being an influential publication.

12mo, 3 pp. Bifolium. Good, on lightly-aged paper. Attractive red letterhead, in the Arts and Crafts style. The writings she referred to in a previous letter have not come. 'You probably forgot to enclose them. I expect to read some of the papers in the days when I look in the P[all]. M[all]. G[azette].' He asks her to give him 'an idea of what the publisher proposes to spend on the illustrations, and also the size of them, and the style - pen & ink, or "wash".' He has heard news of her 'from Welsh, Ethel Johnson's husband, who is with me at the Haymarket'.

4to, 1 p. Sixteen lines of text. Clear and complete. Neatly written in copperplate. On lightly-aged and creased paper, with one 4 cm vertical closed tear (through one word) along fold. He will be 'in town [i.e. London] for a few days next week and will be accompanied by Mr. Keddie, Editor of the "Scottish Guardian", an ardent lover of Botany & Botanists'. Asks if Ward can 'chalk out an excursion' for them, '& perhaps accompany us, to some place like Cobham [regularly visited by Ward], where we would see English Scenery, and gather good English plants'.

12mo, 1 p. Fair, on aged and lightly-creased paper. Blank second leaf of bifolium bearing traces of previous mount. He is obligedfor the 'kind invitation to meet Maeterlinck. It will give me great pleasure to lunch with you at the National Liberal Club on Tuesday at 12.30.'

12mo, 3 pp. Bifolium. Fair, on aged and lightly-creased paper. He would have answered Sedgwick's letter punctually, had he been able to help him. 'But I have not only no notes for the Walton Convalescent Institution of my own available, but I have been (before your application) desirous of obtaining one for a young man known to me personally, and have not (as yet) succeeded in the object.' He hopes to send him 'a letter about hymns in the course of this autumn'. [Palmer edited a selection.]

12mo, 2 pp. On first leaf of a bifolium. Text clear and complete. On slightly grubby, aged and lightly-creased paper. As they are '[i]n the midst of the Elections, which we shall not finally get rid of till, perhaps, the middle of December', he is 'quite unable' to do as Price wishes. 'I could not condense what ought to be condensed, without a good deal of reference & reading taking time - which is scarcest of articles with me, at the moment'. The subject of recent biographies by J. N. Greaves ('The Last of the Railway Kings', 2008) and D. J.

On a piece of card roughly 9 x 11.5 cm. With embossed government crest of the Board of Education in the top left-hand corner. In fair condition, lightly-aged and with small triangular areas of discoloration to two opposing corners caused by previous mounting. Good bold signature, presumably sent in response to a request for an autograph. Reads '[signed] Walter Runciman. | 6 March | 1911.'

Novelist (1847-1929). She is obviously writing to an editor of a periodical saying: "The terms are lower than I get elsewhere, but as you ask me to write on a subject for which I am desirous of the widest possible audience I will write you an essay of 4,000 to 4,200 words for your October number; that is, you shall have it on Sept.6." Her postscript: "I seldom find it necessary to type my manuscript".

Author. She discusses work in progress (the County Book Sussex), past work (on Lincoln), Lewis's writings and activities, the effects of the War, and life in Ditchling, especially her "new-old cottage". In the final letter there is a postscript: "Yes, Edward Johnston is a loss - he wrote the best book there is on Lettering & was a real master-craftsman in his own line". [Johnston had followed his pupil , Eric Gill, to Ditchling.] Six items,

Novelist. 4pp., 8vo and 4to, edges sl. fire and water damaged, no significant loss. She responds to an invitation to give a talk. She likes the suggested theme of Mistakes many of us Novelists make". She then gives thanks for hospitality at talk. Three items,

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

12mo, 1 p. In a bifolium, addressed and docketed on the reverse of the second leaf, to which the red wax seal adheres, in good condition with a clear impression of Agar-Ellis's monogram. Fair, on aged and grubby paper. If Jerdan has 'quite done' with Agar-Ellis's copy of 'G<?>'s improvements of London' asks if he will allow Agar-Ellis's 'messanger' to return it. 'If however you still wish to keep it, pray do.' Agar-Ellis has 'promised to lend it to Sir H Halford'.

On one side of a piece of wove paper, roughly 5 x 18.5 cm, cut from letter by an autograph collector. Aged, and with staining from the glue used in mounting. Reads '<...> upon it. | I hope you are quite recovered. | Yours trly | James Wilson'.

A piece of laid paper, roughly 8 x 20 cm, cut from a document by an autograph collector. Yorke's signature, large (4.5 x 7 cm) and bold, is in the bottom right-hand corner. The surviving text is in a secretary's hand, and reads: '<...> of Our Reign. | By His Majesty's Command. | C Yorke | Our Trusty and Wellbeloved William Gordon Esqr General in Our Army & Col of Our 71st (Highland) Regiment of Foot or to the Officer appointed by him to raise Men for Our said Regiment'.

Cut from an envelope into a 'T' shape, with the front panel bearing the address and signature roughly 8.5 x 22.5 cm, forming the cross stroke, and the area from the back of the letter bearing the seal, cut into a roughly 6.5 x 5.5 cm rectangle, hanging down from this like the vertical stroke of the letter. Good, on lightly aged and creased paper. Reads 'To the Right Honorable, | Sir Stafford Northcote, Bart | Secretary of State for India | London | J Lawrence'. The circular red wax seal is 3.5 cm in diameter.

12mo, 3 pp. Good, on lightly-aged paper, with a little damage to the four corners of the second leaf caused by removal from mount. Thirty-five lines of text. Clear and complete. He has been afforded 'very great satisfaction' by the announcement that the Hospital 'is now so nearly completed' that it will 'a few weeks hence be delivered into the possession and management of the Governors'. It is a 'new, capacious and very necessary addition to our metropolitan Hospitals'.

On a piece of paper, 2 x 8 cm, cut from a letter. Neatly laid down on a piece of paper, 4 x 9 cm. Good, on aged paper. The signature reads 'Maurice OConnell'. In a contemporary hand, on the mount, 'Maurice O'Connell. MP. | (nephew of King Dan)'. According to the Oxford DNB, Daniel O'Connell ('The Liberator') was a cousin of Maurice's father Sir Maurice Charles Philip O'Connell (1768-1848).

16mo, 1 p. In a bifolium. Seven lines. Clear and complete. Good, on lightly-aged paper. In stamped, addressed envelope. Asks if Chittenden will 'come to luncheon' on one of the two following days, as Sidgwick 'hardly saw' her on the previous day.

8vo bifolium (leaf dimensions 30 x 18 cm): 4 pp. Fair, on aged paper with slight wear to extremities, and minor damage to the area around the breaking of the black wax seal, which adheres, with a clear impression of a crest, to the reverse of the second leaf. Damage to a couple of words: otherwise text clear and complete. Circular 'F' postmark in red ink. Docketed. An impassioned, anguished letter, long and unguarded, and unusual in the valuable light it casts on the state of West Indian colonial affairs.

12mo bifolium: 2 pp. Text clear and complete. On aged, spotted and lightly-creased paper. Relates to the Lancaster landmark the Storey Institute, designed by Paley and his partner Hubert James Austin (1841-1915) for Sir Thomas Storey, built on the site of the old Mechanics' Institute, and opened in 1891. It now houses the Storey Art Gallery. Paley states that his firm 'will put the work in hand for the completion of niche of the Storey Institute & when this is finished in, say, a month we shall be glad to have the marble group down'.

One page, 8vo, 10 lines including bold signature. Not translated. Scan on request.

On upper half of a piece of quarto paper, unevenly torn to make a piece roughly 11 x 18.5 cm. Fair: on aged paper. Part of address from previous letter to 'W. Jerdan <...> | 267 Strand <...>' on reverse, which is docketed 'Procter | Miss Proby | Cornwalls poems'. Reads 'I inclose you a note left here for you | George says he will review the book for you next week - in the meantime give a flourish in your notice - 'The time does not admit of doing just to the vol. &c &c We are all a Party in this success -'.

12mo: 1 p. Twenty-one lines. Clear and complete. Fair: on lightly-aged and ruckled paper. He 'turned up at the Executive this afternoon rather in the hope of seeing you than in the expectation of being useful'. He had 'intended amongst other things supporting a meeting of the Committee sometime next week'. He is 'only just emerging from the influenza you gave me last time, which proved of a rather virulent order!' He has 'a visitor in the house & must consult the home arrangements'. 'The absence of Fred Byles (on holiday) ties me somwhat more closely than usual.

12mo: 1 p. On the recto of the first leaf of a bifolium, with the address, with postmark, on the reverse of the second. On brittle, aged paper. The letter has been neatly folded three times, and there are a few closed tears along the crease lines, including one through the initial 'N' of the signature. Wiseman thanks Castermann for the copy he has sent of 'votre nouvelle édition en Français de "Fabiola". Not only is the 'execution typographique de l'ouvrage' deserving of his praise, but also the translation, which leaves nothing to be desired.

Circa 70 pages, folio, 12 staves to a full page. The complete string parts with the firsdt claribet, first and second bassoon and double bassoon parts ("Fagots"). Printed entry from auction catalogue (prob. Sotheby's) on wrapping, 28 October 1974 (item 99). Although unsuccessful in the theater, Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936, in advance of its stage première." (Wikipedia).

Director of the Topographical Department at the War Office (1836-1905)(see DNB). Two pages, 8vo, fold marks but good condition. "I send you today the remainder of the plans you left with me; and a translation of the letter press on those of the environs of Vienna. The plans of the defences of Vienna during the war of /66 are very interesting and I should be glad to have them for the Topo: if you will present them to the Dept: after you have finished with them.

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

12mo, 3 pp. Bifolium. Twenty-eight lines. Text clear and complete. Good, on lightly-aged paper, with evidence of previous mount on reverse of second leaf. Certainly genuine, and of interest as bearing a variant spelling of Aytoun's name in a signature written from his home a few months before his death. (The spelling 'Edmondstoun de Aytoun' is not noted in Aytoun's entry in the Oxford DNB.) In the latter part of the letter Aytoun comments on his poetic practice. He is 'much flattered' by Simpson's 'selection of my poem for a public reading', and is 'glad to hear that it was appreciated'.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.