NINETEENTH

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

One of the great figures in world history. See his entries in Encyclopaedia Britannica and the Oxford DNB. On one side of piece of laid paper rougly 11 cm squarer, with partial watermark ‘J G’. In fair condition, lightly aged and creased, with traces of mount on blank reverse. Folded twice. Reads: ‘London March 7 1842 / F M The Duke of Wellington presents his Compliments to Miss Busby / Not being resident at Oxford he has no Controul [sic] over any matter relating to the Bodleian Library. / Miss Busby should apply to the Vice Chancellor.

See his entry in the Oxford DNB. Lightly aged and worn. With central horizontal and vertical crease for postage, each quarter with double pinholes at the centre (from attachment of an enclosure?). Signature unaffected (it starts close to vertical crease). Reads: 'Dear Mrs. Lord / With the greatest pleasure - and with ten thousand apologies. I thought I had answered long ago. But letters lie in heaps in my tray & on my table - everywhere! and I carry them about in bags labelled carefully Unanswered until I dare no longer look inside.

See his entry in the Oxford DNB: ‘In the 1840s Peto had thirty-three railway contracts worth £20 million, the largest number held in the kingdom; according to Brunel he was the largest contractor in the world.’ 2pp, 12mo. In good condition, lightly aged. Folded three times. Begins: ‘Sir Morton Peto presents his Compliments to Lady Hooker and begs to acknowledge the receipt of her not of the 9th. Inst. on his return from the Continent’. He regrets that ‘it will not be in his power to assist the Case of Dr.

See his entry in the Oxford DNB. In fair condition, aged and worn, with slight loss to two of the corners, and a trace of paper from the mount adhering on the reverse. Addressed to 'Jas Thomson Esq'. Reads: 'Dear Sir / I have forwarded your list of names to the Land Tax Office / & remain Dear Sir / faithfully Yours / Richd Cobden'. Pencil note, in a contemporary hand, at the foot of the letter: 'The Great Anti Corn Law man. / Mr. Thompson [sic] to whom it was written was proposed by Cobden & seconded by Bright, of the Free Trade Club. A Club in St. James Square, London, of 400 or 500 members.

See her entry in Grove. The letter can be dated by the reference to Sir William Mitchell (see Oxford DNB) and the operetta 'The Rival Beauties', which he produced in London and then Plymouth. The letter is on one side of the paper, has been cut down to 11 x 9 cm, and laid down on a piece of card. Aged and worn, with slight loss at top right, affecting one word of text. Thirteen lines of close and neatly-written text, addressed to ‘Dearest Mrs. Sprague’ and signed ‘Yours affectionately, / Erminia Rudersdorff’, with a little of the flourish beneath the signature cut away.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. Sixty-one lines of text in Pusey’s distinctive minuscule (and not always easily decipherable) hand. Aged and worn. The item has been repaired after damp damage, with the second leaf laid down on a piece of thick paper. Loss of a few words of text. Pusey begins by stating that his pamphlet ‘God’s Prohibition of the Marriage with a Deceased Wife’s Sister’ (1860), which he believes is out of print, is ‘more readable than the longer book’ (‘Marriage with a Deceased Wife’s Sister’, 1849), of whose ‘very heavy form’ he gives a description.

[7] + 243pp., 8vo. On aged paper, with slight damage at top edge of first few leaves; in heavily-worn binding with blind-stamped decoration; corner torn away from front free endpaper, and glue spots to front pastedown. Described in an advertisement by the publisher in The Times, 16 July 1897, as 'A SOCIAL SATIRE.' Six copies on COPAC, but now a scarce item. Note: In Pantalas Mr. Jenkins is at his best.

See his brothers’ entries in the Oxford DNB. 4pp, 12mo. Bifolium. Folded once. In good condition, lightly aged, with slight rust spotting at head of last page. Erroneous attribution to Earl Brassey in small type at the head of the first page. Addressed to ‘B. Hobbie Esq’ and signed ‘Albert Brassey’. He doubts whether you will be able to attend the public meeting at Oxford on 28 May.

See his entry in the Oxford DNB. On 6 x 3.5 cm slip of paper, cut from letter. Reads ‘Yours very truly, / David Masson.’ Laid down on piece of 16mo paper, beneath oval photographic portrait of Masson cut from magazine. Biographical details typed at head of page. In good condition, lightly aged. Seee Image

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

See his entry, and that of his fellow Academician Horsley, in the Oxford DNB. 1p, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘A Waterhouse’. Reads: ‘Dear Horsley. / You are quite right. No “mystery” between us if you please. / I say “yes” to your query to the extent of 2 guineas. / I hope you will soon gain the sum you desire without any great trouble to yourself’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In fair condition, with slight wear at top left-hand corner of second leaf (not affecting text). Biographical details added in small type at head of first page. Addressed to ‘The Honbl Spencer Ponsonby’ and signed ‘Alaric A. Watts.’ Begins: ‘Dear Sir / May I trespass so far upon your kindness as to ask you to place the enclosed letter [not present] to Lord Clarendon. It is on the subject of the London Library of which his Lordship is the President’.

An interesting item occupying the zone in which French connoisseurship and literature overlap. In 1880 - three years before the present item - Maurice Mauris (Marchese di Calenzano) described a visit to Dumas fils’s Paris house in Rue de Villers. ‘The walls above the library are enriched with a priceless collection of paintings, modern and antique. Diaz, Fortuny, Marchal, Vernet, Delacroix are there seen at their best. Dumas generally presents himself with a new painting after he has presented a new book to the public.

ay is said to have preached nearly a thousand sermons before the age of twenty-one. On 11 x 8.5 cm piece of paper. In fair condition, lightly aged and worn, but with patches of sunning. At the head of the page is the order for the books, presumably in Godwin's hand: 'A Volume of Crabbe's Works - to bind / 2 Vols to match it'. Beneath this is Jay's heavily-inked response: 'Will Mr Godwin leave the ordering of the binding till I see him? / Wm Jay'. Scan on application.

See his entry in the Oxford DNB. On 12 x 5 cm piece of paper, cut from letter for an autograph hunter. In good condition, lightly aged. On one side: ‘With much esteem, / Believe me, my dear Sir / Yours ever Sincerely / W Morley Punshon’. On the other side: ‘[...] desire, of every part of the service but the Sermon & while we would not on [...]’ Annotated in pencil: ‘An eminent Wesleyan minister not long dead’. Scan on application.

See his entry in the Oxford DNB. On 10 x 7 cm piece of paper, cut down from letterhead. In good condition, lightly aged, with pin holes at top left. Clearly sent in response to a request for an autograph. Reads: 'Yours very truly / W. W. Jacobs'. See scan

See W. Moister, ‘A History of Wesleyan Missions in all Parts of the World’ (1871). Each item 4pp, 12mo bifolium. All three with engraved illustration on first page, which has a drophead title. The three are worn and discoloured, with loss of text in caption in Item One (see below), and the first two items with cover illustrations crudely hand-coloured. ONE: No. LXXII, June 1838. Mostly consisting of ‘An appeal to the sympathy of the Christian public, on behalf of the cannibal Fejeeans’.

Anderson spent six years in England in the 1880s, acting to much acclaim at venues including the Shakespeare Memorial Theatre in Stratford-on-Avon. In 1887 she was the first actress to take on both roles of Perdita and Hermione at once in the Winter’s Tale. On 14 x 9 cm postcard, addressed (by the recipient) to ‘Norman Wetton / 7, Claremont Road, / Forest Gate, / Essex.’ Slightly grubby and worn, but in fare condition overall. On the blank side she writes: ‘Broadway / Worc / Mary Anderson de Navarro / Auto Graph only’. Scan on application

See his entry in the Oxford DNB. On 11 x 7 cm panel cut from the cover of the envelope. In good condition, lightly aged, laid down on brown paper cut from album. The intial ‘C’ of the Duke’s name curls under the rest of the signature with a loop, and with end of flourish possibly trimmed in cutting the panel. (Comparison with other examples of the future king’s signature as Duke of Clarence indicate that whatever loss there may be would be minimal.) Laid out in the customary fashion. Reads: ‘Bushy. December twenty third 1827 / Mrs: Skelton / Sandridge Lodge / St: Alban’s / Street’.

See his entry in the Oxford DNB. ONE: Five engravings from the ‘Comic Alphabet’. All about 8 x 12 cm. Uncoloured. Originally part of a long single piece of paper, fan-folded. In good condition, lightly aged. Two laid down on pieces of grey paper (cut from an album).

An attractive collection, by an unidentified artist, on uniform pieces of waxed or oiled cloth, cut to 10 cm squares with rounded edges. Each illustration features a different butterfly or moth, arranged with a different single leaf. Very nicely executed, in a wide range of colours, and suitable for display. Seen to their full advantage with a light source behind them. See Scan.

See his entry in the Oxford DNB. A 10 x 3 cm slip of paper, cut from the end of a letter in response to a request for an autograph. In good condition, lightly aged. Reads: ‘Yours Sincerely / Percy Scott’. Beneath this, in contemporary hand, in pencil: ‘Admiral Sir Percy Scott (Terrible)’.

On 14 x 9 cm plain printed postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forest Gate / Essex’. On the plain side of the card she writes: ‘With pleasure here is the sign-manual of your’s [sic] faithfully / John Strange Winter. / (Henrietta. E. V. Stannard.) / Aug 24. 1905 -’.

See his entry in the Dictionary of Irish Biography. On 7 x 4 cm piece of paper. In good condition, with slight discoloration. In O’Connell’s distinctive fine-nibbed hand reads: ‘Ever yours, / most sincerely / Daniel O’Connell’. The ‘C’ of ‘O’Connell’ extends downwards, and this flourish is very slightly cropped beneath the usual a loop.

Manby’s entry in the Oxford DNB states that ‘His interests ranged beyond the engineering world, and for many years he was involved in the management of the Adelphi and Haymarket theatres.’ Manuscript copy letter. 2pp, 4to. Thirty-three lines of neat text. Addressed to ‘Frederick Hodgson Esqre. M.P.’ Ends: ‘I am Dear Sir / Your very faithfully / Charles Manby’.On first leaf of bifolium. Reverse of second leaf docketted: ‘Copy C Manby to F Hodgson Esqr / Scarbro - Novr 8. 1841’ (the letter does not contain any reference to Scarborough). In fair condition, creased and lightly aged. Folded once.

On one side of 31 x 21 cm. A frail survival, worn, aged and with closed tears, with the backing damaged and stained. Text clear and entire in Greek key border. Blind stamp of Cardinal Zurla at bottom left. Signed by 'J. Patr. Constantinop. Vicesgs.' and by the scribe who completed the printed document in manuscript. Somewhat crudely printed, with Zurla's arms at the head. Headed: 'D. PLACIDUS ORDINIS S. BENEDICTI / CONGREGATIONIS CAMALDULENSIS / TITULI S. CRUCIS IN JERUSALEM S. R. E.

See his entry in Encyclopedia Britannica, 11th ed. The four items are in good condition, on lightly-aged paper. Each letter signed ‘Gotthard Lechler’. A total of 200 lines of closely-written text, on 11pp, 8vo, and on three bifoliums and a single leaf. ONE (20 May 1882): Addressed to ‘Lieber Freund!’ 3pp, 8vo. 44 lines. 3pp, 8vo. TWO (14 November 1882): Addressed to ‘Verehrter Freund!’ 2pp, 8vo. 42 lines. THREE (23 July 1883): Addressed to ‘Verehrter, geliebter Freund!’ 4pp, 8vo. 83 lines. FOUR (14 August 1883): ‘Lieber und verehter Freund!’ 2pp, 8vo. 31 lines. See scans of sample letter.

See his entry in the Oxford DNB. Both items are in good condition, and each folded once. The second carries the merest trace of grey paper from a mount at one corner. ONE: To E. B. Nicholson, 3 November 1881. 2pp, 12mo. On first leaf of bifolium. Nicholson’s letter has been forwarded to him ‘here in my country house, where I am for a few days’. It is out of his power ‘to promise any assistance to your proposed Magazine.

See his entry in the Oxford DNB. Both items are in good condition, and each folded once. The second carries the merest trace of grey paper from a mount at one corner. ONE: To E. B. Nicholson, 3 November 1881. 2pp, 12mo. On first leaf of bifolium. Nicholson’s letter has been forwarded to him ‘here in my country house, where I am for a few days’. It is out of his power ‘to promise any assistance to your proposed Magazine.