CONVERSATION

See his entry in the Oxford DNB. Unsigned, but in Lynd’s hand and from the Lynd family papers. 6pp, 4to, on six leaves of ruled paper, twenty-six lines to a page. In fair condition, lightly aged, with dog-eared corners. Lynd’s handwriting is execrable, and he employs a number of abbreviations of common words, such as ‘and’, ‘the’, ‘of’. Begins: ‘[...] found expression in literature. / As I have suggested, however, it is in the art of conversation rather than the art of literature that the Irish comic spirit has found its fullest expression.

36pp., 4to. Stapled pamphlet. Aged and worn. Pencil annotations throughout. Four-page 'Foreword' by 'Philip Sassoon', followed by four-page 'Short Biography of Painters and Index Numbers'. The twenty-three page catalogue (with marginal pencil annotations) features 152 items, and is followed by a three-page 'Index to Exhibitors'. Loosely inserted is a duplicated typescript (1p., 12mo), giving the address, opening times, and prices. John Zoffany is well represented.

2pp., 4to. In good condition, on aged paper, with traces of mount at head. The Earl and his brother loathed one another. FitzHardinge was a notorious philanderer, and Berkeley - whose violent behaviour included assaulting the bookseller Fraser and duelling with Maginn - held his position as a Member of Parliament to spite him. The letter begins: 'Sir. | You have published a letter from Mr.

12mo, 2 pp. Good, on aged paper. A formal letter in the third person. Windham 'is almost ashamed' of sending Sharpe 'anything so trifling as what accompanies this note'. His justification for doing so is the 'wish of having his opinions stated with tolerable correctness on a subject to which Mr Sharpe, as a matter of some interest at the moment, may happen in some degree to have turned his thoughts.' Sharp's name was often misspelt by contemporaries, and he is listed in the index to the online Oxford DNB as 'also known as Sharpe, Richard'.