BRITISH

Stamped and postmarked, and addressed to 'Colonel Barker | Bourchins Lodge | Tolleshunt D'Arcy | Essex'. In fair condition, on lightly-aged paper. Reads: 'I am trying to get some of the old firm together for a table at the Sudan dinner. I have got Kennedy Cook & wife, Griselda Maurice & myself. Would you & your wife join us | Yrs ever | Philip'. Egerton was with the Sudan Civil Service; and with the 3rd battalion of Shropshire Light Infantry won a 4th clasp of the Order of the Nile.

All items in good condition. The photographs range in size from 21.5 x 14.5 cm. to 18.5 x 16.5 cm., and show Knight at work on the sculpture, with her husband Mark Churchill present in one. Thuillier's text (1p., 12mo) reads: 'Geraldine Knight seen with her giant 10 ft. fibreglass and resin (GRP) Hinds Head which has been commissioned by Whitbreads for their new Brewery at Magor near Newport. The work has taken her a year to complete. She lives and works in a converted Bakery at Woodborough in Wiltshire where she has 4 large studios.

2pp., 8vo. On aged and worn paper. The letter begins: 'Dearest Geoffrey | She is quite convinced you were Pourponne! - says it was given to her before she saw your photographs - (about which she says some very gratifying things!) How does this strike you?!' The woman is 'hunting for a confirmatory portrait'. While Lehmann herself has 'only the haziest impression of Pourponne', she does know that 'they were mutually devoted' She exclaims: 'Oh do hurry up & start this book!

3pp., 12mo. Bifolium. Aged and worn, with glue stains and slight damage to second leaf from mounting. At the time of writing Cox was curate at Wantage. Russell begins the letter by stating that he will be visiting his mother and will not 'return to Watford before Friday night. - On Saturday morning I hope I may have the good fortune of finding you at home to talk over matters in connexion with my marriage on the 5th. of May.' (to Lady Emily Villiers, daughter of George Villiers, 4th Earl of Clarendon). He thanks him for taking his room at the Clarendon Hotel, before concluding.

1p., 12mo. In fair condition, lightly aged. One can hear the clipped tones of the military man: 'Dear Capt. Barron, | Gen. Gosling spoke & wrote to me about you. | What is your present state, duty, light duty, leave, or what? | Please let me know & tell me when you get orders to join a reserve unit, & which. | Yours very truly | H. C. Lowther | Brig. Genl.' Lowther's entry in Who Was Who reads: 'Entered Scots Guards, 1888; Capt.

On 8 x 18 cm piece of paper cut from the end of a letter. In fair condition, lightly aged. Reads: 'And now my dear Mary Anne adieu With kind Regards to Mr T & love to yourself I remain ever | Your's sincerely & affectionately | H Willoughby | I shall leave directions With Mr Hyman to forward the Papers during my absence'.

MANUSCRIPT: 1p., folio. On the recto of the first leaf of a bifolium. On good watermarked laid paper, with pencil text written over an elegantly printed page divided into five columns ('Class', 'Studies', 'Order', 'Names', 'Remarks'), headed (with manuscript additions in square brackets): 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy. [March] 1st. 17[39 Paul Sandby Esqr.]'. The manuscript text is written both across the page and lengthwise. At the foot is a stave of music, with the words 'Violoncelloe [sic] de la music militaire'.

Written lengthwise on front of a 9 x 15.5 cm. envelope. In good condition, lightly aged. Reads: 'A. E. W. | I had a list of the autographs in thy literary collection but unfortunately have mislaid it. If there is a duplicate it wont make any difference because this is an uncessary little note of | D. M. C.' The page also carries annotations in another hand in light pencil.

36pp., 4to. Stapled pamphlet. Aged and worn. Pencil annotations throughout. Four-page 'Foreword' by 'Philip Sassoon', followed by four-page 'Short Biography of Painters and Index Numbers'. The twenty-three page catalogue (with marginal pencil annotations) features 152 items, and is followed by a three-page 'Index to Exhibitors'. Loosely inserted is a duplicated typescript (1p., 12mo), giving the address, opening times, and prices. John Zoffany is well represented.

1p., 12mo. In good condition, on lightly-aged paper. He thanks him for 'the promptness with which you placed my request on behalf of Mr. Tennent before the Library Committee'. Tennent will himself thank Magrath 'for the obliging offer of the use of your private Room'. In another hand at bottom right: 'Librarian British Museum'.

1p., 4to. In good condition, on aged paper. He is desired to thank Westmacott 'for the offer of your picture of Cromwell for exhibition, and at the same time to inform you, that the arrangements, for the present season, are already completed'. He ends with the tact for which he was renowned, expressing the hope that he will have 'the pleasure of seeing you at the private [last word underlined] view on tuesday next'. The recipient is presumably C. M.

4pp., 12mo. Bifolium with mourning border. Ends abruptly at the end of the fourth page, and without signature. For the period an unusually frank expression of distress, apparently over the death of his wife's elder daughter He thanks her for calling on him with books - 'when you so kindly came to that House though I had intended so very much to see you I felt all my courage fail - & that I s[houl]d. only distress you & do myself harm if I saw you'.

2pp., 12mo. 29 lines of closely-written text. In good condition, on lightly-aged paper. 'Such a calamity must be a terrible blow for you all but more especially to Mrs. Joy and yourself. To lose a daugher just blossoming out into womanhood is tragic indeed, the more so, if that were possible, in that she was such a bright girl.' He continues 'By the same post I have word that one of my uncles has just died, and that another has been given up by the doctors. They have both lived full lives, and, in their way, interesting lives, so that, there, one can hardly talk of a tragic end.

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

Full title: 'The Winning Plans of the European Peace Awards | Offered in the British Empire, France, Italy, and Germany for "The best practical proposals for restoring peace and prosperity in each of those countries through international co-operation"'. 180pp. Dimensions of pamphlet 19.5 x 9 cm. Three copies on COPAC: at Birmingham, the British Library, and Senate House. Nicely printed by Rouffe of Paris, with separate sections on the British, French, German and Italian Peace Awards, with an 'Annex' on the American Peace Award.

8pp., 8vo. Stapled. In fair condition, on aged and worn newspaper stock. Portrait of Roberts on front cover. Headings: 'Demobilisation', 'The State and Industrial Councils', 'The Outlook for British Trade after the War', 'The Need for Better Organisation', 'The Interest of Labour in Industrial Problems', 'Reform, not Revolution', 'The Outlook of Industry and a Living Wage', 'Industry and the Common Ground', 'A New Spirit of Industry'. No copy in the British Library, and the only copies on COPAC at the Imperial War Museum and Leeds.

On 3 x 9.5 cm strip of laid paper. In fair condition, with light signs of age. In another hand on the reverse: '1791 | Governor of Gibraltar'. Presumably cut from a letter in response to a request for an autograph.

4pp., 8vo. In good condition, with light signs of age. A lively and vivid account, as the opening indicates: '"Ah!

A recipient of the Military Cross, Beazley was educated at Rugby and Sandhurst.

Good, bold underlined signature in brown ink on 4 x 6 cm piece of paper. In good condition, with light signs of age and wear. Laid down on piece of thick paper, on the reverse of which are traces of grey paper mount. Presumably cut from a letter.

On 1 x 5.5 cm slip of paper cut from letter. In fair condition, aged, and with slight discoloration at one end. The signature is present in full, but the underlining flourish hs been truncated.

1p., 4to. On aged and worn paper. In response to Duncan's advertisement in 'The Stage', he asks whether he would be 'interested in the famous cartoons, in colour, which, with the signature of "Spy," used to appear in "Vanity Fair."? I have about seventy in good condition, all published between 1860 and 1885'. He also offers 'several volumes of old plays - some of them over 140 years old, and asks whether Duncan 'might care to drop in and have a look at these "treasures. | But, give me a tinkle on the 'phone first as I am rather a busy Man.'

ONE: Letter. 2pp., 4to. In fair condition, lightly aged. He apologises for the delay in returning 'Purple Dust', explaining that he has only recently learnt 'definitely that the film will claim me until the end of October'. He asks Capur or his secretary 'to call in any time at the Theatrical bookshop in your court - I cannot remember the name of the shop - nor its proprietor except that his first name is Barry. [ i.e.

The six items in fair condition, lightly aged and worn. The four photographs are all in black and white, and all around 12.5 x 9 cm. They show Brock swallowing and spinning swords, and balancing a microphone stand on his chin. The letter is dated 9 March 1969, and on his red and black letterhead ('New! Novel! Sensational! | Juggling Swords Balancing & Spinning Knives Illuminated Clubs'). It concerns the purchase of 'some old pro Photoes [sic] in JIMMY LYNTONS fit up article'. The pamphlet is a thin 12mo bifolium, with a drawing of Brock doing his act.

9pp., folio. On five leaves of aged and worn paper. Heavily reworked, with numerous deletions and additions. Headed 'The Confessions of A [amended from 'The'] Suspicious Gentleman. | by Lord Nugent'. The present short story was first published in 'The Musical Bijou' for 1830, and was reprinted in 'The Polar Star' (abridged) and 'New York Mirror', before being collected in an anthology by Nugent and his Wife, 'Legends of the Library at Lilies, by the Lord and Lady there' (London: Longman, 1832), pp.51-91.

On 2.5 x 6.5 slip of paper cut from the end of a letter. Laid down on a small piece of black card. In good condition, lightly aged. In a small tight hand. Reads 'Very truly yours | M. O. W. Oliphant'. With cutting of part of an article. featurinng a photograph of the novelist.

The collection is in fair condition, lightly aged and worn. Two of Brock's three Typed Letters Signed are addressed to theatre bookseller Barry Duncan. In one of them, written on 18 March 1969, he writes: 'I have been knocking around for 60 years i think i have played every theatre of note and played with some of the best | but i am getting tired with this club stuff you play a diffrent club every night some time you double them in a night un [sic] packing and packing up. | so i am waiting for GALAS one show a day will do me'. The third letter is to 'Jimmy', i.e.

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court.

1p., 12mo. In good condition, lightly aged. Illustrated letterhead, printed in gold, red, blue and purple. Writing on behalf of his wife as well as himself, he explains that 'absence from England will prevent them accepting the kind invitation of Ms. Harrison Blair for Easter Sunday'.

ONE: Autograph family reminiscences by Rosa Mary George (née Grossmith). 19 pp., 12mo. Rough pencil notes, on ruled pages torn from a notebook. Seventeen pages on George Grossmith junior, with a page apiece on 'His Father' and 'His Uncle'. TWO: The two letters, totalling 9pp., 12mo. In fair condition, on lightly-aged paper.