ENGLISH

See her entry in the Oxford DNB. 1p, landscape 12mo. In fair condition, lightly aged, with curling to inner edge. Central vertical fold. She thanks her for writing about ‘Broome Stages’, and is glad she enjoyed it. ‘You are quite right, it is a pleasure and an encouragement to hear that a book makes friends.’ She concludes, ‘Yes, I suppose the name did come from the Church: it gave me the idea, but it was pure chance, there is no association.’

Despite criticism for his supposedly sexist humour, Hill’s work was admired by men from the novelist Anthony Burgess to Michael Jackson and Burt Reynolds. See his entry in the Oxford DNB. In good condition, lightly aged, with light traces of glue from mount on reverse. An 8.5 x 14 cm photographic print, carrying an 8.5 x 10.5 cm black and white head and shoulders shot of a smirking Hill, staring fixedly at the viewer in black top. Inscribed in light ink in the blank patch beneath the image: ‘To Eric / Cheers! / Benny Hill’.

A successful member of an English artistic family. See the Oxford DNB entries on his father Joseph Severn (who nursed John Keats in Rome in his final illness) and sister Mary Newton. 1p, 12mo. In good condition, lightly aged, with thin strip of glue from mount to inner margin, and details typed at head. Folded once. Reads: ‘Dear Mrs FitzSimon / I have much pleasure in sending an autograph of my dear friend Sir F. Leighton. I send also the portrait of Keats. It is photogravure by Hollyer from one of my father’s pictures / Yours sincerely / Walter Severn’.

See his entry in the Oxford DNB. 1p, 12mo. On recto of first leaf of bifolium, the verso of the second leaf addressed, with two postmarks, to 'Mrs. William Smith / Park Street / Westminster'. In fair condition, lightly aged and worn. Annotations in pencil in a modern hand. He begins by apologising for not being able to 'come to your party on Monday', as he was 'forced to go to Bed[.] I always knock up the 2d or 3d Week of London - There is nothing in this World so fatiguing, and horrible as pleasure -'.

See his entry in the Oxford DNB. On 9 x 11 cm piece of Whatman wove paper. Somewhat worn and creased, with a small nick to one edge, and slight damage from erasure of note on reverse. Folded. Reads ‘Dear Sr / many thanks / yours truly / Sydney Smith / May 11 1844.’

See his entry in the Oxford DNB. In good condition, lightly aged. Good firm attractive signature ‘John Betjeman.’On irregularly-shaped corner (approximately 9 x 7 cm) torn from a letter on cartridge paper. Reads ‘[...] pho[...] / [...]ed to se[...] / [...] author in this [...] / never be too hope[...] / [...]urs faithfully, / [...]HELL-MEX and B. P. LIMITED. / [signed] John Betjeman. / [...]urn of post unless otherwise stated’. Perhaps something to do with Shell Guides(?)See Image.

See his entry in the Oxford DNB. In good condition, lightly aged. Good firm signature ‘John Betjeman’ on 9 x 3 cm slip of paper. Laid down at the foot of one side of a 12mo leaf (extracted from an edition of his poems), at the foot of the Betjeman poem ‘Henley-on-Thames’. On the reverse, paginated 24, is his poem ‘East Anglian Bathe’. See Imagew

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, but lightly discoloured, with a large rectangle of sunning covering most of the lower part, and a neat crease at bottom right (not affecting the signature, which is partially sunned). Annotated in pencil by a later hand on the reverse. Betjeman’s handwriting is bad, so the following reading is tentative. ‘Dear Lady Jones, / I meant to write to you long ere this to tell you how grateful I was to you & Sir Roderick [Jones, her husband] for letting us [house?] this prize in your capacious drawing room.

See his entry, and that of George Doo, engraver, in the Oxford DNB. The four items are in good condition, lightly aged and worn The items of 1832 and 1838 are in the third person; those of 1837 and 1839 are signed, 'D. Wilkie' and 'David Wilkie' respectively. The 1832 letter, accepting a dinner invitation from 'Dr and Mrs Baillie', is 1p, 16mo; the other three items are each 1p, 12mo. In 1838 he writes to 'Capt Seymour' to ask for 'the present address of Sir William Knighton'.

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

See her entry, and that of Whittaker, in the Oxford DNB. 1p, landscape 12mo. A corner of the letter carrying a few words of text has been torn away on opening; it is still attached, beneath a red wax seal, so that the entire document is present in two parts. Otherwise in fair condition, lightly aged and worn. Addressed by Mitford 'To / Messrs. Baynes & Son / 23 Paternoster Row'. Begins: 'Miss Mitford presents her Compts. to Mr.

LETTER ONE (to Wolfestan): 4pp, 12mo. Bifolium. Damage to text (including signature 'E. A. Storey') along inner edge of last page by clumsy removal from mount, repaired with archival tape. Otherwise in good condition, lightly aged. Folded. Wolfestan's letter is 'capital' and he hopes he will send it 'as it exactly backs up my own statement'.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium. In good condition, lightly aged, with the blank second leaf damaged on removal from mount. Addressed to an unnamed woman (‘Chère Madame’) and boldly signed ‘A. Legros’. He accepts her dinner invitation with ‘le plus grand plasir’.

A successful member of an English artistic family. See the Oxford DNB entries on his father Joseph Severn, brother Walter Severn and sister Mary Newton. 3pp, 12mo. Bifolium on grey wove paper. In good condition, lightly aged, with traces of paper from mount adhering to the blank verso of the second leaf, and details typed at head. Folded once.

See his entry in the Oxford DNB. Ingram's biography of Poe was responsible for his reabilitation, and his extensive collection of material relating to the writer is now in the University of Virginia. Entire small envelope (roughly 12 x 7 cm), self-printed with stamp. In good condition, lightly aged, with flap at back torn in opening of letter. With postmarks at front and back of the envelope, both dated 9 January 1875; front postmark from Malvern and back one from West Malvern. Addressed by Swinburne to ‘John H. Ingram Esq.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Mr Scarr: / I’m sorry but I have already engaged myself for three talks besides my offical three and, not being an extemporizer, can’t undertake any more. / Yours sincerely / Robert Graves’. See Image.

See his entry in the Oxford DNB. The two items were previously held together by a small dab of glue at the head of the letter. They are now separated, and traces of the glue remain, not affecting any text. Otherwise they are in good condition, lightly aged. ONE: ALS, 30 December 1932. 1p, 12mo. Signed Hugh Walpole. He thanks him for his charming ‘Carol’: ‘I have been picking it out on the piano. And I send back the photo autographed. With every good wish for 1933’.

See his entry in the Oxford DNB. Both items are somewhat sunned, but in good overall condition. ONE: ALS. 1p, 4to. Folded three times for postage. Signed ‘John Masefield’.

See the two men’s entries in the Oxford DNB. In good condition, on the first leaf of bifolium. (There are extensive pencil annotations in a later hand on the second leaf.) Very neatly written. Addressed to ‘J. G. Wilson Esqre.’ and signed ‘Anstey Guthrie’. He has ‘much pleasure’ in answering Wilson’s question. ‘‘Shut Out’ is a short story of mine which was published in Longmans Magazine about 1895 or 6, afterwards included in a volume of short stories under the title of “The Talking Horse”. I think published by Messrs. Smith & Elder - but now long out of print.

See his entry in the Oxford DNB. Lightly aged and worn. With central horizontal and vertical crease for postage, each quarter with double pinholes at the centre (from attachment of an enclosure?). Signature unaffected (it starts close to vertical crease). Reads: 'Dear Mrs. Lord / With the greatest pleasure - and with ten thousand apologies. I thought I had answered long ago. But letters lie in heaps in my tray & on my table - everywhere! and I carry them about in bags labelled carefully Unanswered until I dare no longer look inside.

See the two men’s entries in the Oxford DNB. The material is in good condition, lightly aged, except that the envelopes of the first two items are somewhat worn and grubby. ONE: TLS to Douglas C. Dorrington. 1p, 12mo. The address to ‘Dear Mr. Dorrington’ and signature ‘Peter Pears’ are in autograph; the rest is typed. Written while Britten is dying. Reads: ‘Benjamin Britten wishes me to thank you for your kind message.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In fair condition, lightly aged. Folded twice, with spots of discoloration around the creases and slight nick at head of leaf. On monogram (Order of the Bath?) letterhead with motto ‘Tria juncta in uno’. Addressed to ‘Dear Mr. Townshend’ and signed ‘Clements R Markham’. Acknowledging receipt ‘of a paper by your brother-in-law Mr.

Reade was a fellow of Magdalen College, Oxford, from 1836 to his death. According to his entry in the Oxford DNB: ‘in the years of his fame, and particularly in the early 1860s, he did much of his writing in his rooms at Magdalen, using them as a retreat. His tenure of the fellowship was contingent on his remaining unmarried, a stipulation he complained of bitterly but continued to put up with, even when he was earning thousands a year as a writer’. 1p, 12mo. In fair condition, lightly discoloured, on thin wove paper. Folded once.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In fair condition, lightly aged. Folded twice, with spots of discoloration around the creases and slight nick at head of leaf. On monogram (Order of the Bath?) letterhead with motto ‘Tria juncta in uno’. Addressed to ‘Dear Mr. Townshend’ and signed ‘Clements R Markham’. Acknowledging receipt ‘of a paper by your brother-in-law Mr.

See his entry in the Oxford DNB. Lightly aged and worn. With central horizontal and vertical crease for postage, each quarter with double pinholes at the centre (from attachment of an enclosure?). Signature unaffected (it starts close to vertical crease). Reads: 'Dear Mrs. Lord / With the greatest pleasure - and with ten thousand apologies. I thought I had answered long ago. But letters lie in heaps in my tray & on my table - everywhere! and I carry them about in bags labelled carefully Unanswered until I dare no longer look inside.

See his entry in the Oxford DNB. Plain postcard. Lightly aged. Addressed to John [Graham, obscured by postmark], The Willows, Church Road, Lowfield Heath, Crawley, Sussex. Reads: ‘Many thanks. I am terribly sorry to say that I am a broken reed at the moment, because there are various conference dates I haven’t got. I’ll write when the situation clarifies. / Best wishes / [in autograph] P. M. / PS Last Wed. of each month is no good: BAA [i.e. British Astronomical Association monthly meeting] day!’ Image on application.

Of his activities around this time the Oxford DNB writes: 'he 'wrote film scripts in Hollywood in 1934–5 for classics such as David Copperfield (MGM, 1935), in which he played a bit part, and Little Lord Fauntleroy (1936)'. The subject of the letter may be his novel 'The Inquisitor', published by Macmillan in 1935. 1p, 12mo. In fair condition, lightly aged and worn. Folded once. Reads: ‘Dear Mr. Hunt / Here is a proof. The quotations are from the [?] Version. to me the only [last word underlined] version. / Yours sincerely / Hugh Walpole’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Reads: ‘Dear Miss Jennings / Thank you for your letter. There was however no half crown in the envelope. I searched carefully. / Yours sincerely / Hugh Walpole’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In fair condition, with slight wear at top left-hand corner of second leaf (not affecting text). Biographical details added in small type at head of first page. Addressed to ‘The Honbl Spencer Ponsonby’ and signed ‘Alaric A. Watts.’ Begins: ‘Dear Sir / May I trespass so far upon your kindness as to ask you to place the enclosed letter [not present] to Lord Clarendon. It is on the subject of the London Library of which his Lordship is the President’.

An apparent forgery of a letter the text of which is quoted in Hallam Tennyson’s 1897 memoir of his father. 1p, 12mo. On discoloured wove paper. Aged, and with repair with archival tape at extremities on reverse. Folded twice for postage. Reads: ‘Aldworth / Oct 25 - 76 / My dear Mrs Gladstone / On Monday then - if all be well. As you are good enough to say that you will manage everything rather than lose my visit - you must manage that I may have my pipe in my own room whenever I like? / Yours ever / A Tennyson/’.