FEMINISM

One page, 12mo, asking her friend to dinner "to meet a friend from the country", fearing that "there is small chance of finding you disengaged" with such late notice.

On irregularly shaped piece of paper, roughly 3 x 7 cm, cut around the signature and its double underlining. Good signature, with slight smudging to a couple of letters.

8vo: [viii] + 164 pp; [iv] + 183 pp. Bound together in contemporary half calf binding, gilt, marbled boards and endpapers. A tight copy, printed on aged, spotted paper, with occasional light damp-spotting, in worn binding. Bookplate of Aemiliani Reich, on spotted, aged paper, by Gordon Browne, on front pastedown. The first volume has a four-page preface by 'S.M.F.', dated 'New York, July, 1846.' Both volumes contain eight essays.

4to, 12 pp. Disbound and stitched. Very good. The poem covers pp. 3-11, with five 'Notas' on p. 12. Scarce (in the Anglo-Saxon world at least): COPAC only lists a copy at the British Library. Includes a passage on Nelson and 'el feroz Britano'. No copy found in Sanish Union Catalogue etc. (accessed through German Union Catalogue).

On one side of a piece of paper, dimensions 19.5 x 21 cm. Lightly creased. Presumably in response to a request for an autograph. Reads 'Is there a life before Death? | (slogan chalked on wall in Northern Ireland, 1975) | Yours sincerely | [signed] Beryl Bainbridge.' Firm sprawling signature.

On a piece of pink paper, roughly 9 x 11 cm. Neatly laid down onto a piece of white paper. Very good. A reply to a request for an autograph. Reads 'I am | my dear Lady | Yours truly | [signed] Eliza Cook'. The signature is firm and bold, with a small part of the flourish beneath it shaved away.

12mo, 352 pp. In contemporary brown calf half-binding, with marbled boards and grey endpapers. Loose and foxed in worn binding.

12mo, 4 pp. Good. A bifolium, attached by a strip along the inner margin to a leaf removed from an autograph album, docketed 'Mrs. Hobart Hampden, Authoress of "The Changed Cross" '. Postscript written vertically across the upper part of the first page. Concerns a photograph of the recipient's mother: a 'sweet souvenir of such a rare & precious jewel as your dear & beautiful Mother; whom we feel it such a privelidge [sic] to see and to know'.

8vo, 2 pp. Very good. She has been recovering from influenza at Brighton. 'I think your Paper is going on Splendidly [last word underlined] & I am so glad! [last two words underlined]'. 'Yes, isnt Margaret Ettinger a charming Creature! She told me you had talked together of me'. Asks for Ettinger's address. 'How's the home? - how's the charming wife? - & when shall we discuss the affairs of the world, the flesh, & the devil?!' She is well, 'all but my knee, which has been behaving like an ungrateful child'.

Irregularly-shaped (like an 'L') piece of paper, cut from the head of a letter with a mourning border. Dimensions (very roughly) 4 and 3 cm high and 7 cm wide. Good, with minor traces of two tissue mounts adhering to reverse. The following written vertically across three lines of writing: 'to all your family, & I am, dear Sir, truly yours | [signed] H. Martineau'. The remains of the three lines acoss which the above is written read: '<...> dear Sir | <...> I am | <....> ur sister <...>'.

One page, 16mo. Good, on lightly aged grey paper, with previous paper mount adhering to reverse. Reads 'I have pleasure in sending you the Autograph you desire'.

Both items one page, 12mo. Both on creased, aged paper, with some paperclip spotting. In the typed letter (which is in slightly worse condition than the other item) she explains that she is enclosing her autograph on a separate sheet. '[I]n case you care to have it My Mother, Mrs. Graham, (I write under my maiden name) thought you might like to have Sir Philip Gibbs' autograph, [^the celebrated author,] so she has asked me to send you a card she received from him the other day. [not present] You certainly have a wonderful collection!' The autograph reads 'Jan: 7th.

Four pages, 12mo. Mourning border. Aged and spotted, with remains of three mounts adhering to one edge. She is enclosing a note from 'Miss Yonge', and 'one from Miss Roberts [Margaret Roberts] who wrote "Madlle Mori", "In the Olden Time", "The Atelier du Lys" &c. She refers to Miss Yonges mother in her note'. She is also sending a note 'from Mr. Dodgson too. Who is "Lewis Caroll'. (Alice in Wonderland) - & one from Isa Craig - now Mrs. Knox.

One page, 12mo, on mourning paper. Aged and cropped at foot. Dusty, and with minor paperclip stains to edges, and traces of previous mount on reverse. Reads 'Dear Sir, | I have much pleasure in sending you my Autograph. | Yours truly | "Allen Raine" '. Four-line cutting giving printed biography neatly laid down in bottom right-hand corner.

One page, 12mo. On aged and spotted paper, with traces of previous mount on reverse. Craigie's 'PMTC' monogram in top left-hand corner, and a red '45' in a red circle in top right-hand. Fourteen-line biographical cutting laid down along one edge. Reads 'Dear Sir | I have much pleasure in sending you my autograph. | Yours faithfully | Pearl Mary-Teresa Craigie.'

Two pages, quarto. Well preserved, on good lightly-aged paper, but with the original piece of paper (which was roughly nine inches by seven and a half wide) now neatly cut into three strips (the top and bottom of which are two and three-quarter inches high, and the middle three and a half inches high). The text is extremely neatly written and entirely legible, and the whole easily repairable with archival tape. The whole of this long, interesting letter (thirty-five lines and a two-line postscript) is given over to the current craze for autograph collecting (for which see A. N. L.

12mo: 3 pp. 26 lines of text. Good, on lightly creased and aged paper. Chatty, apologetic letter. She thanks her for her invitation for the following day but she is already engaged. Unclear reference to 'Sir Boyle Roche's bird'. She would like to see her again, but 'I dare not make any engagements now, The weather is now my jailer'. She has to go to Malvern one day the following week. Suggests other possibilities. She may have to 'take my chance of finding you at home'. She was 'sorry to miss you when you were away & I called'.

Dimensions of card roughly 8 x 12 cm. Very good though lightly aged. Asking her correspondent to dinner in the following week. Note, addressed to 'Cher tres Cher Coq', on one side of 8vo grey paper. Very good, though lightly creased. She will be 'enchante de vous voir chez moi' on Wednesday [6 July] at 1 o'clock. Both items written before the Asquiths 1919 move from Cavendish Square to 44 Bedford Square. Two items,

English economist and novelist. The letterhead engraving of 'The Knoll Ambleside' by W. Banks of Edinburgh is circular, around two inches in diameter,with printed signature. The fragment of text - comprising ten lines - is on the reverse. Creased, grubby and stained.

16mo: 3 pp. A small bifolium (each leaf 10.5 x 9 cms) on aged paper. Discoloured strip at foot of first leaf, containing four lines of text and the signature, cut away and reattached with archival tissue, with damage to two words (not in signature). Second leaf with minor damage through breaking of seal. Good Penny Red stamp, postmarked in black, and second red postmark. The earliest she can accept the dinner invitation is the following Wednesday.

On piece of lightly discoloured paper roughly 4 x 10 cms, with horizontal fold on left. Reads '[typed] Yours sincerely, | [signed] Mary A. Ward.' Docketed in pencil at foot 'Mrs Humphry Ward 1914'.

On blue paper 10 x 18 cms. Good, with trace of previous white paper mount on reverse. Printed receipt, filled in in manuscript. Reads 'No. [32] 5, VIGO STREET, | W.1. | [June 2nd 1937] | Received a DONATION of [One Guinea] | from [The Misses Ruck] | for the ARTISTS' GENERAL BENEVOLENT INSTITUTION. | £[1] : [1] | [-] | [next word deleted] Secretary | [next two lines cyclostyled in purple ink] most gratefully | Laura Knight'.

4to: 3 pp. Text clear and entire on creased, chipped airmail paper. A chatty, vivacious and entertaining letter, casting light on the state of mind of an English colonial wife. Thanks her for her 'kind remarks about my stories.

12mo: 1 p. Good. Since he 'liked the last little thing' she sent for his magazine, she ventures to think that he may approve of the piece she encloses (not present).

Two pages, quarto. On aged paper, with several closed tears and loss at foot and remains of stub in margin, but with text clear and entire.

Two pages, 16mo. Very good. Twenty-two lines, attractively written in purple ink beneath a letterhead printed in bright red. With postmarked envelope, addressed in autograph and carrying a penny stamp. He thanks her for sending him a copy of her book 'The Luck of John Seaton'. 'It reached me down in the country where, strange to say, I was already half way through it. I bought it at the railway station & had not arrived at the name of the author, when I received your letter. They ought to always put the name on the cover.' He enjoyed the story 'from beginning to end'.

The Memorandum is a four-page folio (leaf size roughly fourteen inches by nine and a half) bifolium. In very good condition, lightly creased and folded. It details Mrs Wright's royalties (as 'proprietor'), advance and percentages. The paperback rights agreement consists of four typewritten pages, on four leaves, each roughly thirteen inches by eight, stapled together at the head beneath green tape. Very good, though lightly creased and with some fraying to tape. It is signed by the Hamilton & Co. chairman Joseph and witnessed by his secretary E. M. Holloway.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.