Autograph Letters

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

9 x 14 cm. Backed on piece of card, and hence with the details of the addressees obscured. Fair, on aged paper with central vertical crease. Sending 'Compliments au père et à la mère. Bon veux pour le nouveau né!' Written while waiting for trial, following Déroulède's re-arrest for treason. He was found guilty and banished for ten years. His funeral procession in Paris attracted a larger crowd than any since Victor Hugo.

One page, 12mo (ish), poor condition, some reinforcement of edges, text by an eccentric typewriter faint but readable, minor corrections by Mannin's pen. I didn't know VENETIAN BLINDS was out of print. I will ask Jarrolds about this. Most of my books were blitzed in 1940 and the typed [Typescripts?] competely destrpoyed. I am getting them reprinted gradually, but had evidently overlooked V.B. | I too think RED ROSE is a good picture of poor old Emma - in fact I know[underlined] it is. But in my own view my last novel THE DARK FOREST is my best book, and I don't think I shall do better.

A total of twelve 12mo pages and two 4to pages. All texts clear and complete. Good, on lightly-aged paper. The first letter addressed to 'Mrs Norbury', and the others to 'Grace'. After a first letter of 1948, in which he complains that he is 'becoming more & more a home dweller', the correspondence continues in 1951, with Keith thanking Mrs Norbury for a gift of sugar ('Its arrival made my housekeeper Miss Holman quite elated'), and sending Lionel Norbury encouragement on his Hunterian Oration ('My heart goes out to the Orator & to his Better Half').

12mo, 2 pp. Bifolium, with the reverse of the second leaf carrying the address ('J. Sykes Esqr: | 22 Arundel Street | Strand', with two postmarks and docketing by Sykes. Nineteen lines. Text clear and complete. On aged paper, with wear to second leaf. Sykes 'will not be surprized to hear' that on the previous day 'Poor Georgina [...] paid the Great Debt'. Colpoys has arranged for her funeral to be 'conducted - in a Decent Private manner', and for her to be buried 'in the Parish of Kensington where she Died - Mr.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

12mo, 2 pp. Bifolium, addressed on reverse of second leaf. Fair, on aged paper. He does not think he received 'Part II of Collectanea Topog. & Geneal.' 'As I believe that receipts are taken on delivery of that Work be so good as to send me any memorandum of the fact - if you do not possess it perhaps the Part may not have been left at my House'. Docketed, with details of the receipt, at head of first page.

12mo, 1 p. Fair, on lightly-aged paper, with minor traces of mount on blank reverse. He only has 'time for a single line before Post'. He is adopting the recipient's 'suggestion of putting my name among the Vicars | "47. John Raine. Presented November 1834', and is sending copy. The note concerns an entry on Raine in the following: 'Reports and Papers Read at the Meetings of the Architectural Societies of the Counties of Lincoln and Nottingham, County of York, Archdeaconries of Northampton and Oakham, County of Bedford, Diocese of Worcester, and County of Leicester', Vol. 15 (1879).

4to, 1 p. In bifolium, addressed on reverse of second leaf with circular 'RUSHYFORD' postmark in black ink. On aged and creased paper, with traces of mount adhering on second leaf. Giving details of the 'allowance to the Trade', which he admits is 'small', for volumes in large and small paper. 'Only 500 Copies being printed it is not worth my while to push the sale by a large allowance'.

On piece of laid paper, 5.5 x 8 cm. Clear signature on lightly-aged and spotted paper. From the collection of James C. Webster, Secretary, Athenaeum Club, London, who has written, above the signature, 'Royal Society of L<...>', and beneath it, 'Sir Philip Francis | author of "Junius"'.

Folio, 1 p. Good, on lightly-aged paper. Removed from an album, and with docketing on second leaf slightly obsucred by thin strip of paper in margin. Written while Huskisson was Secretary to the Treasury, and requiring Sweetland to provide to the Lords Commissioners 'an account of the Revenues of Gibraltar for the last three Years distinguishing the amount under each head of Revenue and also a Statement fo all Payments charged upon the said Revenue'. Despite his achievements, Huskisson is now best-remembered as the first railway fatality.

12mo, 3 pp. Bifolium. 28 lines. Text clear and complete. Good, on lightly-aged paper, with a trace of the mount adhering to the reverse of the second leaf, which is docketed by the recipient. The letter concerns her 'favourite old Clock', about which she expresses anxiety: 'the Man you now send to wind up the Clock is, I dare say, very clever in his Business, but as he almost constantly leaves it with somethig not right in Motion, striking &c I must therefore think that he is not accustomed to direct all the movements of such a Clock'.

4to, 1 p. Eleven lines. Text clear and complete. Good, on lightly-aged paper. He thanks him for having 'appriz'd' him 'of the proposed enclosure of Tooting Common, to which I am equally hostile with the Rector, & the other principal Gentlemen who have express'd their determination to oppose the Measure'. Lady Coventry joins him in sending 'kind remembrances' to Mrs Harrison and her family. The franked envelope is a sheet of folded paper, bearing Coventry's red wax armorial seal in good condition, and postmark. It is addressed 'Pershore Octr. Seventeen | 1817 | Thomas Harrison Esqr.

12mo, 2 pp, the autograph being on one side and Rickman's on the other. Fair, on aged paper, with traces of previous mounting on one side. Large bold signature 'J: Wolcot' with biographical note on one side, and the note, signed 'Clio Rickman', on the other: Written by the celebrated Peter Pindar, when entirely blind, on my calling on him the 3d of July 1809 my boy with me'.

12mo, 1 p. Six lines. Text clear and complete. Good, on lightly-aged paper. Suggests a couple of alternative days on which he 'will be at liberty to give Sir W. J. Newton a sitting'.

4to, 1 p. 14 lines. Text clear, apart from damage to two words caused by the breaking open of the wafer. Fair, on lightly-aged paper, with traces of previous mount adhering to the reverse. Her recipient has corrected 'a personal defect' in one of Trimmer's books, calling for a 'trifling' alteration. She will make the alteration when a new edition is called for. 'I am happy to find any of my Books are now in the excellent institution in which you perform so important an office'.

4to, 1 p. 19 lines. Text clear and complete. On aged and lightly creased paper, with strip of sunning to left-hand margin. Neat signature: 'Nicolas Bentley'. The film and television rights to the book were all 'bought some years ago by Herbert Wilcox, who, as I understand it, still owns them'. Bentley has reports the opinion of 'Messrs A. P. Watt, my late father's agent', on the question of the radio rights. 'I control the stage rights', Bentley states, giving the conditions on which he would agree to a stage adaptation.

4to, 4 pp. 43 typed lines, and two-line manuscript postscript. Signed in pencil 'Sincerely | Dollie & Troy.', with the name of the troupe typed over this. Text clear and complete on discoloured and creased paper. Chatty and humorous letter. 'By the time you read this letter we will have either left a terrible stench in the Theatre or else the Manager will be satisfied. [...] JANUARY 11, FLASH!!!!

Both items on 'Bebe' letterheads, and both with signature 'Bebe' incorporating a drawing of a stick figure with hat. Letter One: 12mo, 1 p. Twelve lines. Good, on lightly-aged paper. With addressed envelope. She is sorry they missed one another 'at the station, especially after all the trouble you went through to get there'. Gives news of show: 'Boy, it will be good to get back to town again. | I have enjoyed the tour but as you know travelling nowadays isn't what it used to be, by a long shot.' Letter Two: 8vo, 1 p. 21 lines.

12mo, 2 pp. 19 lines of text. Clear and complete. Fair, on lightly-aged paper. Begins 'Just a line to tell you we miss you like mad & hope you are well & happy. Praises a 'dinner at Mary's'. They hope to call on Colleano when passing through London on 'Sunday Nite'. Ends 'Well honey, keep us in mind & we will see you soon - Our very best to Bonar Jr. [Colleano's son the film actor Bonar Colleano]' Postscript 'Billy sends his best'. Coogan was married to Ann McCormack, his third wife, from 1946 to 1951. From the Colleano Family archive.

4to, 4 pp. Bifolium. 105 lines of text. Clear and complete. Good, on lightly-aged paper. Black wax seal with impression of 'D L' adhering to reverse of second leaf, which is postmarked 'LOUGHBOROUGH | 109' and franked '1817 | Loughborough March Eight | S. Pipe Wolferston [sic] Esqr | Stotfold Hall | Tamworth | [signed] P. Gell'. Begins 'I have recd. your obliging communication of the 22d.

On slip, 5 x 9.5 cm, cut from the head of a letter. Fair, on lightly-discoloured grey paper. The reverse reads '14 Hyde Park Terrace | 4 Aug 1868 | Sir | I regret that my engagements at the end of September & the beginning <...>', and the reverse reads 'the promotion of Social Service | I am your obedient | [signed] Romilly'.

4to, 3 pp. In a bifolium. 52 lines of neatly-written text. Clear and complete. Very good on lightly-aged and creased paper. Part of the second leaf has been cut away on the breaking open of the letter, and is now under the seal, with no loss of text. The seal is cracked, with a light imprint of Boucher's monogram beneath a jester's head. The letter concerns the enclosure of the Langtoft Estate and 'Mr. Bankes', who 'never had any Legal Right to interfere in the Business'.

4to, 3 pp. Bifolium. Very good on lightly-aged paper. Minimal damage has been caused to the second leaf (affecting two or three unimportant words of text) by the breaking of the red wax seal. Addressed by Guthrie 'To Charles Sharpe of Hoddam Esqr [Hoddam Castle] | Provenance Grand Master for Dumfries Shire'. Small circular red ink postmark. Docketed. Guthrie's letter, in a secretarial hand but signed and with an initialed postscript by him, covers the two centre pages. He writes that 'a great proportion' of the lodges are in arrears, 'some of them 20 years and upwards'.

Two pages, 4to, some damage at fold mark, but text clear and complete. The writer identifies the author as Rawdon Brown, "resident at Venice", whose "Translation of the 'Despatches of Sebastian Giustinian" had been reviewed in "The Athenaeum". Brown takes exception to the conclduing sentence, refers to a passage in his own book and outlines the rules by which he is writing (using English "authorities" sparingly, etc., being more interested in what was said of the English abroad). He would welcome useful references for his second edition.

4to, 2 pp. Bifolium. Addressed ('H. Davidson Esqr | | No 3 North Charlotte St | Edinb') and docketed ('Offer | The Clyde Salmon Fishing Company. | For Menzies Fishings in Holy Lock'), with two postmarks, on the reverse of the second leaf. Twenty three lines of text (including four-line initialled postscript), clear and complete. Good, on aged paper, with hole in second leaf from breaking of wafer. Discussing proposed terms, ending 'Or in place of a sent will give the net proceeds of every tenth fish after marketing -'.

12mo, 1 p. In good condition. Laid down on a page removed from an album. Addressed to 'Rev. and Dear Sir', and calling the recipient's attention to an 'enclosed appeal' (not present), and asking that he 'would kindly put it up in your Church'. 'It speaks for iself and I can only add that the efficiency of the opposition to the disastrous change of law must greatly depend on the means at the disposal of those who are contending for an old domestic purity.'

12mo, 2 pp. Bifolium. Written out in one hand, and signed 'Bradley & Co' in another. Addressed to 'W. F. Stocks Esqre | Glen Elwy | St Asaph. | Flint[shire]'. Thirteen lines. Text clear and complete. On foxed and lightly-aged paper. Giving the firm's 'charge for receiving unpacking & delivering pictures to the R.A. or other London Exhibitions' and for 'collecting repacking & forwarding', as well as the dimensions of pictures for which these charges apply.

Five of the items are 8vo, with the other on a 12mo slip. All texts clear and complete. Fair, on slightly-aged and worn paper. A total of five typed 8vo pages, and two autograph 8vo and two autograph 12mo pages. Four of the lettters have 'The Fol-de-Rols' printed on the letterhead. Dealing with practical everyday theatre matters, with Newman writing, for example, on 19 November 1955: 'I have bought a few costume from the Punch Revue which died an early death at the Duke of York's theatre last Saturday.

Both letters 8vo, 1 p; the first on pink paper. Both texts clear and complete. Both fair, on lightly-aged and creased paper. Letter One: She was surprised to learn that Lawrence had 'Miss Babbington with you because I did not even know that she was on the stage. I thought she was with a publishing house.' After the 'long and wonderful run' she is sorry that Lawrence's leading lady is leaving. 'Although I never intend to go back to the stage again, I shall always have the same keen interest in matters theatrical [...] the variety profession is my first love'.