SCORES

Few copies of this ephemeral item can have survived. (No copies appear to show up on Jisc or WorldCat.) 20pp, 4to. Small print. Stapled. In very good condition for such a publication: lightly browned paper, with one off-centre horizontal fold. The item can be dated from the films listed on the two pages of ‘Talkie Film Songs’ seem to all date from the 1930s (e.g. ‘The Cowboy and the Lady’ and ‘Song of the Saddle’). Title page has box containing a list of ‘Immortal Melodies by Victor Herbert’.

Both items in good condition, lightly aged and worn. Excessively scarce, with COPAC only listing one copy (at the British Library) of both items. ONE: 'An Irish Cradle Song. Words by W. B. Yeats. From Poems by W. B. Yeats, published by T. Fisher Unwin'. [1914.] 5 + [1]pp., folio. Title page carries the gaelic motto: Goth yani me von gilli beg, | N heur ve thu more a creena. TWO: 'The Lake Isle of Innisfree. Words by W. B. Yeats'. [1917.] 5 + [1]pp., folio. Illustration of tree on bank of lake on front cover.

Constant Lambert referred to 'In the Shadows' as 'that rightly renowned piece'.For the playing of the song as the Titanic sank, see Ian Whitcomb, 'The Titanic Songbook' (2011) and Steve Turner, 'The Band Played On' (2011). The three items of sheet music are from Finck's papers, and their condition bears testimony to their having been working copies. ONE: 'In the Shadows'. 8pp., 12mo. In poor condition, with outer leaves detached from one another. At head of first page: 'In the Shadows. | Dance. | Piano-Conductor. HERMAN FINCK.' Rest of page blank. Two sections deleted in blue pencil.

All items in good condition, lightly aged and worn. ONE: Autograph Score. 7pp., 4to. On printed music paper. Sewn into green card printed wraps. Title: 'Henry Purcell | "Fantazia In Nomine" | (1680) | in seven parts for strings (viola da gamba a. s. on) | Adaptation for 12 parts for the 12 Cello-players of the Berlin Philharmonic Orchestra from the original manuscript in The British Museum, London, from Martin Fischer | (This is my first version of the adaptation) | Meinem lieben Freund Richard Hutchins, Waynflete, England, in Dankbarkeit zugeeignet. Berlin, 1976/77'.

Letter One: 2 pp, 12mo. 23 lines. Good. Docketed '3.5.26 | copd.' He thanks him for his letters, and has 'sent the verses to Sanderson'. The copies of the 'Quilter publications' that Bennett needed for the writing of an article in the 'Music Teacher' have not arrived. Asks for information on a 'volume of songs by Sibelius'. 'If they are available could they be included in the Quilter parcel'. He is 'writing about Sibelius for publication in July, & want to be as complete as possible'. Letter Two: 2 pp, 4to. 23 lines. Good, with staple holes to one corner.

4to, 1 p. Text clear and complete. On aged and creased paper. He is returning the score, and asks Hedgely to 'copy the three voice parts of the two canons Criste Eleison & Crucifixus & the Voice part of the Soprano Song, Gratias Agimus', and to send the whole back 'as soon as you can finish them'.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.