MANUSCRIPT

1p., 8vo. In fair condition, aged and worn, with slight loss to one corner and creasing to another. Strengthened on reverse with a small piece of tape. Letterhead in red, with Tempest writing in green ink. She writes warmly: 'I've read your Play, and I think it charming up to the point of the two people who are crooks! It suffers from the same thing that our present Play suffers from. Too sudden a jump!' She invites him to go and see the play, 'and you will gather what I mean'. She ends by describing his play as 'amusing and witty'.

The table or bloom calendar is in a makeshift table, ruled out in pencil over 2pp., folio. It is in poor condition, heavily-aged, divided into two sections along central horizontal fold line, and with slight loss to text from chipping.

The ten letters total 4pp., landscape 8vo, and 6pp., 4to. The collection in good condition, lightly aged and worn. With stamps and annotations of the Royal Society of Arts. The correspondence relates to a lecture given by him by invitation, and its subsequent publication in the Society's journal. He originally suggests that it be titled 'The Application of Science to economic purposes, with illustrations from the Cotton Trade', thinking that it would 'attract people outside cotton circles', but is persuaded to alter this to 'Examples of Applied Science in the Cotton Industry'.

Each item 1p., 4to. The collection in good condition, on lightly aged paper. The correspondence shows the eighty-three-year-old Bramwell as an active member of the Society's Council. One letter relates a paper by 'Mr. Madgen' on 'the dwelling accommodation in London', another refers to the death of a 'charming colleague' named Cobb.

2pp., 12mo. Bifolium. In good condition, with light signs of age and wear. Expressing great interest in a 'colonial matter', and asking to be spared 'a few minutes for an interview', followed by suggestions for an arrangement.

29pp., 16mo. Nicely printed with nine plates. In brown card wraps, with the following on the cover: 'Mediaeval Pilgrims' Badges | Privately printed opuscula issued to members of ye Sette of Odd Volumes | No. XC'. 'Imprimatur' preceding title, signed by 'Frederick Keal' and 'Tancred Borenius', states that this is copy 11 of 199. Good copy, in lightly-worn wraps. Uncommon.

58pp., small 4to, 1/4 lea., marbled bds. In fair condition, aged and worn, in shaken binding with front cover coming away and one loose leaf. The volume contains 28 double-page spreads (the first eighteen 'Town Quarter'; the next three 'South Teign Quarter'; then four 'Meldon Quarter'; and the last three 'Teigncombe Quarter'), each divided into nine columns as follows, with the details of the first entry given as an example: ''[No.

Each 1p., 12mo. Both in good condition, on lightly-aged paper. Both carry the stamp and manuscript mark of the Royal Society of Arts. Convincing facsimiles of signed autograph letters. The first reads: 'In the third year of war my publishers and myself are determined to carry on "The Year's Art" without a break. | Will you, therefore, be good enough to amend the enclosed extract describing the institution in your charge, with especial reference to changed conditions. | Please notify also names (with dates of death) of any of your members or staff dying at home or abroad.

28pp., 4to. Sewn into a booklet, and bound in cream boards, with 'A "Guernsey's Own" Publication' on the front cover, and 'Sponsored by the Higher Butterfatters' League' on the back. There is no indication that the manuscript has been published. It is laid out as a printed book, with title-page (with charming illustration of the smiling cow) and dedication page reading: 'To V, M., the Honorable Patroness of the foster Mothers' Welfare Group, This book is respectfully dedicated.' The poem consists of 36 four-line stanzas, with fifteen charming vignettes.

v + [65] pp., 4to, paginated 67-131. With 49 collotype plates. Internally in good condition, lightly aged and worn, in worn binding. National Book League Library bookplate on reverse of title-leaf, and traces of the NBLL bookplate. A careful catalogue of the second portion of the sale of Thompson's sumptuous collection of manuscripts (the first portion having been sold by Sotheby's on 3 June 1920), with a two-page introductory note ('Preliminary') by him. The collection had previously been catalogued in four volumes by M. R. James and others.

1p., landscape folio (30.5 x 39.5 cm). On watermarked laid paper. Divided into two columns: 'Questions faites par monsieur le Sous prefet au maire de mesquer' and 'Solution en Response a Monsieur Le Sous prefet Par Le Maire de Mesquer'. The first answer provides a definition of 'oeillet de marais', and is followed by facts regarding salt producers, their salaries, and other related matter. The reply to a question about the price of salt gives prices for the years 1833, 1834 and 1835.

A substantial and heavy leather-bound volume, 49 x 37 x 7 cm, by the London stationers Waterlow & Sons, containing in excess of 250 double-page weekly entries, meticulously and neatly completed in manuscript, giving a daily itemised breakdown of the consumption of a wide range of provisions. A valuable social document, casting light on Victorian hospital administration and dietary habits. Internally in good condition, on lightly-aged paper, in heavily-worn brown blind-stamped leather binding with damaged spine, with marbled endpapers and edges.

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

1p., 4to. In fair condition, lightly aged and a little ruckled at edges. Winner's signature, in blue ink, is somewhat stylised. The document deals with eleven points raised at the meeting (which relates to a film project which was not realised), the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive.

189 black and white photographs, ranging in size from 15 x 10.5 cm to 4.5 x 7 cm, loosely inserted (i.e. not mounted but removable) on the fifty leaves of a 20 x 30 cm album. While the photographs themselves are in good condition, the album is somewhat worn and aged. Painted in large Gothic letters at centre of front cover is 'Camp Snaps'; with the name of the compiler 'E. TAIT' at top right. Inscribed inside cover 'From “Porky” | September 4th, 1934'. The leaves of the album are made of thick black paper, and more than three-quarters of the photographs are neatly captioned in white ink.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

On 5 x 9.5 cm. piece of paper, cut from the end of a letter. In fair condition, slightly smudged, with traces of glue from mount on reverse. Reads: 'Lateran. We shall be there to meet you. | Yours very truly | A. H. Layard'.

Headed, with the first line in gold: 'Corps Royal du Genie. | 2e. Regiment. | Academie d'Escrime. | Brévet de Maitre d'Armes.' The commission reads: 'Nous soussigné Maîtres d'Armes, Composant la garrison d'Arras, après avoir reconnu les capacités du Sieur Chaix, (Marius) Maître Ouvrier à la Ce. Compagnie du 2e. Bataillon, du dit Regiment. On one side of a 28 x 36 cm piece of cream paper. In fair condition, aged, creased and worn, with central vertical fold.

On one side of a 22 x 33 cm piece of vellum. In fair condition, lightly aged and worn, with some pin-holes to margin. Stamp in black ink at head of the 'REV. CAS DU ROY [...] GEN. DE PARIS'. Signed at end: 'Collationné aux originaux par moi Ecer. Coner. Secretaire du Roy maison Couronne de france et de Ses finances/. | Sainson'. Each transcript is eight lines long, the first having been signed by 'Orry' and the second by 'Carreler' (both signatures also transcriptions). The recorded payments were made by Dorel in connection with his office as 'Coner.

1p., 16mo. In fair condition, lightly-aged and worn, with small hole affecting one word of text. He acknowledges receipt of her cheque for three guineas.

Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began as a professional portrait painter and sculptor in the 1970s, and has work in institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. Among his other sitters was Sir Geoffrey Keynes. The present item comprises 35 pages of sketches in pen and pencil, and 21 pages of text, making a total of 56pp in a 20 x 13 cm French notebook with spiral binding. In fair condition, lightly aged and worn.

2pp., 4to. Bifolium. Addressed on reverse of second leaf, with seal of a harp in green wax, 'To | - Webster Esqre. | Theatre Royal Haymarket'. Writing two days before her father's death, she explains that she commissioned a friend to offer a guinea for his 'Interlude of "Pay for Peeping"', but finds that 'in return you expect one pound eleven for it'. She points out that she was 'the original (at the Strand Theatre) in the piece', and that she is offering the same terms accepted from her by 'Mr Selby for his "Day in Paris"'.

2pp., 4to. In good condition, lightly aged. Cockburn is not named as the recipient, but the item is from his papers. There has been some difficulty regarding 'the proper mode of depositing the various Colours that have been in use with the different Divisions of the Royal Marines', but William (who was at the time the Duke of Clarence) knows 'that these Colours belong to His Majesty and not as in Departments to the Colonels'. He gives instructions, 'so that they may be placed in the Chapel of the Royal Hospital' at Greenwich, and gives his reason for doing so.

2pp., 4to. In good condition, lightly aged. Cockburn is not named as the recipient, but the item comes from his papers. William (at the time the Duke of Clarence) writes: 'I rejoice exceedingly at the favourable account you are enabled to give me concerning the late examination for Adjutants amongs the Royal Marine Officers'. He is anxious to have Cockburn's 'various reports from the different Divisions'.

2pp., 4to. In good condition, on lightly-aged paper, with slight tear to one edge. Cockburn is not named as the recipient, but the item comes from his papers. William (at the time the Duke of Clarence) writes that he is enclosing Moncrieff's letter, 'by which you will perceive he is acting foolishly not to use a harsher term. My determination therefore is when I arrive tomorrow afternoon at Portsmouth to be informed by you whether he sells or goes on the Half pay of a Colonel which is Fourteen Shillings and Six Pence pr: diem.

On one side of 7.5 x 12 cm piece of paper cut from front panel of envelope. Postmarked 'Shooters Hill | Penny Post'. In good condition, on lightly-aged paper. Laid out in the customary fashion, all in his hand, and reading: 'Dover December twenty six | 1845 | Lt. Colonel Richd Jones | R Horse Artillery | Woolwich | Kent | Fitzroy Somerset'.

On 3 x 11 cm slip of paper. In fair condition, lightly aged. Cut from the end of a letter. Good firm signature. Reads: 'Yours faithfully | Charles Barry'.

On 3 x 11 cm. slip of paper, cut from the end of a letter. In good condition, on lightly-aged paper. Reads 'Yrs very sincerely | Emma de Vesci'. Fragment of letter on reverse: '[...] random of all the monies you have sent to Messrs. Puget & Bainbridge. I [...]'. Lady de Vesci founded the Abbeyleix Baby Linen Society, a co-operative supplying affordable children clothes.

1p., 4to. In good condition, on lightly-aged paper. Written in a small hand over 22 lines. He begins by stating that he is writing on behalf of 'lécole Centrale du departement de Saone et Loire séant a Autun', 'particulierement le professeur d'histoire naturelle et moi professeur de dessein en la même école'. The recipient will render them a great service if he will send 'toutes les graines qui sont denommée sur une premiere liste que jai remis'. The rest of the letter asks the recipient, with the help of 'le Ci. l'aunoy' [i.e.

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.